Drumma Boy
Christopher James Gholson (born August 11, 1983), known professionally as Drumma Boy, is an American record producer, rapper, songwriter, and entrepreneur from Memphis, Tennessee.[1][2] Born to parents involved in classical music—his mother an opera singer and his father a professional clarinetist and orchestra member—Gholson developed an early passion for music, starting as a drummer and receiving formal training in music theory and composition.[2][3] Drumma Boy rose to prominence in the mid-2000s as a key architect of the trap music genre, blending Southern hip-hop elements with hard-hitting 808 basslines and orchestral samples that defined the sound's explosive energy.[2] His breakthrough came with early placements for artists like Tela, Gangsta Boo, and Pastor Troy while still a teenager, but he gained widespread acclaim producing Young Jeezy's 2008 hit "Put On" featuring Kanye West, which earned a Grammy nomination for Best Rap Performance by a Duo or Group and became a platinum-certified anthem celebrating Southern pride.[4][5] He followed with multi-platinum productions like Waka Flocka Flame's "No Hands" (featuring Roscoe Dash and Wale), which achieved diamond status and received a BET Award nomination for Best Collaboration, as well as tracks for T.I., Gucci Mane, Rick Ross, 2 Chainz, and Yo Gotti.[3][6] In addition to his production credits, Drumma Boy contributed to Usher's 2010 album Raymond v. Raymond, which won two Grammy Awards in 2011 for Best Contemporary R&B Album and Best Male R&B Vocal Performance (for "There Goes My Baby").[5] Named Billboard's #2 Producer of the Year in 2010, he has amassed over 15 years of influence in hip-hop, founding Drum Squad Records and the House of Fresh fashion line while mentoring emerging talent.[7][2] Following a hiatus after the 2018 death of his brother and fellow producer Ensayne Wayne, Drumma Boy returned with renewed focus, releasing the collaborative album Drumma Boy & Friends in 2021 and his debut book Behind the Hits in 2023, which chronicles his career and creative process; as of 2025, he continues to release new music including singles like "Bad Lil Bih" and executive produce projects such as 8Ball & MJG's Ike & Barry.[8][3][2][9]Early life and education
Childhood and family background
Christopher James Gholson, professionally known as Drumma Boy, was born on August 11, 1983, in Memphis, Tennessee.[7] He grew up in a musically enriched household, with his mother serving as an opera singer and his father, G. James Gholson, working as a music professor at the University of Memphis and as the first African-American first-chair clarinetist in the Memphis Symphony Orchestra.[10][7] This environment instilled in him a strong foundation in classical music and orchestral traditions from an early age.[11] Raised in Memphis, Drumma Boy received formal instruction in various instruments, beginning with a recorder at age three and progressing to the E-flat clarinet by age five or six, followed by piano lessons.[11] His parents exposed him to a wide range of genres, including classical composers like Beethoven, Bach, and Mozart, as well as soul artists such as Curtis Mayfield through his mother's influences.[11] This diverse musical upbringing shaped his appreciation for both structured theory and expressive performance, setting the stage for his later innovations in hip-hop production.[2] Drumma Boy was particularly mentored by his older brother, Ferrell Wayne Miles, known professionally as Ensayne Wayne, a multi-platinum producer who collaborated with artists like Three 6 Mafia and introduced him to beat-making during his adolescence.[2][8] Tragically, Ensayne Wayne was shot and killed on February 10, 2018, in Atlanta following an altercation outside a clothing boutique, an event that profoundly affected Drumma Boy emotionally and inspired works like the 2019 album My Brother's Keeper as a therapeutic tribute.[8][12][13] After graduating high school, Drumma Boy attended the University of Memphis, where he studied music business.[14][15]Introduction to music and early training
