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Box Office Mojo

Box Office Mojo is a leading online service that tracks and analyzes box office revenue for motion pictures, providing comprehensive data on domestic and international theatrical earnings for films released in over 60 countries.^[1] Founded in 1999 by Brandon Gray, the website offers detailed charts, historical records, weekend estimates, and industry news to help users understand film performance and market trends.^[2] Initially operating independently, Box Office Mojo grew into a key resource for the film industry under Gray's leadership, partnering with Sean Saulsbury in 2002 to expand its data coverage and readership.^[3] In July 2008, the site was acquired by IMDb, a subsidiary of Amazon, which integrated its box office data into broader entertainment analytics while maintaining its focus on theatrical grosses.^[4] Following the acquisition, Box Office Mojo underwent a significant redesign in 2019 under IMDbPro, enhancing its user interface and incorporating advanced features like customizable charts and international market breakdowns to better serve executives, journalists, and enthusiasts.^[2] The platform's data is derived from studio reports and exhibitor information, compiled algorithmically to deliver accurate, timely insights into global box office dynamics, including top-grossing films, genre trends, and release strategies.^[1] Widely regarded as an authoritative source, it has become indispensable for tracking milestones such as all-time highest earners—led by films like Avatar and Avengers: Endgame—and analyzing the economic impact of cinema releases worldwide.^[5]

History

Founding and Early Operations

Box Office Mojo was founded in 1999 by Brandon Gray, a movie analyst with a passion for quantifying film performance, as a free online resource dedicated to tracking North American box office receipts.^[2] Initially launched to provide accessible forecasts and results for weekend box office rankings, the site quickly became a centralized hub for enthusiasts and industry observers seeking reliable data on film earnings.^[6] In its early years, Box Office Mojo emphasized straightforward, essential metrics such as daily and weekend grosses, top chart rankings, and basic performance indicators for individual films, without delving into advanced analytics or international comparisons.^[2] The platform's core appeal lay in its systematic aggregation of studio-reported data, presented in an intuitive format that allowed users to compare current releases against historical benchmarks, fostering a deeper understanding of market trends.^[6] This focus on core North American theatrical earnings helped distinguish it from more narrative-driven film sites, positioning it as a practical tool for tracking commercial success. The site's growth accelerated through its user-friendly interface and reliance on community engagement, including active forums launched in 2002 that encouraged discussions and user-submitted insights on box office patterns. By the mid-2000s, Box Office Mojo had partnered with Sean Saulsbury, Gray's high school friend, who handled data management and helped formalize the operation as a company; this collaboration propelled visitor numbers to over two million unique users per month, solidifying its status as the premier online destination for box office information among film enthusiasts and professionals.^[7]^[6] To sustain operations amid rising costs, Box Office Mojo introduced premium features in 2003, including the "Premier Pass" subscription, which offered ad-free access and exclusive data such as extended chart depths and detailed historical breakdowns not available in the free version.^[8] This model balanced accessibility with revenue generation, allowing the site to expand its coverage while maintaining its independent ethos until its acquisition by IMDb in 2008.^[2]

Acquisition by IMDb

In 2008, Box Office Mojo was acquired by IMDb, a subsidiary of Amazon, for an undisclosed amount. The transaction was completed earlier that summer, though it was publicly announced in December. This move was driven by IMDb's need to strengthen its box office data resources, which had been relatively limited prior to the purchase, allowing for better integration of comprehensive ticket sales information into its database.^[4] One of the immediate changes post-acquisition was the discontinuation of the site's "Premier Pass" subscription model, which had previously offered premium features like full data access and ad-free viewing for an annual fee. All content was made freely available, shifting to an ad-supported structure consistent with IMDb's operations and broadening accessibility for users seeking box office analytics.^[8] Founder Brandon Gray and co-founder Sean Saulsbury continued to oversee operations from a Los Angeles office in the initial period, with Gray serving in a consulting capacity to ensure continuity. The acquisition facilitated a gradual integration of Box Office Mojo's data into IMDb's ecosystem, enhancing cross-platform functionality without disrupting the site's core identity.^[2] In October 2014, the Box Office Mojo website briefly disappeared, with traffic redirected to IMDb without explanation, sparking concern among users before the site returned the following day.^[9]^[10] Post-acquisition enhancements under IMDb ownership included expanded international box office tracking, providing more detailed global revenue insights and supporting the site's evolution into a more comprehensive resource for worldwide film performance. IMDb expressed commitment to further developing the brand, building on its established reputation for reliable data.^[11]

