Aubrey Christina Plaza (born June 26, 1984) is an American actress, comedian, and producer recognized for her deadpan comedic style and versatile performances across television and film.[1] Best known for her breakout role as the sardonic April Ludgate on the NBC sitcom Parks and Recreation (2009–2015), Plaza has built a career blending humor with dramatic intensity, earning critical acclaim for projects like the HBO anthology series The White Lotus (2022), for which she received an Emmy nomination for Outstanding Supporting Actress in a Drama Series.[2][3]Born in Wilmington, Delaware, to Bernadette Plaza, an attorney of Irish and English descent, and David Plaza, a financial advisor of Puerto Rican heritage, Plaza grew up as the eldest of three sisters in a middle-class family.[1] Her multicultural background, including Taíno Indigenous and Basque roots on her father's side, has influenced her identity, with Plaza once describing herself as "half Puerto Rican, half white" during her youth in a predominantly non-diverse high school.[1] At age 20, while studying film at New York University, Plaza suffered an unexplained transient ischemic attack (mini-stroke) that temporarily paralyzed the left side of her body and caused expressive aphasia, leaving her unable to speak for several minutes; she recovered fully but has since discussed the incident as a pivotal, perspective-shifting event in interviews.[4][5]Plaza began her professional career in comedy, interning at Saturday Night Live and training in improv and sketch at the Upright Citizens Brigade Theatre in New York starting in 2004, where she honed her signature deadpan persona.[2] After small roles in films like Mystery Team (2009) and Funny People (2009), her portrayal of the brooding April Ludgate catapulted her to fame, establishing her as a go-to talent for quirky, understated characters.[6] Subsequent highlights include her villainous turn as Julie Powers in Scott Pilgrim vs. the World (2010), the complex anti-heroine Ingrid in Ingrid Goes West (2017), and the titular role in the thriller Emily the Criminal (2022), which showcased her dramatic range and earned her an Independent Spirit Award nomination.[6][7] On television, she recurred as the wild-card Lenny Busker in FX's Legion (2017–2019) and garnered buzz for her role as the tense Harper Spiller in The White Lotus Season 2.[3][2]In recent years, Plaza has expanded into producing and more auteur-driven projects, collaborating frequently with her husband, director Jeff Baena, on films like Life After Beth (2014), The Little Hours (2017), and Spin Me Round (2022); the couple married in 2021, and Baena died on January 3, 2025, at age 47.[8] Her 2024 output included the coming-of-age comedy My Old Ass, which premiered at Sundance to strong reviews, and her portrayal of Rio Vidal in the Disney+ series Agatha All Along.[9][10] Looking ahead as of November 2025, Plaza is set to star opposite Chris Evans in the comedy Honey Don't! (releasing August 2025) and as infamous Hollywood madam Heidi Fleiss in the upcoming biopic The Heidi Fleiss Story, which she will also produce.[11][12]
Early life and education
Early life
Aubrey Christina Plaza was born on June 26, 1984, in Wilmington, Delaware, to Bernadette Plaza, an attorney of Irish and English descent, and David Plaza, a financial advisor of Puerto Rican descent.[1] As the eldest of three sisters, she grew up alongside her younger siblings, Renee and Natalie, the latter of whom became a lawyer in New York City.[13] The family maintained a lively household blending Irish Catholic and Puerto Rican influences, where Spanglish was commonly spoken, reflecting her father's heritage, though Plaza herself is not fluent in Spanish. Plaza has described her multicultural background as influential to her identity, once stating she felt "half Puerto Rican, half white" during her youth in a predominantly non-diverse high school.[1]Plaza's childhood was marked by a tomboyish energy and a budding interest in performing arts, nurtured within a supportive family environment known for its sarcastic humor.[14] She attended Ursuline Academy, an all-girls Catholic school in Wilmington, where she excelled academically—winning prizes in English, theology, and history—and actively participated in drama productions, improv skits, and school plays.[15] Her involvement extended to local theater at the Wilmington Drama League, helping to develop her distinctive deadpan comedic style, which drew from the witty, ironic banter prevalent in her family dynamics.[16]
Education
