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Conté

Conté crayons are hard, square-shaped drawing sticks made from a compressed mixture of powdered graphite or pigments with clay, developed by French chemist and artist Nicolas-Jacques Conté in 1795 as a response to a graphite shortage during the French Revolutionary Wars.^[1] These crayons produce smooth, dense lines that are less friable than charcoal or pastels, making them ideal for detailed sketching and artistic studies.^[2] The invention stemmed from Britain's naval blockade of France, which restricted imports of pure graphite used in traditional pencils and drawing tools.^[3] Conté, serving as an officer and chemist in Napoleon's army, devised a method of mixing powdered graphite with kaolin clay in varying proportions to control hardness, then molding the mixture into rods and firing them in a kiln—a process that remains the basis for modern pencil leads and Conté sticks.^[3] Originally focused on black graphite-based versions, the medium later incorporated pigments such as lampblack, sepia, sanguine, or white chalk, sometimes with added waxy or greasy binders for texture.^[1]^[2] Widely adopted in the 19th century, Conté crayons became a staple for artists seeking precision and durability in their work, with lines that can be smudged or blended but often require fixative to prevent abrasion and smearing.^[1] Notable users included Jean-François Millet, whose drawings like those in the Museum of Fine Arts collection demonstrate the medium's capacity for rich tonal effects.^[1] Today, under the brand Conté à Paris, the crayons continue to be produced in multiple grades of hardness and colors, serving both professional artists and students for figure drawing, landscapes, and preparatory sketches.^[1]

Invention and History

Background and Graphite Shortage

During the late 18th century, France depended on graphite imports from England, primarily from the high-quality deposits near Keswick in the Lake District, to manufacture pencils essential for sketching, drawing, and technical drafting by artists, engineers, and military personnel.^[3] These imports were critical, as native French sources of pure graphite were limited and insufficient for widespread use in producing the dark, reliable marks needed for precise work.^[4] The onset of the French Revolutionary Wars in 1793, which evolved into the broader Napoleonic Wars (1793–1815), imposed a stringent British naval blockade on French ports, effectively halting the flow of graphite and other goods from Britain.^[5] This blockade created an acute shortage, disrupting artistic practices and military operations alike, where draftsmen relied on pencils for mapping, fortifications, and strategic illustrations—capabilities vital to France's war efforts.^[3] French artists and professionals faced dwindling supplies, forcing improvisation with inferior alternatives that compromised quality and efficiency.^[4] In 1795, amid escalating economic pressures from the blockade, the French Minister of War, Lazare Carnot, urgently commissioned the development of domestic substitutes for graphite to safeguard military and civilian drafting needs.^[6] This governmental directive spurred innovation, culminating in a patented solution in 1795 that addressed the crisis by enabling production without foreign imports.^[7] Nicolas-Jacques Conté, tasked with the challenge, devised a viable alternative that preserved France's self-sufficiency in drawing materials during wartime.^[3]

Nicolas-Jacques Conté and Development

Nicolas-Jacques Conté was born on August 4, 1755, in Saint-Céneri-près-Sées (now Aunou-sur-Orne), Normandy, and trained as a painter while self-educating in chemistry and physics.^[8]^[9] He demonstrated early mechanical aptitude, working as a skilled machinist before the French Revolution disrupted his artistic pursuits.^[10] In 1793, amid the Revolution's turmoil, Conté joined the French army as a captain in the newly formed Aerostatic Corps, leveraging his expertise in ballooning to advance military aeronautics.^[11] Conté's multifaceted talents in chemistry, invention, and engineering proved invaluable during the French Revolution, where he contributed to hydrogen production improvements for balloons and other wartime innovations under figures like Gaspard Monge.^[12] His work in the Aerostatic Corps focused on refining balloon designs and materials for reconnaissance, marking the first significant military application of aircraft.^[11] This period honed his inventive skills, positioning him to address pressing resource challenges as France faced embargoes in the escalating Napoleonic Wars.^[3] Facing a severe graphite shortage due to British naval blockades that cut off imports of pure graphite from Cumberland, Conté was tasked by the revolutionary government to develop a substitute for drawing materials essential to military cartography.^[3] Through experimentation, he devised a process of finely powdering available graphite, mixing it with clay and other binders to form a paste, shaping it into hard sticks, and firing the rods in kilns to bind the materials durably.^[8] His initial efforts concentrated on creating a black, graphite-based version suitable for precise sketching, yielding a versatile tool that mimicked natural graphite's properties while allowing control over hardness through binder proportions.^[10] In 1795, Conté received a patent from the French Committee of Public Safety for his invention, enabling immediate production at a facility he established in Paris to supply the army with these new drawing sticks for mapping, engineering, and topographic work.^[3] The Conté sticks quickly proved indispensable for military applications, supporting France's wartime efforts by providing a reliable, domestically producible alternative to imported supplies.^[10] Conté continued refining his inventions until his death on December 6, 1805, in Paris, shortly after founding his manufacturing enterprise, which perpetuated his contributions to drawing materials.^[10]

