Fact-checked by Grok 2 weeks ago

All of Us Strangers

All of Us Strangers is a 2023 British romantic fantasy drama film written and directed by Andrew Haigh. The story follows Adam, a screenwriter living in a near-vacant London tower block, who returns to his childhood home and encounters apparitions of his deceased parents from the 1980s, while forming a romantic connection with his neighbor Harry. Loosely adapted from Taichi Yamada's 1987 Japanese novel Strangers, the film relocates the narrative to contemporary London and incorporates Haigh's personal elements of grief and queer identity. Starring Andrew Scott as Adam, Paul Mescal as Harry, Claire Foy and Jamie Bell as Adam's parents, it premiered at the Telluride Film Festival in August 2023 and was released theatrically in the United Kingdom on 1 December 2023 and in the United States on 22 December 2023. Critically acclaimed for its emotional depth and performances—earning a 96% approval rating on Rotten Tomatoes—the film explores themes of isolation, familial reconciliation, and intimacy, securing seven wins at the 2023 British Independent Film Awards, including Best Director and Best Screenplay for Haigh, alongside six BAFTA nominations.

Development

Source Material and Adaptation

All of Us Strangers is a loose adaptation of the 1987 Japanese novel Strangers (Ijin-tachi to no Natsu) by Taichi Yamada, originally published in Japanese and translated into English by Wayne P. Lammers. In Yamada's novel, the protagonist, Hideo Harada, a 47-year-old divorced television screenwriter living in a near-empty Tokyo high-rise, returns to his childhood neighborhood on a whim and encounters a couple resembling his parents, who died in a car accident 30 years earlier. This supernatural reunion blends elements of unease and introspection as Hideo grapples with lifelong emotional detachment, personal regrets, and a parallel illicit affair with a married woman, culminating in a melancholic tone that underscores grief without overt horror. The narrative's ambiguity leaves readers pondering the psychological versus supernatural nature of the events, focusing on themes of isolation and unresolved familial bonds in a Japanese cultural context. Director Andrew Haigh, who optioned the rights to Yamada's novel after the release of his 2011 film Weekend, reimagined the story for a Western, queer audience by transplanting the setting to modern London—complete with 1980s Britain flashbacks for the parents' era—and centering a gay protagonist confronting coming-out difficulties amid the AIDS crisis. Haigh diverged from the novel's heterosexual framework and subtler horror by infusing autobiographical elements of queer identity, emphasizing cathartic reconciliation of grief, romantic longing, and parental acceptance through fantasy rather than Yamada's more restrained unease. This transformation allowed Haigh to prioritize emotional vulnerability and the intersection of familial and queer love, stating that the core thread retained was the "idea of being able to go back and have a conversation with your parents" to address unspoken traumas. Haigh developed the screenplay during the COVID-19 pandemic, drawing on personal isolation experiences to evolve the script around 2020–2021, which heightened its focus on loneliness and temporal dislocation while preserving the novel's foundational supernatural premise.

Writing and Pre-production

Andrew Haigh penned the screenplay for All of Us Strangers as a loose adaptation of Taichi Yamada's 1987 Japanese novel Strangers, transposing the story from Tokyo to modern London while infusing it with elements drawn from his own life, including the grief following his parents' deaths and the challenges of growing up gay amid 1980s conservatism in Britain. This personal integration stemmed from Haigh's reflections during the pandemic, where his father's dementia and the emotional weight of familial separation echoed the protagonist Adam's encounters with his deceased parents, transforming the source material into a meditation on unresolved loss and queer identity. The script's structure interweaves a budding romance between Adam and his enigmatic neighbor with fantastical visitations from Adam's parents, culminating in attempted reconciliations that shift from dream-like intimacy to nightmarish revelation, all calibrated to prioritize emotional realism over genre tropes. Haigh navigated challenges in rendering the supernatural elements—such as the parents' youthful apparitions—grounded in psychological verisimilitude, deliberately steering early drafts away from sentimentality to preserve the story's cathartic edge and avoid diluting its exploration of enduring trauma. Pre-production emphasized logistical choices rooted in thematic authenticity, including location scouting across London suburbs to capture isolation and nostalgia; Haigh selected his childhood home in Sanderstead for the 1980s family interiors, using a personal photograph to pinpoint the site and evoke embedded memories of prejudice and disconnection. For the protagonist's barren high-rise, exteriors were scouted in Stratford, East London, after initial options in Vauxhall proved inaccessible due to corporate constraints, ensuring the settings amplified the narrative's undercurrents of alienation. Haigh also partnered early with cinematographer Jamie D. Ramsay to conceptualize visuals blending contemporary sterility with organic period evocation, fostering intimacy in reconciliation scenes while sustaining realism amid the ethereal.

Production

Casting

Director Andrew Haigh cast Andrew Scott as Adam, the isolated screenwriter, as his first and instinctive choice for the role, believing Scott's inherent vulnerability aligned with the character's emotional depth. Haigh emphasized the importance of selecting an openly gay actor to authentically convey the protagonist's queer perspective and personal history. Paul Mescal was chosen for the role of Harry, Adam's enigmatic neighbor, after Haigh initially overlooked him but recognized Mescal's determination to join the project and his capacity for intensity, as demonstrated in prior work like Normal People. Their selection prioritized interpersonal chemistry over conventional star appeal, with Haigh noting the actors' immediate rapport ensured raw emotional authenticity in intimate sequences, tested through collaborative preparation rather than formal auditions. Supporting roles featured Jamie Bell as Adam's father and Claire Foy as his mother, cast to evoke relatable 1980s British everyman archetypes of working-class parents, facilitating a visual and thematic contrast with the present through de-aging techniques applied in post-production. This choice underscored Haigh's focus on performers capable of grounding supernatural elements in genuine familial dynamics.

