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Connor McIntyre

Connor McIntyre (born 30 November 1960) is an English actor and painter best known for portraying the villainous builder Pat Phelan in the from 2013 until the character's death in 2018. Born in , , , McIntyre initially pursued varied careers, including as a , , and car salesman, before turning to acting in his thirties. He trained later in life, earning a First Class Honours BA in from the in 2012 and a Master's in Practice in 2015, reflecting his passion for abstract painting, which he continues to exhibit and sell through galleries. McIntyre's breakthrough came with , where his portrayal of the scheming and murderous Phelan earned widespread acclaim, including the Villain of the Year award at the 2018 British Soap Awards and nominations for Best Actor and Best Male Dramatic Performance that year. Prior to this, he appeared in television series such as (1999–2002), The Bill, and Murder City (2004–2006), along with the television series (2006). In recent years, McIntyre has taken on guest roles across British television, including the role of Kenny Sanders in an episode of the medical drama Casualty in April 2025, marking his return to storytelling seven years after Phelan's explosive exit from . His multifaceted career highlights a transition from intense dramatic roles to blending acting with his artistic pursuits.

Early life

Upbringing in Liverpool

Connor McIntyre was born on 30 November 1960 in , , , . He spent his early years in the nearby area before the family moved to , a predominantly working-class neighborhood shaped by the industrial heritage of . McIntyre grew up in a working-class household where both of his parents worked as bookmakers, reflecting the blue-collar economic realities of post-war . This environment instilled a practical, streetwise outlook, but it also presented challenges, particularly in formal education. From a young age, McIntyre struggled academically, describing himself as unenthusiastic about school and even recounting how his mother humorously noted the difficulty in getting authorities to enforce his attendance. These early experiences in 's tough, community-oriented setting fostered resilience amid limited opportunities for higher learning. A pivotal influence during his childhood was his exposure to television, sparked by his mother's devoted fandom of Coronation Street. The soap opera's inaugural episode aired on ITV just nine days after McIntyre's birth, making it a constant presence in the family home as he grew up. This early immersion in the program's storytelling ignited his fascination with the medium, laying the groundwork for his later career pursuits despite his initial disinterest in structured education.

Pre-acting professions

Before pursuing acting, Connor McIntyre held a series of varied occupations that underscored his working-class background and adaptability. His first paid job after leaving school without qualifications was as a lifeguard at Austin Rawlinson baths in Speke, Liverpool, secured through a government job creation scheme in the late 1970s. He later became involved in boxing as a coach at St Ambrose Boxing Club in Liverpool, where he trained participants but recognized the sport's intense physical and mental demands as not fully suiting his long-term path. In his twenties and early thirties, McIntyre worked as a car salesman, including a stint selling vehicles in , which involved international travel and sales roles that provided amid job transitions. These roles, combined with earlier manual and coaching work, reflected a period of economic uncertainty and exploration before creative interests emerged. Around age 30, facing personal and financial strains, McIntyre relocated from Liverpool to Plymouth in the early 1990s to visit his brother, a Royal Navy serviceman; he soon ran out of money and chose to remain, taking part-time car sales work locally to support himself. This move marked a pivotal shift, as during his time in Plymouth, he stumbled upon a rehearsal at the Barbican Theatre—observing a Steven Berkoff production—which ignited his passion for theatre and prompted a late start in acting pursuits by his mid-thirties. His Liverpool roots fostered the resilience needed to navigate these challenges and reinvent himself in adulthood.