Composition and Manufacture

Materials and Formulation

Conté crayons are primarily composed of powdered graphite for black variants, combined with kaolin clay as the key binder to provide structure and durability. This mixture allows the crayons to achieve a stick form similar to pencil leads, offering greater resistance to breakage than pure graphite while maintaining mark-making capabilities. For darker tones, charcoal powder may be incorporated in place of or alongside graphite, enhancing depth without excessive smudging.^[13]^[2] The formulation relies on variable ratios of graphite (or pigment) to clay, with higher clay content producing harder, more precise sticks suitable for detailed work, while increased graphite yields softer, darker results. Exact historical ratios remain undisclosed due to proprietary methods developed during their invention in 1795, but the clay's binding properties ensure cohesion and longevity in use. Binders such as cellulose ether are employed in contemporary production to further enhance stability.^[14]^[15] Color variants expand beyond the originals of black and sanguine red, derived from iron oxide, to include whites made with titanium dioxide or chalk for opacity and brightness. These pigments interact with the kaolin base to create a non-greasy texture that resists smearing, contributing to the crayons' versatility across tones while preserving the hardness essential for fine art applications.^[13]^[16]^[14]

Production Techniques

The production of Conté crayons commences with the mixing stage, where pigments and clay are ground into a fine powder and blended with water to form a uniform paste. This process ensures the even distribution of materials, drawing from the foundational technique developed by Nicolas-Jacques Conté for combining graphite and clay in a similar manner.^[17]^[18] The paste is then extruded into sticks, typically in a square carré format measuring about 1/4 inch thick, and allowed to dry at room temperature to maintain structural integrity before further processing.^[19] These formed sticks are subsequently baked in kilns at controlled temperatures to harden the material without degrading the graphite component.^[3]^[5] Established in 1795, Conté's Paris factory employed these methods to supply the French army with drawing and writing tools on a significant scale.^[17]^[20] Quality control in the traditional process includes testing the finished crayons for uniformity of tone across batches and resistance to breakage, ensuring reliability for artistic and practical applications.^[14]

Artistic Applications

Drawing Techniques and Properties

Conté crayons possess a firm, hard texture that enables artists to create precise lines and subtle shading with control, distinguishing them from softer media like charcoal. This hardness results from their composition of pigments mixed with clay and binders, producing minimal dust during use and allowing marks to be easily erased with kneaded erasers for adjustments or highlights.^[13]^[14] Key drawing techniques with Conté crayons include hatching and cross-hatching to build tonal values through parallel or intersecting lines, offering textured areas without excessive buildup. For smoother transitions, artists smudge the marks using fingers, tortillons, or paper stumps to achieve gradients and blended effects, while layering lighter colors over darker tones on prepared surfaces enhances depth through highlights and shadows. These methods leverage the crayon's square shape, where the corner provides fine details, the edge yields linear strokes, and the flat side delivers broad coverage.^[13]^[21]^[22] Conté crayons adhere best to rough-textured papers, such as laid or wove varieties, where the tooth grips the medium for effective layering and blending, though they can also bond to canvas when used in mixed-media applications with proper priming. Their advantages include producing long-lasting, fade-resistant marks suitable for both preparatory sketches and completed drawings, providing versatility across a range of tones from intense blacks to subtle whites. However, they are less blendable than soft pastels, often requiring sharpening or breaking for finer details, which can limit fluidity in certain techniques.^[14]^[21]^[13]

