Adam Cheng
Adam Cheng Siu-chau (Chinese: 鄭少秋; born 24 February 1947) is a Hong Kong actor, singer, and television personality renowned for his pioneering roles in wuxia television dramas and contributions to Cantopop music during the 1970s and 1980s.[1][2] With a career spanning over five decades, he has appeared in more than 70 local television dramas, 25 overseas productions, and 65 films, establishing himself as one of Hong Kong's most iconic entertainers.[2] His breakthrough came through TVB series such as Romance in the Rain (1973), where he played his first leading role and sang the theme song, marking his dual prowess in acting and music.[3][2] Cheng's early career began in the 1960s when, at age 16, he enrolled in a movie studio course and joined the Kun Fong Drama Troupe, winning the Best Actor Award at the 1966 Hong Kong Drama Competition for Lost My Way.[2] He signed with Kin Shing Film Company before completing school, debuting in films like The Black Killer (1967) and securing his first major role in The Blossoming Rose (1968).[3][1] Joining TVB in 1970 initially as a singer, he released his debut album Lover Got Married in 1971 and was named one of the Top Ten Television Stars by the Overseas Chinese Daily News that year.[2] His rise to stardom in the mid-1970s was propelled by wuxia adaptations, including The Legend of the Book and the Sword (1976), where he portrayed three roles, The Heaven Sword and Dragon Saber (1978), Luk Siu-fung, and Chor Lau-heung (1979), which became classics in Hong Kong television history.[3][1][2] Later highlights include the role of Ting Hai in The Greed of Man (1992), which inspired the "Ting Hai effect" phenomenon associating his characters with stock market downturns, as well as films like Zu: Warriors from the Magic Mountain (1983) and Drunken Master III (1994).[3][1] In music, Cheng released dozens of albums and performed numerous theme songs for his dramas, contributing to Cantopop's golden era; he received the IFPI Hong Kong 45th Anniversary Hall of Fame Award in 2012 and the Golden Needle Award in 2006 for his lifetime achievements.[2] He has also starred in musicals such as Cyrano de Bergerac, The Dark Tales, and Only You, and held concerts across Hong Kong, mainland China, Taiwan, and Southeast Asia.[2] On a personal note, Cheng has four daughters: eldest Angelina Cheng On-yee (1968–2023) from an earlier relationship with Lo Wai-yu; Joyce Cheng Yan-yee (born 1987) from his marriage to actress Lydia Shum (1985–1988); and two more from his 1989 marriage to Koon Jing-wah.[3] The tragic suicide of Angelina in 2023 drew public attention to his family life.[3] Despite personal challenges, Cheng remains active in the industry as of 2025, embodying enduring popularity in Greater China.[3]Early life
Family background
Adam Cheng was born on February 24, 1947, in Hong Kong, during the post-war period under British colonial rule, originally named Wong Ho-chung (黃可中 in Mandarin, reflecting his biological father's surname).[4][5] His biological father, Huang Renjie, was a professor in the Chinese Department at the Chinese University of Hong Kong, while his mother later remarried Zheng Baoxi, another university professor who treated Cheng as his own son.[6][7] This educated, scholarly household provided a stable yet intellectually demanding environment, with Cheng as the eldest of ten siblings from his biological family, fostering a sense of responsibility amid the challenges of rebuilding life in post-war Hong Kong.[8][9] Growing up in this bookish family, Cheng was exposed to the performing arts primarily through local influences in the vibrant, recovering cultural scene of 1950s Hong Kong, where community playgrounds and street performances were common outlets for youthful expression.[3] As a teenager, he began singing publicly at a local playground, an activity that highlighted his early passion for performance amid the city's post-war economic and social resurgence.[3] Following his mother's remarriage when he was young, Cheng adopted the name Cheng Chong-sai (鄭創世), aligning with his stepfather's surname, and later took the stage name Adam Cheng Siu-chau (鄭少秋) upon entering the entertainment industry in the 1960s.[7][10] This transition marked the beginning of his separation from his original family identity while building on the foundational discipline instilled by his parents' academic backgrounds.[6]Education