Plaza enrolled at New York University's Tisch School of the Arts in 2002 following her high school graduation, supported by her family from Wilmington, Delaware, which enabled her relocation to New York City.[17] There, she majored in film and television production, focusing on directing and writing while pursuing her longstanding interest in performance.[18] Her academic training encompassed acting, improvisation, and sketch comedy techniques, including participation in student productions, such as interning at Saturday Night Live for college credit during the 2005–2006 season to document dress rehearsals.[18][19]During her time at NYU, Plaza became deeply involved with the Upright Citizens Brigade Theatre (UCB), attending classes and performing in improv groups and sketch shows at night, which she described as more formative to her development than her formal studies.[18][19] This hands-on experience at UCB honed her deadpan comedic timing and collaborative skills in an intensely competitive environment.[18]In 2004, while a student at NYU, Plaza suffered a stroke at age 20 that resulted in temporary paralysis of the left side of her body and expressive aphasia, presenting significant challenges to her speech and mobility during her studies.[20][4] She made a full recovery after several months and continued her education, graduating in 2006 with a Bachelor of Fine Arts degree.[20][21]
Career
2004–2009: Career beginnings
Following her graduation from New York University Tisch School of the Arts in 2006, where she honed her improv skills, Aubrey Plaza fully immersed herself in the New York comedy scene. She had begun training and performing improv and sketch comedy at the Upright Citizens Brigade (UCB) Theatre as early as 2004, and by 2006, she transitioned to full-time membership in the troupe, contributing to its vibrant ecosystem of shows and workshops.[22][23] That same year, Plaza joined Bombardo, one of the first all-female improv groups in New York City's comedy landscape, alongside performers like Emily Askin, Chelsea Clarke, and Beth Newell; the group delivered "weird" and "psychedelic" long-form sets that showcased her emerging deadpan style.[24][25] Regular performances at the UCB Theatre during this period allowed her to refine her comedic timing amid a community that included future stars like Amy Poehler, whom Plaza cited as an early inspiration.[23]Plaza's initial on-screen appearances marked her shift from stage to television. Her first credited role came in 2006 as an NBC page guiding a studio tour in the 30 Rock episode "Tracy Does Conan," a meta nod to her real-life internship as a page at 30 Rockefeller Plaza, where she often ad-libbed during tours to entertain groups.[26] She followed this with a recurring role as Robyn, the sarcastic receptionist, in MTV's sketch comedy series Human Giant across its two seasons from 2007 to 2008, appearing in multiple episodes alongside creators Aziz Ansari, Rob Huebel, and Paul Scheer.[27][28] Plaza also made frequent guest appearances as herself in the web series The Jeannie Tate Show from 2007 to 2008, featuring in six episodes that highlighted her dry wit in low-budget, absurd scenarios created by Maggie Carey.[22] These early TV gigs, combined with stand-up sets at venues like the Laugh Factory, helped her build a portfolio of small but memorable comedic turns.[29]In film, Plaza debuted in short projects like the 2006 thriller parody Killswitch, where she played a character with a massive head wound, and appeared in the romantic short In Love? the same year.[22] Her feature film breakthrough arrived in 2009 with Mystery Team, a dark comedy from the Derrick Comedy group, in which she portrayed Kelly Peters, a role that premiered at the Sundance Film Festival and showcased her ability to blend sarcasm with vulnerability.[22] She also took on a supporting part as Daisy, a stand-up comic and love interest, in Judd Apatow's Funny People that year, marking her entry into major studio productions.[22]As a newcomer, Plaza navigated significant challenges, including the risk of typecasting due to her signature deadpan persona, which often limited audition callbacks to similar "disgruntled" roles and required her to prove versatility amid fierce competition in the improv-heavy comedy world.[30][31] Despite these hurdles, her persistent work in UCB ensembles and minor roles laid the groundwork for wider recognition, emphasizing conceptual humor over polished delivery.[32]
2010–2016: Rise in film and television
