Brian Jacques
Brian Jacques (15 June 1939 – 5 February 2011) was a British writer, broadcaster, and performer renowned for his Redwall series of children's fantasy novels, which feature anthropomorphic animals in medieval-inspired adventures set in and around the titular abbey.[1][2] Born in Liverpool, England, to working-class parents of Irish descent, Jacques grew up in the docklands amid the hardships of the Second World War and post-war poverty.[3][2] He left school at age 15 and held a diverse array of jobs, including merchant seaman, lorry driver, stand-up comedian, policeman, postmaster, and member of the folk group The Liverpool Fishermen, before establishing himself as a playwright and radio presenter on BBC Radio Merseyside's Jakestown show, which he hosted for over two decades until 2006.[3][1] His early writing talent emerged in childhood, influenced by teachers and poets like William Wordsworth, and he penned his first notable story at age 10 about a bird cleaning a crocodile's teeth.[3] Jacques's literary breakthrough came with the Redwall series, beginning with the 1986 novel Redwall, originally written as entertainment for visually impaired children at the Royal School for the Blind in Liverpool, where he volunteered.[3][1] The series ultimately comprised 22 books, selling more than 20 million copies worldwide and translated into 28 languages, blending epic quests, feasts, and battles reminiscent of J.R.R. Tolkien's works and Richard Adams's Watership Down.[1][4] He also authored the Castaways of the Flying Dutchman trilogy (2001–2006), a pirate-themed adventure series, and contributed to adaptations including a TV animated series and an opera based on Redwall, as well as an upcoming Netflix animated feature film and television series (in development as of 2025).[2][5] Married to Maureen with two sons, Marc and David, Jacques remained a proud Liverpudlian and patron of the Royal School for the Blind throughout his life.[3][2] He died of a heart attack in Liverpool at age 71, leaving a legacy as one of the most beloved children's authors of his era.[1][2]Early life
Family and childhood
Brian Jacques was born James Brian Jacques on 15 June 1939 in Liverpool, England, to parents James Alfred Jacques, a lorry driver and haulage contractor of French descent, and Ellen Ryan of Irish descent.[6][7][8] He was the middle child in the family, with an older brother named Tony and a younger brother named James.[3][9] The Jacques family had ancestral roots in Ireland's County Cork on the maternal side, contributing to the cultural influences in their working-class household.[3] Jacques spent his early years in the working-class Kirkdale district of Liverpool, near the bustling docks, during World War II and the subsequent post-war period.[10] As a young child, he experienced the hardships of wartime rationing and food shortages, which left a lasting impression on him.[11] Liverpool endured heavy bombing during the Blitz, with air raids occurring daily in the early 1940s, shaping the precarious environment of his infancy amid the city's industrial and maritime backdrop.[12] Post-war austerity further defined his upbringing, marked by economic recovery challenges in the dockside community.[13] From a young age, Jacques was immersed in storytelling traditions drawn from family anecdotes, the seafaring tales of relatives who worked the docks, and Liverpool's rich local folklore, all of which profoundly influenced his later development of vivid, anthropomorphic animal narratives in his writing.[14][15] These oral histories, often shared among dock workers and sailors, provided a foundation for the adventurous and character-driven tales that would characterize his career.[14]Education and early influences
Brian Jacques attended St. John's Roman Catholic Primary School in the Kirkdale area of Liverpool, an inner-city institution notable for its rooftop playground due to the surrounding urban density.[3] It was during his time at St. John's, beginning at age five, that Jacques first developed a passion for literature, particularly adventure stories by authors such as Daniel Defoe and Robert Louis Stevenson, whose tales of heroism and exploration captivated his imagination amid the gritty backdrop of post-war Liverpool.[3] This early reading habit, influenced by his working-class family's emphasis on storytelling, laid the foundation for his lifelong engagement with narrative forms. A pivotal moment in Jacques' educational experience occurred at age ten, when he composed an original short story about a bird cleaning a crocodile's teeth for a school assignment. His teacher, suspecting plagiarism due to the piece's sophistication, caned him after he refused to admit copying it, an incident that nonetheless affirmed his innate storytelling abilities and resilience in creative expression.