Acting career

Theatre roles

McIntyre began his acting career in the early 1990s at the in , where a spontaneous visit to observe a rehearsal of a production inspired him to pursue stage work after previous careers as a and car salesman. He debuted professionally in local productions there, marking the start of his development as a through intensive involvement in regional repertory work. His early stage appearances included roles in Shakespeare's , Harold Pinter's One for the Road, and the one-man show Harry's Christmas. These performances at Plymouth venues like the Barbican and Theatre Royal honed his skills in classical and contemporary pieces, transitioning him from novice to established regional performer by the mid-1990s. Following his breakthrough in television during the and , McIntyre's profile rose, enabling broader stage opportunities, including high-profile pantomimes that showcased his versatility in comedic and villainous roles. In 2018, he played one of the Ugly Sisters opposite in at , a production that highlighted his rapport with live audiences through interactive humor. He reprised a similar dame role as Ugly Sister Phelina in at Nottingham's Theatre Royal in 2019. Into the 2020s, McIntyre continued engaging with theatre amid pandemic constraints, portraying Captain Cockles in the socially distanced at 's Theatre Royal in 2020–2021, reuniting with and demonstrating adaptability to innovative staging formats. This return to his Plymouth roots underscored his enduring commitment to live performance, blending narrative depth with festive entertainment.

Television roles

McIntyre began his television career with a series of guest appearances on British dramas during the 1990s and 2000s, including roles in The Bill as characters such as Lee Saunders in 1994 and Ray Belcher in 1995, Casualty, Heartbeat as Adam Lee, Law & Order: UK as Sergeant Howard Drake in 2009, and Doctors as Brian Neilson in 2013. His first major television role came in the medical drama Always and Everyone (later known as A&E after the first series), where he portrayed paramedic Terry Harker from 1999 to 2002 across 38 episodes, contributing to the show's depiction of high-pressure emergency services in Manchester. Following this, McIntyre took on leading roles in The Jury (2002) as Derek Batey across 6 episodes, Buried (2003) in 8 episodes, Murder City (2004–2006) as DS Frank Craven in 10 episodes, and Drop Dead Gorgeous (2006–2007) as Terry Webb in 9 episodes. McIntyre achieved widespread recognition for his portrayal of the menacing builder Pat Phelan in the long-running soap , appearing in 358 episodes from 2013 to 2014 and returning from 2016 to 2018. Phelan's storyline evolved into a notorious villainous arc, involving the and torture of Andy Carver and Vinny Ashford in a derelict building, the murder of construction worker Michael Rodwell, blackmail of multiple residents, and framing for attempted murder, culminating in his apparent disappearance after falling into the sea during a 2018 confrontation with his wife , only to return for a final revenge-fueled rampage before being killed by Anna in . After leaving , McIntyre appeared as Grandad Cooper in 6 episodes of from 2021 to 2022. In 2025, McIntyre guest-starred in Casualty as Kenny Sanders in an episode aired on April 12, marking his return to the medical series after earlier appearances.

Film roles

McIntyre's early appearances in the 2000s were primarily in independent productions, where he took on supporting roles that showcased his ability to portray complex, working-class characters. In the 2006 thriller Pu-239, directed by Scott B. Cooper, he played the Facility Director, a authoritative figure in a story about a nuclear plant worker's desperation following a . That same year, McIntyre appeared as Mr. Wallace in the The Be All and End All, a Liverpool-set exploring themes of local and dynamics amid decline. These roles marked his transition from and television to cinema, allowing him to delve into nuanced performances in low-budget features that highlighted regional storytelling. In 2008, McIntyre starred in the Charlie Noads R.I.P., a poignant project that examined themes of loss and community in , further demonstrating his versatility in concise, emotionally driven narratives. His involvement in such complemented his commitments by providing opportunities for experimental work outside serialized formats, often in collaborations with local filmmakers. McIntyre's post-2020 work reflects a return to cinema, with a prominent role as John Reilly, the father, in the 2023 comedy-drama Our Kid, directed by Sean Cronin. In this Liverpool-based story of a young girl's pursuit of dreams amid family hardships, McIntyre's character contributes to the film's authentic depiction of working-class resilience and humor.) This project, featuring fellow regional talents like , underscores McIntyre's ongoing affinity for indie films that echo his roots. These film roles have complemented McIntyre's extensive television career by offering finite, character-focused arcs that allow for deeper immersion in single narratives, often in independent or short formats that prioritize artistic expression over commercial scale. His prominence from has notably opened doors to these casting opportunities in British indie cinema.

