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AFI's 100 Years...100 Laughs

AFI's 100 Years...100 Laughs is a list compiled by the () in 2000, ranking the 100 funniest American films of all time, selected by more than 1,500 leaders from the film community who voted on a ballot of 500 nominated comedies. The list was revealed during a three-hour television special broadcast on on June 13, 2000, hosted by and featuring clips, interviews, and tributes to celebrate American cinematic humor. The ranking encompasses films across genres and eras, from silent comedies to contemporary works, emphasizing those that have profoundly influenced American laughter and storytelling in cinema. Topping the list is Billy Wilder's (1959), a Prohibition-era farce starring , , and , followed by Dustin Hoffman's cross-dressing comedy (1982) and Stanley Kubrick's satirical (1964). Other notable entries include Woody Allen's (1977) at number four and the Marx Brothers' (1933) at number five, showcasing a blend of , , and that defines the genre's breadth. This AFI initiative, part of its broader "100 Years...100" series honoring milestones in American film, aimed to recognize comedy's enduring role in cultural reflection and entertainment, with the full list serving as a benchmark for film scholars, enthusiasts, and awards considerations. The selection process involved nominations from film artists, critics, and historians, ensuring a diverse representation of comedic excellence from the early 20th century onward.

Background

Overview

AFI's 100 Years...100 Laughs is a list compiled by the (AFI) ranking the 100 funniest American films of all time, selected for their total comedic impact across various genres including , , , and musical comedy. The list was announced on June 13, 2000, during a three-hour television special titled AFI's 100 Years...100 Laughs: America's Funniest Movies, hosted by with guest appearances by comedians such as and . The ranking is limited to feature-length American films that possess significant elements of production within the , emphasizing works that have enduringly shaped the nation's comedic cinematic heritage. As part of the broader celebrating the centennial of American cinema, the special generated notable media coverage and public interest in highlighting comedy's role in film history.

Series Context

The comprises a set of annual ranked lists compiled by the () from 1998 to 2008, designed to honor the centennial of American cinema by recognizing excellence across various aspects of filmmaking. Launched to foster public and expert discourse on the cultural significance of American films, the initiative involved ballots distributed to leaders in the film community, including directors, actors, producers, and critics, resulting in authoritative rankings that reflected collective judgment on cinematic achievements. Produced in partnership with , the series typically culminated in Emmy-nominated or award-winning television specials that broadcast the lists, blending archival footage, celebrity commentary, and countdown formats to engage audiences nationwide. The series evolved progressively, beginning with in 1998, which established the model by selecting the greatest American films overall, followed by 100 Stars in 1999 honoring legendary performers. Subsequent installments expanded thematically to explore diverse elements of film history, such as (2001), (2002), (2003), songs (2004), quotes (2005), musicals and cheers (both 2006), and culminating in the 10 Top 10 genres list in 2008, totaling 13 specials that collectively spotlighted over 1,000 cinematic milestones. This progression allowed the series to broaden its scope beyond general acclaim, incorporating genre-specific and inspirational categories to highlight the multifaceted impact of American movies on culture and society. As the third entry in the series, AFI's 100 Years...100 Laughs (2000) marked a deliberate shift toward humor, emphasizing comedy's role in storytelling and its enduring appeal, while maintaining the expert-voted format that defined the initiative. Airing as a three-hour CBS special in June 2000, it continued the tradition of using television to democratize appreciation, drawing millions of viewers and sparking conversations about the artistry of in .

Selection Process

Nomination Ballot

The nomination phase for AFI's 100 Years...100 Laughs began with the compilation of a ballot featuring 500 American comedy films, selected to represent the breadth of comedic cinema. This initial pool was drawn primarily from AFI's extensive archives and curated with input from film historians, scholars, and industry professionals to ensure a comprehensive overview of influential works. AFI's nomination process emphasized diversity across comedy subgenres, including slapstick, screwball, satire, romantic comedy, and black comedy, to capture the evolution of humor in American filmmaking. The selected films spanned the full history of U.S. cinema up to the year 2000, with a focus on those demonstrating enduring comedic impact, from early silent-era classics like The General (1926) to late-20th-century releases such as Home Alone (1990). This approach allowed for inclusion of works from various production eras, highlighting both pioneering innovations and culturally resonant narratives. The purpose of this expansive ballot was to establish a representative foundation for subsequent evaluation, promoting inclusivity across decades and styles while prioritizing films with lasting legacy in evoking laughter and shaping the genre. By drawing on expert consensus rather than public input at this stage, aimed to create a balanced starting point that reflected scholarly and professional perspectives on comedic excellence.