Adam Cheng was born on 24 February 1947 in Hong Kong and received his early education there.[11] He attended local primary and secondary schools but left before completing his secondary education to pursue his passion for performing arts.[1] Cheng's parents, both university lecturers, emphasized academic achievement and initially opposed his interest in entertainment, with his father particularly resistant to the career path.[12] Despite this scholarly family background, Cheng's mother provided quiet support, enabling him to prioritize artistic training over traditional academia.[3] This divergence shaped his early determination, as he showed little interest in formal studies from childhood and instead focused on storytelling and imitation that honed his performative instincts.[13] At the age of 16 in the early 1960s, Cheng was admitted to an acting course organized by a Hong Kong movie studio, marking the start of his formal training in drama and performance.[2] He later joined the Kun Fong Drama Troupe, where he developed foundational skills in acting through stage work and ensemble performances.[2] Under mentors like Leung Ming, he studied Konstantin Stanislavski's psychological approach to character development, which emphasized emotional depth and method acting techniques essential for his future roles. During this period, Cheng also nurtured his singing abilities, integrating vocal expression into his dramatic training to build versatility in musical theater and cabaret-style performances.[13] In 1966, his progress was recognized when he won the Best Actor Award at the Hong Kong Drama Competition for his role in Lost My Way, affirming the practical impact of his studio and troupe education.[2]Professional career
Television acting
Adam Cheng began his television career at TVB in the early 1970s, initially appearing in minor roles after joining the station in 1970 primarily as a singer.[2] His acting debut came in 1971 with the romantic drama Romance in the Rain, where he also contributed to the series' theme song, marking his transition from music programs to scripted television.[3] Cheng achieved his breakthrough in the mid-1970s through lead roles in TVB's wuxia adaptations of classic martial arts novels. In 1976, he starred as Chen Jialuo in The Legend of the Book and the Sword, portraying multiple characters in this adaptation of Jin Yong's novel, which propelled him to stardom across Hong Kong and Southeast Asia.[3] This success led to iconic performances, including Zhang Wuji in The Heaven Sword and Dragon Saber (1978), another Jin Yong adaptation that showcased his prowess in portraying chivalrous heroes navigating intricate alliances and rivalries.[14] The following year, 1979, he embodied the suave thief Chor Lau-heung in the titular TVB series based on Gu Long's works, a role that solidified his reputation as a quintessential wuxia leading man with elegant swordplay and moral depth. During the 1970s and 1980s, Cheng reached the peak of his television career, starring in dozens of TVB series, many in the martial arts genre, which helped popularize serialized wuxia dramas in Hong Kong television.[15] He frequently collaborated with fellow star Liza Wang, notably in Chor Lau-heung (1979), where their on-screen chemistry enhanced the romantic elements of the action-packed narratives, and later in Behind Silk Curtains (1988), a grand production blending palace intrigue with family dynamics. By the 1990s, Cheng transitioned to more contemporary family dramas, delivering standout performances as the ambitious tycoon Ting Hai in The Greed of Man (1992), a role that explored corporate greed and familial bonds over three decades.