Art career

Fine arts education

McIntyre began his formal fine arts education in his early fifties, earning a First Class Honours degree in from the in 2012. This marked a significant pivot alongside his established acting career, as he had previously worked in manual professions before entering the . Building on this foundation, McIntyre pursued advanced studies, completing a in Practice with a focus on at the in 2015. His training emphasized practical skills in and conceptual development, reflecting a commitment to visual expression that paralleled his narrative-driven work in . McIntyre integrated his art education with his pursuits through hands-on involvement in artist studios, including co-founding and directing the Alamo Studio in , , established in 2014 as a collaborative space for painters and emerging talents. This studio environment allowed him to apply his academic training in a professional setting, fostering a dual career that blends creative disciplines.

Exhibitions and artistic projects

McIntyre operates a private studio in , , as co-director of the Alamo Project, a and artist-led collective he co-founded in 2014 in the Millbay area. The Alamo Studio functions as a collaborative space for practicing artists, providing mentoring opportunities for emerging talents and fostering interdisciplinary creative endeavors within the local art scene. His artistic practice centers on contemporary painting, primarily using oil and mixed media on wood panels to explore themes of memory, myth, and melancholy, often depicted through shifting weather systems as metaphors for the human psyche. These works convey disjointed yet life-affirming portrayals of the human experience, influenced by philosophical inquiries into space, self, and existential unease. McIntyre's paintings, such as Hejira (2024) and Exegesis (2025), have entered private and institutional collections internationally, with select pieces available for sale through galleries, including works priced around £800. A pivotal project in his career is the Funny Weather series, launched with a solo exhibition in May 2022 at St Saviour's Hall in Plymouth's , featuring paintings that examine emotional and atmospheric turbulence. This body of work continued to evolve, appearing in subsequent group shows, including the Aperture of Dreams exhibition at The Brownston Gallery in 2025. By 2025, McIntyre's output had gained broader recognition through prestigious group exhibitions, such as his inclusion in the Royal Academy Summer Exhibition in and shortlisting for the Jackson's Art Prize with Hejira, placing in the top 0.9% of entries. He presented Night Garden at the New English Art Club Annual Exhibition at Mall Galleries, alongside participation in the Sound On show at Elysium Gallery in and the Sacred Earth collective at The Brownston Gallery from September to October. These projects highlight his ongoing engagement with national and international platforms, emphasizing and introspective motifs. In addition to painting, McIntyre applies his skills in directing and writing to collaborative artistic initiatives at the Alamo Studio, enhancing community-based projects without venturing into domains.