Jury and Criteria

The jury for AFI's 100 Years...100 Laughs was composed of over 1,500 leaders from the American film community, encompassing directors, actors, producers, screenwriters, editors, cinematographers, critics, historians, and film executives. This diverse panel was selected to represent a broad spectrum of expertise in , ensuring a comprehensive assessment of comedic contributions to American film. Jurors evaluated nominees according to three primary criteria. First, films had to be feature-length works in a format, typically exceeding in duration. Second, they qualified as American films if produced in the with substantial creative or financial elements originating from the . Third, the defining standard was "funny," measured by the film's total comedic impact in provoking laughter, irrespective of genre or historical period. These guidelines placed particular emphasis on cultural resonance and innovation in humor, prioritizing comedic elements that endure over time, enrich the nation's heritage, and continue to inspire both artists and audiences. To compile the list, distributed ballots containing 500 nominated films to the jury, who ranked their selections based on the established criteria; the organization then aggregated the votes to determine and rank the top 100 funniest American movies.

The List

Top 10 Films

The top 10 films on AFI's 100 Years...100 Laughs represent the pinnacle of comedic , selected by a jury of artists, critics, and historians for their enduring humor, innovative , and cultural resonance in evoking laughter. These rankings highlight a blend of classics, satirical masterpieces, and -driven narratives that have shaped the genre.
  1. Some Like It Hot (1959, directed by ): This follows two musicians who witness a mob hit and disguise themselves as women to join an , leading to chaotic romantic entanglements with Marilyn Monroe's character; its comedic elements shine through , rapid-fire dialogue, and situational absurdity, making it a benchmark for gender-bending humor.
  2. Tootsie (1982, directed by ): An out-of-work actor () poses as a woman to land a role, navigating workplace dynamics and unexpected romances; the film's humor derives from sharp on roles, theatrical exaggeration, and the protagonist's dual-identity mishaps.
  3. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964, directed by ): A depicting a general's order to launch nuclear strikes, featuring bumbling military officials and a ; its laughs stem from dark absurdity, ' multiple roles, and biting parody of political paranoia.
  4. Annie Hall (1977, directed by ): A neurotic reflects on his failed relationship with a free-spirited singer through nonlinear vignettes; comedic elements include observational wit, fourth-wall breaks, and surreal interludes that capture urban romance's awkwardness.
  5. Duck Soup (1933, directed by ): The as leaders of a fictional nation engage in anarchic diplomacy and war with a rival country; the film's humor explodes via verbal puns, visual gags, and nonsensical that mocks authority.
  6. Blazing Saddles (1974, directed by ): A Black sheriff and his Native American sidekick combat corruption in a Wild West town; it delivers through anachronistic jokes, racial , and over-the-top genre subversion with fourth-wall breaks.
  7. MAS*H (1970, directed by ): Surgeons in a mobile army unit cope with chaos through pranks and irreverent antics; the comedy arises from anti-war , overlapping dialogue, and amid battlefield absurdity.
  8. It Happened One Night (1934, directed by Frank Capra): A spoiled heiress hitches rides with a sly reporter during her runaway escapade; screwball charm fuels the laughs with class-clash banter, romantic tension, and improvised physical comedy.
  9. The Graduate (1967, directed by Mike Nichols): A recent college graduate drifts into an affair with an older woman and falls for her daughter; its wit emerges from generational satire, Simon & Garfunkel-scored awkwardness, and Simon's sharp one-liners.
  10. Airplane! (1980, directed by , , ): A former pilot must land a passenger plane amid escalating disasters and neurotic crew; the film spoofs disaster movies with nonstop puns, sight gags, and deadpan delivery for relentless parody.
The top 10 underscore trends in American comedy, with a strong emphasis on mid-20th-century productions (eight from 1933–1982) that blend physicality—as in Duck Soup and —with intellectual on society and institutions, as seen in and , reflecting the jury's focus on films that provoke laughter through timeless exaggeration and commentary.

