Candy and Cigarettes
Candy and Cigarettes (stylized as CANDY & CIGARETTES; Japanese: キャンディとシガレット, Hepburn: Kyandi to Shigaretto) is a Japanese seinen manga series written and illustrated by Tomonori Inoue, the creator of Coppelion.[1][2] It was originally serialized in Kodansha's Young Magazine the 3rd from February 2017 to May 2021, with its final two chapters published in Monthly Young Magazine from June to August 2021, and compiled into eleven tankōbon volumes.[3] The series is an action-packed, neo-noir revenge thriller that follows Hiraga Raizou, a 65-year-old retired officer from the Tokyo Metropolitan Police Department, who accepts a high-paying job with a shadowy government organization to cover up assassinations.[1] On his first day, Raizou encounters Suzukaze Miharu, an 11-year-old master assassin, and forms an unlikely partnership where he handles the cleanup after her kills while navigating a world of crime, yakuza, and personal stakes involving his ill grandson.[1][3] The narrative blends intense gunfights, moral ambiguity, and themes of redemption and violence, earning praise for its gritty storytelling and dynamic character duo.[1] Inoue's work draws on his experience with post-apocalyptic and thriller genres, delivering a fast-paced plot that explores the underbelly of Japanese organized crime without romanticizing it.[2] The manga has been licensed in English by Seven Seas Entertainment, with the first volume released on October 18, 2022, and subsequent volumes following bimonthly, making it accessible to international audiences interested in mature action manga.[4] As of 2025, the complete series remains a notable entry in Inoue's bibliography, appreciated for its unorthodox protagonists and high-stakes confrontations.[5]Plot and Themes
Synopsis
Candy and Cigarettes is a Japanese manga series written and illustrated by Tomonori Inoue, centering on the unlikely partnership between a retired police officer and a young assassin in a high-stakes world of covert operations. The story follows Raizou Hiraga, a 65-year-old former special police officer who has retired after a long career in law enforcement.[6] Motivated by the need to fund treatment for his comatose grandson Shouta, who suffers from an incurable disease, Raizou accepts a position with a secretive government organization known as the SS Agency.[7][8] Upon joining the agency, Raizou is paired with Miharu Suzukaze, an 11-year-old prodigy assassin trained from a young age for acts of vengeance against those who wronged her family.[1] In their dynamic, Miharu executes the assassinations targeting corrupt and powerful individuals, while Raizou serves as the "cleaner," handling the cover-ups and evidence disposal to maintain operational secrecy.[1][9] This arrangement highlights the agency's clandestine nature, operating outside conventional legal boundaries to eliminate threats to society.[8] The narrative unfolds as a series of missions that blend intense action sequences with noir aesthetics, exploring themes of justice and retribution through the lens of this intergenerational duo's collaboration.[1] Their work focuses on dismantling networks of corruption, driven by personal stakes that propel the thriller's revenge-oriented plot.[6] The manga's structure emphasizes the procedural aspects of their assignments, building tension around the moral complexities of their roles without delving into specific outcomes.[9]Themes
One of the central themes in Candy and Cigarettes is revenge, portrayed through personal vendettas intertwined with systemic corruption. The story centers on Suzukaze Miharu, an 11-year-old assassin driven by a backstory of profound loss that fuels her retaliation against powerful, shadowy entities. This motif examines how individual acts of retribution challenge entrenched institutional wrongdoing, often blurring the lines between personal justice and broader societal critique in a modern Japanese context.[1] The manga delves deeply into ethical dilemmas surrounding the involvement of children in violence, particularly the exploitation and trauma inflicted on young protagonists like Miharu. As a master assassin coerced into her role, Miharu's character raises questions about consent, the psychological toll of early exposure to killing, and the moral cost of using youth as tools in adult conflicts. These concerns are amplified by the narrative's unflinching depiction of her assignments, highlighting the tension between her childlike innocence—symbolized by her affinity for candy—and the grim reality of her cigarette-adjacent world of crime and death.[10] Neo-noir elements permeate the series, manifesting in its exploration of shadowy organizations, moral ambiguity, and the hazy boundary between justice and vigilantism. Set against a contemporary Japanese backdrop, the story employs gritty aesthetics, complex antiheroes, and conspiratorial plots to evoke a sense of inescapable corruption, where retired cop Hiraga Raizou's partnership with Miharu forces confrontations with ethical gray areas in law enforcement and covert operations. This style underscores the futility of clean resolutions in a world dominated by hidden powers.[1] Themes of family and redemption are embodied in Raizou's grandfatherly dynamic with Miharu, which contrasts sharply with his immersion in criminal activities. Motivated by the need to fund treatment for his ailing grandson, Raizou's choices reflect sacrifices made for familial bonds, offering a path toward personal atonement amid ongoing violence. This juxtaposition humanizes the protagonists, illustrating how redemption emerges not from abandoning past sins but from protective instincts that redefine their roles in a fractured society.[10]Characters