Plaza's portrayal of April Ludgate on the NBC sitcom Parks and Recreation (2009–2015) marked her breakthrough in television, where she played the deadpan, sarcastic intern and later assistant to Leslie Knope in the Pawnee parks department.[33] Her performance, characterized by a monotone delivery and subtle expressions of disdain, garnered critical acclaim and fan adoration, positioning her as a standout in the ensemble cast.[33] The role drew Emmy buzz during the show's run, with Plaza earning two consecutive nominations for the Critics' Choice Television Award for Best Supporting Actress in a Comedy Series in 2012 and 2013.[34]Transitioning to film, Plaza made her feature debut in a supporting role as Julie Powers, the acerbic ex-girlfriend of a bandmate, in Edgar Wright's Scott Pilgrim vs. the World (2010), contributing to the film's cult following with her sharp, memorable one-liners.[35] She followed with another supporting part as Depressed Debbie in Whit Stillman's comedy Damsels in Distress (2011), portraying a perpetually gloomy student amid the film's whimsical take on college life.[36] Plaza's indie ascent peaked with her lead role as Darius, a disillusioned magazine intern who forms an unlikely bond in the time-travel dramedy Safety Not Guaranteed (2012), which premiered to strong reviews at Sundance and highlighted her ability to blend vulnerability with wit.[37][38]In animation, Plaza lent her voice to Claire Wheeler, the stoic president of the Greek Council, in Pixar's Monsters University (2013), adding dry commentary to the prequel's collegiate antics.[39] She continued exploring genre-bending roles in independent cinema, taking the lead as Beth, a recently deceased woman who returns as a zombie in the horror-comedy Life After Beth (2014), where her performance showcased a mix of tenderness and escalating chaos.[40] That same year, Plaza appeared in Hal Hartley's Ned Rifle (2014) as Susan, a complex figure from the past in the director's trilogy finale, further demonstrating her range in arthouse settings.[41]By the mid-2010s, Plaza had solidified her status as a rising indie darling, with media profiles praising her deadpan style and versatility across television and film.[42] Her work during this period, building on improv foundations from the Upright Citizens Brigade, earned her increasing recognition as a comedic force capable of anchoring both ensemble pieces and lead roles.[33]
2017–2025: Career expansion and recent developments
In 2017, Plaza took on the complex role of Lenny Busker in the FX series Legion, portraying a shape-shifting antagonist with psychological depth that marked a departure from her comedic roots and earned her nominations for an MTV Movie & TV Award for Best Villain and an Imagen Award for Best Actress.[43] The performance showcased her ability to blend menace with vulnerability across the show's three seasons, which concluded in 2019, and was praised for elevating the series' surreal narrative.[44]That same year, Plaza starred as the lead in the dark comedy-thriller Ingrid Goes West, directed by Matt Spicer, where she played Ingrid Thorburn, an obsessive social media stalker relocating to Los Angeles.[45] The film received an 84% approval rating on Rotten Tomatoes, with critics highlighting Plaza's nuanced portrayal of isolation and digital addiction as a standout.[46] Building on this momentum, she continued securing lead roles in independent films, including the psychological drama Black Bear (2020), where she portrayed struggling filmmaker Allison, earning 89% on Rotten Tomatoes and a 3.5/4 from Roger Ebert for her intense, meta performance.[47][48] Plaza also appeared in the Netflix holiday rom-com Happiest Season (2020) as Riley, the ex-girlfriend adding wit to the ensemble, and led the indie crime drama Emily the Criminal (2022) as Emily Benetto, a debt-ridden woman turning to fraud, which garnered 93% on Rotten Tomatoes for its taut storytelling and her gripping turn.[49][50] In the latter, Plaza served as a producer, marking her growing involvement behind the camera on projects that explored moral ambiguity.[51]Plaza expanded into blockbusters with Operation Fortune: Ruse de Guerre (2023), a Guy Ritchie spy action film where she played operative Sarah Fidel opposite Jason Statham, contributing sharp banter amid the ensemble.[52] In 2024, she joined Francis Ford Coppola's ambitious epic Megalopolis as the scheming socialite Wow Platinum, delivering a scene-stealing performance in the divisive film that premiered at Cannes and received mixed reviews but praise for her glamorous villainy.