Complete Ranked List

The complete ranked list from AFI's 100 Years...100 Laughs, as compiled by the American Film Institute in 2000, features 100 American comedy films selected for their humor and cultural significance. This list highlights the evolution of American comedy across decades, from silent-era classics like Buster Keaton's The General (1926) to contemporary satires such as the Farrelly brothers' There's Something About Mary (1998), encompassing styles ranging from slapstick and screwball to dark humor and mockumentaries, with no ties in ranking but several entries crediting multiple directors.
RankFilm TitleDirector(s)Year
1Some Like It HotBilly Wilder1959
2TootsieSydney Pollack1982
3Dr. Strangelove or: How I Learned to Stop Worrying and Love the BombStanley Kubrick1964
4Annie HallWoody Allen1977
5Duck SoupLeo McCarey1933
6Blazing SaddlesMel Brooks1974
7MAS*HRobert Altman1970
8It Happened One NightFrank Capra1934
9The GraduateMike Nichols1967
10Airplane!Jim Abrahams, David Zucker, Jerry Zucker1980
11The ProducersMel Brooks1967
12A Night at the OperaSam Wood1935
13Young FrankensteinMel Brooks1974
14Bringing Up BabyHoward Hawks1938
15The Philadelphia StoryGeorge Cukor1940
16Singin' in the RainGene Kelly, Stanley Donen1952
17The Odd CoupleGene Saks1968
18The GeneralBuster Keaton, Clyde Bruckman1926
19His Girl FridayHoward Hawks1940
20The ApartmentBilly Wilder1960
21A Fish Called WandaCharles Crichton1988
22Adam's RibGeorge Cukor1949
23When Harry Met Sally...Rob Reiner1989
24Born YesterdayGeorge Cukor1951
25The Gold RushCharlie Chaplin1925
26Being ThereHal Ashby1979
27There's Something About MaryBobby Farrelly, Peter Farrelly1998
28GhostbustersIvan Reitman1984
29This Is Spinal TapRob Reiner1984
30Arsenic and Old LaceFrank Capra1944
31Raising ArizonaJoel Coen1987
32The Thin ManW. S. Van Dyke1934
33Modern TimesCharlie Chaplin1936
34Groundhog DayHarold Ramis1993
35HarveyHenry Koster1950
36National Lampoon's Animal HouseJohn Landis1978
37The Great DictatorCharles Chaplin1941
38City LightsCharles Chaplin1931
39Sullivan's TravelsPreston Sturges1941
40It's a Mad, Mad, Mad, Mad WorldStanley Kramer1963
41MoonstruckNorman Jewison1987
42BigPenny Marshall1988
43American GraffitiGeorge Lucas1973
44My Man GodfreyGregory La Cava1936
45Harold and MaudeHal Ashby1971
46ManhattanWoody Allen1979
47ShampooHal Ashby1975
48A Shot in the DarkBlake Edwards1964
49To Be or Not to BeErnst Lubitsch1942
50Cat BallouElliot Silverstein1965
51The Seven Year ItchBilly Wilder1955
52NinotchkaErnst Lubitsch1939
53ArthurSteve Gordon1981
54The Miracle of Morgan's CreekPreston Sturges1944
55The Lady EvePreston Sturges1941
56Bud Abbott and Lou Costello Meet FrankensteinCharles T. Barton1948
57DinerBarry Levinson1982
58It's a GiftNorman McLeod1934
59A Day at the RacesSam Wood1937
60TopperNorman Z. McLeod1937
61What's Up, Doc?Peter Bogdanovich1972
62Sherlock Jr.Buster Keaton1924
63Beverly Hills CopMartin Brest1984
64Broadcast NewsJames L. Brooks1987
65Horse FeathersNorman McLeod1932
66Take the Money and RunWoody Allen1969
67Mrs. DoubtfireChris Columbus1993
68The Awful TruthLeo McCarey1937
69BananasWoody Allen1971
70Mr. Deeds Goes to TownFrank Capra1936
71CaddyshackHarold Ramis1980
72Mr. Blandings Builds His Dream HouseH. C. Potter1948
73Monkey BusinessNorman McLeod1931
74Nine to FiveColin Higgins1980
75She Done Him WrongLowell Sherman1933
76Victor/VictoriaBlake Edwards1982
77The Palm Beach StoryPreston Sturges1942
78Road to MoroccoDavid Butler1942
79The FreshmanSam Taylor, Fred Newmeyer1925
80SleeperWoody Allen1973
81The NavigatorDonald Crisp, Buster Keaton1924
82Private BenjaminHoward Zieff1980
83Father of the BrideVincente Minnelli1950
84Lost in AmericaAlbert Brooks1985
85Dinner at EightGeorge Cukor1934
86City SlickersRon Underwood1991
87Fast Times at Ridgemont HighAmy Heckerling1982
88BeetlejuiceTim Burton1988
89The JerkCarl Reiner1979
90Woman of the YearGeorge Stevens1942
91The Heartbreak KidElaine May1972
92Ball of FireHoward Hawks1942
93FargoJoel Coen1996
94Auntie MameMorton DaCosta1958
95Silver StreakArthur Hiller1976
96Sons of the DesertWilliam A. Seiter1933
97Bull DurhamRon Shelton1988
98The Court JesterNorman Panama, Melvin Frank1956
99The Nutty ProfessorJerry Lewis1963
100Good Morning, VietnamBarry Levinson1987

