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Colm Wilkinson

Colm Wilkinson (born 5 June 1944) is an and best known for originating the role of in the musical and for his extensive career in musical theater, including performances as the Phantom in . Born in , , in the working-class neighborhood of Drimnagh, Wilkinson grew up in a musical household as one of ten children; his father played banjo and piano, while his mother was involved in amateur dramatics and frequently sang. After leaving his father's asphalt contracting business as a teenager, he pursued music full-time, performing with bands such as and the Jim Doherty Quartet in the 1970s, covering , and rock-and-roll. His early breakthrough came in as Judas in a production of , followed by his portrayal of on the 1976 concept album for . In 1978, he represented at the with his self-composed song "Born to Sing," placing fifth. Wilkinson's international stardom arrived in 1985 when he created the role of Jean Valjean in the original London production of Les Misérables under the Royal Shakespeare Company, earning a Laurence Olivier Award nomination; he reprised the role in the U.S. premiere at the Kennedy Center and on Broadway in 1987, receiving a Tony Award nomination, a Drama Desk Award, an Outer Critics Circle Award, and a Theatre World Award for his Broadway performance, and a Helen Hayes Award for the Washington, D.C. production. He later starred as the Phantom in the 1985 Sydmonton Festival premiere of The Phantom of the Opera and headlined the original Toronto production starting in 1989 for a four-and-a-half-year run, performing 1,653 shows and winning a Dora Mavor Moore Award. Other notable credits include the title role on the 1990 concept album for Jekyll & Hyde and appearances in the television series The Tudors as Lord Thomas Darcy. Wilkinson has released several solo albums, including his 1977 debut and Stage Heroes, and continues to perform in concerts worldwide, often featuring Broadway standards. Married to Deirdre since 1970, he has four children and resides primarily in Toronto, Canada.

Early life

Family and upbringing

Colm Wilkinson was born on 5 June 1944 in Drimnagh, , , as one of ten children in a bustling household. His parents were accomplished musicians who instilled a deep appreciation for performance from an early age; his mother was a singer active in amateur dramatics and , while his father played the , , and . The also operated a business, with his father serving as an , blending practical labor with artistic pursuits. Raised in this vibrant, music-filled environment, Wilkinson grew up immersed in a diverse that included traditional ballads, recitations, and lively performances, shaping his innate passion for and stage expression. At age 16, he left school to join the family construction business, assisting his while simultaneously performing part-time in local bands, a step that preceded his full commitment to a professional career.

Musical beginnings

Around age 20 in the mid-, he began his professional music career as a singer with local bands such as , performing a mix of , , R&B, and rock & roll at suburban tennis and cricket clubs. He later joined showbands like The Witnesses in the late , touring internationally to army bases in and hotel residencies in places like and , before returning to around 1970 for solo gigs in pubs and clubs. Wilkinson's breakthrough into musical theatre came in 1973 when he was cast as Judas Iscariot in the Irish production of Jesus Christ Superstar at Dublin's Gaiety Theatre. He reprised the role in subsequent London and UK tour productions, solidifying his reputation for powerful, emotive singing. In 1976, Wilkinson voiced the narrator character Che—modeled after Che Guevara—on the concept album for Evita by Andrew Lloyd Webber and Tim Rice, alongside Julie Covington as Eva Perón and Paul Jones as Juan Perón; his performance added a distinctive rock-infused edge to the recording. This opportunity further elevated his profile in the emerging rock opera scene. Wilkinson's rising visibility led to his selection to represent at the 1978 Eurovision Song Contest in , where he performed the self-penned "Born to Sing," earning 86 points and placing fifth out of 20 entries.