Drumma Boy first engaged with music production at the age of 12, when he created his initial hip-hop beats using a rudimentary home setup. This early experimentation marked the beginning of his self-taught journey into beat-making, driven by a passion for rhythm and sound that he honed independently in his family's environment.[16][2] A pivotal influence during this formative period was his older brother, Ensayne Wayne, who provided mentorship by introducing him to the fundamentals of drumming and beat construction. Ensayne's guidance helped Gholson grasp essential techniques, fostering a foundation in percussion and arrangement that would define his production approach. Ensayne's impact endured after his passing.[17] The family's musical heritage further shaped his early style, with exposure to classical elements through his mother's role as an opera singer and his father's position in an orchestra. This background, combined with church experiences in Memphis where music played a central role, encouraged Gholson to experiment with diverse sounds beyond typical hip-hop, blending orchestral nuances into his nascent productions. By his mid-teens, he was already producing tracks for local Memphis artists, building practical skills through hands-on collaboration while still navigating the city's vibrant but pre-professional music scene.[2][18][15]Professional career
Beginnings in Memphis
Drumma Boy, born Christopher James Gholson in Memphis, Tennessee, began securing professional production placements as a teenager in the local hip-hop scene. His early beats gained traction with established Memphis artists, including contributions to tracks by Tela, such as the radio placement "Double Dose," as well as work with Gangsta Boo on her 2003 album Enquiring Minds II: The Soap Opera, where he produced three songs.[2][10][11] He also collaborated with Atlanta-based rapper Pastor Troy on early projects, marking his initial forays beyond strictly local talent.[19] These placements helped Drumma Boy establish foundational networks within the Memphis hip-hop underground, where he connected with emerging and veteran artists to build his reputation through collaborative sessions and shared studio spaces. By producing for figures like Yo Gotti, 8Ball & MJG, and Playa Fly, he contributed to the vibrant, independent ecosystem of the city's rap community during the early 2000s.[17][20] In 2002, following high school graduation, Drumma Boy enrolled at the University of Memphis to study music business, aiming to formalize his growing passion for production. However, his increasing focus on music creation led to declining attendance, resulting in his expulsion in 2004.[21][14] This shift prioritized his professional pursuits, as income from early production gigs began to sustain him.[21] That same year, Drumma Boy relocated to Atlanta to pursue broader opportunities in the burgeoning Southern hip-hop market, where he founded the Drum Squad collective as an independent production and artist development umbrella.[22][23] The move marked the transition from his Memphis roots, though he continued contributing to local mixtapes and independent releases through 2005, including beats for underground projects by Memphis acts like Boyz N Da Hood.[2]Breakthrough in Atlanta
After relocating from Memphis to Atlanta in the mid-2000s, Drumma Boy quickly established himself in the city's burgeoning hip-hop scene by producing key tracks for major Southern artists. His breakthrough came with the production of "Standing Ovation" for Young Jeezy's debut album Let's Get It: Thug Motivation 101 in 2005, a high-energy anthem that showcased his ability to blend hard-hitting drums with trap elements, helping to solidify Jeezy's presence in Atlanta's trap movement. This success paved the way for further collaborations, including the production of Jeezy's "Put On" featuring Kanye West from the 2008 album The Recession, which peaked at number six on the Billboard Hot 100 and became a defining Southern rap hit of the era.[4][24] Drumma Boy's work extended to collaborations with Southern rap pioneers, including tracks for T.I., Gucci Mane, and Yo Gotti, contributing to the evolution of Atlanta's sound during the late 2000s. For T.I.'s 2008 album Paper Trail, he produced several songs, including "Ready for Whatever," which helped the project earn a Grammy nomination for Best Rap Album in 2009. His productions for Gucci Mane, such as "Beat It Up" featuring Trey Songz, and multiple tracks for Yo Gotti on mixtapes like Cocaine Muzik 4.5, further cemented his role in shaping street-oriented anthems that dominated Atlanta's airwaves and clubs.[25][6][26] In addition to his Jeezy and T.I. work, Drumma Boy contributed to Waka Flocka Flame's debut album Flockaveli in 2010, producing the platinum-certified single "No Hands" featuring Roscoe Dash and Wale, which reached number 13 on the Billboard Hot 100 and exemplified his knack for club-ready beats. He also produced standout tracks for 2 Chainz, including contributions to the 2012 album Based on a T.R.U. Story, which debuted at number one on the Billboard 200. These efforts earned him further recognition, including a Grammy nomination for Best Rap Performance by a Duo or Group for Jeezy's "Put On" in 2009, and involvement in Usher's Raymond v. Raymond project and its accompanying Versus EP, which won two Grammys in 2011 for Best Contemporary R&B Album and Best Male R&B Vocal Performance.