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Big Bite

Big Bite was an sketch comedy television series which ran on the Seven Network from 8 May 2003 to 4 March 2004 in a timeslot on Thursdays. There were 13 episodes in the single season, each approximately 22 minutes in length. The series was created by and starred , alongside a cast including as host for the first season, Chris Lilley, and other comedians. Since its conclusion, episodes have been repeated on Foxtel's and Network Seven's digital channel .

Production

Development

Big Bite was co-created by Michael Horrocks, Andrew Jones, and Rick Kalowski, with Kalowski serving as head writer and contributing key sketch ideas alongside Jones's writing input. The series was produced by FremantleMedia for the Seven Network. The series was pitched to the Seven Network in early 2003 as a prime-time program aimed at rivaling established comedies like those on rival channels. It was tailored to emphasize cultural through local characters and . Development focused on casting emerging comedic talents, including comedian Chris Lilley in his first major television role, where he introduced characters like the high school drama teacher Mr. G. The budget was allocated for a 13-episode first season, prioritizing cost-effective studio-based sketches with limited location filming to maintain a fast-paced production schedule. The series premiered on May 8, 2003.

Filming and crew

Filming for Big Bite primarily occurred at HSV-7 Studios in , , , allowing for efficient production of the sketch-based format within controlled studio environments. The series was directed by John Luscombe, Matthew Saville (credited as Matt Saville), and Greg Williams across its 13 episodes, with Ted Emery contributing direction to select segments. Cinematography was led by Warren Tiedgen, who captured the fast-paced, varied sketches requiring quick setups and transitions. In , sound mixing and were managed by Ant Bohun, ensuring clear and effects suited to the comedy's satirical tone. Following the wrap of , cast member Tristan Jepson—who performed in multiple sketches—ended his life in 2004 at age 26, an event that profoundly affected the and broader creative community.

Cast and characters

Main cast

The main cast of Big Bite was led by Chris Lilley, who portrayed multiple characters such as and Extreme Darren, marking an early breakthrough in his television career after performing in ; this role served as a testing ground for his character-driven style, paving the way for his solo series We Can Be Heroes in 2005. Andrew O'Keefe hosted the series and participated in sketches, representing his debut in television after a background in and ; following Big Bite, he transitioned to prominent hosting roles, including from 2003 to 2013 on the Seven Network. The supporting ensemble included Andrew Dyer, who contributed sketches and later worked on satirical programs like David Tench Tonight[]; Jo Gill, an actress known for her comedic timing in Australian television; , a performer with theater credits including roles alongside ; Rebecca De Unamuno, who went on to news presenting on CNNNN: Chaser Non-Stop News Network[]; Melissa Madden-Gray, bringing energy to various characters; , whose involvement predated her acclaimed co-created in 2015; and Jake Stone, adding to the group's versatile portrayals. This collective of performers fostered the show's dynamic through their shared focus on parody and impersonation, with Lilley anchoring a majority of the segments while others rotated to highlight individual strengths in the fast-paced format.

Notable characters and sketches

One of the most memorable characters from Big Bite was Chris Lilley's , a bumbling and self-absorbed drama teacher who parodied the excesses of educational environments through sketches centered on school performances like the . In these segments, Mr. G commandeered class activities for his own theatrical ambitions, highlighting the absurdity of ego-driven in schools. Lilley also portrayed other recurring personas, such as Extreme Darren, an over-the-top extreme sports enthusiast whose sketches satirized suburban machismo and adrenaline-fueled hobbies. contributed arrogant game show host parodies, often lampooning figures like to critique the bombast of Australian television presenters. Ensemble pieces, including news broadcasts featuring impersonations like that of anchor by Rebecca De Unamuno, targeted sensationalism and . The series frequently employed recurring formats such as advertisements spoofing well-known TV commercials with absurd twists, and impersonations that exaggerated public figures' quirks. Sketches typically ran 3-5 minutes, relying on live-action delivery with minimal props to emphasize quick-witted on suburban life and current media trends, such as tabloid-style reporting.