Theatre career

Early stage roles

Colm Wilkinson's professional journey into theatre began after establishing himself as a rock vocalist in bands during the late and early , including a stint with , where he honed his powerful voice in live performances and recordings. This background in provided a natural bridge to the emerging genre of rock operas, facilitating his transition to stage work amid the growing popularity of in and the . Auditions for these productions often emphasized his raw, emotive delivery, which aligned with the dramatic demands of the era's innovative scores. His theatrical debut arrived in 1973 with the role of in the Irish production of at 's Gaiety Theatre, marking his first major stage appearance in and Tim Rice's groundbreaking . Portraying the tormented betrayer, Wilkinson delivered a sympathetic interpretation that highlighted Judas's internal conflict, earning critical notice for his commanding presence and vocal intensity in this sympathetic character depiction. The production, which premiered on March 20, 1973, represented a pivotal shift from concert halls to scripted theatre, building his profile through sold-out runs in . Wilkinson reprised Judas in the London transfer and subsequent British tour later that year, expanding his reach into the West End scene and regional venues, where the show's blend of rock elements resonated with audiences. These performances in the mid-1970s solidified his reputation for tackling complex anti-heroes in rock-infused musicals, paving the way for further auditions in London's burgeoning landscape. In 1976, he contributed to the concept album for , voicing the cynical narrator and demonstrating his versatility in Webber's evolving style, though he pursued other opportunities rather than the stage . By the late 1970s, his Eurovision participation in 1978—representing with the self-penned "Born to Sing" as C.T. Wilkinson—further elevated his visibility as a multifaceted performer bridging , and .

Iconic performances

Colm Wilkinson's breakthrough came with his portrayal of in the original West End production of , which premiered at the on October 8, 1985. As the ex-convict seeking redemption, Wilkinson's powerful tenor and emotional depth defined the role, drawing acclaim for his commanding stage presence in a production that revolutionized the musical theatre landscape. He reprised the character when the show transferred to Broadway's on March 12, 1987, where his performance earned him a Tony Award nomination for in a Musical. Building on his earlier experiences with demanding lead roles like Judas in Jesus Christ Superstar and Che in Evita, Wilkinson expanded his signature style of intense, vocally acrobatic characters into the supernatural realm with Andrew Lloyd Webber's . He gave the first stage performance as the Phantom during the musical's developmental workshop at the 11th Sydmonton Festival on July 6, 1985, opposite as Christine, showcasing the eerie charisma that would become central to the character. This early iteration helped shape the show's direction before its West End debut later that year. Wilkinson's association with the Phantom deepened when he originated the title role in the Canadian production of The Phantom of the Opera at Toronto's Pantages Theatre, opening on September 20, 1989, and performing for four-and-a-half years (approximately 1,653 shows) until 1993, winning a Dora Mavor Moore Award for his portrayal. His interpretation, marked by a brooding intensity and soaring vocals, anchored the production's early success, which continued as the longest-running musical in Canadian theatre history until its closure on October 31, 1999. Wilkinson returned to Jean Valjean for high-profile reprises that highlighted his enduring connection to the role. In 1995, he starred as Valjean in : The Dream Cast in Concert at London's , celebrating the show's 10th anniversary with a performance that reunited original cast members and drew over 5,000 attendees for its blend of orchestral grandeur and dramatic storytelling. He later appeared in a special post-show tribute performance of with original cast members during the ongoing production on January 25, 2002, at the Music Box Theatre, marking a milestone in the show's legacy.

Later stage work

In the early 1990s, Wilkinson took on the dual role of Dr. Jekyll and Mr. Hyde for the concept album recording of the musical Jekyll & Hyde, marking the first public portrayal of the character in a released album format. This studio project, featuring songs like "This Is the Moment" and "Once Upon a Dream," showcased his vocal range in the pop-opera style central to composer Frank Wildhorn's score. Wilkinson reprised his iconic role as in a revival of at Toronto's , running from July 1998 to January 1999. This limited engagement allowed him to revisit the character that defined much of his career, performing to enthusiastic North American audiences familiar with his original West End and interpretations. He returned to Les Misérables for the 25th anniversary concert at London's on October 3, 2010, appearing as a special guest alongside original cast members and newer performers like and . In this star-studded event, Wilkinson contributed to the finale, evoking the production's enduring legacy through select performances that highlighted his foundational contributions to the role of Valjean. In 2014, Wilkinson made a in Toronto's production of for a one-night performance on January 11 at the , portraying the Bishop of Digne opposite as Valjean. This special event, benefiting local causes, featured a poignant in "Valjean's Soliloquy," bridging generations of the musical's history. Wilkinson joined the celebration of Les Misérables' 40th anniversary at the 2025 Olivier Awards on October 8, performing as a guest artist in a special ensemble number with current cast members. This appearance underscored his lasting impact on the production, which premiered in London in 1985 with him in the lead role.