[53] Later that year, Plaza appeared in the coming-of-age comedy My Old Ass, directed by Megan Park, playing the older version of the protagonist in a hallucinatory role that debuted strongly at Sundance with a 94% Rotten Tomatoes score and standing ovations for its nostalgic humor.[54][55]On television, Plaza returned in the Disney+ Marvel series Agatha All Along (2024) as Rio Vidal, revealed to be the embodiment of Death, blending horror elements with her signature deadpan wit in a role that served as the season's antagonist and earned acclaim for its charismatic menace.[56][57] She ventured into theater with the Off-Broadway revival of John Patrick Shanley's Danny and the Deep Blue Sea (2023–2024) at the Lucille Lortel Theatre, starring as the damaged Roberta opposite Christopher Abbott; the production recouped its investment and earned her a Drama League Award nomination for Distinguished Performance.[58][59]Other milestones included reuniting with Parks and Recreation co-star Nick Offerman in a Mountain Dew Baja Blast Super Bowl LVIII commercial (2024), a nostalgic spot celebrating the drink's 20th anniversary that featured their deadpan chemistry in fantastical scenarios.[60][61] In February 2025, Plaza made a notable appearance at the Saturday Night Live 50th Anniversary Special, introducing performers Miley Cyrus and Brittany Howard in her first public outing following personal challenges, underscoring her resilience amid career highs.[62][63] In August 2025, Plaza starred opposite Chris Evans in the comedy Honey Don't!, which was released theatrically.[12] Later that month, she was announced to star in and produce the biopic The Heidi Fleiss Story.[11] She also provided voice work for the animated special Luna and the Witch Throw a Halloween Party (2025).
Personal life
Relationships
Aubrey Plaza has publicly identified as bisexual. In a 2016 interview with The Advocate, she stated, "I fall in love with girls and guys. I can't help it," elaborating on her experiences with both men and women.[64][65]Aubrey Plaza's first notable romantic relationship was with actor Michael Cera, whom she met while filming Scott Pilgrim vs. the World in 2009. The pair dated for approximately 18 months, during which they nearly eloped in Las Vegas following a cross-country road trip.[66]Plaza began a long-term partnership with writer-director Jeff Baena in 2011 after connecting through the improv and comedy scene in Los Angeles. They dated for a decade before quietly marrying in 2021, with Plaza confirming the union in an Instagram post referring to him as her husband. Their relationship often intertwined with professional collaborations, such as Plaza starring in Baena's films Life After Beth (2014) and The Little Hours (2017), which she has credited with shaping her approach to deadpan and surreal roles.[67][68]The couple separated in September 2024, amid reports of growing apart due to diverging career paths, with Plaza relocating to New York for work while Baena remained in Los Angeles.[69][70]Baena died by suicide on January 3, 2025, at age 47, in his Los Angeles home; he was discovered by a dog walker hours after sending Plaza a final text message. In her first public discussion of the loss, Plaza appeared on Amy Poehler's Good Hang podcast in August 2025, describing grief as a "giant ocean of awfulness" that is "always there" but emphasizing the need to "move forward," drawing on advice from her late grandmother to find purpose amid pain.[71][72][73][74]Plaza and Baena had no children together, a choice she has reflected on in interviews as aligning with her prioritization of privacy in personal matters. She has noted that maintaining discretion in relationships allowed their bond to thrive away from public scrutiny, even as it informed her on-screen vulnerability. As of November 2025, Plaza remains single, channeling her healing into creative projects and selective public engagements.[75]
Health
In 2004, at the age of 20 while attending New York University, Aubrey Plaza suffered a transient ischemic attack, commonly known as a mini-stroke, which caused temporary expressive aphasia—rendering her unable to speak or form words—and brief left-sided facial paralysis and loss of motor skills.[4][76][77] The episode, which occurred suddenly at a friend's home, lasted only a short time but profoundly affected her, as paramedics initially dismissed it due to her young age, suspecting dehydration or substance use instead.[78]Plaza underwent several months of speech therapy, cognitive therapy, and physical rehabilitation following the incident, achieving a full recovery that allowed her to resume her studies at NYU, though the affected area in her brain remains permanently altered.