[3] Later, his favorite teacher, Austin Thomas—a stern yet inspiring former World War II captain who resembled actor Lee Marvin—encouraged Jacques' literary pursuits by introducing him to poetry and classical Greek works, prompting the young student at age fourteen to save seven shillings and sixpence to purchase copies of The Iliad and The Odyssey.[3] Thomas' guidance, combined with exposure to poets like Wordsworth, Tennyson, and Goldsmith, honed Jacques' appreciation for rhythmic language and recitation, skills he practiced through school plays that showcased his performative talents.[3] Beyond the classroom, Jacques immersed himself in Liverpool's vibrant cultural milieu during his adolescence, absorbing the Scouse dialect, folk traditions, and poetry scenes that permeated the dockside neighborhoods.[3] He took up boxing as a hobby, channeling his energy into the sport while also learning to play the folk guitar, which led to his involvement in local performances and recitations infused with regional humor and idiom. These experiences, including participation in school theatricals, blended his growing literary interests with the oral storytelling heritage of Liverpool's working-class communities, shaping the vivid, dialect-rich dialogue that would characterize his future works.[3]Career
Pre-writing professions
After leaving school at the age of 15 in 1954, Jacques began working in Liverpool's docks as a longshoreman and lorry driver's mate, handling manual labor amid the bustling port environment that characterized the city's postwar economy.[3][16] These early roles immersed him in the physical demands and camaraderie of dockside work, where he loaded and unloaded cargo alongside fellow laborers.[17] Jacques soon pursued further adventures, embarking on a brief stint as a merchant seaman, sailing to distant ports including New York, Valparaiso, San Francisco, and Yokohama.[3][16] Upon returning to Liverpool, he took on a series of varied manual and service-oriented positions, including railway fireman, bus driver, postman, long-distance lorry driver, boxer, and police constable.[3][17] Among these, his time as a police constable involved patrolling duties, while his boxing engagements reflected the competitive spirit of local amateur circuits.[16] In the 1960s, Jacques formed the folk band The Liverpool Fishermen with his two brothers and four other members, performing sea shanties and traditional songs in Liverpool venues.[3][18] The group released an album, Swallow the Anchor, in 1971, showcasing Jacques' contributions as a vocalist and his emerging skills in stand-up comedy routines integrated into performances.[16] He also played guitar during these outings, blending music with humorous storytelling drawn from his experiences.[17] As a long-distance lorry driver in the 1960s and 1970s, Jacques traveled extensively across Britain and into Europe, encountering diverse communities and oral storytelling traditions that exposed him to varied cultural narratives.[3] These journeys, combined with his earlier seafaring voyages, provided a broad tapestry of human interactions and locales, fostering an appreciation for the rhythms of travel and the exchange of tales among workers.[16]Entry into writing
In the mid-1970s, Jacques began his writing career in earnest as a playwright and poet, producing stage plays such as Brown Bitter (1977), Wet Nellies (1979), and Scouse (1980), as well as the poetry collection Jakestown: My Liverpool (1979).[3] His experiences in manual labor jobs, including lorry driving, provided rich material for these early works, drawing on Liverpool's dockland life and folklore.[2] During the 1980s, while working as a milkman, Jacques was invited to read stories to children at the Royal Wavertree School for the Blind in Liverpool, where he delivered on his route.[2] This experience inspired him to create oral fantasy tales featuring anthropomorphic animals, tailored for visually impaired listeners who relied on descriptive language and sound; he later transcribed one such story into the manuscript for Redwall.[3] Jacques also entered professional broadcasting, writing scripts for BBC Radio Merseyside in the 1980s and hosting the weekly program Jakestown from 1980 to 2006, where he shared poetry, stories, and music, further developing his skills in oral narration and audience engagement.[18][9] His transition to published novelist occurred in 1986 when former English teacher and friend Alan Durband read the Redwall manuscript and submitted it to Hutchinson without Jacques's knowledge, leading to a publishing contract and the book's release later that year.[2][3]The Redwall series