[27][28] Amid this rise, Drumma Boy expanded his Drum Squad collective into a full production team and label imprint under Def Jam, signing and mentoring early talents like K-Dogg from Memphis, fostering a new generation of producers and artists rooted in Southern hip-hop aesthetics. This move not only amplified his influence in Atlanta but also positioned Drum Squad as a key player in the industry's shift toward collaborative production camps during the early 2010s.[29][30]Major collaborations and hits
Drumma Boy's production career gained significant momentum in the 2010s through high-profile collaborations that spanned hip-hop and R&B, resulting in several chart-topping singles and multi-platinum albums. One of his earliest breakthrough hits was "No Hands" by Waka Flocka Flame featuring Roscoe Dash and Wale, released in 2010, which peaked at number 13 on the Billboard Hot 100 and became a staple of Southern trap music with its infectious, bass-heavy beat. The track, certified 3x Platinum by the RIAA, showcased Drumma Boy's ability to craft anthemic party records that resonated widely, contributing to the commercial success of Waka Flocka Flame's debut album Flockaveli.[31][32] Expanding into trap and luxury rap aesthetics, Drumma Boy frequently partnered with Gucci Mane, producing tracks like "Beat It Up" featuring Trey Songz in 2010 and "24 Hours" from 2011, which highlighted his signature booming 808s and layered synths integral to Atlanta's sound. His work with Rick Ross further solidified his reputation in mainstream hip-hop; on Ross's 2009 album Deeper Than Rap, Drumma Boy produced "Face" featuring Trina, a horn-driven standout that blended soulful elements with gritty lyricism, helping the project achieve Platinum certification. These collaborations exemplified Drumma Boy's role in shaping the opulent trap subgenre during its rise.[26][33] Drumma Boy also ventured into R&B, demonstrating his versatility by contributing to Usher's 2010 project Raymond v. Raymond and its accompanying Versus EP, where he produced the track "Stranger," infusing the record with mid-tempo grooves that complemented Usher's vocal style and aided the album's multi-platinum sales. Similarly, his production on August Alsina's "No Love" featuring Nicki Minaj from the 2014 album Testimony marked his first Platinum R&B single, blending smooth melodies with hip-hop edge to reach number 19 on the Billboard Hot R&B/Hip-Hop Songs chart. More recent expansions include work with Quavo, Erica Banks, and Jennifer Hudson, broadening his influence across contemporary rap and soul.[27][34][35] Ongoing partnerships with Southern rap legends underscore Drumma Boy's enduring impact; he executive produced 8Ball & MJG's 2025 album Ike & Barry, a project that revives Memphis duo's classic chemistry with modern production flair. Overall, Drumma Boy has amassed multi-platinum plaques for over 20 tracks, with his productions appearing on albums that have sold more than 11.5 million copies worldwide, cementing his status as a pivotal figure in hip-hop's evolution.[23][36]Recent projects and solo endeavors
Following the tragic death of his brother Wayne, who was fatally shot in Atlanta in 2018, Drumma Boy took a two-year hiatus from the music industry to grieve and care for his brother's four children and four grandchildren.[2] He marked his return in 2019 with the release of My Brother's Keeper, a deeply personal album dedicated to Wayne's memory, featuring 11 tracks that blend production and his own rap performances as a form of catharsis and tribute.[13][37] Building on this renewed focus, Drumma Boy announced his collaborative project Drumma Boy & Friends around 2022, highlighting his production prowess alongside established artists including Ty Dolla Sign, Wiz Khalifa, Gucci Mane, T.I., and Ro James.[38][2] Lead singles from the effort include "Still Can’t Believe It" featuring Derez De’Shon, which has amassed over 2 million streams across platforms, and "Wake Up" featuring Lil Gotit and Kollision, both emphasizing themes of resilience and street wisdom rooted in his signature trap sound.