[16] He followed this with Tsui Wing-pong in Cold Blood Warm Heart (1996), portraying a ruthless businessman confronting his past in a tale of crime, redemption, and paternal legacy.[17] In the post-2000s era, Cheng's new television roles became less frequent, reflecting a shift toward veteran supporting parts amid a changing industry landscape dominated by younger talent.[18] His later works included appearances in mainland Chinese productions, such as the narrator and Fu Zi (Sage Master) in the fantasy wuxia series Ever Night (2018), Pang Pak Chuen in the Hong Kong series Psycho Detective Season 2 (2019), and a reprise of Fu Zi in Ever Night Season 2 (2020), extending his influence into broader Asian markets.[19][20] Throughout his career, Cheng's portrayals in martial arts epics and family-oriented stories significantly shaped Hong Kong television culture, elevating TVB's wuxia genre to cultural phenomenon status and inspiring generations with themes of honor, loyalty, and resilience.[3]Film roles
Adam Cheng transitioned to feature films in the 1980s following his television stardom, marking a shift to cinematic wuxia and action productions in Hong Kong cinema. His breakthrough role came in Tsui Hark's Zu: Warriors from the Magic Mountain (1983), where he portrayed the protagonist Ting Yin, a soldier entangled in a fantastical battle against demonic forces, showcasing innovative special effects and martial arts choreography that influenced the genre.[21][3] The 1990s represented a peak in his film output, with prominent supporting roles in high-profile martial arts films. In Corey Yuen's Fong Sai-yuk (1993) and its sequel The Legend of Fong Sai-Yuk 2 (1993), Cheng played the scholarly warrior Chan Ka-lok, a key ally to the titular hero, contributing to the films' blend of humor, romance, and intense fight sequences amid anti-Qing rebellion themes.[22][23] He further embodied historical gravitas as Wong Kei-ying, the stern father and master of the Wong Fei-hung lineage, in Lau Kar-leung's Drunken Master III (1994), emphasizing disciplined kung fu training and family legacy in a story of vengeance and redemption.[24] In later years, Cheng continued in ensemble historical epics, notably as the resolute General Yang Ye in Ronny Yu's Saving General Yang (2013), leading his seven sons on a perilous mission during the Song dynasty, highlighting themes of loyalty and sacrifice through large-scale battles.[25] Over his career, he appeared in more than 60 films, frequently merging martial arts spectacle with dramatic narratives rooted in Chinese folklore and history, akin to the wuxia style he honed on television.[1] However, the rise of younger action stars like Jet Li and Andy Lau in the 1990s intensified competition, prompting Cheng to prioritize television roles where his established persona thrived.[3][26]Music career
Adam Cheng began his music career in the early 1970s, parallel to his rising fame as an actor, with the release of his debut Cantopop album Ai Ren Jie Hun Le (Lover Got Married) in 1971 through Fung Hang Record Ltd.[27] Throughout the decade, he produced several albums on the same label, including Zi Se De Lian Qing (Purple Romance) in 1975 and collaborations such as Ban Lv (Partner) with Liza Wang that year, marking his entry into the burgeoning Cantopop scene.[27] By the late 1970s, Cheng transitioned to Crown Records, releasing over 20 albums across the 1970s and 1980s that blended original compositions with TVB drama soundtracks.[27] Notable releases included Lu Xiao Feng (1978), Chu Liu Xiang (1979), Liu Mang Huang Di (Rogue Emperor, 1981), and Xin Shu Shan Jian Xia (New Shu Mountain Swordsmen, 1983), many of which featured hit theme songs tied to his wuxia television roles like Chor Lau-heung.