Filming and Technical Aspects

Principal photography for All of Us Strangers occurred over seven weeks in 2022, centered in London. The schedule commenced with two weeks of location shooting at director Andrew Haigh's actual childhood home on Purley Downs Road in Croydon, Surrey, doubling as the protagonist's family residence to evoke personal authenticity. Interiors for the near-empty high-rise apartment were constructed in a Wembley studio, augmented by a 50 ft by 120 ft LED wall simulating cityscapes, while exteriors utilized Stratford in East London; nightclub sequences were filmed at the Royal Vauxhall Tavern in South London. Cinematographer Jamie D. Ramsay captured the film on 35mm using ARRICAM ST and LT cameras with Master Prime primes and Angénieux zooms, loading KODAK VISION3 500T, 250D, and 50D stocks processed at Cinelab for a textured, organic quality that enhanced tactile intimacy and nostalgic realism. Stylistic choices included tight lenses tracking eyelines in close-ups, shifting to longer focal lengths for emotional proximity, and fluid, reactive Steadicam movements; long takes drew from Ingmar Bergman's Cries and Whispers to convey memory's transcendent flow in dialogue-intensive sequences. Supernatural manifestations relied on practical techniques over heavy digital intervention, with tungsten and incandescent lighting in suburban scenes paired with stark white backlighting to produce ethereal, ghostly presences through performance and shadow play. VFX were confined to understated elements—disorienting spatial warps, seamless transitions, and a culminating four-minute radiant light merge—executed by Union VFX to integrate invisibly without compromising causal groundedness. Production incorporated intimacy coordinators for scenes of physical and emotional closeness, choreographing movements to safeguard actors while prioritizing unscripted, performer-led nuances for genuine vulnerability.

Plot

All of Us Strangers centers on Adam, a screenwriter residing alone in a largely vacant high-rise apartment building in present-day London. One evening, following a fire drill, Adam encounters his downstairs neighbor Harry, who initiates contact while intoxicated, leading to an initial awkward interaction that evolves into a budding romantic and emotional bond between the two men. Struggling with writer's block on a screenplay about his late parents, Adam travels to his childhood home in suburban England, where he discovers his mother and father appearing as they were in 1987, the year they perished in a car crash when Adam was 12 years old. Over multiple visits, Adam converses with these manifestations of his parents, discussing his adulthood, personal regrets, and identity as a gay man who came out after their deaths amid the 1980s AIDS epidemic. The narrative interweaves Adam's deepening intimacy with Harry—characterized by shared vulnerabilities and physical closeness—with these familial dialogues, incorporating flashbacks to Adam's youth for context on his upbringing and losses. This progression from isolation to connection unfolds non-linearly but follows a core trajectory of Adam confronting past traumas through these dual relationships.

Themes and Analysis

Grief and Family Dynamics

In All of Us Strangers, the protagonist Adam's grief manifests as a profound stagnation following the car crash death of his parents when he was 12 years old, rendering him emotionally isolated in adulthood and prompting supernatural visitations to their suburban home where they appear frozen in their 1987 selves. These encounters serve as a metaphorical therapy session, enabling Adam to articulate suppressed resentments and regrets, such as his parents' failure to perceive his emotional needs amid their own domestic tensions, which director Andrew Haigh drew from personal reflections on how grief evolves and mutates over decades without resolution. Haigh emphasizes that such visitations evoke the disorienting alchemy of bereavement, blending comfort with strangeness to underscore the causal persistence of early parental loss in fostering adult relational withdrawal. The film's 1980s temporal anchor reveals family dynamics rooted in generational incomprehension, where the parents' denial of their son's emerging autonomy contributes to his lifelong seclusion, illustrating a direct causal pathway from unmet childhood validation to enduring solitude without absolving Adam's own hesitancy in seeking connections. Empirical studies corroborate this linkage, showing that poor parental bonding in youth correlates with heightened social isolation in later life, as inadequate emotional attunement disrupts the development of secure attachments and perpetuates self-imposed barriers to intimacy. Yet the narrative maintains causal realism by not portraying the parents as irredeemable; their belated expressions of love during the visions highlight individual agency in reconciliation attempts, even if belated, contrasting with real-world evidence where parental oversight often entrenches patterns of avoidance rather than prompting proactive change. Critically, the film's fantasy of post-mortem dialogue risks over-romanticizing nuclear family restoration, as such supernatural closure evades the empirical reality that unresolved parental bereavement frequently endures without fantastical intervention, with estrangement rates persisting at around 6% between mothers and adult children and rifts often outlasting even subsequent life events like illness or divorce. Intergenerational trauma cycles further complicate idealized repair, with research indicating transmission via epigenetic and behavioral mechanisms that maintain dysfunction across generations despite therapeutic efforts, as seen in elevated risks of relational tension from value dissimilarities inherited from prior familial discord. This portrayal, while cathartic, thus privileges emotional fantasy over data-driven limits, where true mitigation demands living-world agency rather than retroactive parental absolution.