Other media

Film and television

Colm Wilkinson's forays into film and television were selective, primarily drawing on his established reputation from musical theatre to portray authoritative, dramatic figures in historical and musical contexts. His most prominent screen role came in the 2012 film adaptation of Les Misérables, directed by Tom Hooper, where he portrayed the Bishop of Digne in a pivotal early scene that sets the moral tone for protagonist Jean Valjean's redemption arc. This cameo subtly nodded to Wilkinson's iconic stage portrayal of Valjean, allowing him to embody a figure of compassion and forgiveness with a gravitas honed over decades in the role. In television, Wilkinson took on a recurring dramatic part as Lord Thomas Darcy, a involved in of rebellion against King , appearing in three episodes across seasons 3 and 4 of the Showtime series (2009–2010). His performance as the historical figure, executed for in the storyline, showcased his ability to convey stoic defiance and moral complexity outside the musical genre. Wilkinson also contributed to filmed musical events tied to Les Misérables, participating in the 10th Anniversary Concert at London's in 1995, where he reprised for key numbers in the live production broadcast on television and later released on video. He returned as a special guest for the 25th Anniversary Concert at in 2010, joining the finale to perform alongside the cast in the televised event celebrating the musical's legacy. These appearances highlighted his enduring connection to the production while extending his stage presence to visual media for global audiences.

Concerts and recordings

Colm Wilkinson has maintained an active career as a performer, delivering solo tours and guest appearances that highlight his voice in settings beyond theatrical productions. His frequently feature a mix of standards, , and selections inspired by his stage roles, accompanied by orchestras to emphasize his vocal power and range. These performances have taken place across and , attracting audiences eager for his emotive delivery of ballads and dramatic arias. A prominent example is Wilkinson's "Broadway and Beyond" tour, which premiered in Europe at Ireland's National Concert Hall in Dublin on July 22, 2007, before embarking on an extensive North American leg across Canada starting October 6, 2007, in Halifax, Nova Scotia. The tour continued through multiple Canadian cities, including Montreal, Ottawa, Toronto, Calgary, and Vancouver, concluding on November 11, 2007, in Regina, Saskatchewan, with Wilkinson performing alongside musicians in a program blending theatre hits and contemporary pieces. Subsequent iterations of the show occurred in the United States, such as at the University at Buffalo's Center for the Arts on September 27, 2010, and returned to Canada at Toronto's Ed Mirvish Theatre on December 19, 2016, where it was presented as a two-hour showcase of his career-spanning repertoire. Wilkinson has also appeared at prestigious venues in orchestral concert formats, including a notable performance at the Kennedy Center in , on March 8, 2009, during U.S. Senator Ted Kennedy's birthday celebration, where he sang selections demonstrating his lyrical capabilities. In , he participated in the 10th anniversary concert of at London's on October 8, 1995, performing key solos with the Royal Philharmonic Orchestra, an event that underscored his ability to command large-scale orchestral settings. His repertoires in these concerts often reference his work, such as arias from , to evoke emotional depth without reenacting full roles. Wilkinson appeared in the 25th anniversary concert of The Phantom of the Opera at the Royal Albert Hall on October 1–2, 2011, performing as the Phantom in the title number and the finale alongside other former Phantoms including Ramin Karimloo, John Owen-Jones, Anthony Warlow, and Peter Jöback; the event was filmed and released on DVD. As a guest artist, Wilkinson joined the 30th anniversary gala performance of Les Misérables at London's Queen's Theatre on October 8, 2015, where he performed in a special finale alongside other former Jean Valjeans—Alfie Boe, John Owen-Jones, and Simon Bowman—in a quartet rendition of "Bring Him Home," celebrating the musical's legacy through harmonious vocal interplay. Additionally, in 2016, he delivered a stirring orchestral performance of U2's "One" with Ireland's RTÉ Concert Orchestra during a centenary concert broadcast on RTÉ, further illustrating his versatility as a tenor in pops-style orchestral programs that blend rock and classical elements. In 2025, Wilkinson participated in the 40th anniversary celebration of Les Misérables at the Olivier Awards, performing "Bring Him Home" in a quartet with other former Valjeans including Alfie Boe and John Owen-Jones during the televised ceremony on October 5, 2025. These appearances highlight Wilkinson's enduring appeal in non-role-specific concerts, where his robust tenor and interpretive phrasing shine in collaborative, celebratory contexts.