2019 Redesign and Evolution

In October 2019, Box Office Mojo underwent a major redesign, rebranding as "Box Office Mojo by IMDbPro" and adopting a visual and functional style closely aligned with its parent site, IMDb.^[2] The overhaul shifted the platform toward a more integrated, subscription-based model under IMDbPro ownership, emphasizing streamlined navigation while eliminating several longstanding free tools, including detailed legacy charts, advanced search capabilities, weekly theater counts, calendar views, and inflation-adjusted gross figures.^[3]^[12] A key aspect of the redesign introduced a partial paywall, requiring an IMDbPro subscription—priced at around $20 per month—for access to advanced features such as comprehensive international box office data, historical archives, and studio-specific analytics.^[2]^[12] This move, which contrasted with the site's previously ad-supported, fully free access since its 2008 acquisition by IMDb, drew immediate and widespread backlash from users, including box office analysts, film critics, and industry professionals who relied on the platform for quick, unrestricted data retrieval.^[8] Complaints highlighted degraded usability, with the new interface criticized for prioritizing promotional elements over data depth and complicating routine tasks like tracking film performance metrics.^[3]^[12] The redesign's evolution in the years following maintained this IMDbPro-centric structure, with persistent user feedback focusing on the loss of free accessibility amid ongoing industry needs, such as during the 2020-2021 COVID-19 disruptions to global box office tracking.^[13] In response to the outcry, community-driven initiatives emerged to recreate lost functionalities, including fan-led projects aimed at restoring open-access charts and search tools through alternative platforms.^[14]^[13] As of 2025, core paid features remain intact, and the site continues to serve as a primary reference for basic domestic and international grosses, though without significant reversals to the 2019 changes.^[15]

Content and Features

Box Office Data Tracking

Box Office Mojo provides real-time tracking of box office grosses for films in domestic markets, encompassing the United States and Canada, as well as international markets across more than 60 countries.^[16]^[17] The data is primarily sourced from film studios, distributors, theaters, sales agents, and other global contributors, with estimates incorporated when exact daily figures are unavailable to maintain timeliness based on weekend, weekly trends, and historical patterns.^[18]^[17] This approach ensures comprehensive coverage of theatrical earnings reported in U.S. dollars, excluding production marketing costs from budget figures.^[18] The site breaks down key performance metrics to offer detailed insights into film earnings, including opening weekend totals (Friday through Sunday), daily grosses, cumulative lifetime grosses, and the number of theaters (locations, not screens) per release.^[18] Releases are categorized as wide (600 or more theaters) or limited (fewer than 600 theaters) to contextualize performance scale.^[18] For example, domestic tracking emphasizes North American theatrical runs as the core of its data aggregation, providing benchmarks like weekend estimates and actuals to analyze market momentum.^[18] Historical archives form a cornerstone of the service, dating back to 1980 for yearly summaries of major releases, with weekend and weekly data available from 1982 and daily figures from 2002 onward.^[18] Worldwide data extends from 1989 to the present, allowing for long-term comparisons, though pre-2001 figures are noted as approximations due to less comprehensive reporting at the time.^[18] Late-reported grosses are retroactively assigned to the two weeks following their last update to refine accuracy.^[18] This North American-focused foundation has been bolstered by expansion under IMDb ownership, enhancing global data integration.^[17] Updates occur with high frequency to support ongoing analysis: daily charts are published by noon Pacific Time during a film's release week, weekend estimates appear Sunday mornings and actuals follow Monday afternoons, weekly summaries (Friday through Thursday) are released Friday afternoons, and yearly, monthly, quarterly, and seasonal overviews are refreshed periodically for broader comparative purposes.^[18] This cadence enables users to track performance in real time while accessing aggregated views for historical and cross-release evaluation.^[18]

