Devon Aoki
Devon Aoki (born August 10, 1982) is an American supermodel and retired actress renowned for her distinctive beauty and contributions to fashion and film. Of mixed Japanese, German, and English heritage, she rose to prominence in the late 1990s as a face of luxury brands like Chanel and Versace, while also gaining recognition for action-packed roles in movies such as 2 Fast 2 Furious (2003) and Sin City (2005).[1][2][3] Born in New York City to Japanese-American restaurateur and Benihana founder Rocky Aoki and former actress Pamela Hilburger, Aoki grew up in a high-profile family that includes half-brother, DJ and producer Steve Aoki. She began her modeling career at age 13 after being scouted at a Rancid concert while attending high school, quickly becoming a sought-after talent known for her petite stature and exotic features. Her runway debut came soon after, walking for designers including Versace, Chanel, Dior, and Valentino, and she fronted major advertising campaigns for L'Oréal, Louis Vuitton, and Kenzo throughout the 2000s.[1][4][3] Transitioning to acting in the early 2000s, Aoki portrayed characters like the street racer Suki in 2 Fast 2 Furious and the assassin Miho in Sin City, alongside appearances in DOA: Dead or Alive (2006) and guest spots on television series. She stepped away from full-time acting in 2009 to prioritize motherhood following her marriage to investment banker James Bailey in 2011, with whom she shares four children: son James Hunter (born 2011), daughters Alessandra Linville (born 2013), Eleanor Talitha (born 2015), and Evelyn (born 2020). Despite her acting hiatus, Aoki has remained active in modeling, featuring in campaigns for brands like Moschino and Tommy Hilfiger as of 2023, and she supports philanthropic causes including HIV/AIDS awareness through (RED) and ocean conservation via Oceana.[3][5][6][4]Early life
Birth and family background
Devon Edwenna Aoki was born on August 10, 1982, in New York City.[7][2] Her father, Hiroaki "Rocky" Aoki, was a Japanese immigrant born in Tokyo in 1938, who arrived in the United States in 1959 and became an alternate for the 1960 Olympics in wrestling before founding the Benihana restaurant chain in 1964, which grew into a global enterprise specializing in teppanyaki-style dining.[8][9] Rocky's entrepreneurial success amassed considerable family wealth, enabling an affluent lifestyle marked by international travel and cultural exposure.[10] Her mother, Pamela Hilburger, born in 1951 in Germany, is a jewelry designer of German and English descent whose career in fine accessories complemented the family's dynamic blend of Eastern and Western influences.[11][12] Aoki has multiple siblings from her father's marriages, including an older sister and younger brother (full siblings), half-brother Steve Aoki, a prominent DJ and music producer, and half-sister Kana Grace Aoki, a former model; this familial network underscores a legacy of involvement in creative industries and business ventures.[1][13]Childhood and education
Devon Aoki spent much of her childhood in Malibu, California, following her birth in New York City, though she also divided significant time between New York and London as her family traveled extensively during her early years.[14] Her multicultural background, stemming from her Japanese father, Hiroaki "Rocky" Aoki, and her mother, Pamela Hilburger, of German and English descent, played a key role in shaping her sense of identity, particularly amid the challenges of navigating mixed-race experiences as a teenager.[14][15] For her education, Aoki attended high school at The American School in London, an experience that fostered early independence as she relied on public transportation like buses and the Tube to get around the city.[14][16] She did not pursue higher education, instead channeling her energies toward creative pursuits influenced by her surroundings. Her parents' divorce in 1991, when she was nine years old, contributed to a family environment that emphasized self-reliance, with her mother serving as a model of artistic passion through her work as a painter and jewelry designer.[17][14][15] Aoki's teenage years were marked by immersion in alternative culture, including a strong affinity for punk rock—drawn to bands like The Ramones and Rancid, as well as designers such as Vivienne Westwood—which provided an outlet for her rebellious spirit and early fascination with fashion's expressive potential.[14] Family connections in the entertainment and business worlds, including her half-brother Steve Aoki's emerging music career, further exposed her to creative industries from a young age, though she remained grounded in her Malibu roots until moving out independently at 24.[15]Career
Fashion modeling