Discography

Solo albums

Colm Wilkinson's solo recording career began with the release of his self-titled debut , Colm C.T. Wilkinson, in December 1977 on Solo Records in Ireland. Featuring a mix of original pop compositions and covers such as the ' "" and Les Emmerson's "The Devil and Miss Lucy," the showcased his early vocal style rooted in rock and , achieving commercial success by topping the charts for eight weeks. Following his breakthrough in musical theatre, particularly as Jean Valjean in Les Misérables, Wilkinson released Stage Heroes in 1989 on BMG Records. Recorded at Abbey Road Studios in London with the London Philharmonic Orchestra and produced by Mike Batt, the album consists of covers of iconic musical theatre songs from shows like Man of La Mancha, Chess, The Phantom of the Opera, and Les Misérables, including "The Impossible Dream," "Pity the Child," and "Bring Him Home." This release highlighted his theatrical influences on song selection, earning positive reception for its orchestral arrangements and Wilkinson's powerful tenor, with reviewers noting its appeal to fans of Broadway standards. In 2003, Wilkinson issued Some of My Best Friends Are Songs on Jass Records, a personal collection of 12 tracks blending classic standards, rock ballads, and Irish tunes, such as "A Song for You," "Father and Son" (a duet with his son Aaron), and "If I Can Dream." Produced in and pressed by Sony DADC there, the album marked a shift toward more intimate, non-theatre material, receiving acclaim for demonstrating his versatility beyond stage roles and addressing the challenge of establishing a post- identity. Wilkinson's 2010 solo release, Broadway and Beyond: The Concert Songs, features 17 tracks that include Broadway staples like "The Music of the Night" and "This Is the Moment," alongside pop standards such as "Tennessee Waltz" and "The Wind Beneath My Wings," with original arrangements of Les Misérables numbers like "Bring Him Home." Produced to capture his concert style, the album received strong fan praise for its emotional depth and Wilkinson's enduring vocal range, though some critics found the interpretations straightforward rather than innovative. In 2016, a compilation album The Essential Colm Wilkinson was released, featuring 39 tracks from his solo and cast recordings. Additionally, in 2020, Wilkinson released the original single "Harcourt Street."

Cast recordings

Colm Wilkinson's contributions to cast recordings began early in his career, showcasing his versatile voice in key roles within major productions. These recordings capture his performances alongside ensemble casts, highlighting his ability to convey complex characters through powerful vocals in collaborative settings. His work on these albums helped establish him as a prominent figure in the genre, particularly in and productions. Wilkinson's first notable cast recording appearance was as Che on the 1976 concept album for Evita, composed by with lyrics by . In this studio recording, he delivered the narrative perspective of , providing cynical commentary on Eva Perón's rise, with standout tracks like "Oh What a Circus" and "Waltz for Eva and Che" featuring his dynamic interplay with as Eva. The album, recorded at in , marked a pivotal ensemble effort that introduced the musical to audiences before its stage premiere. He originated the role of on the Les Misérables Original London Cast recording in 1985, where his soaring rendition of became emblematic of the character's redemption arc amid the ensemble's revolutionary fervor. Produced by and recorded at CTS Studios, the double album features Wilkinson alongside as and as , emphasizing the score's emotional depth through group dynamics in songs like This recording, released by Records, solidified the musical's international acclaim. Transitioning to Broadway, Wilkinson reprised Jean Valjean on the 1987 Original Broadway Cast recording of Les Misérables, infusing the role with intensified vocal power suited to the larger American production. His performances on tracks such as "Who Am I?" and "Soliloquy" integrate seamlessly with the ensemble, including Terrence Mann as Javert and Randy Graff as Fantine, capturing the epic scope of the adaptation. Released by Geffen Records and recorded at RCA Studios, the album highlighted Wilkinson's central presence in the choral arrangements that define the show's grandeur. In 1989, Wilkinson portrayed the Phantom on the The Phantom of the Opera Original Canadian Cast Highlights recording from the Toronto production, bringing a raw intensity to duets like "The Phantom of the Opera" with as . This Polydor release, featuring select tracks from the score, underscores his commanding vocals within the opera's ensemble intrigue and orchestral swells. Finally, Wilkinson starred as Dr. Jekyll and Mr. Hyde on the 1990 Jekyll & Hyde Highlights concept album, where his dual portrayal shines in "This Is the Moment," a motivational aria that anchors the recording's exploration of inner conflict. Paired with Linda Eder as Emma, the RCA Victor album presents a focused ensemble narrative through songs like "Fascination" and "In His Eyes," emphasizing Wilkinson's vocal range in this pre-Broadway studio iteration.