Main Characters
Raizou Hiraga is the story's central protagonist, a 65-year-old retiree from the Tokyo Metropolitan Police Department who was forced to leave service due to age limits.[6] Despite his advanced years, Hiraga retains considerable physical strength honed from decades of rigorous police training, enabling him to handle demanding fieldwork such as evidence concealment and physical confrontations.[11] A habitual chain-smoker, he often lights up during tense moments, reflecting his cynical worldview shaped by years on the force.[9] His primary motivation stems from his grandson Shouta's comatose state due to an incurable illness, compelling Hiraga to join the shadowy government organization known as the SS Agency for high-paying assassination support roles; this decision ignites profound internal conflict as a former law enforcer grapples with facilitating violence to secure medical funds.[6][1] Miharu Suzukaze serves as Hiraga's young counterpart and co-lead, an 11-year-old orphan who was rigorously trained as a professional assassin following the murder of her family by members of the criminal Great Chain syndicate.[12] Her outwardly emotionless demeanor conceals layers of deep psychological trauma from this loss and her subsequent indoctrination into a life of killing, manifesting in a detached efficiency during operations.[11] Exceptionally skilled in combat, Suzukaze excels with knives—particularly the karambit for close-quarters work—and firearms, capable of neutralizing multiple armed opponents with precision even at her tender age.[11] As a coping mechanism amid her grim existence, she frequently consumes candy, a childlike habit that underscores her lingering innocence amid brutality.[11] The partnership between Hiraga and Suzukaze, epitomized by the series' title "Candy and Cigarettes," juxtaposes Hiraga's world-weary cynicism—embodied by his smoking—with Suzukaze's fragile remnants of childhood innocence, represented by her candy indulgence.[1] In their dynamic, Hiraga assumes the role of mentor and protector, guiding Suzukaze through missions while she executes the lethal strikes, their evolving bond providing mutual emotional support as they navigate high-stakes assassinations tied to the broader plot of funding Hiraga's family needs and avenging Suzukaze's losses.[6][12] This alliance drives the narrative's action, highlighting themes of reluctant alliance in a morally ambiguous underworld.Supporting Characters
Shouta Hiraga serves as Raizou Hiraga's grandson and the emotional core behind Raizou's reluctant entry into the world of assassination. Afflicted by a very rare disease that has left him in a comatose state, Shouta's condition requires an experimental treatment costing a fortune, prompting Raizou to accept high-risk jobs to cover the expenses.[3] His limited appearances, primarily in flashbacks, highlight the personal stakes and family bonds motivating Raizou's actions without directly participating in the main events.[6] The protagonists are employed by the shadowy government organization known as the SS Agency, which orchestrates covert assassinations against societal threats such as corrupt officials and criminal syndicates, though the agency's methods reveal its own deep-seated corruption, including exploitation of operatives.[1] Specific villains targeted by the protagonists include figures like Musou Saburou, the crime kingpin and leader of the Great Chain syndicate responsible for murdering Miharu's family, as well as other corrupt officials and businessmen engaged in embezzlement, organized crime, and abuse of power, often victimizing vulnerable populations to maintain illicit networks.[3][12] These figures provide conflict by embodying systemic rot, forcing confrontations that test the protagonists' moral boundaries. Minor allies and foils include recurring contacts within the SS Agency, such as handlers who assign missions and offer logistical support, occasionally exposing the protagonists' reliance on an unreliable system. Figures from Miharu Suzukaze's past, like her former trainer Rem, appear briefly to reveal her isolated upbringing and emotional scars, underscoring vulnerabilities that contrast with her lethal skills.[8][13] Henry Magritte, another assassin affiliated with the organization, serves as a foil through his role as a bodyguard and rival operative, highlighting the competitive and precarious nature of their shared profession.[14]Production