The Redwall series, Brian Jacques' most renowned literary creation, began with the publication of the inaugural novel Redwall in the United Kingdom in 1986 by Hutchinson Children's Books and in the United States in 1987 by Philomel Books. This debut work was followed by 21 sequels, culminating in The Rogue Crew released posthumously in 2011 by Philomel Books, resulting in a total of 22 novels that form the core of the series. Jacques' inspiration for the series stemmed from stories he crafted for children at the Royal Wavertree School for the Blind in Liverpool, where he delivered milk as a truck driver; the manuscript was submitted to a publisher by his former English teacher and friend Alan Durband without Jacques's knowledge.[19][1] At its heart, the Redwall series revolves around anthropomorphic animal characters inhabiting a medieval-inspired world, where the idyllic Redwall Abbey serves as a central haven for peaceful woodlanders such as mice, otters, and badgers. These protagonists, often embodying virtues like bravery and loyalty, frequently confront marauding villains—typically portrayed as rats, weasels, or foxes—who threaten the abbey with conquest and tyranny. Narratives are rich with epic battles, heroic quests, lavish feasts, and intricate descriptions of abbey life, evoking a tapestry of adventure that blends elements of chivalry, folklore, and the English countryside. Jacques drew from his Liverpool roots and historical tales to infuse the settings with vivid, sensory details, particularly in his renowned portrayals of banquets featuring dishes like strawberry cordial, deeper'n ever turnip and carrot pie, and nutbrown ale.[12][20][4] Recurring themes throughout the series underscore the timeless struggle of good versus evil, with the abbey symbolizing moral steadfastness against chaos and oppression. Camaraderie and heroism are pivotal, as diverse animal heroes unite in defense of their home, highlighting values of friendship, honor, and resilience in the face of adversity. Jacques' narratives also emphasize the restorative power of community and tradition, often weaving in motifs of seasonal cycles and the joys of simple pleasures like feasting, all inspired by his experiences of wartime Liverpool and classic adventure literature. These elements create a moral framework that appeals across generations, reinforcing lessons of ethical fortitude without overt didacticism.[1][12][21] The series achieved remarkable commercial success, with over 20 million copies sold worldwide by the time of Jacques' death in 2011, and translations into 29 languages that broadened its global reach. Frequent releases, often one per year in the later years, fostered a devoted fanbase among children and adults alike, drawn to the consistent formula of uplifting tales set in an enchanting, self-contained universe. This enduring popularity underscores the series' role as a cornerstone of children's fantasy literature.[1][22][23]Other literary works
Castaways of the Flying Dutchman series
The Castaways of the Flying Dutchman series is a trilogy of historical adventure novels by Brian Jacques, comprising three books published between 2001 and 2006 by Philomel Books, an imprint of Penguin Young Readers Group.[24] Unlike Jacques' earlier Redwall series, which featured anthropomorphic animals in a medieval fantasy setting, this series centers on human characters and real-world historical backdrops, incorporating elements of time travel and supernatural immortality while emphasizing nautical adventures inspired by Jacques' own upbringing near Liverpool docks and his family's seafaring background.[12] The overarching premise revolves around Ben (originally named Nebuchadnezzar), a young boy rendered mute and immortal, and his loyal black Labrador, Ned, who gain the ability to communicate telepathically. The duo becomes castaways from the infamous cursed ship Flying Dutchman in the early 17th century, spared from doom by an avenging angel who curses them to wander the earth eternally unless they atone through selfless good deeds that aid others in peril. Across the books, Ben and Ned traverse different historical eras, using their wits, courage, and unique bond to unravel mysteries, combat villains, and foster redemption for themselves and those they encounter.[25] The inaugural novel, Castaways of the Flying Dutchman (2001), establishes the origin of the curse during a 1620 voyage from Copenhagen, Denmark, where Ben and Ned are rescued from the ship's malevolent crew, before shifting to 1896 Victorian England in the coastal village of Chapelvale. There, they solve riddles and uncover hidden treasures to thwart a greedy developer threatening the community. The second installment, The Angel's Command (2003), propels the protagonists into a 1628 high-seas escapade in the Caribbean, involving pirate confrontations aboard ships like La Petite Marie, followed by a rescue mission in the Pyrenees Mountains against a ruthless villainess, Maguda Razan. The trilogy concludes with Voyage of Slaves (2006), set amid the early 18th-century Mediterranean and the Barbary Coast, where Ben and Ned are captured by