D-Loc
Dustin Miller (born May 2, 1977), known professionally as D-Loc, is an American rapper and MC best known as a founding member of the rap rock group Kottonmouth Kings, which he joined in 1994, and as part of the hip-hop duo Kingspade alongside Johnny Richter, formed in 2003.[1][2][3] His contributions to Kottonmouth Kings have helped the group achieve commercial success, including sales of over 2 million albums and more than 1 million units of merchandise worldwide, often blending hip-hop with rock elements and themes of counterculture, partying, and West Coast lifestyle.[2] The Kings, signed to Suburban Noize Records, released numerous albums featuring D-Loc's verses, such as Hidden Stash III (2006) and Kingdom Come (2011), where he collaborated with bandmates like Johnny Richter and various guests.[4][5][6] In addition to group work, D-Loc has pursued solo projects, releasing albums like Made for Kings (2010) under the Kottonmouth Kings Present banner, which includes tracks such as "M.F.K." and features from artists like Kurupt, showcasing his skills in laid-back, weed-influenced rap flows.[7] He later dropped Ripperside (2018) and the collaborative project Drip Drops presents Get Wet (2022) with Drip Drops and S. Dub, further establishing his independent output with themes of resilience and street life.[8][9] Through Kingspade, D-Loc and Richter emphasized a more focused hip-hop sound, debuting with Pimpadelic in 2008, which highlighted their long-standing friendship and shared creative vision.[3][10] D-Loc's career reflects the enduring influence of the Southern California underground rap scene, where he has maintained a presence through live performances, record label involvement as CEO of Kottonmouth Kings Records, and advocacy for cannabis culture, solidifying his role as a staple in rap rock. As of 2025, D-Loc leads a restructured Kottonmouth Kings with a new album release that year.[11][12]Early life
Childhood and upbringing
Dustin Miller, born on May 2, 1977, in Placentia, California, grew up in the suburban working-class neighborhoods of Orange County, a region known locally as P-Town.[13][3] His early years were shaped by the everyday rhythms of a modest environment, where activities like mowing lawns and neighborhood hangouts were common among youth navigating limited opportunities.[3] During his formative years, Miller forged close childhood friendships with Johnny Richter and the late Steven Thronson, known professionally as Saint Dog, bonding over shared experiences in the Placentia area.[4][3] These connections, rooted in local camaraderie, included forming informal groups like the P-Town Ballers basketball squad, which highlighted their tight-knit group dynamics amid the suburban landscape.[14] He attended El Dorado High School in Placentia alongside Richter during their freshman and sophomore years, further solidifying these early relationships.[3] Miller's rebellious youth was influenced by hobbies such as skateboarding, graffiti, and participation in underground parties, immersing him in Orange County's vibrant counterculture scenes.[3] These pursuits provided early exposure to hip-hop and rock music through local gatherings and the punk-infused skate culture prevalent in the area, fostering a foundation for his later creative endeavors.[3]Entry into music scene
Dustin Miller, known by his stage name D-Loc, entered the music scene in the early 1990s as a teenager in Placentia, California, joining the local crew P-Town Ballers, where he began performing at community events and house parties alongside high school friends.[15] This informal group provided his initial platform to experiment with hip-hop, drawing from West Coast influences such as Cypress Hill, whose blend of gritty lyrics and laid-back production resonated with the emerging rap rock fusion he explored.[16] By 1993-1994, D-Loc's involvement deepened through debut performances at local venues like The Shack in Placentia, where he contributed beatboxing and rhymes during early sets with P-Town Ballers members.[17] Around the same time, the crew produced demo recordings on rudimentary setups, such as tape-to-tape systems at collaborators' homes, capturing raw tracks that fused rap with punk-inspired energy and tested his developing style. These efforts marked his transition from casual participation to more structured musical output, solidifying his role in the group's creative process.[17] In 1994, D-Loc was recruited into the nascent Kottonmouth Kings, an evolution of the P-Town Ballers that shifted toward a more defined psychedelic hip-hop identity, providing his first stable affiliation in the underground scene.[15] His stage name, D-Loc, emerged during this period as a play on his given name Dustin and a "loc'd-out" persona evoking a relaxed, weed-influenced vibe central to the group's ethos.[17] Building briefly on childhood bonds with Johnny Richter and Saint Dog, this recruitment propelled him from local gigs to broader regional exposure.[17]Musical career