Notable Artists and Works

Georges Seurat extensively employed Conté crayons in his preparatory drawings for major Pointillist compositions, appreciating their ability to achieve precise tonal gradations on textured paper. For instance, his studies for A Sunday Afternoon on the Island of La Grande Jatte (1884–1886), such as the Landscape with Dog (1884) at the British Museum, utilized black Conté crayon to capture atmospheric effects and figure placements along the Seine, allowing Seurat to refine the painting's spatial harmony before applying his dot technique in oil.^[23] Similarly, Seurat's Conté crayon studies from the 1880s, such as L'écho (Echo) (c. 1883–84) at the Yale University Art Gallery, part of preparations for Bathers at Asnières (1884), demonstrate the medium's hardness for delineating form and shadow in outdoor scenes.^[24] Edgar Degas favored Conté crayons for underdrawings in his pastel works, valuing their blend of linear definition and subtle tonality to evoke motion in ballet scenes. His ballet dancer sketches, such as Three Studies of a Dancer (ca. 1880) at the Morgan Library, highlight Conté's role in emphasizing fluid movement through quick, expressive strokes on blue paper, heightened with white chalk for depth.^[25] Odilon Redon incorporated colored Conté crayons into his symbolic works, such as The Eye (c. 1912) at MoMA, where black Conté combined with watercolor evoked dreamlike visions of floating orbs, enhancing the ethereal quality of his Symbolist imagery.^[26] In the 20th century, Henry Moore integrated Conté crayons into his sculptural drawings, using them alongside charcoal to explore organic forms. Works like Ideas for Sculpture (1937) at the Peggy Guggenheim Collection feature Conté crayon to model undulating shapes and voids, bridging his three-dimensional ideas with two-dimensional planning.^[27] Contemporary illustrators have continued this tradition in animation storyboards, where Conté's bold lines and shading suit rapid conceptualization; for example, Tim Burton's storyboards for The Nightmare Before Christmas (1993) employed Conté crayon over graphite to storyboard Jack Skellington's antics, capturing exaggerated gestures efficiently.^[28]