slave traders led by the cruel Al Misurata and must orchestrate an escape while allying with other captives to achieve freedom. Recurring themes include redemption, as the protagonists' immortality serves as both punishment and opportunity for moral restitution; unwavering loyalty, particularly in the profound human-animal partnership between Ben and Ned; and the enduring power of compassion and teamwork against oppression and evil. The narratives integrate historical details—such as 17th-century piracy, Victorian village life, and Barbary slave trade— to ground the supernatural elements in authentic contexts, appealing to readers aged 10-14 with its blend of action, mystery-solving, and exploratory voyages. This series diverges from Redwall by minimizing fantasy anthropomorphism in favor of realistic human dynamics and animal companionship, while amplifying exploratory and maritime motifs reflective of Jacques' personal affinity for sailing lore.[12]Urso Brunov series
The Urso Brunov series comprises two picture books authored by Brian Jacques and illustrated by Alexi Natchev, published by Philomel Books. The inaugural volume, The Tale of Urso Brunov: Little Father of All Bears, appeared in 2003 and introduces the titular hero as the wise and mighty leader of the Brunov, a tribe of thumb-sized bears dwelling in a remote, icy northern realm where "earth meets sky, beyond the silent mountains."[26] The follow-up, Urso Brunov and the White Emperor, was released in 2008 and continues the saga amid a harsh winter, with Urso confronting new perils to safeguard his kin.[27] At its core, the series recounts the swashbuckling exploits of Urso Brunov, portrayed as the strongest, bravest, and most resourceful bear in the northlands, who fearlessly combats mythical beasts and tyrannical foes—such as a bumbling lord or a distressed emperor penguin—to defend vulnerable creatures and preserve harmony in his frozen domain.[28] These concise, folktale-inspired narratives employ rhythmic repetition and vivid, descriptive language to build tension and resolution, evoking traditional oral storytelling while emphasizing heroic quests in a fantastical Arctic setting. Aimed at very young readers aged 4 to 8, the books weave themes of courage, loyalty, and clever problem-solving through whimsical escapades laced with gentle humor, making complex ideas accessible via simple plots and engaging repetition.[29] Natchev's watercolor illustrations, rendered in cool blues and whites, capture the ethereal chill of the landscape and the diminutive scale of the bears, adding visual delight that enhances the text's immersive quality for bedtime reading or classroom sharing.[30] This series reflects Jacques' affinity for crafting empowering animal protagonists for children, harking back to his initial forays into storytelling for young audiences.[31]Standalone books and short stories
Brian Jacques ventured beyond his renowned series with a selection of standalone short story collections and early anthologies, showcasing his skill in crafting compact narratives infused with supernatural intrigue, moral lessons, and Liverpool-inspired whimsy. These works highlight his versatility as a storyteller, drawing on his roots in oral traditions and radio broadcasting to deliver self-contained tales that blend horror, mystery, and humor without the expansive world-building of his longer epics.[32] One of his notable contributions to middle-grade fiction is The Ribbajack & Other Curious Yarns (2004), a collection of six short stories featuring monstrous creatures, ghostly encounters, and clever comeuppances for flawed characters, such as a greedy baker outwitted by supernatural forces or a boy who banishes a haunting spirit. Published by Philomel Books, the volume emphasizes Jacques' ability to weave surprises and moral twists into eerie yet satisfying yarns, appealing to young readers through its mix of chills and triumphant resolutions.[33][34] Earlier, Seven Strange and Ghostly Tales (1991), issued by Hutchinson Children's Books, comprises seven creepy stories for children, ranging from lighthearted vampire escapades to bizarre hauntings, including tales of a liar tormented by his deceptions and a girl facing a spectral bridge guardian. These narratives, filled with adventure and imagination, often reflect Jacques' Liverpool heritage through local folklore elements like mischievous spirits and urban legends, demonstrating his talent for standalone supernatural fiction that entertains while subtly underscoring themes of bravery and consequence.[35][36] Jacques' pre-fame output included several minor standalone publications, primarily poetry and anthology-style works rooted in Scouse dialect and Merseyside culture. For instance, Get Yer Wack: A Liverpool Anthology (1971, Anvil Press Poetry) is a 47-page compilation of short stories, anecdotes, poems, and jokes that capture the gritty humor of dockside life, with the title phrase embodying the local ethos of claiming one's fair share. Similarly, Yennoworrameanlike (1972, Raven Books), a 64-page volume of poetry illustrated by John Watkins, employs phonetic Scouse slang to evoke everyday rhythms and wry observations, underscoring Jacques' early flair for concise, regionally flavored prose and verse. These efforts, alongside later anthologies like Jakestown: My Liverpool (1979), reveal his foundational experimentation with short forms before transitioning to full-length novels.[37][38]Personal life