[2] In 2025, Drumma Boy expanded his collaborative scope with LaRussell on the innovative "Album in a Day" project, a rapid-creation session aimed at capturing authentic, unpolished artistry with veteran producers. These endeavors reflect his shift toward more personal artistic expression, including solo rap contributions on projects like My Brother's Keeper, where he steps fully into the performer role beyond production.[2] Reflecting on his over 20-year career, Drumma Boy has expressed profound contentment in recent years, describing himself as the happiest version of himself—fully embracing his multifaceted identity as a producer, entrepreneur, and mentor who prioritizes legacy and family over past hits.[2] This perspective has fueled his post-hiatus output, channeling earlier successes like "Put On" with Young Jeezy into motivation for authentic, forward-looking work.[2]Production style and techniques
Signature sound and influences
Drumma Boy's signature production style is characterized by triumphant horns, intricate instrumentation, and triple-kick drum patterns that have become hallmarks of the trap subgenre. These elements create a bombastic, celebratory energy often described as the "sound of success," blending high-energy percussion with layered melodies to drive hip-hop tracks forward. He pioneered aspects of trap music by incorporating these features into Southern rap beats, distinguishing his work from earlier crunk styles through a more orchestral and dynamic approach.[2] His sound draws heavily from a classical music background inherited from his family, where his mother was a part-time opera singer and his father a professional clarinetist and orchestra member, leading to the fusion of operatic and symphonic elements with hip-hop. This results in what has been termed "orchestral trap," where classical chords and string arrangements intersect with urban street sounds, creating a hybrid aesthetic that elevates trap's gritty foundations. Drumma Boy often incorporates signature ad-libs, such as his own "Yeah Boy" exclamations and a reverbed young female voice announcing "Drumma Boy" at the start of tracks, adding a personal stamp to his productions.[39][40][20] Influences on Drumma Boy's style include early hip-hop producers like Mannie Fresh and DJ Paul of Three 6 Mafia, whose Southern rap innovations in crunk and Memphis horrorcore laid the groundwork for his rhythmic complexity and regional flavor. These roots in Memphis crunk evolved as he transitioned to Atlanta's trap scene, shifting from raw, club-oriented bangers in the 2000s to more melodic and layered trap productions in the 2020s, reflecting broader genre maturation while retaining his core triumphant motifs.[20][23][10]Equipment and production methods
Drumma Boy primarily relies on hardware samplers and drum machines for the core of his beat creation, with the Akai MPC series serving as his foundational tool for sampling and sequencing. He has historically used the Akai MPC 4000, a high-end model praised for its sound quality and integration with record players for vinyl sampling, as highlighted in his 2010 discussions on essential equipment. More recently, he has transitioned to the Akai MPC X, a standalone sampler-sequencer that pairs with computers like the iMac for efficient beat production, as demonstrated in his live sessions. Complementing this, the Roland TR-808 drum machine is a staple for generating bass drums and rhythmic patterns, evident in his celebrations of 808 Day where he experiments with classic sequences.[41][42] For software, Drumma Boy employs Pro Tools as his primary digital audio workstation for mixing and finalizing tracks, often integrating it with other tools like Logic Pro and FL Studio for arrangement and initial composition. In recreating hits like "No Hands," he starts with keyboard chords before layering elements in these environments, showcasing a hybrid approach that blends hardware sequencing with software precision. This setup allows for versatile production, from quick sketches in FL Studio to polished mixes in Pro Tools.[43] His workflow emphasizes layering samples to build depth, beginning with tempo establishment using hi-hats—often in triplet or 64th-note patterns—followed by snares, kicks, and additional sounds like bass lines, which he adjusts iteratively for vibe. A key technique involves creating custom drum kits featuring triple kicks, where multiple kick layers are stacked for a powerful, resonant low end that defines his trap anthems. He integrates live instrumentation, such as guitars, bass, and piano, particularly in his "Drumma Boy Live" projects, to add organic texture to electronic foundations, as explored in collaborations and solo endeavors.[44][2][12] Over time, Drumma Boy has adapted by incorporating digital plugins post-2010s, such as Omnisphere VST for synth and orchestral elements, while preserving an analog warmth through hardware roots like the MPC and TR-808. This evolution enables faster workflows without sacrificing the gritty feel of his early Memphis-influenced productions. For customization and education, he developed the Drumma Boy Official App, which provides live studio access to his processes, including beat auctions and production insights, allowing users to observe layering techniques in real-time.[42][45]Business ventures and media
