Chaos Chaos
Chaos Chaos is an American indie synthpop duo consisting of sisters Asy Saavedra (vocals and keyboards) and Chloe Saavedra (drums and vocals), originally formed in Seattle, Washington, as the band Smoosh in 2000 when the siblings were children.[1][2] The band released three albums as Smoosh before the sisters attended Bard College on scholarships, during which time they toured extensively with artists such as Cat Power, Pearl Jam, and Death Cab for Cutie, and performed on shows including Jimmy Kimmel Live! and Yo Gabba Gabba!.[1][3] In 2012, they rebranded as Chaos Chaos to reflect an evolving electronic sound influenced by time spent in Sweden, releasing their debut EP Committed to the Crime in 2014 and a self-titled full-length album in 2018.[3][1] Chaos Chaos achieved wider recognition through their song "Do You Feel It?", which garnered over 82 million Spotify streams as of November 2025 after featuring in the animated series Rick and Morty, and they have since composed music for the show while releasing singles like "Eternal" in 2021 and collaborating on projects addressing themes of sisterhood, codependency, and social equality, including live performances in a Brooklyn prison for incarcerated women.[1][2] After a three-year hiatus from approximately 2021 to 2024, the duo reunited and, now based in Los Angeles, continues to blend dense arrangements with cryptic lyrics, marking the 10th anniversary of their debut EP in 2024 with a vinyl reissue, new string arrangements, and tour dates.[1][2]History
As Smoosh (2000–2012)
Smoosh was formed in Seattle in 2000 by sisters Chloe Saavedra on drums and Asya "Asy" Saavedra on keyboards and vocals, who were approximately 8 and 6 years old at the time.[4] The sisters, who had been taking music lessons since age five, caught the attention of local indie label Pattern 25 Records after local performances beginning in 2003, leading to their signing.[5] Their parents supported the endeavor, chaperoning early performances, though neither was a professional musician—their father worked as a medical researcher and their mother as a pediatrician.[6] The band name derived from "smush," a corruption of the band Smash Mouth.[7] To accommodate their growing musical commitments, the sisters were homeschooled, allowing more time for songwriting and practice while maintaining family closeness, though they occasionally returned to traditional school to see friends during less busy periods.[8] Their debut album, She Like Electric, was recorded in 2004 with producer Johnny Sangster and released on Pattern 25 Records, earning praise for its lo-fi charm, innocent lyrics, and catchy indie pop melodies.[4] In 2006, Smoosh signed with Seattle-based indie label Barsuk Records and released the EP Free to Stay, produced by Death Cab for Cutie guitarist Chris Walla, which highlighted their evolving songwriting while retaining a youthful energy.[9] That same year, they issued their first full-length album on Barsuk, Scribble Mural Comic Journal, also produced by Walla, featuring polished production that showcased their growth as performers.[4] The band's early success led to extensive touring, including opening slots for established acts like Cat Power and Iron & Wine in 2003 and 2004, as well as performances alongside Sleater-Kinney, Jimmy Eat World, and Death Cab for Cutie.[5] They gained wider visibility with a 2006 appearance on Jimmy Kimmel Live!, performing tracks from their recent releases to enthusiastic audiences.[10] In 2007, their younger sister Maia Saavedra joined on bass, expanding the lineup to a trio and adding backing vocals and stage presence; the group released the live EP With Lightness and with Love that year, capturing their energetic performances.[4] As the sisters entered their teenage years, they faced challenges balancing intensive touring schedules with personal development, often relying on homeschooling during peak activity but struggling with social isolation and the transition from child prodigies to young adults.[3] This period marked a gradual evolution in their sound from playful indie rock toward more mature expressions, culminating in a 2012 hiatus as they sought to redefine their artistic identity.[3]As Chaos Chaos (2012–present)