Additional Resources and Analytics

Box Office Mojo offers a range of supplementary tools and analytical features that extend beyond core box office tracking, enabling users to explore trends across genres, franchises, and brands through dedicated sections with interactive elements. The site's Genres section provides a sortable table ranking categories by total domestic gross, number of titles, top-grossing film, and that film's lifetime earnings, such as Adventure amassing $72.37 billion across 889 titles led by Star Wars: Episode VII - The Force Awakens at $936.66 million. Similarly, the Franchises area details cumulative performance for series like the Marvel Cinematic Universe, which has earned $13.10 billion over 44 releases, with Avengers: Endgame as its highest earner at $858.37 million; users can sort these all-time rankings by gross, release count, or individual film metrics. The Brands section extends this to branded content, offering comparable sortable tables for entity-specific totals and historical rankings.^[19]^[20] Release calendars and predictive tools further support planning and comparative analysis, listing upcoming films by date, distributor, and release type (wide or limited), such as the November 2025 slate featuring Zootopia 2 and Wicked: For Good. While explicit box office predictions are not provided, the calendar facilitates forecasting through scheduled releases and historical context. Year-to-date (YTD) analyses appear in yearly overviews, comparing current performance against prior years via charts for domestic grosses, opening weekends, and in-year releases; for instance, 2023's $8.91 billion total marked a 20.9% increase from 2022's $7.37 billion. These features build on foundational tracking data to highlight seasonal and annual trends.^[21]^[22] Visual aids enhance interpretability with all-time charts for lifetime grosses, including domestic leaders like Star Wars: Episode VII - The Force Awakens at $936.66 million and worldwide toppers such as Avengers: Endgame at over $2.79 billion (implied from franchise totals). Market share breakdowns by distributor are integrated into weekly and weekend reports, showing grosses and percentages for studios like Walt Disney or Universal in specific periods. The Showdowns tool offers comparative analytics, pitting franchises or genres against each other, such as the Conjuring series' $543.69 million across five films versus similar thematic matchups. These elements prioritize sortable, visual summaries over raw data dumps.^[23]^[24]^[25]^[26] Access to these resources varies by tier, with most sections freely available on the main site, including genres, franchises, calendars, and basic charts. However, advanced analytics such as per-capita earnings and performer-specific box office charts (e.g., for actors or directors) require an IMDbPro subscription, reflecting the site's integration with premium services post-2019 redesign. This tiered model ensures broad accessibility for general users while reserving in-depth tools for industry professionals.^[17]^[2]

Ownership and Operations

Corporate Structure

Box Office Mojo is ultimately owned by Amazon.com, Inc., following IMDb's acquisition of the site in 2008; IMDb itself has been a subsidiary of Amazon since 1998.^[4] As a result, Box Office Mojo functions as a subsidiary brand within the IMDb ecosystem, integrated into Amazon's broader entertainment data operations.^[2] The site's revenue model relies on a freemium structure, offering basic box office data for free while gating advanced analytics and comprehensive reports behind IMDbPro subscriptions.^[1] As of 2025, IMDbPro individual plans start at $19.99 per month or $149.99 annually, providing users with premium access to Box Office Mojo's detailed metrics.^[27] Leadership for Box Office Mojo falls under IMDb's executive team, with no dedicated CEO for the brand; key strategic decisions are guided by IMDb's CEO, Nikki Santoro, who assumed the role in January 2025.^[28] This oversight aligns with Amazon's broader entertainment operations. Operationally, Box Office Mojo maintains a lean structure as part of IMDb, which employs around 800 people overall, with a focused data team handling box office tracking through studio partnerships and automated compilation processes.^[29] Data is compiled from film studios, distributors, sales agents, and other global contributors via reporting agreements, supplemented by algorithmic aggregation for coverage across over 60 countries/territories.^[1]