Labels, mentorship, and entrepreneurship
In 2003, Drumma Boy founded Drum Squad Records as a production house and independent label, which he relocated to Atlanta the following year to expand its operations in the burgeoning hip-hop scene. The label has focused on talent development, notably nurturing Memphis-based artist Bighomie KDogg, with whom Drumma Boy has collaborated on projects like the 2021 album Certified Youngin'.[46][2][47] Complementing his label's in-house productions, Drumma Boy owns the House of Fresh fashion boutique in Atlanta, launched in October 2017 as a streetwear destination that reflects hip-hop culture through urban apparel selections for men and women. The boutique serves as a hub for artists and fans, emphasizing style as an extension of the music industry's aesthetic.[48][2] Drumma Boy's mentorship extends to educational initiatives, including the James and Christopher Gholson Scholarship Fund, co-established with his father in 2012 to support undergraduate and graduate students majoring in commercial music or music performance at the University of Memphis by covering tuition costs. Additionally, in 2018, he joined Tracklib's Creators Advisory Board alongside producers like Erick Sermon and Prince Paul, providing guidance on sample clearance and music creation tools for emerging artists.[49][50][51] As part of his entrepreneurial portfolio, Drumma Boy became the national brand ambassador for the luxury sparkling wine Moreno BHLV in 2013, promoting the California-based product through events, commercials, and personal endorsements that aligned with his image in the entertainment industry.[52][53]Authorship, podcasting, and digital projects
In October 2023, Drumma Boy released his debut book, Behind the Hits, published by Wahida Clark Presents Publishing, which provides an in-depth exploration of his production process, career milestones, and personal anecdotes from his journey in the music industry.[54] The 288-page memoir details the creation of his major hits and offers insights into the hip-hop production landscape, drawing from his experiences in Memphis and Atlanta.[55] To promote the book during Grammy Week 2024, Drumma Boy hosted a signing event at Barnes & Noble in The Grove, Los Angeles, on February 1, engaging fans and industry peers with discussions on his creative evolution.[35] Drumma Boy co-hosts the podcast Beauty & The Beats alongside entrepreneur Jessica Dime, launched in the early 2020s to blend conversations on music, mindset, and business.[56] The show features in-depth interviews with artists and industry figures, emphasizing authenticity and entrepreneurial advice; notable guests include rapper Kash Doll, who discussed her Detroit roots and collaborations, and soul singer Angie Stone, who shared her songwriting and production techniques for classics like "No More Rain." Episodes often highlight the intersection of creativity and personal growth, with early installments airing from 2021 onward.[57] In the digital space, Drumma Boy introduced his official app on Google Play and the App Store in 2021, offering users an interactive platform for exclusive content from his career.[58] The app includes free and premium features such as behind-the-scenes footage, pre-release music and videos, live stream access, and tutorials on beat-making techniques, alongside beat auctions for aspiring producers to purchase original instrumentals.[2] It also facilitates VIP ticket pre-orders and discounts for events, fostering direct engagement with his fanbase and emerging talent.[59] Drumma Boy's philanthropic efforts center on education through the James and Christopher Gholson Scholarship Fund, established with his father, James Gholson, a former University of Memphis music professor, to support music students.[49] The endowment, active since 2012, provides annual awards to undergraduates and graduates in commercial music or music performance, with a focus on woodwind instrumentalists and students of color to promote diversity in the field.