Devon Aoki began her modeling career at the age of 13 after being scouted at a Rancid concert by a casting director seeking talent for Calvin Klein campaigns.[18] Her godmother's introduction to Kate Moss facilitated her entry into the industry, leading to her runway debut in 1997 for Chanel.[19] Aoki's rapid ascent was attributed to her distinctive features, blending Japanese, German, and English heritage, which offered an "exotic" appeal in the late 1990s fashion landscape.[20] By 1998, at age 16, Aoki had secured major campaigns, including becoming the face of Versace.[20][21] She also fronted advertisements for Chanel, Yves Saint Laurent, and Kenzo, establishing herself as a high-fashion staple.[22] Her print work graced covers of international editions of Vogue, including Vogue Nippon (May 2001) and Vogue Deutschland (July 2001), as well as Harper's Bazaar U.S. (April 1999) and multiple issues of i-D (September 1998, April 2002, July 2007).[23][24][25] Throughout the 2000s, Aoki walked runways for prominent designers, including Balenciaga, Alexander McQueen, and Louis Vuitton, contributing to her status as a versatile runway presence.[22][19] Despite standing at 5'5" (165 cm)—shorter than the typical 5'9" industry standard—Aoki defied height norms, proving her marketability through editorial and commercial success.[4] She was ranked among models.com's Top 50 during her peak and later inducted into their Legends list for her enduring influence.[26] In 2007, Aoki co-founded the Levi's + Devon Aoki collection, a denim line featuring items like lamé-coated jumpers and cropped wool blazers, targeted at Asian markets.[27] Around 2009, she stepped back from full-time modeling to prioritize family, though she made occasional returns, such as walking for Jeremy Scott at Moschino in 2017 and appearing in Vogue U.K. (August 2017). She continued selective modeling, featuring in campaigns for Acne Studios (spring/summer 2023), Tommy Hilfiger (fall 2023), and Moschino's "Toy 2 Pearl" fragrance (2023), as well as covering Vogue Japan (November 2023).[28][29][30][31][32][23]Acting
Devon Aoki transitioned from a successful modeling career to acting in the early 2000s, with her high-profile runway presence opening doors to Hollywood casting opportunities. Her film debut occurred in 2003 when she portrayed Suki, the leader of an all-female street racing crew, in the action sequel 2 Fast 2 Furious, directed by John Singleton.[33] Aoki's roles frequently emphasized action sequences and enigmatic femme fatale archetypes, capitalizing on her poised, striking screen presence. In 2005, she played the deadly, wordless assassin Miho in the stylized neo-noir Sin City, a graphic novel adaptation co-directed by Robert Rodriguez and Frank Miller that blended live-action with digital effects.[34] She took a lead role as the ninja princess Kasumi in the 2006 video game adaptation DOA: Dead or Alive, directed by Corey Yuen, where she performed alongside Jaime Pressly and Sarah Carter in a tournament-style martial arts narrative.[35] Her later film appearances included the assassin Kira in the 2007 action thriller War, opposite Jet Li and Jason Statham, Corporal Valerie Duval, a resilient soldier, in the 2008 science fiction horror Mutant Chronicles, directed by Simon Hunter, and Anna in the 2009 comedy Rosencrantz and Guildenstern Are Undead.[36][37] These parts often involved high-stakes combat and mysterious allure, aligning with her brief foray into genre cinema. Aoki pursued limited formal acting education, drawing mainly on practical on-set coaching and her modeling discipline for performances; she later attended sessions at the Lee Strasberg Theatre & Film Institute to refine her skills. Around 2009, she quietly stepped away from full-time acting to prioritize raising her family, taking no significant roles afterward.[5]Personal life
Relationships and marriage
Devon Aoki has maintained a notably private approach to her romantic life, particularly during the height of her modeling and acting career in the early 2000s, when her high-profile status drew media attention but few confirmed details emerged about her partnerships. She was in a relationship with musician Lenny Kravitz from 2000 to 2001.[38] Following this, Aoki became engaged to musician Stavros Niarchos III, a member of the prominent Greek shipping family; the engagement ended amicably after several years. Aoki focused on personal independence, residing between New York and Los Angeles while prioritizing privacy over public romantic narratives. Aoki began dating investor and financier James Bailey in 2010, leading to their marriage in 2011 during a private ceremony attended by close family and friends. The couple's relationship has remained understated, with rare joint public appearances limited to select events such as fashion weeks and charity galas, underscoring Aoki's continued emphasis on shielding her personal milestones from widespread media exposure.[39]Family and current activities