[27] These works highlighted his smooth, emotive vocal style, particularly suited to martial arts narratives and romantic ballads.[28] Cheng's popularity in music peaked during the 1980s, a golden era for Cantopop, where his upbeat tracks and heartfelt melodies contributed to the genre's mainstream dominance in Hong Kong.[28] His integration of singing with acting amplified Cantopop's cultural reach, pioneering the trend of drama theme songs that became a staple of the industry and influenced subsequent artists.[28] Albums like Feng Huo Fei Hua (Flying Flowers in Beacon Fire, 1981) exemplified his versatility, combining dramatic flair with accessible pop elements.[27] After the 1990s, Cheng's music output declined as he prioritized television and film projects, resulting in sporadic releases such as Da Shi Dai (The Bund, 1993) and occasional concert performances of his classics.[29] Despite this shift, his foundational role in Cantopop endures, with enduring hits like "Xiao Kan Feng Yun" (Watching the Winds and Clouds with a Smile) from 1995 continuing to resonate in Hong Kong's pop music landscape.[30]Cultural impact
Ting Hai effect
The Ting Hai effect, also known as the Adam Cheng effect, originated from Adam Cheng's portrayal of the greedy stock market speculator Ting Hai in the 1992 TVB drama The Greed of Man, which aired amid Hong Kong's booming stock market in the early 1990s.[3][31] The character's ruthless financial machinations symbolized the era's speculative excesses, and shortly after the series' release, the Hang Seng Index plummeted by 600 points, sparking initial associations between Cheng's on-screen appearances and market downturns.[3][32] This phenomenon refers to observed coincidences where the Hang Seng Index experiences sharp declines around the airing of new TV dramas or films starring Cheng, a pattern noted repeatedly since the 1990s.[33] For instance, during the 1994 broadcast of Instinct, the index fell by 2,000 points; in 2004, Blade Heart coincided with a 10% drop; and in 2015, a rerun of The Greed of Man saw the index decline 558 points after an initial uptick.[3][31] Similar correlations appeared in the 2000s, such as during the 2000 dot-com bubble burst linked to Divine Retribution, though not every Cheng project triggered a fall.[3][32] Media outlets have extensively covered these events, with reports framing the effect as a quirky market anomaly rather than a predictive indicator, often highlighting instances like the 2019 debut of Psycho Detective 2, which preceded a 193-point drop in the Hang Seng Index.[34][35] Public reaction in Hong Kong has treated it as lighthearted superstition, with jokes circulating in financial circles about avoiding Cheng's shows during trading periods, though Cheng himself has dismissed it as baseless hype used by brokers to explain losses.[3][31] Empirical analyses, such as those using ARMA-GARCH models on Hang Seng data, have found no statistically significant causal impact from Cheng's airings on index returns, though they note increased volatility during such periods, underscoring the effect's roots in coincidence and media amplification rather than any real influence. As of 2025, the Ting Hai effect persists as an enduring cultural meme in Hong Kong, with media discussions in November 2025 referencing its historical instances, symbolizing the interplay between entertainment and economic sentiment without any proven link to market causation.[3][32][34]Legacy and honors