Queer Identity and Relationships

Adam, the film's protagonist, grapples with internalized shame rooted in his youth during the 1980s AIDS epidemic, an era when public health campaigns and media equated gay male sexuality with mortality, fostering widespread fear of intimacy among queer men. This manifests in Adam's confession to Harry that sex evokes dread, as he was conditioned to view it as potentially lethal, a psychological residue that hinders his ability to form connections despite his isolation in a near-empty London tower block. Harry's character, younger and more outwardly vulnerable, serves as a counterpoint, initiating their bond through bold advances that expose Adam's repression while revealing Harry's own enigmatic emotional fragility. Their relationship evolves from an impulsive sexual encounter—depicted with explicit physicality emphasizing mutual desire and release—into a tentative emotional merger, yet the narrative illustrates the pitfalls of hookup culture's emphasis on transience, where such bonds often intensify underlying loneliness rather than resolve it. Director Andrew Haigh, informed by his experiences in queer cinema, contrasts this erotic immediacy with the relational instability common in non-monogamous gay male dynamics, portraying intimacy as both liberating and precarious amid modern urban anonymity. Empirical observations of gay loneliness in contemporary settings align with this, as transient encounters can perpetuate isolation without addressing deeper unmet needs for stability. The film's portrayal has sparked debate over its implications for queer representation: some analyses frame the tragic undertones as reinforcing outdated tropes of inevitable queer suffering and pathos, while others view the characters' vulnerability as a resilient affirmation of human connection despite adversity. This tension mirrors real-world data indicating disproportionate mental health challenges in LGBTQ+ populations, with studies reporting depression rates around 50% and anxiety at 60% among such groups, often linked to minority stress from stigma and relational patterns. Conservative critiques extend this by questioning the viability of non-traditional unions, arguing that the depicted fluidity contributes to higher instability and emotional voids compared to conventional commitments, a causal factor in sustained loneliness risks within hookup-prevalent subcultures.

Music and Soundtrack

The original score for All of Us Strangers was composed by Emilie Levienaise-Farrouch, featuring minimalist arrangements that blend subtle electronic elements with orchestral textures to evoke a sense of nostalgic introspection and emotional isolation. Levienaise-Farrouch's cues emphasize restraint, employing sparse piano motifs, ambient synth washes, and understated strings to mirror the protagonist's internal solitude without relying on dramatic crescendos, thereby grounding the auditory experience in psychological realism rather than overt sentimentality. This approach underscores the film's themes of grief and disconnection through an "auditory void" in quieter passages, where silence and minimalism amplify the weight of unspoken loss. Licensed period songs integrate into key sequences to heighten temporal authenticity, particularly in flashbacks to the protagonist's 1980s childhood with his parents. Tracks such as Frankie Goes to Hollywood's "The Power of Love" (1984) play during intimate family moments, their era-specific synth-pop production evoking mid-1980s domesticity and unspoken tensions without disrupting narrative flow. Other needle drops, including Pet Shop Boys' "Always on My Mind" (1987) and Blur's "Girls & Boys" (1994), punctuate romantic and reflective scenes, blending contemporary longing with retro resonance to reinforce the blurring of past and present. These selections avoid manipulative swells by aligning diegetically with character actions, such as radio play or shared listening, which enhances the realism of memory's fragmented recall. The score album, comprising 18 tracks, was released digitally by Hollywood Records on December 22, 2023, shortly before the film's wide theatrical rollout, with a vinyl edition following on April 12, 2024. Titles like "Overture," "Childhood Objects," and "Park" highlight recurring motifs that transition from ethereal detachment to tentative warmth, supporting the film's progression from alienation to fleeting connection. No comprehensive soundtrack compilation including licensed songs was issued separately, positioning the original score as the primary auditory artifact for evoking the story's haunting quietude.

Release

Premiere and Distribution Strategy

All of Us Strangers had its world premiere at the 50th Telluride Film Festival on August 31, 2023, where it screened as part of the festival's lineup to generate early critical interest. The film subsequently appeared at the Toronto International Film Festival for its Canadian premiere in September 2023, followed by a screening at the BFI London Film Festival in October 2023 as a Headline Gala, strategies typical for independent dramas seeking festival buzz ahead of awards season. These festival appearances positioned the film for prestige recognition while navigating the constraints of its modest budget and arthouse appeal, prioritizing qualitative endorsements over mass-market previews. Searchlight Pictures handled worldwide distribution, opting for a limited theatrical rollout in the United States starting December 22, 2023, to meet Oscar eligibility deadlines amid competition from holiday blockbusters. In the United Kingdom, the film received a wider release on January 26, 2024, with expansions into other European markets throughout early 2024, reflecting a phased international strategy suited to its intimate scale rather than a broad simultaneous launch. Post-theatrical, it transitioned to streaming on Hulu in the US by February 2024 for digital platforms and Hulu proper, while becoming available exclusively on Disney+ in the UK and select international territories on March 20, 2024, extending its reach to subscribers after the limited cinema window. Marketing efforts centered on trailers that highlighted the film's emotional intimacy, supernatural elements, and central romance between leads Andrew Scott and Paul Mescal, released online in September 2023 to capitalize on the actors' rising profiles. Campaigns targeted arthouse audiences and LGBTQ+ communities through festival tie-ins, social media promotions emphasizing themes of grief and connection, and partnerships leveraging Searchlight's indie pedigree, though the approach remained restrained to align with the film's non-commercial positioning rather than aggressive wide-audience advertising. This awards-bait focus, including end-of-year timing, underscored the tension between indie fiscal realities—favoring quick streaming pivots—and the prestige-driven need for theatrical qualifiers.