[79][77][80] The experience heightened her awareness of health vulnerabilities and shifted her perspective on life, fostering a greater appreciation for resilience amid transient risks.[76]In the years since, Plaza has publicly discussed ongoing mental health challenges, including anxiety that emerged post-stroke and a period of grief-related depression following the loss of her husband in 2025.[81][82] She has described coping through regular therapy sessions and exercise routines, emphasizing these as essential tools for managing daily emotional struggles like persistent sadness and sleep disturbances.[83][84]More recently, in July 2024, Plaza tore her anterior cruciate ligament (ACL) during a casual game of basketball knockout at the Phoenix Mercury's practice facility ahead of the WNBA All-Star weekend.[85][86] The injury necessitated surgery, including a cadaver ligament replacement, and a course of rehabilitation that temporarily disrupted her professional commitments.[87][88]Through her candid interviews, Plaza has advocated for greater awareness of strokes among young adults, highlighting how such events can occur unexpectedly and urging prompt medical attention to avoid dismissal based on age.[80][5] She has also shared her ACL experience to destigmatize sports-related injuries in performers, promoting open conversations about recovery and vulnerability in high-physical-demand careers.[89]
Artistry
Influences and style
Aubrey Plaza's signature comedic style is characterized by a deadpan, monotone delivery that evokes the stoic physical comedy of silent film pioneer Buster Keaton, whose unchanging facial expressions amid chaos have been a foundational influence on her understated approach.[90] This technique allows her to convey humor through subtle irony and minimalism, often subverting expectations in high-energy scenarios. Her modern influences include comedians like Tina Fey and Kristen Wiig, whose sharp, character-driven sketches on Saturday Night Live—a show Plaza credits with sparking her obsession with comedy—inform her blend of wit and emotional layering.[91]Plaza's improv training at the Upright Citizens Brigade (UCB) Theatre in New York profoundly shaped her spontaneous and understated humor, emphasizing quick-thinking collaboration that blends sarcasm with vulnerability to create relatable, offbeat characters.[92] She has described this period as "the best time of my life," where the ensemble environment honed her ability to deliver punchlines through deadpan timing rather than overt performance, allowing vulnerability to emerge organically amid sarcastic barbs.[93]As her career evolved, Plaza transitioned from primarily comedic roles to more dramatic ones, exemplified by her portrayal of the complex Lenny Busker in the FX series Legion, where she embraced psychological depth and menace. She credits her improv background and preparation for Legion for enabling this shift to more dramatic roles, allowing her to explore psychological depth.[94] Collaborations with director Jeff Baena, her late husband, further deepened this evolution; his guidance in films like Ingrid Goes West encouraged her to explore nuanced vulnerability, transforming her deadpan restraint into a tool for dramatic intensity.[94]Plaza's thematic interests often center on critiques of social media's isolating effects, as seen in Ingrid Goes West, where her character obsessively curates an online facade, reflecting broader anxieties about authenticity in the digital age. In Black Bear, she delves into themes of identity and loss through a meta narrative of artistic breakdown, portraying a filmmaker grappling with ego and regret. These choices are informed by her personal experiences, including a stroke at age 20 that left her temporarily unable to speak and heightened her awareness of vulnerability and mental health struggles.[95] She has noted that such events fuel her interest in roles examining "how valuable your suffering can be" in the pursuit of art.[95]Off-screen, Plaza's public persona reinforces her "weird girl" archetype through self-deprecating interviews and deliberately awkward red carpet appearances, where she often embraces discomfort to highlight irony and authenticity. She has described herself as a "poster child for irony," using these moments to blend humor with genuine unease, mirroring the vulnerability in her performances.[91] This approach not only endears her to audiences but also underscores her commitment to subverting polished celebrity expectations.