Integration with IMDbPro

Following the 2019 redesign, Box Office Mojo was rebranded as "Box Office Mojo by IMDbPro," integrating its operations more closely with IMDb's professional services platform under Amazon's ownership.^[2] This unification required an IMDbPro subscription for full access to previously free features, establishing a shared login system that allows users to access both platforms seamlessly with a single account.^[17] Cross-platform data syncing was enabled through this backend merger, enabling consistent updates and navigation between IMDbPro's industry tools and Box Office Mojo's charts without redundant logins.^[3] IMDbPro subscribers gained enhanced features tailored for industry professionals, including exclusive access to detailed international box office breakdowns covering over 60 countries and territories, organized by regions such as domestic (U.S. and Canada) and worldwide totals.^[17] Additional Pro tools provide exportable datasets through licensing options, allowing users to download comprehensive earnings reports for analysis, while theater count charts and performer-specific box office data (e.g., for actors and directors) are restricted to this tier.^[17] These enhancements support professional workflows by offering granular insights beyond basic public charts. API integrations further deepened the technical merger, enabling IMDb users to embed Box Office Mojo statistics directly into film pages via the IMDb Developer API, which includes endpoints for lifetime grosses, regional results, and weekend returns.^[30] This improves search functionality across both sites, allowing developers to pull real-time box office data into custom applications or IMDb-linked tools.^[31] Data standardization efforts aligned Box Office Mojo's metrics with IMDbPro's conventions, such as using "gross" for reported earnings and adjusting figures for ticket price inflation via estimated tickets sold to ensure comparable historical analysis.^[17] These changes promote consistency in terminology and coverage, focusing primarily on theatrical releases while maintaining accuracy in daily, weekly, and all-time charts.^[32]

Reception and Impact

Industry Criticisms

The 2019 redesign of Box Office Mojo, the first major overhaul since its acquisition by IMDb in 2008, drew widespread criticism from industry analysts, journalists, and filmmakers for removing long-standing free features and introducing paywalls that limited access to essential data. Key complaints centered on the elimination of charts such as inflation-adjusted box office histories, individual title searches by personnel, and estimated ticket sales, which had been staples for free research and analysis. Forbes box office reporter Scott Mendelson described the changes as having "torpedoed" the site's utility, arguing that they hindered independent researchers by forcing reliance on paid IMDbPro subscriptions for basic tools previously available without cost.^[12]^[2] Further backlash highlighted the paywalling of genre breakdowns and studio historical data, requiring a $19.99 monthly or $149.99 annual IMDbPro subscription, which critics like Deadline's Anthony D'Alessandro and filmmaker Edgar Wright said disrupted public access to comprehensive film performance metrics. In response, IMDb issued a statement explaining that the redesign was informed by customer feedback and usage patterns to improve the site's functionality, with plans for ongoing updates based on user input, though it emphasized the need for sustainable operations through premium features.^[12]^[2] Accuracy concerns have also persisted, particularly regarding delays in international data reporting, exacerbated during the 2020 COVID-19 pandemic when many distributors suspended box office updates amid theater closures and shifting release dates. Box Office Mojo acknowledged these interruptions, noting that data from some markets was unavailable or delayed due to non-reporting by studios and exhibitors, leading to incomplete global tallies for affected periods. Additionally, disputes have arisen over the presentation of adjusted versus unadjusted grosses, with the site's methodology—estimating tickets sold and multiplying by current average prices—drawing debate for potentially oversimplifying inflation impacts compared to raw figures.^[33]^[1]

Influence on Film Analysis

This openness transformed film reporting, with trade publications like Variety and The Hollywood Reporter increasingly citing its metrics for analysis starting in the early 2000s, enabling broader insights into market trends and earnings.^[2]^[3] The platform's granular data has profoundly shaped blockbuster analysis, allowing trackers to monitor franchise dominance and inform predictive strategies for releases. For example, Box Office Mojo's records revealed Disney's escalating market share, from 26% in 2016 to a record 35% in 2019—driven by hits like Avengers: Endgame and The Lion King—highlighting the studio's grip on Hollywood revenue and sparking discussions on industry consolidation. Such visualizations and comparisons have become essential for executives assessing sequel viability and release timing.^[34] In academic and cultural contexts, Box Office Mojo's datasets underpin studies of film economics, with researchers leveraging its historical records to model revenue drivers, piracy impacts, and global distribution effects across thousands of titles. The site also popularized analytical metrics like the opening weekend multiplier—the ratio of a film's total domestic gross to its debut weekend earnings—which gauges word-of-mouth sustainability and has permeated public discourse on film longevity, as seen in evaluations of counterprogramming successes.^[35]^[36]^[37]