In 2012, sisters Asy and Chloe Saavedra rebranded their band from Smoosh to Chaos Chaos, inspired by the shapeshifting amoeba to symbolize a fresh start and evolution beyond their early indie rock identity as child prodigies. Seeking to explore more electronic and experimental sounds, they relocated from Seattle to Brooklyn, New York, where they immersed themselves in the city's vibrant music scene and launched a Kickstarter campaign to fund their new project. This transition marked a deliberate shift toward synthpop, allowing the duo to redefine their artistic voice as adults.[11][12] The duo's initial releases under the new name were self-produced and self-released, beginning with the five-track EP S on October 16, 2012, which introduced their sleeker, synth-driven aesthetic through songs like "Steppin' Out" and "Antibiotics." Building on this, they followed with the EP Committed to the Crime in October 2014, featuring covers and originals such as "Do You Feel It?" and "Monsters," which showcased their growing affinity for atmospheric electronic production. These EPs, distributed via Bandcamp, highlighted the Saavedras' hands-on approach to recording and established Chaos Chaos as an independent force in the indie synthpop landscape.[13][14] Chaos Chaos gained significant media exposure when "Do You Feel It?" was featured in season 2, episode 3 of the animated series Rick and Morty, which aired on August 9, 2015. They have since composed additional music for the show, including the track "Memories" on its soundtrack and the collaborative single "Terryfold" with Rick and Morty co-creator Justin Roiland, released in 2017, which peaked at No. 33 on Billboard's Hot Rock Songs chart, driven by over 1.1 million streams.[15][16][17] Their debut full-length album, the self-titled Chaos Chaos, arrived on October 16, 2018, also self-released through their label Smoosh Music LLC, blending analog synths with introspective lyrics on tracks like "Figure It Out" and "Dripping with Fire." The album reflected a more tactile, mature sound compared to their earlier digital experiments, earning praise for its confident pop sensibilities.[18] Following the 2018 album, Chaos Chaos maintained momentum through independent single releases, including "Many Roads" in 2020 and "ETERNAL" in 2021, which explored themes of resilience amid personal and global uncertainties. In 2024, they issued "Ethical Plum" featuring BAYLI and "Control," continuing their pattern of concise, genre-blending tracks released via Bandcamp and streaming platforms. That year, marking the 10th anniversary of Committed to the Crime, they reissued the EP on vinyl with new string arrangements and announced tour dates. The duo relocated to Los Angeles. These efforts underscore the duo's adaptability in the evolving indie scene, where they have navigated distribution challenges by prioritizing direct-to-fan models. As of November 2025, Chaos Chaos remains active as a duo, emphasizing streaming releases and sporadic live performances, with no full-length albums since 2018 but a steady output of singles that sustains their cult following.[19][20][1]Band members
Current members
Chaos Chaos is currently a duo consisting of sisters Asya "Asy" Saavedra (born 1992) and Chloe Saavedra (born 1994), who have formed the band's core since its rebranding in 2012.[21][22] Asya Saavedra serves as the lead vocalist, keyboardist, and guitarist, emerging as the primary songwriter following the band's transition to Chaos Chaos. Her homeschooled background, which allowed flexibility during early tours with Smoosh, has informed her creative process, enabling focused composition amid frequent relocations between Seattle, Sweden, and New York. Asya played a pivotal role in steering the group toward synthpop, incorporating electronic elements and experimental production that define their post-2012 sound, as evident in tracks blending pop structures with avant-garde textures.[3][23][24] Chloe Saavedra, the co-founder, provides drums and backing vocals, anchoring the rhythm section with dynamic live performances that infuse the duo's sets with high energy. She began drumming at age five and has since evolved her approach, integrating electronic programming with live percussion to enhance the band's production. Chloe's involvement in production became prominent starting with the 2014 EP Committed to the Crime, where she experimented with hybrid drum techniques, including 808 bass and software like Microtonic, to support the shift toward pop-oriented rhythms.[22][3] The sisters' collaboration remains the band's foundation, with Asya directing much of the creative vision through songwriting and arrangements, while Chloe delivers the percussive backbone rooted in their Smoosh origins. This dynamic has sustained their output, including the 2024 single "Ethical Plum," which highlights their continued evolution in indie synthpop.[19]Former members