Modern Variants and Legacy

Contemporary Production

Contemporary production of Conté crayons is led by Société des Crayons Conté, a historic French brand now under the ColArt group, with manufacturing facilities in France and China.^[29]^[30] Modern manufacturing involves blending high-quality natural pigments—such as iron oxides, carbon black, and titanium dioxide—with kaolin clay and a cellulose ether binder to ensure consistent color intensity and opacity across 84 shades, including blues and greens like chrome oxide green.^[31]^[32]^[14] The mixture is processed into square sticks measuring approximately 6 mm by 63 mm, suitable for both student and professional use, through industrial methods that maintain the crayons' hardness and adhesive qualities compared to softer pastels.^[19]^[33] These crayons are packaged in protective matchbox-style containers or plastic boxes, often in sets of 4, 12, 18, or 48 sticks, providing convenient storage with sponge inserts to prevent breakage.^[19]^[34] They are widely available through reputable art suppliers like Dick Blick Art Materials and Amazon, with set prices typically ranging from $10 to $25 as of 2025 depending on size and color assortment.^[35]^[36] In line with broader industry trends, Conté crayons feature non-toxic formulations, utilizing safe binders and pigments that comply with safety standards for artists.^[37] ColArt, as the parent company, emphasizes sustainability through initiatives like reducing substances of very high concern (SVHC) levels and waste management practices, as outlined in its 2024/25 Impact Report, which includes Net Zero decarbonisation plans validated by the Science Based Targets initiative (SBTi).^[38] Conté crayons have played a pivotal role in art education since the 19th century, becoming a standard medium in academies for figure drawing due to their ability to produce precise lines and tonal gradations on various surfaces.^[2] Invented in 1795 as a durable alternative to fragile pastels, they were quickly adopted in French ateliers for preliminary sketches and anatomical studies, allowing students to explore form and light without the smudging issues of charcoal.^[39] In contemporary curricula, Conté crayons remain essential for value studies, where artists layer tones to build depth, as seen in programs emphasizing traditional techniques at institutions like the School of the Art Institute of Chicago.^[40] The medium's versatility in achieving subtle tonal transitions contributed to its influence on key artistic movements, enabling the tonal realism favored in Realism through expressive shading and atmospheric effects.^[41] Widely used by artists of the 19th century, including during the Impressionist period for preparatory drawings.^[39] As a precursor to modern graphite sticks, Conté crayons introduced a controlled, non-dusting alternative for bold mark-making, paving the way for uncompressed graphite tools used today in expressive drawing.^[42] In related media, Conté crayons evolved into encased versions known as Conté pencils, which encased the clay-graphite mixture in wood for portability and precision, expanding their use beyond loose sketching.^[39] Their formulation of pigments bound with clay also inspired early colored pencil developments, where similar binders allowed for vibrant, blendable hues in dry media.^[1] Culturally, Conté crayon works feature prominently in museum collections, including drawings at the Louvre that demonstrate their enduring archival quality.^[43] In modern contexts, the medium's textured marks have seen revival through digital scanning techniques, where artists emulate its gritty blend in software to replicate traditional effects in graphic design and animation.^[22] A parallel legacy stems from Conté's 1795 invention of the modern pencil, which standardized graded leads by varying clay-to-graphite ratios—resulting in scales like HB and 2B that denote hardness and darkness for consistent artistic output.^[44]^[45] This innovation democratized drawing tools, influencing global art practices far beyond the crayons themselves.^[46]

