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...And Then You'll Beg

...And Then You'll Beg is the fourth studio by Canadian band , released on October 31, 2000, by . It marks the recording debut of Alex Auburn and is the final full-length release to feature vocalist Mike DiSalvo, who departed the band in 2001. The album comprises nine tracks noted for their aggressive intensity, complex guitar arrangements, and relentless beats, clocking in at a total runtime of 39 minutes. Featuring a lineup of Mike DiSalvo on lead vocals, Jon Levasseur and Alex Auburn on guitars, Eric Langlois on bass, and on drums and backing vocals, the record was recorded and mixed at Victor Studio in during the summer of 2000, with mastering handled at Lacquer Channel in . The album's production delivers a raw, visceral sound that highlights the band's superhuman playing ability and relentless songwriting. Upon release, ...And Then You'll Beg was acclaimed by critics for its instrumental excellence and technical sophistication, often cited as a pinnacle of the band's early work, though DiSalvo's high-pitched, vocal style divided listeners. Over the years, the has achieved cult status among fans, with reissues on and maintaining its availability.

Background and production

Background

Cryptopsy, originally formed as the band in 1988 before rebranding in 1992, emerged from the , , underground metal scene as a pioneering force in brutal and . Their early studio albums— (1994), (1996), and (1998)—solidified their reputation for intricate, high-speed compositions that blended relentless aggression with complex instrumentation, influencing the evolution of the genre. By the late 1990s, the band had garnered international acclaim through extensive touring, including European dates following the release of , which exposed them to diverse audiences and honed their performance dynamics. ...And Then You'll Beg, released in 2000, marked Cryptopsy's fourth studio album and represented a culmination of their trajectory toward refined technical extremity. Building on the chaotic, unbridled energy of , the album's pre-production phase emphasized a shift to more structured technicality, allowing for greater emphasis on precision amid the band's signature brutality. In 1999, guitarist Miguel Roy was replaced by Alex Auburn due to Roy's legal problems that restricted his ability to tour internationally. The album also signified a pivotal lineup transition, as it was the final Cryptopsy release featuring vocalist Mike DiSalvo, who had joined for Whisper Supremacy and brought a guttural intensity to their sound. DiSalvo departed in 2001, with the announcement made on June 22, 2001, citing unavoidable family obligations that conflicted with the band's touring schedule. This exit ushered in a transitional era for the group, bridging the DiSalvo period with the eventual return of original frontman Lord Worm for their 2005 album Once Was Not.

Recording

The album ...And Then You'll Beg was recorded and mixed at Victor Studio in , , , during the summer of 2000. The record was co-produced by the band and engineer Pierre Rémillard, reflecting the group's active involvement in shaping a more refined sound compared to their prior releases. Rémillard also handled engineering and mixing duties, delivering a production noted for its polished clarity that highlighted the band's technical prowess while maintaining a brutal . During sessions, the team focused on capturing the intricate guitar riffing and relentless blast beats central to Cryptopsy's style, though the final mix drew some critique for its occasionally thin low-end frequencies that could undermine the overall heaviness.

Musical content

Style and composition

...And Then You'll Beg is classified as a album incorporating brutal elements, characterized by complex polyrhythms, rapid tempo shifts, and dual guitar harmonies that emphasize intricate interplay between the instruments. The album's sonic palette prioritizes technical precision and dissonance over traditional melodic structures, aligning with the genre's emphasis on virtuosic execution and rhythmic complexity. A key highlight is Flo Mounier's dynamic performance, featuring spontaneous blast beats, intricate fills, and a balance of precision strikes with explosive energy that drives the album's intensity. Guitarists Alex Auburn and Levasseur deliver riffing that underscores dissonance and technical prowess, with their harmonies creating layered, aggressive textures that avoid overt in favor of chaotic yet controlled aggression. Mounier's drumming complements this by providing rhythmic foundations that allow the guitars room to breathe, fostering a more musical cohesion despite the high-speed execution. The album's structure innovates on the band's earlier, more unhinged approach by organizing songs around progressive builds and dynamic transitions, incorporating occasional clean guitar passages and solos for contrast rather than maintaining unrelenting . These elements, including polyrhythmic variations and mutations, create a sense of controlled in the compositions, blending technical extremity with subtle atmospheric touches like samples and integrations. Spanning 39 minutes across nine tracks, the album sustains high intensity through its pacing, with brief atmospheric interludes providing respite amid the relentless technical assault. This concise runtime amplifies the impact of its progressive structures, ensuring a focused exploration of the band's evolving sound.