Broadcast

Premiere and scheduling

premiered on the Seven Network on 8 May 2003, occupying a prime-time Thursday slot at 7:30 PM as part of the network's strategy to bolster local programming amid competition from imported hits like the version of . The series consisted of 13 half-hour episodes, reflecting Seven's investment in talent such as Chris Lilley and to capture Thursday night audiences. The show aired on Thursdays until concluding its run on 4 March 2004. Promotion emphasized trailers showcasing Lilley's versatile character portrayals, alongside cross-promotions on Seven's morning programs to build anticipation for the local comedy push. While there were no initial international sales during its original broadcast, the series later saw rebroadcasts on Foxtel's and , extending its availability to pay-TV and audiences in . Of the 13 episodes produced, one remained unaired in the initial run but was later included in the DVD release.

Episode overview

The first episode of Big Bite, aired on 8 May 2003, introduced viewers to the show's core satirical style through the debut of Chris Lilley's character , a flamboyant drama teacher, alongside parodies targeting media personalities and formats. The series featured celebrity satires, incorporating mock award shows and impersonations of high-profile figures such as , often blending humor with social commentary on fame and Australian entertainment culture. Sketches included suburban family parodies and advertisement spoofs, exploring domestic absurdities and consumer trends through recurring characters like Extreme Darren. Later episodes built toward a finale with interconnected sketches; a "lost" episode featuring unaired material was later included on DVD releases. Throughout the series, early episodes established individual characters, while later ones wove them into larger narratives for comedic effect. Each 30-minute episode maintained consistent runtime, with credits often featuring improvised moments.

Reception and legacy

Critical response

Big Bite premiered to modest ratings, attracting fair numbers for its initial 2003 run on the Seven Network, which was considered underwhelming amid competition from established imports and other local launches like Comedy Inc. and . Critical reception was mixed, with some reviewers praising Chris Lilley's versatility in portraying multiple characters and the series' take on humor. The show was part of a sketch comedy revival, though laughs and viewers did not last long. Some reviews noted inconsistencies, uneven pacing across sketches, and an overreliance on shock value. Audience feedback was mixed, with younger demographics appreciating the and character-driven , while older viewers found the content crude. The for Best Television Series at the 2003 Australian Film Institute Awards helped elevate its profile, though it did not win. Rebroadcasts on channels such as cultivated a dedicated niche fanbase among enthusiasts who valued its appeal on cable.

Awards and nominations

Big Bite was nominated for Best Comedy Series – Sitcom or at the 2003 Australian Film Institute (AFI) Awards, with producer Michael Horrocks credited for the . The series did not win the award, which went to John Safran's Music Jamboree. Additionally, the production received a in the Open Craft Award category for Television for Creative Make-Up, recognizing contributions by Peta Hastings, Karchi Magyar, and Natalie Vincentich. The series did not receive any nominations at the Logie Awards. Despite the lack of further formal accolades, the AFI recognition highlighted the innovative sketch format of Big Bite within the Australian television landscape.

Cultural impact and home media

Big Bite significantly contributed to the early careers of several key figures in Australian entertainment. Chris Lilley debuted his breakthrough characters, including the high school drama teacher Mr. G and extreme sports enthusiast Extreme Darren, on the series, which propelled him toward international recognition through subsequent projects like Summer Heights High. The show's involvement also marked the television debut of Andrew O'Keefe, who parodied media personalities before transitioning to host the long-running game show Deal or No Deal on the Seven Network starting later in 2003. Similarly, performer Kate McCartney featured in sketches on Big Bite, laying the groundwork for her later acclaimed writing collaborations with Kate McLennan on series such as Get Krack!n and Deadloch. Over time, Big Bite has cultivated a , particularly for Lilley's satirical portrayals, which continue to resonate in nostalgic discussions of early 2000s . Clips from the series, widely shared online, have fueled retro appreciation during the 2010s and 2020s, highlighting its influence on the style seen in later works. The character, in particular, has echoed in subsequent Australian comedies, inspiring parodies of educational and performative archetypes. A two-disc DVD set containing all 13 episodes, along with bonus material including a "lost" episode and cast interviews, was released in on 6 November 2006 by . The series was briefly available for streaming on the Seven Network's 7plus platform during the , though it is not accessible on major streaming services as of 2025, prompting fan calls for re-release on modern platforms. Despite its domestic impact, Big Bite achieved limited international distribution compared to contemporaries, remaining largely an Australian phenomenon that underscored the early promise of its talents.

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