Commercial Performance

Box Office Analysis

All of Us Strangers earned $4,050,103 in the United States and Canada, representing its domestic total from a limited theatrical run that peaked at 295 screens. Worldwide, the film grossed $20,226,058, with the United Kingdom contributing a robust $6,722,288, the highest territorial performance driven by strong word-of-mouth in its home market following a £1 million opening weekend. These figures reflect a platform release strategy, starting with four U.S. theaters for an opening weekend of $117,965, or roughly $29,500 per venue, indicative of solid but confined art-house interest rather than crossover appeal. Produced as a low-budget independent feature with an estimated cost of $5 million, the film's returns suggest a modest return on investment after accounting for distributor shares and marketing expenditures, which included an awards-season push by Searchlight Pictures. However, the gross fell short of expectations for a title with 96% critical approval on Rotten Tomatoes, highlighting a gap between acclaim and broad audience engagement. This disconnect points to niche limitations, where themes of introspective queer grief and familial reconciliation resonated primarily with urban, affluent demographics but failed to attract wider viewership amid competition from holiday blockbusters and potential saturation in the melancholic drama genre. Factors such as late-2023 timing, overlapping with awards contenders, and minimal mainstream marketing beyond festivals further constrained expansion beyond specialty circuits.

Reception

Critical Response

All of Us Strangers garnered widespread critical acclaim upon release, earning a 96% approval rating from 274 reviews on Rotten Tomatoes, where the consensus described it as a film that "examines profound loss and connection with aching intimacy and grace." On Metacritic, it holds a score of 90 out of 100 based on 53 critics, signifying "universal acclaim" for its emotional resonance and avoidance of genre clichés. Reviewers frequently highlighted director Andrew Haigh's intimate cinematography and authentic dialogue, with The Guardian calling it a "mysterious, beautiful and sentimental" exploration of loneliness and love. Praise centered on the performances, particularly the chemistry between Andrew Scott and Paul Mescal, which critics deemed tender and transformative, evoking a "wrenching" portrayal of queer intimacy amid grief. Roger Ebert awarded it 3.5 out of 4 stars, commending its "solid, stunning, and tough" narrative on isolation despite emotional intensity. The film's handling of supernatural elements blended with realism was lauded for deepening themes of reconciliation, as noted in The New York Times, which portrayed it as a "soul longing for the impossible." However, some reviewers critiqued its sentimentality and narrative contrivances, with Roger Ebert finding the ending "convoluted and pre-determined," potentially undermining the premise's hokiness for skeptics. Others pointed to its slow pacing and emphasis on quiet scenes over plot, which could limit broader appeal despite strong user ratings averaging 7.6 out of 10 on IMDb from over 30,000 votes. These detractors argued the film's manipulative emotional arcs occasionally veered into melodrama, though such views were minority amid the predominant enthusiasm for its heartfelt execution.

Audience and Cultural Debates

Audience reception to All of Us Strangers has been polarized, with many viewers describing it as profoundly moving and emotionally resonant due to its exploration of grief and queer intimacy, while others dismissed it as structurally flawed and overly manipulative. For instance, a review in The Michigan Daily labeled the film a "disjointed, pseudo-intellectual waste of time" despite critical acclaim, arguing it failed to cohere into a compelling narrative. Online discussions, particularly on platforms like Reddit, highlighted frustrations with the tragic ending, where some interpreted the protagonists' fates as a reductive morality tale perpetuating stereotypes of inevitable queer suffering and isolation rather than offering resolution or hope. Cultural debates surrounding the film center on its implications for queer representation, especially the ambiguous, melancholic closure that blends supernatural elements with real loss. Critics from conservative perspectives, such as in National Review, appreciated its avoidance of overt political messaging but implicitly critiqued the narrative's emphasis on emotional isolation and unresolved familial estrangement as potentially glamorizing detachment from traditional family structures over reconciliation or normative bonds. In contrast, left-leaning interpretations often defended the ending as a validating depiction of intergenerational trauma and the lingering effects of homophobia, aligning with broader queer cinema trends that prioritize authenticity over uplift. These views draw partial empirical support from data indicating elevated grief and mental health challenges in LGBTQ+ populations, including higher suicide rates (e.g., 20% among transgender individuals) and disenfranchised bereavement due to societal stigma, though such statistics reflect environmental factors like discrimination rather than inherent pathology and should not be invoked to essentialize queer experiences. Post-theatrical streaming availability on platforms like Hulu from February 2024 onward amplified its visibility within niche audiences, fostering a cult following among queer film enthusiasts for its introspective style, yet it failed to achieve mainstream crossover appeal beyond arthouse circles. This limited reach underscores ongoing tensions in queer media discourse, where the film's unapologetic focus on sorrow challenges demands for "queer joy" without compromising on causal realism about loss.