Kottonmouth Kings involvement
D-Loc, born Dustin Miller, served as a founding member and MC of the Kottonmouth Kings, an American hip-hop group formed in 1996 in Placentia, California, alongside Saint Dog (Steven Thronson) and Johnny Richter (Timothy McNutt).[18] The group emerged from the local P-Town Ballers collective, blending rap with rock elements to create a signature sound centered on cannabis advocacy, high-energy party anthems, and themes of underground lifestyle.[19] Over their career, the Kottonmouth Kings released over 15 studio albums from 1998 to 2021, beginning with their debut Royal Highness in 1998 and including later projects such as Kingdom Come (2018), Most Wanted Highs (2019), and 25 to Life (2021), establishing a prolific output that influenced the rap rock and stoner hip-hop scenes.[20] D-Loc's contributions were integral to the group's lyrical style, often delivering verses that celebrated weed culture and rebellious fun, as heard in tracks like "Suburban Noize" and "Bring It On." A pivotal early milestone came in 2000 with the Ridin' High Tour, where the Kings supported acts like Linkin Park, boosting their visibility in the burgeoning nu-metal and rap rock circuit. The group maintained a close ties with Suburban Noize Records, which they helped establish in the late 1990s; by 2004, they solidified their partnership with the release of Fire It Up, an album that peaked at No. 42 on the Billboard 200 and reinforced their independent ethos. Lineup shifts marked key periods, including Saint Dog's departure in late 1999 due to creative differences, which prompted the addition of Daddy X (Brad Xavier) as a primary vocalist.[21] Following Saint Dog's brief return and subsequent passing in 2020, D-Loc assumed a more prominent leadership role within the group.[22] Initially contributing as a supporting MC and hype man in the early years, he evolved into a lead vocalist by the mid-2000s, taking center stage on albums such as the rarities collection Hidden Stash III: Aftermaths (2006), where his flows drove tracks like "Gone Git High" and showcased the group's raw, unpolished energy. This transition was further evident in the 2021 comeback effort 25 to Life, released under D-Loc's newly founded P.T.B. Records label, marking a solo-led revival of the Kottonmouth Kings name with features from past collaborators and a nod to their origins.[23]Kingspade collaboration
In 2003, D-Loc and his longtime friend from youth Johnny Richter formed the rap duo Kingspade as a side project, seeking a more straightforward hip-hop outlet distinct from their work in larger ensembles.[3] This partnership allowed the pair to explore rawer, less rock-infused tracks centered on themes of street life, partying, and personal struggles, released through Suburban Noize Records.[24] The duo's debut self-titled album, Kingspade, arrived on August 24, 2004, featuring singles like "Drunk in the Club" that highlighted their G-funk-influenced beats and collaborative lyricism.[25] Their second studio album, P.T.B., followed on April 24, 2007, continuing the focus on West Coast rap with tracks emphasizing resilience and daily grind, solidifying Kingspade's niche within the underground hip-hop scene.[26] Promotional efforts included music videos for key singles such as "Who We" and "Who Run This," which showcased the duo's energetic delivery and helped build their fanbase through online platforms and live performances.[27] Kingspade supported these releases with touring, including appearances on the 2008 Heavy Hitters Tour alongside related acts, fostering a dedicated following for their unfiltered storytelling.[28] As a core member, D-Loc took on a prominent role as lyricist and contributor to production, enabling deeper personal narratives in the duo format that contrasted with broader group collaborations by emphasizing intimate, tag-team rhyme schemes.[29]Solo releases and projects