Adam Cheng's contributions to Hong Kong entertainment span over five decades, establishing him as a pioneering figure in TVB's wuxia genre during the 1970s and 1980s. His portrayals of charismatic swordsmen in adaptations of Gu Long and Jin Yong novels, such as Chor Lau-heung (1979), set a template for the suave, romantic hero archetype that continues to influence contemporary idols like Wallace Huo and Hawick Lau in mainland Chinese dramas.[36][37] By blending martial arts action with emotional depth, Cheng helped popularize wuxia series globally, contributing to TVB's export success in Southeast Asia and beyond during Hong Kong's golden age of television.[38] Throughout his career, Cheng received numerous accolades recognizing his versatility as an actor and singer. In 1966, he won the Best Actor Award at the Hong Kong Drama Competition for his role in Lost My Way, marking an early highlight before his TVB breakthrough.[2] For his television work, he earned nominations at the TVB Anniversary Awards, including Best Actor in 2006 for Bar Bender and Best Host in 2007, though he never secured a win in the top acting category despite his iconic status.[39] In music, Cheng's theme songs for dramas like Romance in the Rain (1973) revolutionized TV tie-ins; he was honored with the RTHK Golden Needle Award for lifetime achievement in 2006 at the Top Ten Chinese Gold Songs Awards, celebrating his dozens of albums and enduring hits.[2][40] Further music recognition came in 2012 with induction into the IFPI Hong Kong 45th Anniversary Hall of Fame, alongside Liza Wang, for his role in shaping Cantopop.[2] Additional honors include his 2016 appointment as an Honorary Fellow of the Hong Kong Academy for Performing Arts (HKAPA), acknowledging his over 70 TV series, 65 films, and multifaceted talents in acting, singing, and dance.[2] Rumors of professional rivalries, such as a decades-long feud with Damian Lau over collaborations with Liza Wang, have been repeatedly denied by Lau in statements as recent as 2015, emphasizing mutual respect among TVB's veteran "small fresh meat" actors.[41] In the 2020s, tributes have highlighted his cultural impact through media retrospectives, including South China Morning Post profiles in 2025 reflecting on his evolution from TV heartthrob to philanthropist and occasional performer.[42] At age 78 in 2025, Cheng remains semi-retired, focusing on selective appearances such as charity events and guest spots, while his legacy endures through re-runs of his classics and influence on Hong Kong's entertainment heritage.[43][42]Personal life
Marriages
Adam Cheng's romantic relationship with actress and comedian Lydia Shum began in the early 1970s through professional collaborations, including concert tours and television appearances, which evolved into a decade-long courtship and cohabitation.[44][45] The couple married in January 1985, marking a high-profile union in Hong Kong's entertainment industry.[46] Their marriage faced significant strain, leading to a divorce in 1988 amid publicized conflicts that dominated Hong Kong tabloids and media coverage, reflecting the intense public scrutiny on celebrity personal lives at the time.[47][48] The acrimonious split briefly impacted Cheng's professional collaborations with Shum, though both continued thriving careers independently.[49] Following the divorce, Cheng married Taiwanese actress Koon Jing-wah in 1989, a relationship that has remained stable and enduring as of 2025.[50][51] Koon has provided consistent support for Cheng's career throughout their marriage, contributing to his personal stability during ongoing professional endeavors in film, television, and music.[52] The remarriage also drew media attention in Hong Kong outlets, portraying it as a fresh start after the previous high-profile dissolution.[53]Family tragedies