Legacy
Aubrey Plaza has emerged as a pioneering figure for Latinx actresses in comedy, drawing on her half-Puerto Rican heritage to portray complex, deadpan characters that subvert longstanding stereotypes of effusive or hyper-emotional Latinas. Through roles like April Ludgate in Parks and Recreation, she challenged expectations by embodying a stoic, sarcastic persona that resonated with underrepresented audiences, normalizing subdued expressions within Latinx narratives and paving the way for more diverse portrayals.[96] Her advocacy, including public calls for greater Latinx visibility at events like the 2018 NHMC Impact Awards, has highlighted systemic underrepresentation, such as the absence of Latina Best Actress Oscar winners, further amplifying her role in cultural shifts toward multifaceted Latinx representation in film and television.[97]Plaza's signature deadpan style has profoundly influenced the archetype of the "awkward" female lead in indie cinema, establishing her as the "queen of awkward and macabre comedy" and inspiring emerging performers who adopt similar ironic, off-kilter humor. Her portrayals in films like Ingrid Goes West and Safety Not Guaranteed have become touchstones for a generation of actors, with comparisons drawn to how she embodied millennial comedy's cheeky detachment, much like Ayo Edebiri's wholesome yet subversive take on Gen Z humor in projects such as The Bear.[98][99] This influence extends to broader deadpan Latinas in media, where Plaza's moody, dry-wit delivery—exemplified in Parks and Recreation episodes like "Sister City"—has modeled authenticity for talents like Jenna Ortega, fostering dimensionality in Latina characters beyond traditional vibrancy.[100]Key cultural milestones underscore Plaza's enduring comedic legacy, including the viral phenomenon of her Parks and Recreation character April Ludgate, whose savage one-liners and apathetic demeanor have spawned countless memes, compilations with millions of views, and fan tributes that highlight her as a defining voice in ensemble comedy.[101] Her 2024–2025 projects, such as starring as the older version of the protagonist in the female-led coming-of-age film My Old Ass and starring in the Marvel series Agatha All Along as Rio Vidal, have bolstered the momentum of women-driven genre storytelling, while her upcoming biopic The Heidi Fleiss Story—which she is producing—continues this trend in dramatic indie fare. Her role in Agatha All Along earned her the 2025 Gold Derby TV Award for Best Supporting Actress in a Comedy.[102][103] Following her 2025 disclosures about navigating profound grief after her husband Jeff Baena's death, Plaza has advocated for mental health awareness in Hollywood through candid interviews, emphasizing the "daily struggle" of recovery and destigmatizing vulnerability in the industry.[104]By 2025, Plaza stands as a versatile icon spanning television, film, and literature, with her authorship of children's books like the The Legend of the Christmas Witch series showcasing her creative range and resilience in shaping narratives around loss and personal growth.[105] Her trajectory reflects a broader impact on comedy's evolution, prioritizing authentic, boundary-pushing roles that bridge genres and inspire ongoing discussions of representation and emotional depth in entertainment.
Professional credits and honors
Acting credits
Aubrey Plaza has appeared in numerous films, television series, and theater productions throughout her career, often in both leading and supporting roles, with select projects where she also served as producer. Her credits are organized by medium below for clarity, presented chronologically within each category.
Film
Year
Title
Role
Notes
2009
Mystery Team
Kelly
Supporting
2009
Funny People
Daisy
Supporting
2010
Scott Pilgrim vs. the World
Julie Powers
Supporting
2011
10 Years
Olivia
Supporting
2011
A Very Harold & Kumar 3D Christmas
Stephanie Wyse
Supporting
2011
Damsels in Distress
Depressed Debbie
Supporting
2012
Safety Not Guaranteed
Darius Britt
Lead
2012
The To Do List
Brandy Klark
Lead
2013
Grudge Match
Molly
Supporting
2014
Life After Beth
Beth Slocum
Lead
2014
Ned Rifle
Susan
Supporting
2014
Playing It Cool
Mallory
Supporting
2014
The Driftless Area
Stella Connelly
Lead