D-Loc launched a key phase of his solo career with the release of Made for Kings on August 17, 2010, through Suburban Noize Records.[30] The self-produced project showcased his individual style within the hip-hop genre, moving away from the group's signature "rip-hop" sound toward more straightforward rap elements, while incorporating guest appearances from fellow Kottonmouth Kings members and artists like Kurupt on tracks such as "Shake Them."[31][32] This album marked D-Loc's initial step into independent artistry under his own name, blending personal narratives with high-energy production across 14 tracks.[33] (Note: His earlier solo work includes The Green Room (2001) under DJ Shakey Bonez.) Building on this foundation, D-Loc issued a series of EPs that highlighted concise, thematic explorations of cannabis culture, lifestyle, and humor. His 2012 EP Weedman, released on Suburban Noize Records, featured six tracks including "Weedman" and "Smoke Out," emphasizing short-form releases centered on recreational themes and laid-back vibes.[34][11] The following year's Bong Tokes & Love Notes, an independent EP, continued this approach with songs like "Holla Chirp" and "OG Kush," delivering humorous takes on daily life and advocacy through witty lyrics and minimalistic production.[35] These projects demonstrated D-Loc's versatility in distilling his influences into focused, fan-oriented content. In 2018, D-Loc returned with his second full-length solo album (Ripperside), self-produced and released on December 21 via Kingmaker Music, reflecting themes of personal resilience amid life's challenges and ongoing cannabis advocacy through tracks like "Medicate" and "Keep Smokin."[36][37] The 14-track effort underscored his growth as a standalone artist, with raw, introspective lyrics paired with beats that echoed his enduring commitment to empowerment and lifestyle expression.[38] He continued with Drip Drops presents Get Wet in 2022, further establishing his independent output with themes of resilience and street life.[39] Complementing these releases, D-Loc ventured into remixes and compilation features post-2010, including his 2012 reinterpretation of Chris Brown's "Look at Me Now" as "Rollin Papers," which highlighted his entrepreneurial approach to adapting popular beats for his unique voice and signaled greater creative autonomy in his output.[40][41]Business and media ventures
Record label founding
In 2020, D-Loc co-founded P.T.B. Records, short for P-Town Ballers Records, with Kevin Zinger as an independent record label serving as an outlet for the Kottonmouth Kings and affiliated artists.[42][43] He also serves as CEO of Kottonmouth Kings Records.[44] The label's inaugural major release was the Kottonmouth Kings' album 25 to Life on April 20, 2021, which was distributed through digital platforms including Spotify and Apple Music.[45][46][47] In 2025, P.T.B. Records announced new material from the Kottonmouth Kings, including a full-length album drop led by D-Loc with collaborators such as Judge D, Taxman, and Chucky Chuck.[12][48]Radio and online presence
D-Loc launched his D-LocTV YouTube channel in 2012, providing fans with vlogs, behind-the-scenes footage from tours and recordings, and previews of upcoming music releases; the channel has grown to thousands of subscribers, serving as a key platform for direct audience engagement.[49] As of 2025, D-Loc maintains an active online presence through content creation on platforms like YouTube and Facebook, including live streams and teasers for new music and promotions linked to P.T.B. Records.[48]Personal life
Family background
D-Loc, born Dustin Miller, has maintained limited public disclosure regarding his immediate family, prioritizing a private personal life amid his longstanding career in music.[1] While details about parents or siblings remain scarce in available records, he has emphasized the importance of familial bonds in interviews, describing his inner circle as a supportive foundation.[50] A significant aspect of D-Loc's family dynamics involves his deep, brother-like relationships with childhood friends from Placentia, California, whom he regards as extended family. He grew up alongside Tim McNutt (known professionally as Johnny Richter) and Steven Thronson (Saint Dog), forming lifelong connections that began in the suburban neighborhood of Placentia during their high school years at El Dorado High.[3] This partnership with Richter extends far beyond professional collaborations, encompassing shared living arrangements and extensive touring experiences that have solidified their bond over decades.[3] Following the death of Saint Dog on October 13, 2020, D-Loc publicly honored his memory through tributes that highlighted their unbreakable familial tie, including time spent with Saint Dog's son, Max, to uphold the sense of unity within their circle.[51][52]Advocacy efforts
D-Loc has been a vocal advocate for cannabis culture since the late 1990s, incorporating pro-legalization messages into his lyrics and public statements as a founding member of the Kottonmouth Kings. The group's music frequently references marijuana consumption and personal freedom, positioning them as early proponents in the recreational cannabis movement.[16][53] The Kottonmouth Kings actively participated in cannabis-focused events, including performances at the High Times Cannabis Cup, where they headlined in 2006 and were named Band of the Year by High Times in 2000 for their contributions to marijuana-themed music. These appearances helped amplify their message of legalization and cultural acceptance.[54][55] In interviews, D-Loc has stressed the plant's medicinal benefits and natural origins, arguing against its criminalization and supporting broader reform efforts tied to personal liberty.[16][53]Discography