[60] He integrates these initiatives into his media projects, using his podcast and app to raise awareness and encourage community involvement in music education.[61] Through Drum Squad Films, a division of his Drum Squad entertainment company launched in the late 2000s, Drumma Boy extends into video and film production, distributing independent projects and scoring content for television and cinema.[21] The venture has produced music videos and documentaries, including a Black History Month feature, while collaborating on soundtracks for shows like Empire.[62] This arm of his work emphasizes storytelling in hip-hop culture, bridging his production expertise with visual media.[63]Awards and recognition
Key awards won
Drumma Boy earned recognition as an emerging talent in Southern hip-hop production by winning the Best Indie Producer of the Year award at the Southern Entertainment Awards for three consecutive years, from 2009 to 2011.[64][39][21] These victories highlighted his rapid rise in the indie scene, where he crafted beats for artists like Yo Gotti and Gucci Mane, solidifying his reputation in Atlanta's music ecosystem. In 2010, he was named #2 Producer of the Year by Billboard.[7] In 2011, Drumma Boy won two Grammy Awards for his work on Usher's Raymond v. Raymond: Best Contemporary R&B Album and Best Male R&B Vocal Performance (for "There Goes My Baby").[5] In 2011, Drumma Boy received the Best Club Banger award at the BET Hip Hop Awards for his production on Waka Flocka Flame's "No Hands," featuring Roscoe Dash and Wale.[65] The track's infectious energy and chart success, peaking at number one on the Billboard Rap Songs chart, underscored Drumma Boy's knack for creating high-impact club anthems that dominated airwaves and parties.Nominations and industry honors
Drumma Boy earned two Grammy nominations in 2009 for his production contributions to T.I.'s album Paper Trail, including Best Rap Album for the project overall and Best Rap Performance by a Duo or Group for the track "Put On" featuring Young Jeezy and Kanye West.[5] His production on the track "Stranger" appeared on Usher's 2010 companion EP Versus to Raymond v. Raymond.[5] In 2014, Drumma Boy was nominated for Producer of the Year at the BET Hip Hop Awards, recognizing his standout beats for artists including Gucci Mane and others that year.[66] Billboard and RIAA honors include multi-platinum certifications for key tracks like Waka Flocka Flame's "No Hands" featuring Roscoe Dash and Wale, which achieved 3x multi-platinum status in 2013 after its 2010 release.[36] As a mark of industry endorsement, Drumma Boy joined Tracklib's Creators Advisory Board in 2018, collaborating with producers like Erick Sermon and Prince Paul to guide the platform's sampling tools for emerging creators.[67]Discography
Studio albums and EPs
Following a hiatus from solo projects amid his extensive production work for others, Drumma Boy returned with My Brother’s Keeper on February 21, 2019. This 11-track album, distributed via Drum Squad Records, emphasizes themes of loyalty, family, and resilience, with Drumma Boy handling primary production and vocals on select cuts.[37][68] In 2022, Drumma Boy issued Welcome to My City, Vol. 4, an EP-style release continuing his signature series, on November 11 through Drum Squad Records. Spanning 20 tracks, it incorporates guest appearances from artists like Jessica Dime, Big Boogie, and Ludacris, blending contemporary trap elements with reflections on urban life and personal growth.[69][70] Drumma Boy has announced Drumma Boy & Friends, an upcoming collaborative studio album featuring high-profile guests including Ty Dolla Sign, Wiz Khalifa, Gucci Mane, and T.I., highlighting his network of industry connections and focusing on ensemble-driven tracks.[2] Drumma Boy's solo releases, primarily independent, have not secured major Billboard chart peaks or RIAA certifications but have built a dedicated following through streaming platforms and regional promotion.[71]Mixtapes and compilations