2015
Addicted to Fresno
Kelly
Lead
2015
Mike and Dave Need Wedding Dates
Tatiana
Supporting
2016
Dirty Grandpa
Lenore
Supporting
2016
Joshy
Jodi
Supporting
2016
Mascots
Mindy Murray
Supporting
2016
The Late Bloomer
Michelle
Supporting
2017
The Little Hours
Sister Fernanda
Supporting, producer
2017
Ingrid Goes West
Ingrid Thorburn
Lead, producer
2018
An Evening with Beverly Luff Linn
Lulu Danger
Lead
2019
Child's Play
Karen Barclay
Lead
2020
Black Bear
Allison
Lead
2020
Happiest Season
Riley Johnson
Supporting
2021
Spin Me Round
Amber
Supporting
2022
Emily the Criminal
Emily Benetto
Lead, producer
2022
Operation Fortune: Ruse de Guerre
Sarah Fidel
Supporting
2023
Flamin' Hot
Judy Montañez
Supporting
2024
Megalopolis
Veronica
Supporting
2024
My Old Ass
Elliott
Lead
Television
Year(s)
Title
Role
Notes
2008–2016
Childrens Hospital
Grace
Main, 66 episodes
2009–2015
Parks and Recreation
April Ludgate
Main, 125 episodes
2012
NTSF:SUV::
Agent Piper Ferguson
Recurring, 2 episodes
2013
The Legend of Korra
Eska (voice)
Recurring, 5 episodes
2016
Easy
Lindsay
Guest, 1 episode
2017–2019
Legion
Lenny Busker
Main, 27 episodes
2022
The White Lotus (Season 2)
Harper Spiller
Guest, 6 episodes[106]
2022–2023
Little Demon
Beatrice (voice)
Main, 20 episodes, producer
2024
Agatha All Along
Rio Vidal / Death
Supporting, 9 episodes
Voice Work in Film and Other Media
Year
Title
Role
Notes
2013
From Up on Poppy Hill
Sachiko
Supporting
2013
Monsters University
Claire Wheeler
Supporting
2016
Nerdland
Sally
Supporting
2021
King Knight
Pine Cone
Supporting
Theater
Year(s)
Title
Role
Notes
2005
Rebel Without a Cause
Judy Brown
Supporting, Off-Broadway, American Theatre of Actors
2023–2024
Danny and the Deep Blue Sea
Roberta
Lead, Lucille Lortel Theatre
2025
Let's Love!
Unspecified lead role
Lead, Off-Broadway, Linda Gross Theater (September 25–November 22)[107]
As of November 2025, Plaza has several announced upcoming projects, including the lead role and producing duties in the biopic The Heidi Fleiss Story, her first real-life biopic portrayal. She is also attached to star in Ethan Coen's Go Beavers!, a dark comedy. Additionally, animation projects such as The Ark and the Aardvark and Animal Friends are in development with her involvement.[11][108][12]
Awards and nominations
Aubrey Plaza has received 13 awards and 53 nominations for her performances in television and film as of November 2025.[34]Her early recognition came from comedic roles, including multiple nominations for her portrayal of April Ludgate on Parks and Recreation. She earned an ALMA Award nomination in 2011 for Favorite TV Actress – Supporting Role and another in 2012 for Favorite TV Actress – Leading Role in a Comedy.[109] Later breakthrough work in independent films led to festival honors, such as the Young Hollywood Award for Breakthrough Performance of the Year in 2012 for Safety Not Guaranteed. The film premiered at SXSW, where it received praise for her deadpan delivery, contributing to its overall festival buzz.[110]Plaza's transition to more dramatic roles brought major awards attention. For Legion (2018), she received a Saturn Award nomination in the Academy of Science Fiction, Fantasy & Horror Films for Best Supporting Actress on Television, recognizing her portrayal of Lenny Busker.[34] She also earned an MTV Movie & TV Award nomination for Best Villain that year.[43] In 2017, her lead performance in Ingrid Goes West resulted in a Critics' Choice Award nomination for Best Actress in a Comedy, highlighting her satirical take on social media obsession.[111]More recent accolades include an Independent Spirit Award nomination for Best Lead Performance in 2023 for Emily the Criminal, where she played a debt-ridden woman turning to crime.[112] For The White Lotus (2023), Plaza was nominated for a Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series and a Golden Globe for Best Supporting Actress in a Series, Miniseries, or Television Film; the cast won a Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series.[3][113][114] In theater, she received a Drama League Award nomination for Distinguished Performance in 2024 for Danny and the Deep Blue Sea.[115] Entering 2025, Plaza earned Vancouver Film Critics Circle nominations for Best Supporting Actress in a Canadian Film for My Old Ass, along with additional nods from the Saturn Awards for Best Guest Star in a Television Series (Agatha All Along) and the Gold Derby TV Awards, where she won Best Supporting Actress in a Comedy.[116][34][117]