Solo discography
D-Loc, born Dustin Miller, released his debut solo studio album, Made for Kings, on August 17, 2010, through Suburban Noize Records.[56] The album features 14 tracks, including collaborations with artists like Kurupt and Saint Dog, and explores themes of personal growth and West Coast hip-hop lifestyle.[56] It received positive reception within the underground rap scene for its raw energy and production by Mike Kumagai.[33] Following the album's release, D-Loc issued the EP Weedman on March 20, 2012, distributed digitally via Suburban Noize Records.[57] This six-track project, including songs like "Weedman" and "Burn It Down," emphasizes cannabis culture, aligning with his broader advocacy efforts.[34] The EP was made available on platforms such as iTunes and Bandcamp, marking an independent pivot in his solo output.[58] In 2012, D-Loc released the single "Look at Me Now (Remix)," a hip-hop reinterpretation of Chris Brown's track, produced over the original beat with verses tailored to his style.[40] The remix gained traction in online hip-hop communities but did not achieve significant commercial chart success.[59] D-Loc followed with the EP Bong Tokes & Love Notes on December 25, 2013, initially as a digital release, later reissued in 2015 on Bandcamp.[35] Featuring five tracks such as "Holla Chirp" and "OG Kush," the EP blends romantic themes with marijuana references, produced in a laid-back, introspective style.[60] It was distributed independently, highlighting his self-produced approach post-Suburban Noize.[61] His second studio album, Ripperside, arrived on December 21, 2018, self-released under Kingmaker Music.[36] The 14-track effort includes features from Maskerade and Trizz, focusing on resilience and street narratives, with production emphasizing heavy beats and personal storytelling.[8] Tracks like "Headstrong" were promoted via official music videos on YouTube.[62] In 2022, D-Loc featured prominently on the collaborative album Drip Drops presents Get Wet, released October 28 via P.T.B. Records, with 11 tracks blending hip-hop and party themes.[9][63] In addition to these core releases, D-Loc contributed solo-led tracks to Kottonmouth Kings side projects, such as "Still Smokin'" on Hidden Stash III: Kings of Underground (2006), which showcased his individual flow within the group's compilation framework.[64] These appearances underscore his consistent output but remain distinct from full group efforts.Group discography
D-Loc's group discography centers on his roles as an MC and producer in the Kottonmouth Kings and the duo Kingspade, contributing to numerous releases, including studio albums, EPs, live albums, and compilations.[20][26] These works span hip hop with punk, reggae, and psychobilly elements, often released under Suburban Noize Records after an initial stint with Capitol Records for the Kottonmouth Kings' debut, with later projects shifting to imprints like P.T.B. and Cleopatra Records.[18] Commercial highlights include the Kottonmouth Kings' self-titled album peaking at No. 50 on the Billboard 200 in 2005 and Long Live the Kings reaching No. 26 on the same chart in 2010.Kottonmouth Kings Releases
The Kottonmouth Kings have issued 15 studio albums since 1998, plus multiple EPs, live recordings, and compilations, with D-Loc featuring prominently since the debut album as a founding member. Key studio albums include:| Album Title | Release Year | Label | Notable D-Loc Contribution |
|---|---|---|---|
| Royal Highness | 1998 | Capitol Records | Founding member; verses on multiple tracks |
| High Society | 2000 | Suburban Noize Records | MC on key tracks like "Pimpin' Lessons" |
| Rollin' Stoned | 2002 | Suburban Noize Records | Prominent raps in party anthems[65] |
| Fire It Up | 2004 | Suburban Noize Records | Full involvement as MC on title track and more |
| Kottonmouth Kings | 2005 | Suburban Noize Records | Self-titled peak at No. 50 Billboard 200; producer credits |
| Koast II Koast | 2006 | Suburban Noize Records | Features on coastal-themed tracks |
| Cloud Nine | 2007 | Suburban Noize Records | Verses on psychedelic tracks like "Bring It On" |
| The Green Album | 2008 | Suburban Noize Records | Environmental themes; verses in "Living in the Shadows" |
| Long Live the Kings | 2010 | Suburban Noize Records | No. 26 Billboard 200; co-production on multiple cuts |
| 25 to Life | 2021 | P.T.B. Records | Lead MC; commemorates 25 years of the group |