Track listing

All tracks are written by Cryptopsy.
No.TitleDuration
1...And Then It Passes5:05
2We Bleed6:18
3Voice of Unreason2:53
4My Prodigal Sun2:15
5Shroud4:05
6Soar and Envision Sore Vision3:29
7Equivalent Equilibrium4:17
8Back to the Worms3:18
9Screams Go Unheard7:20
The total runtime is 39:00.

Release

Release details

...And Then You'll Beg was released on October 31, 2000, by Century Media Records, continuing Cryptopsy's partnership with the label that began with their 1998 album Whisper Supremacy. The initial release was issued in CD format across various international markets, including editions for the UK, US, Europe, Australia, and Japan. Cassette versions were also produced, such as those by Metal Mind Records in Poland and Magic Arts Publishing in Thailand. Subsequent reissues include the 2003 LP by Displeased Records, the 2021 limited-edition ultra clear splatter vinyl by Cosmic Key Creations (limited to 500 copies), the 2022 cassette by Back On Black, and the 2025 deluxe repress (limited to 500 copies in various colored editions) by Cosmic Key Creations. The album became available digitally through platforms like , distributed by Century Media. The was designed by François Quevillon, who handled design, illustration, photography, and artwork, presenting a non-painted, abstract dark aesthetic that departed from the band's prior painted covers.

Promotion and commercial performance

To promote ...And Then You'll Beg, participated in ' promotional samplers, which helped expose the to a wider audience beyond the band's core fanbase. The band supported the release with an extensive tour in 2001 spanning , , , and , featuring packed shows at clubs and festivals that boosted their underground visibility. This included joint performances with acts like , such as a show at L'Amour in on January 13, 2001. Commercially, the album achieved no major chart placements, reflecting its niche status in the scene. Sales were modest, with the record contributing to Cryptopsy's growing through steady underground support rather than breakthrough. Regional performance was stronger in and , where local scenes and tour dates drove higher engagement compared to limited U.S. penetration.

Reception

Critical reception

Upon its release in October 2000, ...And Then You'll Beg received mixed reviews from critics, who praised the album's technical intensity while critiquing its vocal delivery and perceived lack of innovation compared to Cryptopsy's earlier work like . Drummer Flo Mounier's performance was frequently highlighted as a standout, with reviewers lauding his blistering speed and precision as among the fastest in . Guitar riffs and overall instrumental prowess also drew acclaim for their aggressive, intricate brutality, often described as a "blindingly intricate web of grinding metal" that showcased the band's fearless experimentation. User reviews on average 58.5% (as of November 2025), reflecting mixed appreciation for its technical execution despite criticisms of vocals and structure. Criticisms centered on vocalist Mike DiSalvo's style, seen as less dynamic and more hardcore-influenced than predecessors like Lord Worm, resulting in a "lifeless" delivery that failed to match the music's ferocity. Production was another point of contention, often called overly refined and sterile, which some felt diluted the raw brutality in favor of a polished sound. The Metal Crypt's noted repetitive song structures, describing the as "pretty much the same stuff for 39 minutes" with little variety to distinguish tracks, earning it a 3/5 rating. Forum discussions on Ultimate Metal from 2001 echoed this divide, with users praising the aggression and memorable riffs in tracks like "We Bleed" and "Shroud" but questioning the album's overall memorability amid its chaotic technicality. Lollipop Magazine acknowledged the album's brutal enjoyment and strong recording but critiqued it as not living up to hype for extreme technicality, rating it below bands like Vader. Chronicles of Chaos offered a more positive take at 8.5/10, calling it "thoroughly satisfying" for blending elements with grooves, though it addressed complaints of disjointed sections as a deliberate strength. Overall, the consensus positioned the album as a solid effort in but a slight step down from the band's prior innovation.