Adam Cheng has four daughters from three different relationships. His eldest, Angelina Cheng On-yee, was born in August 1968 to his first partner, Lo Wai-yu.[54] His second daughter, Joyce Cheng Yan-yee, born in 1987, is from his marriage to the late comedian Lydia Sum.[52] With his wife, actress Koon Jing-wah, he has two younger daughters, Winnie Cheng Wing-yan (born around 1990) and Cecily Cheng Wing-hei (born around 1993), who have largely maintained private lives away from the public eye.[50] The most recent family tragedy occurred in September 2023, when Angelina Cheng was found dead in her home in Southern California at the age of 55 after church friends reported her missing, prompting police to enter the apartment and discover her body; authorities ruled the death a suicide, citing her history of depression.[55][54] A funeral service was held on September 30, 2023.[55] Cheng, who was traveling in China for work at the time, was unable to attend the rites immediately, prompting the church to publicly urge him to handle the arrangements.[56] His wife, Koon, later shared that Cheng remained deeply devastated and emotionally unsettled by the loss.[50] Joyce Cheng has pursued a public career as a singer and actress in Hong Kong and Canada, releasing albums and appearing in films and television, though she has faced personal challenges including mental health struggles.[57] Family dynamics have been complicated by Cheng's divorce from Lydia Sum in 1988, shortly after Joyce's birth, which led to limited contact between father and daughter as Joyce was raised primarily by her mother.[52] Over the years, their relationship has shown signs of reconciliation, with Cheng expressing remorse for past absences, such as in 2015 when he learned of Joyce's financial difficulties and offered support.[48] Following Angelina's death, singer Jenny Tseng publicly advised Cheng to prioritize his relationship with Joyce to avoid further regrets.[58]Filmography
Films
| Year | Title | Role | Director |
|---|---|---|---|
| 1967 | The Black Killer | Ng Chun Bong | - |
| 1967 | I Love A-Go-Go | - | - |
| 1967 | A Sweet Girl | Cheung Wai-Hon | - |
| 1968 | The Blossoming Rose | Ng Aan Man | - |
| 1968 | Red Lamp Shaded in Blood | - | - |
| 1968 | Blue Falcon | - | - |
| 1968 | Dangerous Seventeen | Lam Kin-Wah | - |
| 1968 | The Feats of Fong Sai-Yuk | - | - |
| 1969 | The Devil Warrior | - | - |
| 1969 | Silver Knife, Scarlet Blade | Pai Tai-Keung | - |
| 1970 | My Husband Wants Me to Get Married | - | - |
| 1970 | The Golden Eves | - | - |
| 1973 | Hong Kong Style | - | - |
| 1973 | Love Is a Four Letter Word | - | - |
| 1973 | The House of 72 Tenants | Fireman Cheng | - |
| 1973 | The Rats | - | - |
| 1973 | Bruce Lee, the Man and the Legend | Himself | - |
| 1974 | Affection Against Satan | - | - |
| 1974 | The Country Bumpkin | - | - |
| 1974 | The Concrete Jungle | - | - |
| 1974 | Lovable Mr. Able | - | - |
| 1974 | The Crazy Instructor | Lawyer White | - |
| 1974 | Farewell Dearest | - | - |
| 1974 | A Mad World of Fools | - | - |
| 1974 | The Country Bumpkin-in Style | Doctor Lo | - |
| 1974 | My Darling Slave | "Monkey" | - |
| 1974 | Everyday Is Sunday | - | - |
| 1974 | Lucky, Lucky | Lao Cheng | - |
| 1975 | Pretty Swindler | - | - |
| 1975 | Moon and Stars | Liu Chi Hua | - |
| 1975 | Don't Call Me Uncle | - | - |
| 1975 | Sup Sap Bup Dup | Unbeatable player | - |
| 1975 | Shantung Man in Hong Kong | Hsi Zhi-Chao | - |
| 1975 | Frigidity | - | - |
| 1976 | Love in Hawaii | Wei Wei | - |
| 1976 | Love Competition | - | - |
| 1976 | Born Rich | - | - |
| 1976 | Laugh In | Reporter Ma | - |
| 1980 | The Sword | Li Mu Ran / Li Mak-Jan | - |
| 1982 | Night Orchid | - | - |
| 1982 | Cat Vs. Rat | Jien Chiu (Royal Cat) | - |
| 1983 | Swordsman Adventure | Chu Liu Hsiang | - |
| 1983 | General Invincible | - | - |
| 1983 | Last Night's Light | Yeh Kang | - |
| 1983 | Zu: Warriors from the Magic Mountain | Ding Yan | Tsui Hark |
| 1983 | Fantasy Mission Force | Boss of female tribe | - |
| 1983 | The Denouement of Chu Liu Hsiang | Chu Liu Hsiang | - |
| 1983 | Shaolin and Wu Tang | Chao Fung-Wu (Ming Kai) | - |
| 1984 | Be Careful, Sweetheart | - | - |
| 1988 | Profiles of Pleasure | Commissioner Cheng Lup Pang | - |
| 1988 | Gunmen | Haye | - |
| 1989 | Path of Glory | Chief Inspector Lam Kee Cheong | - |
| 1989 | Seven Warriors | Cmdr. Chi Da Fu | - |