References

[1]
Box Office Mojo by IMDbPro FAQ - IMDb | Help
Box Office Mojo by IMDbPro is a leading online service tracking box office receipts domestically and internationally, providing data for 60+ countries.
[2]
Box Office Mojo Site Transformed by IMDbPro - Variety
Oct 23, 2019 · It was founded in 1999 by Brandon Gray. When Box Office Mojo was acquired by Amazon in 2008, it was operated in a Los Angeles office by Gray and ...
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Box Office Mojo Undergoes Dramatic Overhaul
Oct 23, 2019 · Since being founded by Brandon Gray in 1999, the site has become a key tool for movie industry executives, providing weekend and daily ...
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Amazon's IMDB Acquires Box Office Mojo; Will Add Box ... - CBS News
Dec 18, 2008 · IMDB, the online movie information and community site owned by Amazon (NSDQ: AMZN), has done another acquisition: it has bought popular movie data site Box ...
[5]
Top Lifetime Grosses - Box Office Mojo
Top Lifetime Grosses ; 1, Avatar, $2,923,710,708 ; 2, Avengers: Endgame, $2,799,439,100 ; 3, Avatar: The Way of Water, $2,343,096,253 ; 4, Titanic, $2,264,812,968 ...
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About Box Office Mojo - Box Office Mojo
### Summary of Box Office Mojo's History, Founding, Features, and Operations (as of 2005)
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Box Office Mojo Redesign by IMDb Pro | SeanCast.com
Oct 24, 2019 · When I teamed with Brandon Gray and we formed Mojo as a company in 2002, I took on the task of putting all the box office data into a ...
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None
Nothing is retrieved...<|control11|><|separator|>
[9]
Box Office Mojo To Expand Under IMDb - Deadline
Dec 17, 2008 · IMDb is committed to further developing the Box Office Mojo brand and building upon the success of the past nine years,” said a joint statement ...Missing: July | Show results with:July
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Oct 23, 2019 · It's the first major overhaul of the site since IMDb, a subsidiary of Amazon, purchased the website from creator Brandon Gray in 2008. The ...
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Box Office Mojo: Film Fans Are Rebuilding Website After IMDb ...
Oct 30, 2019 · A new fan-led initiative seeks to restore Box Office Mojo to what casual box office trackers deem more usable.
[13]
Latest International Weekends - Box Office Mojo
Area, Weekend, Releases, #1 Release, Distributor, Weekend Gross. Weekend Ending November 2, 2025. Japan · Nov 1-2, 22, Chainsaw Man - The Movie: Reze Arc ...Australian Box Office... · Indonesian Box Office... · Japanese Box Office... · China
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[15]
About Box Office Tracking
Jun 30, 2005 · Box Office Mojo publishes several sections reporting box office receipts by time period, including Daily, Weekend, Weekly, Monthly, Quarterly, Seasonal, Yearly ...
[16]
Genre Keywords (US & Canada) - Box Office Mojo
Genre Keywords (US & Canada) ; Supernatural, $62,288,281,262, 760 ; IMAX, $58,157,429,853, 378 ; Adventure, $72,374,139,921, 889 ; Alien Invasion, $7,243,979,503 ...Missing: resources analytics charts market share
[17]
Franchises (US & Canada) - Box Office Mojo
### Summary of Franchises Section on Box Office Mojo
[18]
Domestic Release Schedule - Box Office Mojo
Domestic Release Schedule ; Unexpected Christmas. Comedy Drama. With: Lil Rel Howery, Anna Maria Horsford, Ricco Ross, Reagan Gomez-Preston. 1 hr 44 min. Cast, ...Schedule · Changes · Distributors · The Naked GunMissing: post- | Show results with:post-
[19]
Domestic Yearly Box Office
Compare ; 2024, $6,778,215,890, -2.6% ; 2023, $7,688,318,553, +10.5% ; 2022, $6,140,153,910, -11.8% ; 2021, $3,151,803,320, -54.7% ...
