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Behind the Devil's Back

Behind the Devil's Back is the fourth studio album by the British band , self-released on 16 October 2015. The album consists of ten tracks, including the singles "Animal" and the title track "Behind the Devil's Back", and was produced and mixed by Carl Bown. It marks Fightstar's return following a five-year hiatus, during which frontman rejoined his former band , and represents the group's exploration of heavier influences blended with their signature sound. Upon release, Behind the Devil's Back debuted and peaked at number 19 on the , spending one week in the top 100. Fightstar, formed in 2003 in , comprises on lead vocals, guitar, and keyboards; on guitar and backing vocals; on bass; and Omar Abidi on drums. The band gained prominence in the mid-2000s scene with their debut album Grand Unification (2006), which peaked at number 28 on the , establishing their reputation for intricate guitar work and dynamic song structures. Prior to Behind the Devil's Back, Fightstar's discography included One Day Son, This Will All Be Yours (2007), Alternate Endings (2008), and the acoustic Be Human (2010), the latter of which reached number 20 on the UK chart and showcased a more introspective side. In terms of production, Behind the Devil's Back was recorded independently and distributed by Warner Music UK Ltd., reflecting the band's commitment to creative control after parting ways with major labels. The tracklist features songs like "Sharp Tongue", "Murder All Over", "The Blackest Of Birds", "Overdrive", "More Human Than Human", "Titan", "Sink With The Snakes", and "Dive", clocking in at approximately 37 minutes total. Critics praised the album for its refined riffs, powerful vocals, and evolution from earlier works, positioning it as one of Fightstar's strongest releases. The album's artwork and thematic elements draw from dark, narrative-driven imagery, aligning with the band's penchant for conceptual storytelling. In 2024, Fightstar reunited for a one-off headline show at Wembley Arena on 22 March, celebrating 20 years since their formation and performing tracks from the album.

Development

Background

is a British rock band formed in 2003 in by vocalist and guitarist , guitarist and programmer , bassist , and drummer Omar Abidi. The band rose to prominence in the mid-2000s scene, releasing their debut studio album Grand Unification in 2006 through , followed by One Day Son, This Will All Be Yours in 2007 and Be Human in 2009. After the release of Be Human, entered a in 2010 as members focused on individual endeavors, including Simpson's solo work. The band's return to activity was marked by their tenth anniversary celebrations in late 2014. On 13 October 2014, announced a one-off show at London's on 16 December to commemorate the milestone, which sold out within minutes of tickets going on sale. Due to high demand, they added a second performance at the O2 Academy on 15 December 2014 (later postponed to February 2015). These events reinvigorated the group's momentum following years of inactivity. On 22 July 2015, announced Behind the Devil's Back as their fourth studio album, scheduled for release on 16 October 2015 via their independent label Fightstar Music and funded through a campaign that offered fans exclusive perks and early access. This project represented a return to original material after a six-year gap, but it also preceded a significant shift, as Simpson revealed on 10 November 2015 his reunion with pop band for new music and touring, effectively positioning Behind the Devil's Back as 's final album before another extended break from new releases.

Writing and recording

Songwriting for Behind the Devil's Back began in early 2015, marking a collaborative effort among all four band members— (vocals and guitar), (guitar and vocals), (bass), and Omar Abidi (drums)—who shared writing credits on every track for the album. This process drew briefly from the band's post-hardcore roots while exploring new directions. The sessions emphasized creative freedom, as the band aimed to produce music they genuinely enjoyed without external pressures. Principal recording took place throughout 2015 at Assault & Battery Studios in , with production and mixing at Treehouse Studios in , , co-produced by the band and engineer Carl Bown. occurred in the spring, with principal tracking spanning the summer months and completion by September, allowing for the album's announcement on July 22 and release on October 16. Experimental techniques were incorporated, such as 7-string guitars for enhanced heaviness and synthesizers inspired by Westaway's electronic project , adding atmospheric layers to the post-hardcore framework. The production timeline presented challenges, particularly in coordinating schedules amid members' solo endeavors—Simpson's career, Westaway's work with , and others' individual pursuits—during what was intended as a one-off reunion effort on hiatus. Simpson later reflected on the sessions as uniquely rewarding, noting, "I loved that stint doing Behind The Devil’s Back – it’s my favourite . It was a really interesting way of working because we weren’t fully back and we made this record by ourselves, put it out by ourselves." This DIY approach extended to self-releasing the via their own , underscoring the project's independent spirit.