Accolades and Legacy

References

  1. [1]
    All of Us Strangers (2023) - IMDb
    Rating 7.6/10 (75,130) All of Us Strangers: Directed by Andrew Haigh. With Andrew Scott, Paul Mescal, Carter John Grout, Jamie Bell. A screenwriter drawn back to his childhood ...All of Us Strangers · Plot · Awards · Release info
  2. [2]
    A Closer Look at All of Us Strangers With Director Andrew Haigh
    Dec 22, 2023 · The filmmaker on his new adaptation of Taichi Yamada's 1987 novel, starring Andrew Scott and Paul Mescal.
  3. [3]
    'All of Us Strangers' Review: Andrew Scott in Andrew Haigh Drama
    Aug 31, 2023 · Venue: Telluride Film Festival ; Release date: Friday, Dec. 22 ; Cast: Andrew Scott, Paul Mescal, Jamie Bell, Claire Foy ; Director-screenwriter: ...Missing: plot summary
  4. [4]
    All of Us Strangers | Rotten Tomatoes
    Rating 96% (274) All of Us Strangers examines profound grief and love through a fantastical lens that is always grounded on human emotion.Cast and Crew · 274 Reviews · Audience Reviews · Video
  5. [5]
    The novel that turned into All Of Us Strangers - Stuck in a Book
    Apr 5, 2024 · The novel on which it was loosely based – Strangers (1987) by Taichi Yamada, translated from Japanese by Wayne Lammers.
  6. [6]
    https://www.faber.co.uk/journal/all-of-us-strangers-the-book-behind-the-movie/
  7. [7]
    Yamada Taichi - Strangers - Complete Review
    Strangers is narrated by middle-aged Hideo, a recently divorced TV scriptwriter living in a Tokyo apartment building where most of the apartments are used as ...
  8. [8]
    Strangers Summary of Key Ideas and Review | Taichi Yamada
    Rating 4.6 (42) Strangers (1987) is the story of a lonely Japanese script writer who returns to his childhood home and, by chance, meets a couple who are uncannily like his ...
  9. [9]
    Books: 'Strangers' by Taichi Yamada is a Simple Yet Haunting Story
    Dec 28, 2023 · A haunting read centered around the grief of a child, the loss of some parents, and the ghost that haunts us if we never learn to grieve and move on.
  10. [10]
    Strangers by Taichi Yamada [book review] - BookerTalk
    Sep 22, 2017 · The book works fairly well as a story of uncanny events that is laden with atmosphere and a psychological portrait of a man who is emotionally starved.
  11. [11]
    Reading Strangers - Multo (Ghost) - WordPress.com
    Sep 17, 2024 · Because even though it is a ghost story, it's really about a middle-aged man grappling with his own, life-long tendency to emotional distance.<|separator|>
  12. [12]
    Andrew Haigh Answers All of My Burning Questions About 'All of Us ...
    Nov 7, 2023 · Director Andrew Haigh's hauntingly affecting All of Us Strangers, a loose adaptation of Taichi Yamada's 1987 novel Strangers.
  13. [13]
    Andrew Haigh explored the relationship between “queerness and ...
    Dec 25, 2023 · Haigh was interested in making his first film centred on a male gay relationship since his breakout second feature Weekend in 2011. “I had ...Missing: acquires rights
  14. [14]
    How Andrew Haigh Adapted a Japanese Ghost Story Into His Most ...
    Jan 4, 2024 · The writer and director reflects on the "emotional risk" of bringing 'All of Us Strangers' to the screen.
  15. [15]
    Interview: In 'All of Us Strangers” Writer/Director Andrew Haigh ...
    Nov 21, 2023 · Erik Anderson: The adaptation of the novel makes some really big changes to the source material. What was the core thread that connected it ...
  16. [16]
    'All of Us Strangers' Director Andrew Haigh on Crafting a Timeless ...
    Dec 22, 2023 · Loosely adapted from Taichi Yamada's 1987 novel with some of Haigh's autobiographical elements braided in, the film follows the tale of ...<|separator|>
  17. [17]
    Andrew Haigh on All of Us Strangers - The Guardian
    Dec 29, 2023 · When Andrew Haigh was shooting his new film, All of Us Strangers, in his parents' old house in Croydon, something strange began to happen.
  18. [18]
    'All of Us Strangers' director Andrew Haigh gets personal
    Dec 20, 2023 · Adapting Taichi Yamada's 1987 novel “Strangers” to his own sensibilities, the writer-director turns his focus on a lonely, middle-aged ...Missing: acquires | Show results with:acquires
  19. [19]
    Episode 90: All Of Us Strangers with Andrew Haigh - Script Apart
    Jan 30, 2024 · This week we're joined by writer-director Andrew Haigh, whose new metaphysical drama All Of Us Strangers is a bruise in movie form.
  20. [20]
    All Of Us Strangers Director Andrew Haigh Interview - Esquire
    Dec 20, 2023 · The British filmmaker Andrew Haigh sums up the experience of deciding whether to come out to his father, again.
  21. [21]
    'All of Us Strangers': Andrew Haigh on the locations behind his ...
    Jan 22, 2024 · Andrew Haigh on the surprising London locations behind his ghostly love story. The Andrew Scott and Paul Mescal love story was filmed in some unusual spots.
  22. [22]
    How 'All of Us Strangers' Cinematographer Created "Organic ...
    Dec 29, 2023 · Director Andrew Haigh in glasses and cinematographer Jamie D. Ramsay filming a scene from Searchlight's. Director Andrew Haigh (in glasses) and ...
  23. [23]
    All of Us Strangers Director on Casting Gay Actors, Intimacy ...