Personal life

Family

Colm Wilkinson married Deirdre Wilkinson in 1970, and the couple has remained together for over 55 years, starting their married life in Bray, Ireland. The Wilkinsons have four children: Aaron, Judith, Sarah, and Simon. The family provided crucial support throughout Wilkinson's career transitions, including the relocation from Ireland to London for his role in the original West End production of Les Misérables in 1985, and later to New York for Broadway in 1987. In 1989, Wilkinson and his family moved to Toronto, Ontario, Canada, to accommodate his starring role in the Canadian premiere of The Phantom of the Opera. Wilkinson has maintained a private family life, with limited public details about his children beyond occasional references to their creative pursuits. His son is a singer and songwriter who has collaborated with his father on recordings, including a duet cover of ' "Father and Son." His son Simon has worked as a , contributing to album artwork for Wilkinson's projects. His daughter Judith is a curator, while his daughter Sarah is a .

Residence and citizenship

Colm Wilkinson relocated to in the early 1970s to pursue opportunities in the West End, where he built his early stage career after performing in Irish productions such as the Dublin run of in 1972. His move allowed him to take on roles in major musicals, marking a pivotal shift from local bands and solo gigs to international theater. In 1987, Wilkinson moved to to reprise his role as in the Broadway production of , following its successful West End run. Two years later, in 1989, he and his family relocated to for his starring role as the Phantom in the Canadian premiere of at the Pantages Theatre, a commitment that lasted four and a half years. This move established as his permanent home, where he settled in the upscale Rosedale neighborhood, purchasing a mansion in 1992 that he owned for over two decades. In the 2010s, Wilkinson and his wife downsized by selling the Rosedale property in 2017 for $8 million. Wilkinson acquired Canadian citizenship in the early 2000s—around 2001—while retaining his Irish citizenship as a native of . He has expressed a deep connection to both countries, viewing as the home of his soul but as his long-term residence since the 1989 relocation.

Honours and legacy

Awards and nominations

Colm Wilkinson's portrayal of in the original West End production of earned him a nomination for the Award for in a Musical in 1985. His reprise of the role in the 1987 Broadway transfer led to further recognition, including a nomination for the Tony Award for in a Musical and a nomination for the for Outstanding Actor in a Musical. For the same performance, Wilkinson received multiple wins: the for Outstanding Lead Actor, Non-Resident Production in 1987; the Outer Critics Circle Award for Outstanding Debut Performance in 1987; and the Theatre World Award in 1987. Wilkinson won the Dora Mavor Moore Award for Outstanding Performance for his role as the Phantom in the Toronto production of The Phantom of the Opera in 1990, and again for Jean Valjean in the Toronto production of Les Misérables in 1998. In acknowledgment of his contributions to the performing arts, Wilkinson was awarded the Gold Medal of Honorary Patronage by the Philosophical Society of Trinity College Dublin in 2019.

Honorary degrees

In October 2012, Colm Wilkinson received an honorary Doctor of Laws from Ryerson University (now ) during its fall ceremony on October 18. The degree recognized his significant contributions to the and in , where he had established a prominent career after relocating to and becoming a Canadian citizen in the early . This honor marked a notable milestone in Wilkinson's North American phase, highlighting his enduring impact on Canadian cultural life amid his long-term residency in the city.

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