Devon Aoki and her husband, James Bailey, whom she married in 2011, have built a family centered on privacy and togetherness, with their union serving as the foundation for raising their four children. The couple welcomed their first child, a son named James Hunter, in June 2011, followed by their daughter Alessandra Linville in February 2013. Their second daughter, Eleanor Tabitha, was born in 2015, and their third daughter, Evelyn, arrived in 2020. Aoki has maintained a low profile regarding her children's personal details, rarely sharing their full names or faces publicly to protect their privacy.[6][40][41] The family primarily resides in a Brentwood home in Los Angeles, which Aoki and Bailey purchased in 2014 for $5 million, though they occasionally travel for leisure and family bonding. Aoki emphasizes a private domestic life, incorporating elements of travel to create memorable experiences for her children while shielding them from public scrutiny; for instance, she has shared rare glimpses of family outings, such as diving trips, but avoids detailed disclosures. This approach reflects her commitment to a balanced, low-key lifestyle post-motherhood, where family remains the priority over professional exposure.[39][42] Since stepping back from full-time work around 2010, Aoki has engaged in selective activities that align with her family-focused routine. She made a notable return to modeling for the Acne Studios Spring/Summer 2023 campaign, photographed by Carlijn Jacobs, marking an occasional foray into fashion without resuming a full schedule. On Instagram, where she maintains an active presence as of 2025, Aoki shares infrequent, heartfelt family moments, such as holiday reflections or subtle glimpses of daily life, further underscoring her preference for privacy. Aoki's retirement from acting in 2009 was a deliberate choice to focus on family, as she has noted in reflections on her life shift, with no indications of plans to return to on-screen roles. This decision allowed her to embrace motherhood fully, turning away from potential career revivals in favor of nurturing her growing family. While specific philanthropic efforts tied directly to Aoki remain limited in public records, her family's involvement in broader Aoki Foundation initiatives, which support brain science and regenerative medicine, suggests indirect alignment with charitable causes as of 2024.[43][44][45]Legacy
Influence on fashion and diversity
Devon Aoki emerged as one of the few Asian and mixed-race models to achieve prominence in high fashion during the 1990s and early 2000s, challenging the industry's long-standing Eurocentric beauty ideals that favored tall, predominantly white women. Aoki debuted on the catwalk in 1997 and quickly became the face of Versace in 1998 at age 16, replacing supermodel Naomi Campbell in a move that highlighted her unique ethnic blend of Japanese, German, and English heritage.[46] Her petite stature of 5'5" further defied conventional height requirements, proving that diverse physical attributes could succeed in elite circuits dominated by designers like Chanel and Balenciaga.[47] Aoki's visibility paved the way for greater Asian representation in the fashion industry. In a 1999 interview, she advocated for inclusivity by addressing biases against height and ethnicity, stating, "Not everyone's 5ft 10in and stick thin. There's more diversity now. It's OK to be shorter and look sort of different," while noting how her mixed background made her "look weird" compared to Caucasian models, yet positioned her as a versatile canvas for creative expression.[46][20] Her advocacy underscored the need to expand beyond rigid molds, contributing to a broader cultural shift toward multiculturalism in advertising and editorials post-2000, where brands increasingly featured non-traditional faces to reflect global audiences.[47] However, she also critiqued the industry's objectification, emphasizing in interviews the pressure to suppress personal identity: "You have to let them do what they want because that's what makes them creative," even as it reduced models to "blank canvases." These dynamics contributed to her scaling back full-time modeling in the mid-2000s to pursue acting, with further reduction after starting a family in 2011, while maintaining selective modeling work and highlighting the toll of such pressures on diverse talents.[20][22]Cultural impact and recognition
Devon Aoki has established herself as a pop culture icon through her appearances in high-profile music videos and her role as a muse for early 2000s fashion trends. She featured prominently in Primal Scream's "Kowalski" (1997), alongside Kate Moss, and Duran Duran's "Electric Barbarella" (1998), which highlighted her enigmatic presence and helped bridge fashion with alternative music scenes.[48][22] As a style influencer, Aoki's low-slung jeans, layered looks, and bold accessories embodied the Y2K aesthetic, inspiring a resurgence in vintage 2000s fashion on platforms like Depop and in contemporary editorials.[49] Her acting roles, such as Suki in 2 Fast 2 Furious (2003), further amplified her visibility in mainstream entertainment.[50] Aoki received notable recognition in the early 2000s for her allure and trailblazing presence, ranking #46 on Maxim's Hot 100 Women list in 2001 and #58 in 2002, which underscored her appeal in popular media.[51] In the 2020s, she has been honored in retrospectives celebrating diversity in fashion and entertainment, with outlets highlighting her mixed Japanese-German-English heritage as a catalyst for redefining beauty standards and promoting inclusivity.