Maia Saavedra, the younger sister of core members Asy and Chloe Saavedra, joined Smoosh in 2007 as the band's bassist and provided backing vocals to enhance their live performances.[25][26][26] She contributed bass guitar to Smoosh's third and final album, Withershins (2010), marking a period of expanded instrumentation that added rhythmic depth to the group's indie pop sound.[21] Saavedra remained active with the band through its later Smoosh-era tours and recordings until approximately 2012, coinciding with the group's rebranding to Chaos Chaos and transition to a duo format.[26][3] Following the name change, she departed and has had no credited involvement in subsequent Chaos Chaos projects, though she later directed the music video for the band's single "On Turning 23" in 2017 as a collaborator outside of performance roles.[27]Artistry
Musical style
During their formative years as Smoosh from 2000 to 2012, the band's sound was rooted in indie rock infused with pop sensibilities, characterized by raw, garage-influenced drumming from Chloe Saavedra and simple, melodic keyboard lines from Asy Saavedra that often mimicked guitar or organ tones.[21][28] This era featured lo-fi production that captured the duo's youthful energy through minimal arrangements, spacey reverb, and abrupt structural shifts, as exemplified in their debut album She Like Electric (2004), where repetitive lyrics and distorted elements added a playful yet experimental edge.[21] The organic mixes emphasized live instrumentation, with Chloe's intricate, dynamic drum patterns providing a rhythmic backbone that contrasted Asy's tremulous, piano-driven vocals and heartfelt melodies.[28] Transitioning to Chaos Chaos in 2012, the sisters evolved their style toward indie synthpop, incorporating electronic synthesizers, layered percussion, and vocal effects to create a more polished, retro-1980s-inspired sound with groovy, danceable elements.[3][21] Tracks like the single "Do You Feel It?" (2014) showcase razor-sharp synth riffs, pulsing keyboards, and glitchy production techniques that blend electroclash energy with anthemic choruses, marking a shift from the earlier rawness to sleek, radio-friendly compositions.[29] Their self-titled album Chaos Chaos (2018) further highlights this DIY approach, with self-produced layers of synth-rock elements, including heavy percussion and effects-laden vocals that evoke a fun, artsy vibe influenced by artists like Tegan and Sara.[30][31] In 2024, they revisited their breakthrough track "Do You Feel It?" with new string arrangements for the EP's vinyl reissue, adding orchestral depth to their synthpop sound.[32] Core to both phases are the Saavedra sisters' dual vocals, where Asy's lead singing intertwines with Chloe's background harmonies to produce ethereal, blended textures, often set against a rhythmic focus driven by Chloe's hybrid drumming—combining live kits with programmed electronic beats for syncopated, humanized grooves.[21][22] This creates thematic contrasts of chaos through energetic, twitchy beats and calm via atmospheric synths and reverb-drenched melodies, evolving from the garage-y intensity of Smoosh to the dreamy, punk-spirited synth layers of Chaos Chaos.[29][3]Influences and legacy
Chaos Chaos's musical influences draw deeply from the Seattle indie and grunge scenes where the band originated as Smoosh. Growing up in Seattle, the Saavedra sisters were exposed to the local music ecosystem, touring extensively as young teens with prominent acts such as Cat Power, Death Cab for Cutie, Pearl Jam, and Sleater-Kinney, which shaped their early indie rock sensibilities and performance ethos.[5][33][13] Their initial inspirations included pop acts like Hanson and the Shrek soundtrack's Smash Mouth tracks, reflecting a playful entry into music-making.[3] Following their relocation to Sweden in 2010 and rebranding as Chaos Chaos in 2012, the duo incorporated electronic and synthpop elements inspired by Scandinavian artists including Fever Ray, Lykke Li, and Little Dragon, evolving toward a more produced, atmospheric sound.[3] This shift was also influenced by hip-hop production techniques, notably Timbaland's minimalist arrangements, allowing for greater simplicity and emotional depth in their songwriting.[33] Their cover of Tegan and Sara's "Closer" further highlights affinities with synth-driven indie acts in the post-2012 landscape.[34] As child prodigies who began performing and releasing music as preteens (around ages 10 and 12)—homeschooled to accommodate national tours—the Saavedra sisters exemplified an early model for young female musicians in indie rock, demonstrating viability for sibling-led, self-taught acts without traditional industry support.