Marriage and family
Brian Jacques married Maureen, with whom he remained until his death in 2011.[2] The couple raised two sons, Marc and David, in Liverpool, where the family maintained strong ties to the city throughout Jacques' life.[3] Marc Jacques pursued a career as a carpenter and bricklayer, reflecting the practical trades common in his father's early background.[39] David Jacques, meanwhile, became a professor of art and a renowned muralist, with his vibrant illustrations appearing in public spaces across Liverpool and beyond, including children's hospitals and stadiums.[3] The Jacques household in Liverpool served as the heart of family life, where Brian balanced his prolific writing with domestic responsibilities.[16]Later years and death
In the 2000s, Brian Jacques resided in his hometown of Liverpool, where he sustained a steady output of writing, producing multiple volumes in the Redwall series amid a schedule that allowed for a more settled lifestyle.[2] His final novel, The Rogue Crew, was completed prior to his illness and released posthumously on 3 May 2011 by Philomel Books.[40] Jacques's health deteriorated in early 2011 when he was admitted to the Royal Liverpool University Hospital for emergency surgery to address an aortic aneurysm.[41] Complications from the procedure led to a heart attack, and he died on 5 February 2011 at the age of 71.[42] He was survived by his wife, Maureen, and their two sons, David and Marc.[2]Recognition and legacy
Awards and honors
Brian Jacques received several accolades for his contributions to children's literature and broadcasting throughout his career. His early work in radio earned him the National Light Entertainment Award for Radio from Sony in 1982 and the Rediffusion Award for Best Light Entertainment Programme in 1982, both for his BBC Radio Merseyside show Jakestown.[31] The success of the Redwall series led to multiple nominations for prestigious children's literature prizes, including the Carnegie Medal for Redwall, Mossflower, Mattimeo, and Salamandastron.[31] Salamandastron also won the Lancashire Libraries Children's Book of the Year Award in 1993.[43] In recognition of his literary achievements, Jacques was awarded an Honorary Doctor of Letters (LittD) by the University of Liverpool in June 2005.[44] He received an Honorary Fellowship from Liverpool John Moores University in July 2008 for his impact on children's literature.[45] Locally in Liverpool, he was voted one of the top 10 Greatest Merseysiders in 2007, celebrating his cultural contributions to the region.[46] To honor his legacy in creative writing, Bristol Grammar School established the Brian Jacques Literary Award in 2006, given annually to a Year 8 student for the greatest improvement in creative writing.[47]Adaptations and cultural impact
The Redwall series by Brian Jacques was adapted into an animated television series produced by Nelvana and Alphanim, airing from 1999 to 2002.[48] The show consisted of 39 episodes across three seasons, covering the early novels including Redwall, Mattimeo, and Martin the Warrior, and was broadcast on PBS in the United States and Teletoon in Canada.[48] Notable voice acting included Tim Curry as the villainous fox Slagar the Cruel in the second season.[49] Jacques himself introduced and narrated educational segments for the PBS airings, emphasizing themes of adventure and morality from the books.[50] Many Redwall titles were adapted into audiobooks, with Jacques providing narration for the majority alongside a full cast, produced by publishers such as Listening Library and Penguin Audio.[51] These recordings, including Redwall, Mossflower, and Mattimeo, spanned over 10 hours per volume and made the series accessible to visually impaired readers, aligning with Jacques' original inspiration to create engaging stories for blind children during his time as a milk delivery driver.[52] Every Redwall novel received an audiobook adaptation except the final installment, The Rogue Crew, enhancing the series' reach through platforms like Audible.[53] Despite ongoing interest, film adaptations of Redwall have remained limited, with multiple development attempts failing to materialize into productions.