[52] These acknowledgments position her among influential figures who expanded representation for multiracial women in an industry historically dominated by narrow ideals. Aoki's media legacy extends to documentaries and publications on modeling, where her career arc influences narratives about the era's high-fashion dynamics. In 2025, YouTube analyses have reframed her 2009 retirement from full-time modeling and acting as an empowerment narrative, emphasizing her choice to prioritize family as a subversive act against perpetual industry demands.[53] This perspective has revitalized interest in her as a symbol of agency in pop culture, including discussions of her enduring style influence.[54] As a symbol of multiracial identity, Aoki's visibility in Hollywood and fashion has been examined in academic discourse on Asian American representation, notably in studies exploring how figures like her challenged postfeminist media tropes and enhanced ethnic diversity in popular culture.[55] Her subtle influence persists in 2025 discussions on cultural hybridity and representation in fashion.Filmography
Films
Devon Aoki's film career began with a transition from modeling, leading to supporting and leading roles in action, comedy, and thriller features during the 2000s. She has eight feature film credits, from 2003 to 2009.[7]| Year | Film | Role | Notes |
|---|---|---|---|
| 2003 | Death of a Dynasty | Picasso | Supporting role in the hip-hop comedy directed by Damon Dash.[56] |
| 2003 | 2 Fast 2 Furious | Suki | Supporting role as a street racer in the action sequel directed by John Singleton. |
| 2004 | D.E.B.S. | Dominique | Supporting role as a spy trainee in the action comedy directed by Angela Robinson.[57] |
| 2005 | Sin City | Miho | Supporting role in the neo-noir action film based on Frank Miller's graphic novels, directed by Robert Rodriguez and Frank Miller; the film grossed $158 million worldwide. |
| 2006 | DOA: Dead or Alive | Kasumi | Lead role in the action adaptation of the video game series, directed by Corey Yuen. |
| 2007 | War | Kira | Supporting role as a yakuza heiress in the action thriller starring Jet Li and Jason Statham, directed by Philip G. Atwell.[58] |
| 2008 | Mutant Chronicles | Cpl. Valerie Duval | Supporting role in the science fiction film based on the role-playing game, directed by Simon Fellows. |
| 2009 | Rosencrantz and Guildenstern Are Undead | Anna | Supporting role as the ex-girlfriend in the comedy mystery film directed by Jordan Galland.[59] |
Music videos
Devon Aoki has made notable appearances in several music videos throughout her career, often leveraging her modeling background to blend high-fashion aesthetics with narrative or cameo roles. These contributions span from the late 1990s to the late 2010s, showcasing her versatility in visual media beyond feature films. Early appearances frequently extended her runway and print work into dynamic, short-form storytelling, while later ones incorporated familial ties and celebrity collaborations.[48] Her confirmed music video roles include:- 1997: Primal Scream – "Kowalski": Aoki appeared alongside Kate Moss in this surreal, road-trip-themed video directed by Douglas Gordon, portraying a driver in a narrative inspired by the film Vanishing Point. The clip marked one of her earliest high-profile video cameos, emphasizing her emerging presence in alternative rock visuals.[60][22]
- 1998: Duran Duran – "Electric Barbarella": Aoki featured as a seductive android in this futuristic, cyberpunk-inspired video, which explored themes of virtual reality and desire, aligning with her early modeling gigs in avant-garde fashion.[61]
- 2003: Ludacris – "Act a Fool": Playing the character Suki from 2 Fast 2 Furious, Aoki reprised her film role in this high-energy hip-hop video set amid street racing scenes, bridging her acting and music video work.[62]
- 2003: Ginuwine – "In Those Jeans": Aoki modeled in a stylish, urban narrative cameo, highlighting her poise in R&B visuals that echoed contemporary fashion editorials.[61]
- 2006: Sean Lennon – "Dead Meat": As part of the surreal anthology video for Lennon's album Friendly Fire, directed by Michele Civetta, Aoki starred in a dreamlike segment exploring love and friendship, contributing to the project's ensemble cast including Lindsay Lohan and Asia Argento.[63][64]
- 2006: The Killers – "Bones": Directed by Tim Burton, Aoki played a central romantic lead opposite Michael Steger in this gothic, mortality-themed video, where the couple's skeletal forms symbolize eternal love, marking Burton's only music video directorial effort.[65][66]
- 2013: The Killers – "Just Another Girl": Aoki appeared in this nostalgic, high-school romance narrative, reuniting with the band and adding a glamorous edge to the video's retro aesthetic.[67]
- 2016: Fergie – "M.I.L.F. $": In Colin Tilley's colorful, empowerment-focused video, Aoki joined a star-studded cast of models including Alessandra Ambrosio and Gemma Ward, portraying a confident "super mom" in a whimsical, milk-themed fantasy.[68][69]
- 2018: Steve Aoki feat. BTS – "Waste It on Me": Aoki made a familial cameo as the object of affection in this comedic, all-Asian-American cast video directed by Hannah Lux Davis, featuring her half-brother Steve Aoki and K-pop group BTS in a lip-sync romance parody.[70][71]