Content

Musical style and composition

Behind the Devil's Back is classified as a album incorporating and influences, representing a notable evolution toward more atmospheric and synth-driven arrangements compared to Fightstar's earlier work, which leaned heavier on symphonic and elements. The record blends alt-metal aggression with 1980s-inspired textures, drawing from influences like and to create a sound that balances brutality and melody. Compositionally, the album employs seven-string guitars to deliver heavier, chugging riffs that underpin its foundation, while synthesizers add ambient layers and electronic scales for depth and mood. Dynamic structures are a hallmark, with tracks shifting from aggressive, scream-laden verses to soaring, melodic choruses, enhanced by dual vocals from and . Sonorous drums and polished production further accentuate these contrasts, contributing to the album's cohesive yet varied energy across its 10 tracks, which total 36:28 in length with songs averaging 3 to 4 minutes. Thematically, the album delves into personal turmoil, strained relationships, and , using to convey emotional intensity and . For instance, "Animal" channels aggressive energy through its growling delivery and evoking inner conflict, such as pleas to confront one's primal instincts. In contrast, the "Behind the Devil's Back" builds a haunting atmosphere with its razor-sharp riffs and transcendent melodies, exploring themes of hidden struggles and resilience. These elements underscore the band's maturation, refining their signature contrasts of beauty and brutality into a more narrative.

Artwork

The cover art for Behind the Devil's Back features the digital painting "Scorched Earth" by artist . This image depicts a barren, fiery evoking themes of destruction and rebirth, which aligns with the album's dark, apocalyptic aesthetic and intensity. , who previously collaborated with on artwork for their albums Grand Unification (2006) and One Day Son, This Will Be Yours (2008), selected this piece to create a visual continuity with the band's earlier work, giving Behind the Devil's Back a similar thematic feel. The design emphasizes a brooding, end-times atmosphere through its muted color palette of scorched reds, blacks, and grays, reinforcing the record's exploration of human frailty and renewal—elements echoed briefly in the lyrics of tracks like "The Blackest of Birds." Inner sleeve photography extends this motif with additional desolate imagery, contributing to the overall immersive presentation. Exclusive variants were offered through the band's campaign, including bundles with unique art prints and apparel featuring the core artwork. Packaging varies by format: the standard CD edition comes in a case with a clear tray and an 8-page lyric containing further artwork extensions. The limited-edition is pressed on 180-gram heavyweight black , housed in a sleeve that showcases expanded views of Conway's on both inner spreads. formats retain the primary cover image without additional physical elements.

Promotion

Singles and music videos

To promote Behind the Devil's Back, released several singles in the lead-up to the album's October 2015 launch. The , "Animal", was issued digitally on 26 July 2015, marking the band's return after a five-year from new material. This was followed by "Sharp Tongue" on 11 September 2015, which served as an instant gratification track with album pre-orders. "Sink with the Snakes" was released as a promotional track on 9 October 2015, followed by "Overdrive" on 12 October 2015, with both receiving wider later in 2015. The title track, "Behind the Devil's Back", arrived as a single on 14 October 2015, just two days before the full album's release. These singles were distributed via the band's own label and made available on streaming services like and , where pre-orders granted immediate access to select tracks. Music videos accompanied key singles to enhance promotion. An audio premiere for "Behind the Devil's Back", directed by Shane Davey, was released on 14 October 2015 with thematic visuals aligned with the album's intense post-hardcore style; the official video was released and re-uploaded to the band's YouTube channel in April 2020. Similarly, an initial audio premiere for "Sink with the Snakes", also helmed by Davey, was released on 9 October 2015; the official video, blending live performance clips with narrative storytelling elements, followed in April 2020. For "Animal" and "Sharp Tongue", the band shared official audio uploads on YouTube with static artwork visuals, emphasizing lyrical delivery without full narrative videos. None of the singles included unique b-sides or remixes in their digital packages.

Tour

To promote their fourth studio album Behind the Devil's Back, embarked on a ten-date across the in October 2015, titled the Behind the Devil's Back Tour. The tour, which funded the self-released album through a campaign, commenced immediately following the album's release on October 16, allowing the band to showcase new material to fans amid the project's launch. The itinerary focused on major UK cities, including performances at venues such as London's Troxy, Manchester's O2 Ritz, and Edinburgh's Liquid Room, with dates spanning from October 17 to October 28. Support acts for the UK leg included post-hardcore bands Arcane Roots and Making Monsters, who opened shows and helped build energy for Fightstar's sets blending fresh tracks from the album with established fan favorites like "Grand Unification, Part I" and "Paint Your Target." The tour marked Fightstar's return to consistent live performances after their reunion, capitalizing on heightened fan interest generated by the album's crowdfunding campaign via and its electronic-infused sound. Key events included high-energy headline slots that emphasized the band's collaborative songwriting evolution, as highlighted in contemporary reviews, though no additional dates were scheduled in late 2015.