References

[1]
Conte crayon - CAMEO
Aug 7, 2020 · A former brand name for a hard, square-shaped, drawing stick. Conté crayons were developed by Nicholas Jacques Conté just before the turn of the 19th century.
[2]
Drawing Materials - Clark Art Institute
Invented by Nicolas-Jacques Conté (1755–1805), this drawing crayon creates smooth, dense lines. Conté crayons are fabricated from a compressed mixture of ...
[3]
Nicholas Jacques Conté Invents Modern Pencil Lead
An officer in Napoleon's army, discovered a method of mixing powdered graphite with clay and forming the mixture into rods that were fired in a kiln.
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The Write Stuff: How the Humble Pencil Conquered the World
Aug 16, 2016 · Conté's pencil was patented in 1795. While England's pure-graphite pencils were still popular, Conté's pencils would become the ideal design for ...
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Conté's Machines: Drawing, Atmosphere, Erasure | Oxford Art Journal
Aug 2, 2016 · Faced with the naval blockade that prevented the import of graphite from England, Nadar writes: 'Conté, on his first encounter with our ...
[6]
Conte engraving machine speeds up illustrations - Simanaitis Says
Jun 6, 2020 · It was Lazare Carnot who directed Conté to formulate a substitute for plumbago. Others had tried, but Conté succeeded by mixing clay with ...
[7]
Surprising French inventions from France we use every day & their
In 1795, a Mathematician, physicist and politician named Lazare Nicolas Marguerite Carnot commissioned Nicholas Jacques Conté to find a solution for producing ...<|control11|><|separator|>
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On This Day – Aug 04 : Nicolas-Jacques Conté born - RSC Education
He developed a method for making pencil leads, by mixing powdered graphite with clay and firing the mixture in a kiln. This method is still used to make ...
[9]
Nicolas-Jacques Conté - Linda Hall Library
Aug 4, 2015 · Nicolas-Jacques Conté, a French inventor and engineer, was born Aug. 4, 1755. Conté was a member of the scientific corps of Napoleon's expedition to Egypt, ...Missing: death crayon Revolution 1795
[10]
Aerostatic Observation and the Emergence of Militarised Aeromobility
L'Entreprenant was created when the first aerostatic corps was formed in 1793 by two scientists, Jean Marie Joseph Coutelle and Nicolas Jacques Conté.
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https://academic.oup.com/book/4461/chapter/146490614
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Drawing for Beginners | Learning to Draw - Artists Network
Conté crayons are made of powdered graphite or charcoal mixed with clay. The sanguine color comes from iron oxide (or rust); white Conté crayons are made with ...
[13]
A Close-up of Conte a Paris Crayons - what you need to know
Jul 21, 2017 · Conte a Paris Crayons are manufactured with natural pigments (iron oxide, carbon black, titanium oxide), clay (kaolin), and a binder (cellulose ...
[14]
Graphite - The Metropolitan Museum of Art
May 1, 2020 · Today's pencils are remarkably similar to Conté's original recipe and design, in which the mixture is extruded into long rods (commonly referred ...
[15]
BPG Inpainting - MediaWiki - Conservation Wiki
Jul 14, 2025 · Colored pigments or dyes appear to be added to obtain various shades of greys. Sanguine crayons have a kaolin base containing red iron oxide ( ...
[16]
Trace The Remarkable History Of The Humble Pencil - NPR
Oct 11, 2016 · Conté ground up impure, low-quality graphite, mixed it with wet clay, shaped the mixture into rods and then baked them. The result: passable ...
[17]
https://www.npr.org/sections/ed/2016/10/11/492999969/origin-of-pencil-lead
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https://myartshop.co.za/conte-a-paris-laugh-in-the-face-of-dull-pencils/
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Conté à Paris - Colart
Conté à Paris is the French brand expert in pencils and pastels since 1795. Chosen by the greatest masters, by students of fine art and by amateur artists.
[20]
Conte Crayon Drawings: History, Types - Visual Arts Cork
Invented by the Frenchman Nicolas-Jacques Conte, the same man who invented the modern lead pencil in the 18th century, conte crayons - a popular medium for ...
[21]
How to draw with pastels and Conté crayons | Creative Bloq
Jun 17, 2023 · Here I will be using limited colour to capture the energy and texture of natural forms by changing my mark making and feeling for the flow of line.
[22]
drawing | British Museum
Object Type: drawing · Museum number: 1968,0210.17 · Description: Landscape with dog: study for 'La Grande Jatte', 1884. Conté crayon · Producer name: Drawn by: ...
[23]
Georges Seurat, Study for “Bathers at Asnières,” 1883 - Nelson Atkins
The Nelson-Atkins sketch is one of thirteen oil panels and ten Conté crayon drawings made in preparation for the artist's first major work, Bathers at Asnières ...
[24]
Drawing Like Degas - Artists Network
Degas was a serious and incessant experimenter, using a wide variety of drawing tools and media, including graphite, chalk, Conte crayons, charcoal and pastel ( ...
[25]
Degas: Drawings and Sketchbooks at The Morgan Library & Museum