Filmography

Television

McIntyre has appeared in numerous television series and miniseries throughout his career, with roles ranging from recurring characters in medical dramas to guest spots in procedurals. His credits are listed chronologically below, including major recurring roles and selected appearances.
  • Roughnecks (1994), Connor (1 ).
  • The Knock (1994), Barman (1 ).
  • The Governor (1995), Officer Welks (3 episodes).
  • Silent Witness (1997), Tony Kennedy (2 episodes).
  • Trial & Retribution (1997), Mr. Hall (2 episodes).
  • Liverpool 1 (1999), John Kelly (1 ).
  • Always and Everyone (1999–2002), Terry Harker (38 episodes).
  • Doctors (2011), Brian Neilson (1 ).
  • The Jury (2002), Derek Batey (6 episodes).
  • 15 Storeys High (2002), Policeman (1 ).
  • Buried (2003), Martin Steddon (8 episodes).
  • Murder City (2004–2006), DC Frank Craven (10 episodes).
  • Outlaws (2004), Superintendent Gary Jackson (4 episodes).
  • Waking the Dead (2005), DCI Gulley (2 episodes).
  • Heartbeat (2005), Adam Lee (1 ).
  • Vincent (2006), Concierge (1 ).
  • See No Evil: The Moors Murders (2006), DCS Dougie Nimmo (miniseries, 2 episodes).
  • Drop Dead Gorgeous (2006–2007), Terry Webb (9 episodes).
  • Wire in the Blood (2008), Peter Curren (2 episodes).
  • Law & Order: UK (2009), Sergeant Howard Drake (1 ).
  • The Case (2011), Neil Stanley (5 episodes).
  • Great Night Out (2013), Tony (2 episodes).
  • Coronation Street (2013–2014, 2016–2018), Pat Phelan (358 episodes).
  • Ackley Bridge (2021–2022), Grandad Cooper (recurring, 6 episodes).
  • Casualty (2025), Kenny Sanders (1 ).
Additional guest appearances include roles in The Bill (Lee Saunders, Ray Belcher, Vince Grover, Stevie; 4 episodes, 1994–1999), Casualty (various roles including Clive Belfield, Robert Prentice, PC Owen Daniels; 3 episodes, 1997–2013), and (Policeman, Terry; 2 episodes, 1995–1998).

Film

McIntyre has appeared in a limited number of feature films throughout his career.
YearTitleRole
1997House of AmericaMatty
2004YasminReception officer
2006Pu-239Facility Director
2009The Be All and End AllMr. Wallace
2023Our KidJohn Reilly

Awards and nominations

Awards won

Connor McIntyre has received recognition primarily for his portrayal of the villainous Pat Phelan in the , earning multiple awards for his compelling performance as a menacing antagonist. In 2016, McIntyre won the Villain of the Year award at , highlighting Phelan's early storylines involving and that captivated audiences. He also secured the Best Bad Boy award at the Inside Soap Awards that year, acknowledging his standout depiction of the character's ruthless charm. The following year, in 2017, McIntyre repeated as Best Bad Boy winner at the Inside Soap Awards, as Phelan's escalating crimes, including the abduction of his daughter Nicola Rubinstein, intensified the drama. McIntyre's accolades peaked in 2018, when he won Villain of the Year again at , just after Phelan's dramatic on-screen death, cementing the role's impact on soap viewership. He also claimed the Best Bad Boy award at the Inside Soap Awards for the third consecutive year, with the ceremony recognizing Phelan's storyline as one of the soap's most gripping arcs.

Nominations

McIntyre received several nominations for his portrayal of Pat Phelan in at the , highlighting his impact as a dramatic . In 2017, he was nominated for Villain of the Year. The following year, in 2018, McIntyre earned three nominations: , Best Male Dramatic Performance, and Villain of the Year, with the latter resulting in a win that underscored his character's menacing presence. In the visual arts, McIntyre has been recognized for his painting through competitive shortlists. He was shortlisted for the Jackson's Painting Prize in 2023. In 2025, he was again shortlisted for the Jackson's Art Prize with Hejira, an oil on panel work selected from thousands of entries. Additionally, McIntyre was named a finalist in the New & Emerging Artist category at the Visual Artists Association Artist of the Year Awards 2025 for Exegesis.
YearAwardCategoryWork/Nominated ForSource
2017British Soap AwardsVillain of the YearPat Phelan in Coronation StreetStandard
2018British Soap AwardsBest ActorPat Phelan in Coronation StreetBBC
2018British Soap AwardsBest Male Dramatic PerformancePat Phelan in Coronation StreetBBC
2018British Soap AwardsVillain of the YearPat Phelan in Coronation StreetBBC
2023Jackson's Painting PrizePainting Prize ShortlistBirmingham Mail
2025Jackson's Art PrizePainting Prize ShortlistHejiraJackson's Art Gallery
2025Visual Artists Association Artist of the Year AwardsNew & Emerging Artist FinalistExegesisArtist of the Year Awards

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