| 1992 | The Thief of Time | - | - |
| 1993 | Fong Sai Yuk | Chan Ka Lok | Corey Yuen |
| 1993 | Fong Sai Yuk II | Chen Jia Lo | Corey Yuen |
| 1993 | Painted Skin | Mr. Wong | King Hu |
| 1993 | The Eight Hilarious Gods | Ben | - |
| 1994 | The Quick Step of Passion | - | - |
| 1994 | Drunken Master III | Wong Kei Ying | Lau Kar-leung |
| 1994 | Shaolin Popey II: Messy Temple | Min Pik | - |
| 2001 | The Dark Tales | - | - |
| 2001 | Double Crossing | - | - |
| 2013 | Saving General Yang | General Yang Ye | Ronny Yu |
Television series
Adam Cheng debuted in television in 1973 and has appeared in over 30 series through 2020, primarily in lead roles on TVB and other Hong Kong productions, with additional work in Chinese and Taiwanese dramas.[15] No new leading roles in television series have been confirmed from 2021 to 2025, though he has made occasional guest appearances in variety shows.1970s
- 1973: Misty Rain as He Shu Huan (Main Role), 20 episodes, TVB[15]
- 1976: The Legend of the Book and the Sword as Chan Ka Lok (Main Role), 60 episodes, TVB[15]
- 1976: Luk Siu Fung as Yip Ku-sing (Support Role), 10 episodes, TVB[15]
- 1977: The Great Vendetta as Chan Gwong Sing (Main Role), 67 episodes, TVB[15]
- 1978: The Heaven Sword and Dragon Saber as Cheung Mo Kei (Main Role), 25 episodes, TVB[15]
- 1978: Vanity Fair (Main Role), 80 episodes, TVB[15]
- 1978: One Sword as Sage Li Gou (Support Role), 24 episodes, TVB[15]
- 1979: Chor Lau Heung as Chor Lau Heung (Main Role), 65 episodes, TVB[15]
1980s
- 1981: Brothers Four as Lam Soeng Fu (Main Role), 20 episodes, TVB[15]
- 1981: The Hawk as Ding Lan (Main Role), 20 episodes, TVB[15]
- 1981: In Love and War as Wang Dong Yuan (Main Role), 20 episodes, TVB[15]
- 1983: Sandwiches as Jiang Junzheng (Main Role), 20 episodes, TVB[15]
- 1986: The Legend of Wong Tai Sin as Si Yue San (Main Role), 18 episodes, TVB[15]
- 1988: Behind the Silk Curtains (Guest Role), 5 episodes, TVB[15]
- 1988: The Final Verdict as Tse Man Mo (Main Role), 28 episodes, TVB[15]
- 1989: Storm in Shanghai (Main Role), 30 episodes, TVB[15]
- 1989: The Sword And the Sabre as Ko Hon Sing (Main Role), 20 episodes, TVB[15]
1990s
- 1992: The Greed of Man as Ding Hai (Main Role), 40 episodes, TVB[15]
- 1994: Instinct as Wong Tin (Main Role), 40 episodes, TVB[15]
- 1995: Forty Something (Main Role), 20 episodes, TVB[15]
- 1995: Chor Lau Heung as Chu Liu Xiang (Main Role), 44 episodes, CTV (Taiwan)[15]
- 1996: Once Upon a Time in Shanghai as Yu Chun Hoi (Main Role), 40 episodes, TVB[15]
- 1996: Cold Blood Warm Heart as Tsui Wing-pong (Main Role), 65 episodes, TVB[15]
- 1997: The Legend of Yung Ching as Yongzheng Emperor (Main Role), 59 episodes, CTV (Taiwan)[15]
2000s
- 2000: Divine Retribution as Ding Ye (Main Role), 40 episodes, TVB[15]
- 2003: The Driving Power as Ding Gwai Mui / Jeff (Main Role), 20 episodes, TVB[15]
- 2004: An Ancient Bottle of Vinegar as Fang Xuan Ling (Main Role), 30 episodes, CCTV (China)[15]
- 2004: Blade Heart (Main Role), 37 episodes, TVB[15]
- 2004: The Conqueror's Story as Lau Bong (Main Role), 30 episodes, TVB[15]
- 2005: The Prince's Shadow as Ko Sing (Main Role), 20 episodes, TVB[15]
- 2006: Bar Bender as Cheung Man To (Tony) (Main Role), 20 episodes, TVB[15]
- 2007: Return Home as Li Kai Guo (Main Role), 33 episodes, Hunan TV (China)[15]
- 2009: The Book and the Sword as Emperor Qianlong (Main Role), 40 episodes, Hunan TV (China)[15]
- 2009: The King of Snooker as Yau Yat Kiu (Main Role), 20 episodes, TVB[15]
2010s
- 2010: God of Medicine as Wu Tao (Main Role), 30 episodes, Hunan TV (China)[15]
- 2012: Master of Play as Kan Siu Lam (Main Role), 30 episodes, TVB[15]
- 2018: Ever Night (Main Role), 60 episodes, Tencent (China)[15]
- 2019: Psycho Detective Season 2 as Pang Pak Chuen (Main Role), 30 episodes, TVB[15]
2020s
- 2020: Ever Night Season 2 as Fu Zi [Sage Master] (Support Role), 43 episodes, Tencent (China)[15]