Development
Tomonori Inoue, a Japanese manga artist, began drawing at the age of four or five and decided to pursue a career as a mangaka at twelve, inspired by Osamu Tezuka's Phoenix and Katsuhiro Otomo's AKIRA, which introduced him to cinematic, large-scale manga storytelling.[15] He seriously committed to the profession in his late twenties. Inoue's previous major work, Coppelion, a post-apocalyptic science fiction series, was serialized in Kodansha's Weekly Young Magazine from June 2008 to May 2012 and then in Monthly Young Magazine from May 2012 to February 2016, providing him with extensive experience in long-form serialization within the same publisher's seinen lineup.[16] The concept for Candy and Cigarettes originated in late 2016, when Inoue developed an initial story centered on a killer narrative and decided to pair the protagonist—an elderly retired police officer—with an 11-year-old girl assassin to create a contrasting duo that drives the "immoral crime action" premise.[15][17] This pairing emphasized the series' neo-noir thriller elements, focusing on their partnership in high-stakes missions for a shadowy organization.[1] Inoue's writing process involved first creating detailed storyboards to outline the narrative, followed by inking the artwork, with plotting identified as the most challenging phase due to its demand for intense concentration.[15] The manga was serialized monthly in Kodansha's Young Magazine the 3rd starting January 6, 2017, spanning 54 chapters over approximately four and a half years, concluding on July 19, 2021, after an announcement in May 2021 that the final two chapters were forthcoming.[6][2] This pacing allowed Inoue to build the story's action sequences and character dynamics across 11 tankōbon volumes.[6]Art Style
Candy & Cigarettes is a neo-noir thriller manga.[1]Publication
Serialization
Candy & Cigarettes was serialized as a digital-first manga in Kodansha's seinen-oriented Young Magazine the 3rd, beginning on January 6, 2017.[3] The series appeared in the magazine's issues from February 2017 through May 2021, following a monthly release schedule.[3] Following the discontinuation of Young Magazine the 3rd in April 2021, the series transferred to Monthly Young Magazine, starting with the May 2021 issue (released May 20, 2021). In May 2021, it was announced that the manga would end after two additional chapters, which were published in the June and July 2021 issues of Monthly Young Magazine, concluding the run on July 19, 2021.[2] Over its duration, the series comprised 54 chapters in total.[6] The chapters are organized into arcs centered on missions undertaken by the protagonists, with the early chapters establishing the partnership between the retired officer Raizou Hiraga and the young assassin Miharu Suzukaze, while later installments escalate toward the narrative climax.[18] These serialized chapters were subsequently compiled into 11 tankōbon volumes by Kodansha.[6]Volumes
The manga Candy and Cigarettes was compiled into eleven tankōbon volumes by Kodansha under the Young Magazine KC label, released between June 20, 2017, and November 18, 2021. Each volume is in standard B6 paperback format, typically containing 192–216 pages of black-and-white artwork with color insert pages, and collects a sequential range of chapters from the original serialization in Young Magazine the 3rd and Monthly Young Magazine. Later volumes include bonus material such as author afterwords providing insights into the creative process and character development.[19][20] The following table lists the Japanese tankōbon editions with their release dates:| Volume | Release Date | ISBN | Page Count |
|---|---|---|---|
| 1 | June 20, 2017 | 978-4-06-382982-2 | 192 |
| 2 | November 20, 2017 | 978-4-06-510344-9 | 192 |
| 3 | April 20, 2018 | 978-4-06-511286-1 | 192 |
| 4 | November 20, 2018 | 978-4-06-513553-2 | 192 |
| 5 | July 19, 2019 | 978-4-06-516364-1 | 192 |
| 6 | April 20, 2020 | 978-4-06-519188-0 | 192 |
| 7 | April 20, 2020 | 978-4-06-519220-7 | 208 |
| 8 | December 18, 2020 | 978-4-06-521713-9 | 208 |
| 9 | May 20, 2021 | 978-4-06-523170-8 | 208 |
| 10 | October 20, 2021 | 978-4-06-524969-7 | 208 |
| 11 | November 18, 2021 | 978-4-06-525881-1 | 208 |
| Volume | Release Date | ISBN | Page Count |
|---|---|---|---|
| 1 | October 18, 2022 | 978-1-63858-590-9 | 192 |
| 2 | December 13, 2022 | 978-1-63858-746-0 | 194 |
| 3 | February 14, 2023 | 978-1-63858-871-9 | 200 |
| 4 | May 23, 2023 | 978-1-63858-981-5 | 200 |
| 5 | August 15, 2023 | 978-1-68579-510-8 | 200 |
| 6 | October 31, 2023 | 978-1-68579-937-3 | 216 |
| 7 | February 13, 2024 | 979-8-88843-338-6 | 216 |
| 8 | May 7, 2024 | 979-8-88843-339-3 | 200 |
| 9 | August 13, 2024 | 979-8-88843-781-0 | 208 |
| 10 | November 26, 2024 | 979-8-89160-037-9 | 208 |
| 11 | February 4, 2025 | 979-8-89160-548-0 | 216 |