Impact and Legacy

Broadcast and Reception

The AFI's 100 Years...100 Laughs was featured in a three-hour television special titled AFI's 100 Years...100 Laughs: America's Funniest Movies, which aired on CBS on June 13, 2000. Hosted by Drew Barrymore, the program followed a countdown format, interspersing clips from the ranked films with celebrity commentary from comedians and actors including Whoopi Goldberg, Steve Martin, Robin Williams, Alan King, Billy Wilder, and Janeane Garofalo. The special garnered significant viewership, aligning with the strong performance of prior AFI broadcasts, which averaged approximately 11 million viewers and achieved an 8 Nielsen household rating. It was praised by critics for honoring the rich tradition of comedic and engaging audiences through nostalgic highlights of iconic moments. The program and its accompanying list drew some criticism for subjectivity in selections, which skewed toward classic Hollywood-era comedies.

Cultural Influence

The AFI's 100 Years...100 Laughs has shaped the canon of American comedy by elevating lesser-known classics to national prominence, fostering greater appreciation for their artistic and historical value. Compiled from ballots cast by over 1,500 leaders in the film community, the list emphasizes films with enduring comedic impact, such as Duck Soup (1933), which has seen increased scholarly and public interest following its ranking at No. 5, contributing to its preservation efforts and availability in restored formats. Similarly, the selection process highlighted screwball and satirical works like Bringing Up Baby (1938) and Dr. Strangelove (1964), spurring restorations and expanded home video distributions that made these titles more accessible to new generations. Academic analyses of , such as a 2012 University of Maine honors thesis examining comedy's critical undervaluation, reference the list for specific film rankings to illustrate benchmarks in . The list appears in user-curated rankings on platforms like and . The list's reach extends into through media references and participatory engagement, inspiring fan-driven rankings on platforms like . It has indirectly influenced comedy recognition at awards like the , where films from the list—such as (1977), which won four including Best Picture—continue to exemplify excellence in the genre. Collectively, entries on the list have garnered dozens of Oscar nominations and wins across categories like Best Director and Best Screenplay, reinforcing their legacy in ongoing "best " anthologies. Despite its influence, the list remains unrevised since its 2000 debut—unlike , updated in 2007—prompting critiques for selections that reflect early-20th-century perspectives, including limited LGBTQ+ representation beyond veiled themes in films like (1959). As of 2025, the list has not been revised and continues to be referenced in online discussions, such as 2024 social media posts on platforms like . This has fueled calls for reevaluation to incorporate diverse voices and modern comedies, ensuring the canon evolves with cultural shifts.

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