[20]
All-Time Charts - Box Office Mojo
All-Time Charts ; Never #1 · Oppenheimer, $330,078,895 ; Never in the Top 5 · Space Station 3D, $93,383,953 ; Never in the Top 10 · Space Station 3D, $93,383,953 ...By MPA Rating · Overall · Weekend Records · Miscellaneous Records
[21]
Top Lifetime Grosses - Box Office Mojo
BoxOfficeMojo.com by IMDbPro - an IMDb company. © IMDb.com, Inc. or its affiliates. All rights reserved. Box Office Mojo and IMDb are trademarks or registered ...
[22]
Domestic 2025 Week 12 - Box Office Mojo
March 21-27, 2025. Weekly Chart, Weekly vs. Weekend, By Distributor. By Distributor.Missing: market | Show results with:market
[23]
Box Office Showdowns
Box Office Showdowns ; Computer Animation: Battle of the Average, 5, $762,818,525 ; Concert Films Showdown, 4, $391,142,976 ; Conjuring Franchise, 5, $543,686,282 ...Missing: resources analytics charts market
[24]
https://www.boxofficemojo.com/chart/ww_top_lifetime_gross/
[25]
IMDb Announces Leadership Transition as Company Marks 35th ...
Jan 21, 2025 · Founder Col Needham Becomes Executive Chair, Nikki Santoro Named CEO, Positioning IMDb for Next Phase of Innovation and Growth.
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IMDb and Box Office Mojo Movies/TV/OTT (Bulk data) - Amazon AWS
Access IMDb's metadata for every movie, TV series and video game title as well as performers and creators, along with full lifetime box office grosses.Missing: ads | Show results with:ads
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Where is IMDb's headquarters? IMDb's headquarters is in Seattle Washington, USA ; How many employees does IMDb have? IMDb has 800 employees ; What sector does ...
[28]
Why are box office numbers made public?
Dec 3, 2014 · The true revenue by film is never discussed publicly. It's even illegal in many markets for distributors to exchange that kind of information.
[29]
Sample queries: Box Office - IMDb Developer
Sample queries: Box Office. Get started with our box office data learning about lifetime grosses, regional results, and weekend returns.
[30]
AWS Marketplace: IMDb and Box Office Mojo for Movies/TV/OTT (API)
Access IMDb's metadata for every movie, TV series and Video Game title as well as performers and creators, along with full lifetime box office grosses.
[31]
https://aws.amazon.com/marketplace/pp/prodview-nzspap6vaousm
[32]
Status Update On BoxOfficeMojo Amid COVID-19 Concerns
Mar 17, 2020 · Update 3/21/2020: Given the ongoing impact of COVID-19 (theater closures, delayed release dates), many distributors are suspending box office ...
[33]
Fairytale rise: Disney climbs to new high of Hollywood dominance
Jul 12, 2019 · This level of dominance is unprecedented. It is nearly nine points ahead of last year, when Disney recorded the previous highest market share, ...
[34]
Revisiting predictions of movie economic success: random Forest ...
Mar 28, 2023 · Our dataset includes all films with budgets disclosed at the Box Office Mojo website, resulting in 3167 movies released at theaters worldwide ...
[35]
The economics of movies (revisited): A survey of recent literature
Mar 9, 2022 · Online industry resources such as Box Office Mojo and IMDb provide good examples. With the diffusion of web-scraping technologies, previously ...
[36]
Glossary of Movie Business Terms - The Numbers
A film's total box office divided by its opening weekend box office. Another measure of the film's word-of-mouth but over a longer time period and with a much ...
[37]
Dynamic Signal Effects: The Role of Social Media in Box Office ...
Oct 28, 2025 · Social media, as a new digital channel, has become one of the key indicators influencing audience movie decisions and box office predictions [4] ...