    Oct 2, 2023 · “Andrew I'd liked for a long time, and I felt like this was kind of a perfect role for him,” Haigh told the packed audience. “And I'm not one of ...
  24. [24]
    'All of Us Strangers' Director on Why He Cast a Gay Lead Actor
    Oct 3, 2023 · Haigh said that he thought casting someone who could identify with the lead character Adam's sexuality was “an important part of it.” He ended ...
  25. [25]
    All Of Us Strangers: Why casting Andrew Scott was 'important'
    Oct 6, 2023 · When it came to Paul Mescal in the supporting role, Haigh didn't consider the Irish actor for quite some time, believing that he wouldn't be ...
  26. [26]
    'All of Us Strangers' Director Talks Paul Mescal, Andrew Scott ...
    Nov 28, 2023 · 'All of Us Strangers' writer-director Andrew Haigh tells PEOPLE Paul Mescal and Andrew Scott had 'amazing chemistry' in the film and are ...
  27. [27]
    Andrew Scott Was The Perfect Casting For All Of Us Strangers ...
    Jan 29, 2024 · He was the first person we went to and he was the first person I really thought of. My gut said he would make sense as the character of Adam.Missing: rationale | Show results with:rationale
  28. [28]
    Shooting on KODAK 35mm, DP Jamie Ramsay SASC paints an…
    DP Jamie Ramsay SASC paints an achingly beautiful portrait about the enduring power of love for Andrew Haigh's award-winning 'All of Us Strangers'.
  29. [29]
    Heartwarming reason Paul Mescal's new film is set in Croydon
    Jan 26, 2024 · The heartwarming reason Paul Mescal's new film All of Us Strangers was filmed and set on a Croydon street ... filming from June 27 to July 8, 2022 ...
  30. [30]
    All of Us Strangers (2023) - Filming & production - IMDb
    Filming locations: 151 Purley Downs Road, South Croydon, Croydon, London, England, UK (Adam's parents' house)Missing: 35mm VFX
  31. [31]
    Union VFX - All of Us Strangers
    Union created a range of subtle, beautiful VFX to illustrate key story points including a disorienting warping effect and inventive transitions.Missing: photography 35mm
  32. [32]
    All of Us Strangers - Searchlight Pictures
    All of Us Strangers. Now Streaming/Release Date: 12-22-2023. Watch Trailer. One night in his near-empty tower block in contemporary London, Adam (Andrew Scott) ...Missing: synopsis | Show results with:synopsis
  33. [33]
    All of Us Strangers (2023) - Plot - IMDb
    A screenwriter drawn back to his childhood home enters into a fledgling relationship with his downstairs neighbor while discovering a mysterious new way to heal ...<|separator|>
  34. [34]
    All Of Us Strangers Ending Explained: Harry's Story, The Final Shot ...
    Feb 5, 2024 · Adam lives alone in a largely deserted London tower block, until one evening, after a fire drill, a drunken Harry knocks upon his door.
  35. [35]
    All of Us Strangers review: a glorious, ghostly drama | Sight and Sound
    Jan 23, 2024 · A middle-aged man struggling to write about his parents is a deeply affecting, supernatural exploration of the profound consequences of grief and structural ...
  36. [36]
    'All of Us Strangers' - Everything We Know About the Andrew Scott ...
    Dec 6, 2023 · Here's what we know about Andrew Haigh's latest film All of Us Strangers, which stars Andrew Scott, Paul Mescal, and Claire Foy.
  37. [37]
    Upon Reflection: Andrew Haigh on All of Us Strangers - Roger Ebert
    Dec 21, 2023 · How did you direct the three of them, and Andrew especially, to create a family dynamic that feels both strange and comforting? Andrew does ...
  38. [38]
    Andrew Haigh On How Grief Can Mutate As We Get Older for 'All Of ...
    Jan 6, 2024 · It's a film where the characters don't even know how vulnerable their hearts are, and they respond to their emotions before their heads can ...
  39. [39]
    London Film Festival '23: Andrew Haigh on All of Us Strangers
    I want you to feel discombobulated in order to feel more of an alchemy of emotion, because that is what grief and love bring out of us. But it hopefully ...Missing: dynamics | Show results with:dynamics
  40. [40]
    Childhood Neglect and Loneliness: The Unique Roles of Parental ...
    May 24, 2024 · This study investigates the impact of different neglect types on loneliness, with a focus on the parental figure involved and the child's sex.
  41. [41]
    Andrew Haigh finds healing within the grief of 'All of Us Strangers'
    Jan 9, 2024 · How 'All of Us Strangers' takes grief and loss and channels them into healing. Andrew Haigh leans against a wall for a portrait. “I brought a ...
  42. [42]
    Parent-Adult Child Estrangement in the United States by Gender ...
    Dec 1, 2022 · Six percent of respondents report a period of estrangement from mothers, with an average age of first maternal estrangement of 26 years old.
  43. [43]
    Rifts Between Older Mothers and Their Adult Children Usually Endure
    Jan 4, 2022 · In 2015 research, Gilligan and her collaborators examined older mothers and found that 1 in 10 experienced estrangement with at least one of their adult ...
  44. [44]
    Intergenerational transmission of trauma effects - PubMed Central
    This paper reviews the research evidence concerning the intergenerational transmission of trauma effects and the possible role of epigenetic mechanisms in this ...