Year
Award
Category
Nominated work
Result
2011
ALMA Awards
Favorite TV Actress – Supporting Role
Parks and Recreation
Nominated[109]
2012
ALMA Awards
Favorite TV Actress – Leading Role in a Comedy
Parks and Recreation
Nominated[109]
2012
Online Film & Television Association Awards
Best Supporting Actress in a Comedy Series
Parks and Recreation
Nominated (2010–2013)
2012
Young Hollywood Awards
Breakthrough Performance of the Year
Safety Not Guaranteed
Won
2017
Critics' Choice Awards
Best Actress in a Comedy
Ingrid Goes West
Nominated[111]
2018
Saturn Awards
Best Supporting Actress on Television
Legion
Nominated[34]
2018
MTV Movie & TV Awards
Best Villain
Legion
Nominated[43]
2023
Independent Spirit Awards
Best Lead Performance
Emily the Criminal
Nominated[112]
2023
Primetime Emmy Awards
Outstanding Supporting Actress in a Drama Series
The White Lotus
Nominated[3]
2023
Golden Globe Awards
Best Supporting Actress – Series, Miniseries or Television Film
The White Lotus
Nominated[113]
2023
Screen Actors Guild Awards
Outstanding Performance by an Ensemble in a Drama Series
The White Lotus
Won[114]
2024
Drama League Awards
Distinguished Performance Award
Danny and the Deep Blue Sea
Nominated[115]
2025
Vancouver Film Critics Circle Awards
Best Supporting Actress in a Canadian Film
My Old Ass
Nominated[116]
2025
Saturn Awards
Best Guest Star in a Television Series
Agatha All Along
Nominated[34]
2025
Gold Derby TV Awards
Best Supporting Actress in a Comedy
Agatha All Along
Won[117]
Bibliography
Aubrey Plaza has co-authored three children's books with her longtime creative partner Dan Murphy, focusing on whimsical tales of magic, witches, and holiday folklore. These works extend her creative output into literature, drawing from personal and cultural inspirations.The Legend of the Christmas Witch, published on November 16, 2021, by Viking Books for Young Readers, is an illustrated picture book that reimagines the origins of Santa Claus's twin sister, Kristtörn, who becomes the misunderstood Christmas Witch after being separated from her brother and raised by woodland creatures.[118] Co-written with Dan Murphy and illustrated by Julia Iredale, the story explores themes of isolation, self-discovery, and familial bonds through a fairy-tale lens, blending eerie folklore with heartwarming resolution.[119]The sequel, The Return of the Christmas Witch, released on October 11, 2022, by the same publisher, continues the narrative centuries later as Kristtörn awakens from an icy slumber to confront a commercialized, dystopian version of Christmas dominated by the Kringle Corporation.[120] Illustrated again by Julia Iredale, it maintains the magical elements while introducing satirical commentary on modern holiday consumerism, emphasizing themes of revenge, restoration, and empowerment.[121]Plaza and Murphy's most recent collaboration, Luna and the Witch Throw a Halloween Party, a 40-page picture book published on July 29, 2025, by Viking Books for Young Readers (an imprint of Penguin Random House), follows young Luna Lopez, a aspiring bruja inspired by her Puerto Rican heritage, as she assists the eccentric elderly witch Pheenie in organizing a chaotic yet enchanting Halloween bash.[122] Illustrated by Hannah Peck, the book incorporates Plaza's Delaware roots and family influences, such as lessons from her abuela on resilience and joy amid challenges, to highlight themes of mentorship, cultural identity, and festive mischief.[123] It achieved national bestseller status upon release.[124]The writing process for these books evolved from Plaza and Murphy's 20-year friendship, which began in high school theater and deepened through collaborative film projects at NYU, allowing them to develop an intuitive creative synergy rooted in shared humor and improvisation techniques from their early performance backgrounds.[125] Personal themes, including navigating loss and embracing heritage, subtly inform the narratives, particularly in the lighter, more accessible tone of the Halloween-themed entry aimed at younger readers.[126]