[54] In 2021, Netflix acquired rights to the entire series for an animated feature film focusing on the first book and a companion TV series, penned by Over the Garden Wall creator Patrick McHale, but the projects have been in development limbo since 2022. As of January 2025, the adaptation remains in active development at Netflix with no announced release date.[5][55][56] This history underscores the challenges in translating the anthropomorphic fantasy to live-action or feature-length formats, though the announcement reignited fan enthusiasm.[57] The Redwall series has fostered a dedicated fandom, inspiring online communities and fan sites that emerged in the mid-1990s as internet access grew, such as the Redwall Online Community and the Long Patrol Club, which hosted forums, role-playing discussions, and fan fiction.[58] These platforms, including the official redwall.org site, have sustained engagement since the books' early popularity, with newsletters and clubs like the Redwall Abbey Readers Club promoting reader interaction from 1996 onward.[59] Fan conventions remain niche but have appeared at events like The Nostalgia Con, where attendees celebrate the series through panels and cosplay.[60] Merchandise tied to Redwall includes officially licensed items like T-shirts and figurines through partnerships with publishers, though availability has dwindled post-Jacques' death; fan-driven options on sites like Redbubble offer prints and apparel inspired by book illustrations.[61] Role-playing elements have extended to video games, such as the official Lost Legends of Redwall series by Soma Games, released starting in 2021, with the latest installment, The Scout Anthology, released on October 6, 2025, which features narrative-driven adventures in Mossflower Woods with puzzle-solving and character choices echoing the books' ensemble dynamics.[62] No tabletop RPG has been officially licensed, but the series' structure of heroic quests and moral conflicts has influenced fan-created systems and games like those adapting Mouse Guard mechanics.[63] Redwall's cultural impact lies in its role as a gateway to fantasy literature for children, emphasizing themes of community, bravery, and feasts amid ensemble casts of woodland animals, which prefigured trends in young adult series like Warriors.[64] By blending epic tales with accessible prose, Jacques' works promoted literacy among young readers, many of whom credit the series with sparking lifelong reading habits through vivid world-building and relatable heroism.[65] The enduring fan communities and adaptations continue to highlight its legacy in encouraging moral storytelling in children's fantasy.[66]Bibliography
Redwall series
The Redwall series comprises 22 main novels written by Brian Jacques, published between 1986 and 2011, featuring anthropomorphic animals in medieval-inspired adventures centered around Redwall Abbey. The books have collectively sold over 20 million copies worldwide and have been translated into 29 languages.[1] Primarily published in the UK by Hutchinson (an imprint of Random House) and in the US by Philomel Books (an imprint of Penguin), the series includes variant editions such as illustrated versions with artwork by Gary Chalk and special anniversary releases, including the 20th and 30th anniversary editions of the first novel Redwall.[23][67] The following table lists the main novels in chronological order of publication, with UK and US release years where available:| Title | UK Publication Year | US Publication Year | ISBN (First Edition, UK) | Notes |
|---|---|---|---|---|
| [[Redwall (novel)]] | 1986 | 1987 | 0-09-165090-9 | First novel; illustrated by Gary Chalk (UK). |
| [[Mossflower]] | 1988 | 1988 | 0-09-173384-4 | Prequel to Redwall. |
| [[Mattimeo]] | 1989 | 1990 | 0-09-174233-X | Sequel to Redwall. |
| [[Mariel of Redwall]] | 1991 | 1992 | 0-09-176070-2 | |
| [[Salamandastron]] | 1992 | 1993 | 0-09-176083-4 | |
| [[Martin the Warrior (Redwall novel)]] | 1993 | 1994 | 0-09-176542-9 | |
| [[The Bellmaker]] | 1994 | 1995 | 0-09-176712-6 | |
| [[Outcast of Redwall]] | 1995 | 1996 | 0-09-176721-5 | |
| [[The Pearls of Lutra]] | 1996 | 1997 | 0-09-176731-2 | Also published as Pearls of Lutra. |
| [[The Long Patrol]] | 1997 | 1998 | 0-09-176741-X | |
| [[Marlfox]] | 1998 | 1999 | 0-09-182543-8 | |
| [[The Legend of Luke]] | 1999 | 2000 | 0-09-176862-4 | |
| [[Lord Brocktree]] | 2000 | 2001 | 0-09-182644-2 | |
| [[Taggerung]] | 2001 | 2001 | 0-09-941014-5 | |
| [[Triss (novel)]] | 2002 | 2002 | 0-09-941015-3 | |
| [[Loamhedge]] | 2003 | 2003 | 0-09-941016-1 | |
| [[Rakkety Tam]] | 2004 | 2004 | 0-09-951738-5 | Focuses on Highland squirrels and hares. |
| [[High Rhulain]] | 2005 | 2005 | 0-09-951739-3 | |
| [[Eulalia!]] | 2007 | 2007 | 0-09-951740-7 | |
| [[Doomwyte]] | 2008 | 2008 | 0-09-951741-5 | |
| [[The Sable Quean]] | 2010 | 2010 | 0-09-951742-3 | |
| [[The Rogue Crew]] | 2011 | 2011 | 0-09-951743-1 | Posthumous publication. |