[31][12] This prodigy narrative has contributed to a legacy of empowering emerging sister duos and family bands, paralleling the paths of groups like Haim, who similarly leveraged familial bonds and youthful starts in indie circuits.[35] The band's cultural impact expanded significantly through their contributions to Rick and Morty, where tracks like "Do You Feel It?" (2015) and "Terryfold" (2017) amassed millions of streams, introducing their feminist-infused synthpop to animation and sci-fi audiences and broadening their fanbase beyond indie circles.[36][37] Critically, their 2018 self-titled album received praise for its reinvention, blending electronic experimentation with personal introspection, solidifying a cult following in the synthpop niche despite limited mainstream breakthrough.[3] In 2024, singles like "Control" marked a resilient return after a brief hiatus, underscoring their adaptability in the streaming era through independent releases and renewed touring.[38][39] As of November 2025, the enduring sister duo continues to inspire familial collaborations in indie music, maintaining steady relevance without major awards but through consistent creative output.[40]Discography
As Smoosh
Smoosh's early discography featured a series of singles and an EP that laid the foundation for their indie rock sound, with several early 7" singles issued between 2001 and 2003, contributing to modest indie airplay and helping establish a dedicated fanbase through local performances and small-label distribution.[41] The band's debut full-length album, She Like Electric, was released in September 2004 on Pattern 25 Records, delivering raw indie tracks that captured their playful yet earnest style. Their second album, Free to Stay, followed on June 6, 2006, on Barsuk Records, with production by Chris Walla adding a polished edge to their keyboard-driven compositions. She Like Electric saw festival inclusions like Lollapalooza appearances.[9][42] In 2010, Smoosh released Withershins, their third and final studio album as the band, self-released via Bandcamp on June 29, incorporating dream pop and indie elements, showcasing their growth during tours that included live recordings. The album emphasized their role in the indie scene without achieving widespread commercial success but earning praise for consistent festival performances and niche radio play.[43]As Chaos Chaos
In 2012, Chaos Chaos, the rebranded project of sisters Chloe and Asy Saavedra, released their debut extended play under the new name, marking a shift toward electronic and synth-driven sounds.[44][45]Extended Plays
- S (2012, self-released, digital format): This five-track EP served as the band's inaugural release as Chaos Chaos, featuring experimental electronic demos that showcased their evolving production style with layered synths and introspective lyrics.[44][46]
- Committed to the Crime (2014, self-released, digital format): A polished four-track EP emphasizing synth-pop elements, including the track "Do You Feel It?," which later gained prominence through its use in the animated series Rick and Morty.
Studio Albums
- Chaos Chaos (2018, self-released via Bandcamp, digital and CD formats): The band's sole full-length album to date, comprising 12 tracks such as "Detonate" and "Pink Politics," blending art-pop with electronic textures for a cohesive exploration of emotional vulnerability. No additional studio albums have followed, with the band prioritizing singles thereafter.[18][47]
Singles
Chaos Chaos has issued numerous non-album singles since 2012, often distributed independently via digital platforms, reflecting their focus on streaming and quick-release formats.- "Do You Feel It?" (2017 single version from the 2014 EP, self-released, digital): Originally from Committed to the Crime, this track was re-highlighted in 2017 for its Rick and Morty tie-in, contributing to the band's visibility in media soundtracks.[48][49]
- "Terryfold" (2017, self-released, digital, featuring Justin Roiland): A collaborative single inspired by Rick and Morty, it peaked at #33 on the Billboard Hot Rock Songs chart, driven by 1.1 million U.S. streams and 3,000 downloads in its debut week.
- "Armed and Dangerous" (2019, self-released, digital)
- "Need You" (2020, self-released, digital, featuring Madge)
- "Ethical Plum" (2024, self-released, digital, featuring BAYLI): Released on January 29, this streaming-oriented single explores themes of authenticity through glitchy synths and collaborative vocals.[50][19]
- "Control" (2024, self-released, digital): Issued on February 28, it continues their electronic evolution with introspective lyrics over pulsating beats. As of November 2025, this remains their most recent single.[38][51]