  45. [45]
    'All of Us Strangers' vividly explores the melancholic stages of grief
    Feb 27, 2024 · Haigh ties emotions together then slowly unravels their consequence: distance resulting from unresolved grief.
  46. [46]
    All of Us Strangers - Reviews - Reverse Shot
    Dec 22, 2023 · In one the film's most emotionally brutal moments, Adam reassures his mother that she died quickly in the accident (she didn't). These are ...
  47. [47]
    All of Us Strangers Review - IGN
    Rating 7/10 · Review by Lena WilsonOct 17, 2023 · All of Us Strangers is at its smartest when speaking plainly about modern gay loneliness. It's a little too polished for such raw subject matter ...<|control11|><|separator|>
  48. [48]
    'Brutally honest' or 'ham-fisted cliche'? What does All of Us Strangers ...
    Feb 5, 2024 · All of Us Strangers is a desperate plea against the loneliness and dysfunction queer men can experience at different stages of their life ...Missing: hookup critique
  49. [49]
    LGBTIQ+ people: statistics | Mental Health Foundation
    half of LGBTIQ+ people had experienced depression, and three in five had experienced anxiety · one in eight LGBTIQ+ people aged 18 to 24 had attempted to end ...Missing: burdens | Show results with:burdens
  50. [50]
    All of Us Strangers | Blog - Living Out
    Feb 12, 2024 · These two gay men – one in their forties, the other in his twenties, are, apart from their apparent sexual connection (graphically portrayed), ...
  51. [51]
    'All of Us Strangers' Soundtrack Album Details | Film Music Reporter
    Dec 20, 2023 · The soundtrack will be released digitally this Friday, December 22 and will be available to stream/download on Amazon and any other major ...
  52. [52]
    "All Of Us Strangers" Composer Emilie Levienaise-Farrouch
    Dec 2, 2023 · I recently spoke with the film's composer, Emilie Levienaise-Farrouch, who crafted a minimalist ...
  53. [53]
    Composer Emilie Levienaise-Farrouch Talks Memories and All of Us ...
    Dec 14, 2023 · Film Obsessive talked with All of Us Strangers' composer Emilie Levienaise-Farrouch about how she created a score drenched in nostalgia.Missing: soundtrack | Show results with:soundtrack
  54. [54]
    All Of Us Strangers Composer Emilie Levienaise-Farrouch Felt A ...
    Dec 21, 2023 · Levienaise-Farrouch used her intense emotional reaction to the movie All of Us Strangers to craft the moving score of a screenwriter (Andrew ...Missing: soundtrack | Show results with:soundtrack
  55. [55]
    All of Us Strangers (2023) - Soundtracks - IMDb
    The Power of Love Performed by Frankie Goes to Hollywood Written by Peter Gill, Holly Johnson, Brian Nash and Mark O'Toole Published by Universal Music ...
  56. [56]
    All of Us Strangers soundtrack: Every song in Andrew Scott film
    Feb 19, 2024 · Overture - Emile Leviensaise-Farrouch (original score) · She Who Dares - Colman Brothers · The Power of Love - Frankie Goes To Hollywood · Johnny ...Missing: licensed | Show results with:licensed
  57. [57]
    A Guide to the Nostalgic Needle Drops in 'All Of Us Strangers'
    Jan 29, 2024 · ” He is, of course, quoting from the Frankie Goes To Hollywood 1984 song, The Power Of Love. It's not the first time that the song appears ...Missing: licensed | Show results with:licensed
  58. [58]
    All of Us Strangers (Original Score) - Album by Emilie Levienaise ...
    All of Us Strangers (Original Score). Emilie Levienaise-Farrouch. 202318 songs, 1 hr 4 min. Overture · Emilie Levienaise-Farrouch.
  59. [59]
    All of Us Strangers (soundtrack) - Wikipedia
    The film score was composed by Emilie Levienaise-Farrouch and released by Hollywood Records on 22 December 2023, a month prior to the film's theatrical release ...
  60. [60]
    'All Of Us Strangers' Review: Paul Mescal-Andrew Scott Telluride ...
    Aug 31, 2023 · In Taichi Yamada's 1987 novel, All of Us Strangers was a ghost story of a son reconnecting with his long-dead parents while navigating romance in the current ...Missing: plot summary
  61. [61]
    TIFF Advance Screening: All of Us Strangers
    TIFF proudly presents the Canadian premiere of All of Us Strangers, the highly anticipated new film by award-winning writer-director Andrew Haigh.
  62. [62]
    Movie Distribution and Marketing Case Study: 'All of Us Strangers'
    Jun 3, 2024 · As of Thursday 23rd May, All of Us Strangers had grossed $6,722,288 at the UK box office, and represents the largest box office gross of all ...
  63. [63]
    Searchlight Dates 'All Of Us Strangers' During Pre-Christmas Frame
    Aug 7, 2023 · Searchlight has added their third release to the December calendar before the year-end Oscar qualification date, that being the Andrew Haigh directed and ...Missing: distribution UK
  64. [64]
    Watch All of Us Strangers Streaming Online | Hulu
    It's all on Hulu. Bundle with Disney+ for $10.99 ... Ad free streaming on Disney+. —. Ads will be served in select live and linear content. Download ...
  65. [65]
    SEARCHLIGHT PICTURES' “ALL OF US STRANGERS” TO ... - Disney
    Mar 13, 2024 · “All of Us Strangers,” directed by Andrew Haigh and starring Andrew Scott, Paul Mescal, with Jamie Bell and Claire Foy, will be available to stream exclusively ...
  66. [66]