Sep 24, 2010 · Edgar Degas Three Studies of a Dancer, ca. 1880 black chalk, Conté crayon (?), and pink chalk, heightened with white chalk, on blue paper ...
[26]
Chapter 6: The Nineteenth Century I | History of Drawing
Ingres extolled line and defended the supremacy of drawing—especially in the face of Romantic artists who championed light and color ...
[27]
Odilon Redon. The Eye. (c. 1912) - MoMA
Odilon Redon. The Eye. (c. 1912). Watercolor, gouache, and conté crayon on paper. 10 x 7" (25.4 x 17.7 cm). Gift of The Ian Woodner Family Collection.
[28]
Untitled | Work of art - Peggy Guggenheim Collection
Artist, Henry Moore ; Date, 1937 ; Medium, Watercolor, charcoal, graphite, and conté crayon on paper ; Dimensions, 38 x 56 cm ; Credit line, Peggy Guggenheim ...
[29]
Tim Burton's The Nightmare Before Christmas Original Storyboard Art
... storyboard was rendered in graphite and Conté crayon on 8" x 5.5" paper. These impressive storyboards showing Jack "bonking" his head would be a nice ...
[30]
Colart - Wikipedia
The Colart Group has ten production facilities based in the UK, France, and China. ... Conté à Paris – Specialised in pencils and crayons. Established in ...
[31]
Conte a Paris : Carres : Colour Crayon : Flesh (Caucasian) 48
In stock Rating 4.9 (18) Spec ; China · 3013645003036 · Colart France SAS, 5 Rue René Panhard, Le Mans, Nord, 72000, France, r.enquiries@colart.co.uk · Colart France, Zone Industrielle Nord ...
[32]
Conté à Paris Colored Crayons Set with 12 Assorted Portrait Colors
The artists can produce flat areas by using the flat of the crayon to create the values; Country Of Origin: China. See more. Product specifications. Features ...Missing: France | Show results with:France
[33]
Conte Crayons - Pastels & Crayons - Drawing - YourArtSupplies
Free deliveryThey are now manufactured using natural pigments (iron oxides, carbon black, titanium dioxide), clay (kaolin), and a binder (cellulose ether). Conté crayons are ...Missing: Société ColArt
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Conte / Colart - Guild Art Supply
PRODUCT. Conte Sketching Crayon Pack, New UPC, 2/Pkg, Sanguine 18th Century (2451). $5.59. PRODUCT. CONTE COLOUR CRAYON CHROME OXIDE GREEN.
[35]
Conté à Paris : Carres : Sketching Crayons - Jackson's Art
Rating 5.0 (5) · 3-day delivery · 60-day returnsSticks are 63 x 6mm. Their opacity means they give good coverage on dark papers. Conté Sketching Carres crayons include a range of famous red-brown Sanguine ...
[36]
Conté à Paris Conte Carres Crayons - 48 Assorted Colours
Features & Specs. Writing Instrument Form, Crayon. Ink Color, Multicolor. Drill Point, Flat. Additional Features, Square shape. Line Size, 6mm. Hand Orientation ...
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Conte Assorted Crayons, 48 Pack - Amazon.com
30-day returnsConte crayons are the highest quality crayons. Smooth, hard pastel artist sketching crayon that is rich in pigment. Sticks are ¼-Inch square by 2 -1/2-Inch ...
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Colart is always looking at ways to remove toxic substances from our products, without impacting the properties of the paint. We are reducing SVHCs (Substances ...Missing: Conté binders
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Sustainability - Colart
Colart is a Certified B Corp, with sustainability targets achieved through three workstreams, and has a zero-tolerance approach to modern slavery.Missing: crayons toxic binders recycling
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https://www.jstor.org/stable/3190944
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Session 3, Figure Drawing - SAIC Continuing Education
With a shared emphasis on traditional and non-traditional drawing techniques, students experiment with various wet and dry materials, including charcoal, conte ...
[44]
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Oct 1, 2004 · Rejecting the idealized classicism of academic art and the exotic themes of Romanticism, Realism was based on direct observation of the modern world.
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They date back to the period of 100 B.C.-300 A.D. when the Hellenistic influence was strong there. Looking at these Fayyum portraits, we can see why.Missing: education | Show results with:education
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Le noeud noir - Louvre site des collections
Sep 6, 2021 · Description. Object name/Title: Le noeud noir ; Physical characteristics · Materials and techniques: crayon Conté ; History · Acquisition date: 1989 ...
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The Surprising History of the Pencil - The Marginalian
Jun 24, 2013 · The modern pencil was invented in 1795 by Nicholas-Jacques Conte, a scientist serving in the army of Napoleon Bonaparte.
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Pencil Grades - The Pencil Pages
The process, known as the Conté Process, involves the mixing of finely powdered graphite with finely ground clay particles and shaping and baking the mixture.
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C&EN: WHAT'S THAT STUFF? - PENCILS & PENCIL LEAD
In 1795, French chemist and Napoléon courtier Nicolas-Jacques Conté invented a process to mix graphite with clay and water, a process that is still used.<|control11|><|separator|>