Legacy and retrospective views

Over time, ...And Then You'll Beg has garnered appreciation within the community as an underrated entry in Cryptopsy's catalog, often praised for its intricate riffs and Mike DiSalvo's intense vocal delivery. Musicians from bands like have highlighted its personal impact, with drummer Spencer Prewitt noting he was "totally blown away" and listened to it intensively for years, while bassist Tobi Morelli described it as mind-blowing and holding a special place in his heart for Canadian . This sentiment echoes broader fan views positioning the album as a complex, exploratory work that rewards repeated listens, though it lingers somewhat in the shadow of earlier releases like . Retrospective assessments reflect a mixed but positive reappraisal, with user-driven platforms assigning it solid scores indicative of enduring respect for its technical ambition. On , the album holds an average rating of 3.02 out of 5 based on 1,589 ratings (as of November 2025), underscoring its consistent appeal among enthusiasts. Reviews on frequently hail it as a "" of brutal, , emphasizing its progressive elements and overlooked complexity despite production critiques. Band members themselves have reflected fondly on its innovation, with drummer calling it a "pretty full album" that exemplifies the origins of , and DiSalvo expressing humility at ongoing discussions of the record decades later. The album's cultural significance is tied to marking the end of Cryptopsy's early chaotic era, as it was the final release featuring DiSalvo's distinctive hardcore-influenced vocals before his departure in 2001, which shifted the band's trajectory toward more progressive territory. In 2021's 20th anniversary retrospectives, it was celebrated as a game-changer that pushed musical boundaries, with guitarist Phlegeton of Wormed crediting as visionaries who forever influenced his approach to extreme music. By 2025, discussions around its 25th anniversary, including band posts and fan forums, further highlighted its pivotal role in the band's , bridging the raw intensity of prior works to later evolutions. In 2025, a limited edition blue smoke vinyl reissue (limited to 500 copies) was released to mark the 25th anniversary. Within Cryptopsy's output, ...And Then You'll Beg is commonly ranked in the mid-tier of their catalog, valued for its role in transitioning from the band's visceral beginnings to more structured progressivism. It has influenced subsequent technical death metal acts by providing a blueprint for intricate compositions and dynamic vocal extremes, as noted by bassist Nicholas McMaster of Krallice, who sees it as foundational for genre evolutions. Guitarist Antonio Freyre of Serocs described it as an "underrated gem full of secrets," reinforcing its lasting, if underappreciated, contributions to the subgenre.

Personnel

Band members

The lineup for ...And Then You'll Beg featured lead vocalist Mike DiSalvo, whose aggressive and versatile vocal style defined the album's intensity; this marked his final recording with Cryptopsy before departing the band in 2001. The dual guitar attack was handled by Jon Levasseur on lead and rhythm guitar and Alex Auburn on rhythm and lead guitar, enabling the album's signature layered, technical riffs and intricate solos in a style consistent with the band's technical death metal approach. Bassist Eric Langlois provided the album's driving low-end foundation, while drummer Flo Mounier delivered the complex, blast-beat-heavy percussion and contributed backing vocals on select tracks to enhance the chaotic vocal layers. This configuration represented the band's core performing ensemble for the recording, with the instrumental lineup—excluding the second guitarist—carrying over intact from the prior album Whisper Supremacy, and no further changes occurring until after the release.
MemberRole
Mike DiSalvoLead vocals
Jon LevasseurLead and rhythm guitar
Alex AuburnRhythm and lead guitar
Eric LangloisBass
Drums, backing vocals (select tracks)

Additional personnel

The album's production was handled by Pierre Rémillard, who served as producer, engineer, and mixer at in during the summer of 2000. Louis Legault assisted with engineering at the same facility. Dave Galea provided technical advising throughout the process. The artwork, including design, illustration, and photography, was created by François Quévillon. Mastering was performed by George Graves at Lacquer Channel in .

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