    All of Us Strangers | Official Trailer | Searchlight Pictures - YouTube
    Sep 21, 2023 · ... (Claire Foy and Jamie Bell), appear to be living, just as they were on the day they died, 30 years before. Cast: Andrew Scott, Paul Mescal, Jamie ...
  67. [67]
    All of Us Strangers (2023) - Box Office and Financial Information
    All Time Worldwide Box Office (Rank 5,401-5,500), 5,434, $21,761,254 ; All Time Domestic Highest Grossing Limited Release Movies (Rank 601-700), 644, $4,050,103.
  68. [68]
    'All Of Us Strangers' makes strong £1m start at UK-Ireland box office
    Jan 29, 2024 · Andrew Haigh's All Of Us Strangers scored an excellent £1m opening at the UK-Ireland box office this weekend as Mean Girls held top spot.
  69. [69]
    All of Us Strangers (2023) — The Movie Database (TMDB)
    Rating 7.4/10 (918) Jan 14, 2024 · Budget $5,000,000.00. Revenue $14,864,960.00. Keywords. london, england · based on novel or book · screenwriter · isolation · gay club ...
  70. [70]
    Indie Box Office: Salaar, Dunki, 'All Of Us Strangers', 'Poor Things'
    Dec 24, 2023 · Audiences skewed 61% male, 51% under 35, 64% Caucasian, 18% Hispanic, 13% East Asian/Pacific Islander. Nearly half of the audience would tell ...
  71. [71]
    'All of Us Strangers' Dances Into Specialty Box Office With ... - TheWrap
    Dec 24, 2023 · 'All of Us Strangers' Dances Into Specialty Box Office With $33,000 Theater Average. Pro Available to WrapPRO members. Neon's “Ferrari” will ...Missing: per | Show results with:per
  72. [72]
    All of Us Strangers Reviews - Metacritic
    Told with economy, and evading any easy genre classification - it's part romance, part fantasy, part thriller, and more besides - it's a very moving piece of ...90User Reviews
  73. [73]
    All of Us Strangers review – Paul Mescal and Andrew Scott ...
    Sep 1, 2023 · Andrew Haigh's mysterious, beautiful and sentimental film is a fantasy-supernatural romance about loneliness and love.
  74. [74]
    All of Us Strangers movie review (2023) - Roger Ebert
    Rating 3.5/4 · Review by Sheila O'MalleyDec 22, 2023 · Some of “All of Us Strangers” might not work, particularly the ending, which felt convoluted and pre-determined. The premise may seem hokey to ...
  75. [75]
    'All of Us Strangers' Review: A Soul Longing for the Impossible
    Dec 22, 2023 · “All of Us Strangers” acts as a prism through which loneliness and its manifestations are refracted, like colorful light onto a wall. Adam is ...Missing: critical controversies
  76. [76]
    All of Us Strangers | Audience Reviews - Rotten Tomatoes
    All of Us Strangers is an incredible film that makes your emotions leap in so many different directions. It's about childhood trauma, heartache, love found and ...Missing: reactions | Show results with:reactions
  77. [77]
    All of Us Strangers is one of the saddest, tragic movies I have ever ...
    Jul 16, 2024 · Andrew Scott plays a lonely gay man, who is either fantasizing about his dead parents or hallucinating about his dead parents for the majority of the movie.All of Us Strangers: heartbreaking film speaks to real experiences of ...Still mad about All of Us Strangers : r/TrueFilm - RedditMore results from www.reddit.comMissing: critique | Show results with:critique
  78. [78]
    Don't let praise for 'All of Us Strangers' trick you, it's not worth your time
    Feb 7, 2024 · All of Us Strangers” is a disjointed, pseudo-intellectual waste of time despite apparent praise.
  79. [79]
    Still mad about All of Us Strangers : r/TrueFilm - Reddit
    Aug 30, 2024 · To me the way the movie plays is that death doesn't matter. He is continuing a relationship with his deceased parents and starting one with a ...Official Discussion - All of Us Strangers [SPOILERS] : r/movies - RedditAll Of Us Strangers (Spoilers) I Didn't Get It - Can Someone Explain?More results from www.reddit.comMissing: analysis unresolved loss
  80. [80]
    All of Us Strangers: An Introspective Classic - National Review
    Dec 29, 2023 · Andrew Haigh's All of Us Strangers avoids political fashion to get at the elusive truth of his hero Adam (Andrew Scott), resulting in the year's most ...Missing: critique | Show results with:critique
  81. [81]
    LGBTIQA+ communities, suicide and grief - GriefLink
    Sep 12, 2025 · LGBTIQA+ communities face higher suicide rates, complex grief, and high rates of suicidal thoughts, with 20% of transgender and 15% of lesbian, ...
  82. [82]
    LGBT+ partner bereavement and appraisal of the Acceptance ... - NIH
    With higher rates of mental health conditions, LGBT+ people may have worse bereavement outcomes, particularly where compounded by increased isolation reducing ...Missing: statistics | Show results with:statistics
  83. [83]
    'All of Us Strangers' Hulu Review: Stream It Or Skip It? - Decider
    Feb 22, 2024 · Our Call: All of Us Strangers is a remarkably profound film, and one that'll cling to you tightly for days. STREAM IT. John Serba is a freelance ...
  84. [84]
    How All of Us Strangers, Bottoms Usher in New Era for Queer ...
    Jan 12, 2024 · How Films Like 'All of Us Strangers,' 'Passages' and 'Bottoms' Usher in a New Era for Queer Storytelling. Many films this season delivered LGBTQ ...Missing: debates | Show results with:debates