Release and reception

Release history

The album Behind the Devil's Back by British rock band was initially released on 16 October 2015 in the United Kingdom through the band's self-released label, distributed by Warner Music, available in download and standard formats. International releases included simultaneous availability worldwide on the initial date, with physical editions rolling out across and by late 2015. The album was offered in standard and streaming formats. This rollout coincided briefly with the start of the band's supporting in the UK.

Charts

Behind the Devil's Back debuted at number 19 on the UK Albums Chart for the week ending 25 October 2015, becoming Fightstar's highest-peaking album on the main chart. It spent a total of one week in the top 100. The album also reached number 15 on the Scottish Albums Chart during the same week. On genre-specific charts, Behind the Devil's Back topped the UK Rock & Metal Albums Chart upon release. In comparison to the band's prior releases, this marked an improvement over Alternate Endings (#85 peak in 2008) and a marginal gain against Be Human (#20 peak in 2009), while surpassing the debuts of Grand Unification (#28 in 2006) and One Day Son, This Will All Be Yours (#27 in 2007). The saw no significant international success, failing to enter major markets such as the US or European album charts. Its performance reflected modest commercial reach, bolstered initially by a campaign that engaged fans directly but limited broader distribution.

Critical reception

Upon its release, Behind the Devil's Back received generally positive reviews from music critics, who commended 's maturation as a band and their willingness to experiment with heavier, more cinematic elements in their sound. The was praised for blending aggressive riffs and flourishes with melodic hooks, marking a significant evolution from their earlier work. Bring the Noise awarded the album 9/10, highlighting its stylistic evolution and tribute to the band's roots in riffs and screams while pushing boundaries. The Soundboard rated it 8/10, noting the record's high energy and nuanced blend of heaviness and melody, describing it as Fightstar's heaviest and most dynamic release to date, with dual vocals adding depth to tracks like "Sharp Tongue" and "Overdrive." Critics appreciated the mature sound and experimental touches, such as influences from and In Flames, which showcased the band's genuine artistic growth rather than a mere reunion effort. However, some reviews pointed to minor issues with accessibility, suggesting that the heavier, more complex arrangements might challenge new listeners unfamiliar with Fightstar's catalog. User-generated aggregated scores reflected similar positivity, with users averaging 3.4 out of 5 based on over 230 ratings, and compiling a 70 out of 100 from critic and user input.

Post-release

Legacy

Behind the Devil's Back stands as Fightstar's final studio album to date, released in 2015 as the culmination of their active recording period before entering an indefinite hiatus. The band has maintained a degree of activity through occasional performances, including a 20th reunion concert at in 2024, which highlighted the enduring appeal of their catalog among fans. Frontman has sustained his musical output during the hiatus, pursuing solo endeavors such as the 2023 covers EP Kifaru and his participation in Jeff Wayne's arena in 2025, while expressing openness to future projects without confirmed plans. The album's integration of aggressive elements with atmospheric synths has been retrospectively noted for refining the band's signature sound, contributing to their lasting reputation within the rock scene.

Reissues and anniversaries

In the years following its release, Behind the Devil's Back has not undergone any major reissues or special editions. The original limited-edition 180-gram pressing remains listed as available for purchase through secondary markets and historical band merchandise channels, though stock on official sites has been depleted as of 2025. The album achieved streaming milestones by being added to major platforms like upon digital release, where it has since appeared in curated playlists, contributing to sustained listener engagement without formal anniversary promotions. No official 10-year anniversary edition, including remastered audio or live recordings, was announced or released in 2025.

Track listing

No.TitleLength
1."Sharp Tongue"4:05
2."Murder All Over"3:23
3."Behind the Devil's Back"3:15
4."The Blackest of Birds"4:28
5."Overdrive"3:44
6."More Human Than Human"3:42
7."Animal"3:12
8."Titan"4:12
9."Sink with the Snakes"2:48
10."Dive"3:49
Total length: 36:28

Personnel

Charlie Simpson – lead vocals, guitar, keyboards
– guitar, backing vocals, synthesizers
– bass guitar, synthesizers
Omar Abidi – drums

Production

Carl Bown – producer, mixing
James Pinder – additional engineering
Daniel Conway – artwork

Management

1983 Management – management
BM Management – management
Charles Fitzgerald – management

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