Drumma Boy has been involved in several mixtapes and compilations, primarily through his Drum Squad Records label, which served as a platform for showcasing emerging Southern hip-hop talent during the 2000s and 2010s. These releases often featured collaborative efforts with regional artists, emphasizing trap and crunk influences, and helped build his reputation as a producer before transitioning to more formal studio projects. One notable early compilation is Welcome II My City, released on June 21, 2009, as Drum Squad Presents. This 20-track mixtape included tracks from Drumma Boy alongside artists like Gucci Mane, OJ Da Juiceman, Lil Scrappy, Pastor Troy, and Young Kee, highlighting Memphis and Atlanta's interconnected scenes. It focused on high-energy beats and local collaborations, amassing significant downloads on platforms like DatPiff during its initial run.[72] Similarly, The Birth of D-Boy Fresh (2011), presented by Drum Squad, was a 17-track project featuring Drumma Boy's production on songs like "Can You Hear Me Now?" with Young Dolph and Young Dose, serving as an introductory showcase for his alias and label roster.[73] In 2013, Drumma Boy collaborated with DJ Paul on the mixtape Clash of the Titans, an 18-track release under Hood Rich Records that blended hardcore hip-hop and gangsta rap elements. The project included guest appearances from 8 Ball, Jelly Roll, Trae tha Truth, and Gangsta Boo, with Drumma Boy handling production on multiple tracks, and it garnered over 100,000 downloads shortly after its October release on DatPiff. The mixtape's aggressive sound and regional focus contributed to its cult following in the Southern rap underground.[74] The Welcome to My City series continued with Vol. 2 in 2012, a 16-track mixtape featuring artists such as Young Dolph, Zed Zilla, Playa Fly, Juicy J, and Gangsta Boo, produced entirely by Drumma Boy. Tracks like "Welcome" (featuring Young Dolph, Zed Zilla, and Playa Fly) have accumulated millions of streams on Spotify, underscoring the project's lasting digital impact. This entry in the series emphasized city-pride anthems and served as a compilation of Drum Squad affiliates.[75] Welcome to My City 3, released July 7, 2014, continued the series with additional collaborations from Southern artists, maintaining Drumma Boy's production style and focus on regional talent.[76] In the streaming era, Drumma Boy contributed to the 2025 single "Necessities" by Don Trip featuring Psyko Notch, co-produced with Casshhjay, which was released in September as part of a single-led collaborative project. The track, available on platforms like Spotify and YouTube, quickly gained traction with tens of thousands of views and streams in its first month, reflecting Drumma Boy's ongoing role in mentoring and producing for up-and-coming Memphis artists.Production credits
Notable artist collaborations
Drumma Boy has amassed an extensive catalog of production credits, exceeding hundreds of tracks across hip-hop, trap, and R&B genres, with multiple multi-platinum records worldwide.[36] His work spans collaborations with Southern rap heavyweights and extends into R&B and pop-rap, earning multiple multi-platinum certifications for standout singles.[77] The producer's breakthrough came in the late 2000s with trap anthems that defined the era, including Young Jeezy's "Put On" featuring Kanye West (2008), which peaked at No. 1 on the Billboard Hot Rap Songs chart and achieved 3x Platinum status.[77] He followed with Waka Flocka Flame's "No Hands" featuring Roscoe Dash and Wale (2010), a Diamond (10x Platinum, certified 2023) hit that solidified his signature sound of booming 808s and energetic synths.[77] Other key hip-hop credits include T.I.'s "Ready for Whatever" (2008) from the 2x Platinum album Paper Trail, Rick Ross's "Money Make Me Come" (2008) from the Gold-certified Trilla, and multiple tracks for Gucci Mane on albums like The State vs. Radric Davis (2009) and Trap Back (2012).[77] For 2 Chainz, Drumma Boy contributed to Based on a T.R.U. Story (2012), including "Money Machine," which helped propel the Platinum-selling project.[77] Venturing into R&B, Drumma Boy produced Usher's "Stranger" on the 2010 Versus EP and August Alsina's "FML" featuring Pusha T and "No Love" featuring Nicki Minaj (both 2014) from the Gold-certified Testimony, with the latter earning 2x Platinum certification.[77] His genre-spanning reach includes pop-rap elements in collaborations like Alexis Ayaana's "Bad Enough" featuring Quavo (2017) and broader work with Derez De'Shon on "Still Can't Believe It" (2020 single, re-highlighted in ongoing releases).[78]| Artist | Notable Track(s) | Year | Certification/Impact |
|---|---|---|---|
| Young Jeezy | "Put On" (ft. Kanye West) | 2008 | 3x Platinum; No. 1 Billboard Hot Rap Songs[77] |
| Waka Flocka Flame | "No Hands" (ft. Roscoe Dash & Wale) | 2010 | Diamond (10x Platinum, certified 2023); signature trap anthem[77] |
| T.I. | "Ready for Whatever" | 2008 | From 2x Platinum Paper Trail[77] |
| Rick Ross | "Money Make Me Come" | 2008 | From Gold Trilla[77] |
| Gucci Mane | Various (e.g., Trap Back tracks) | 2012 | Contributed to multiple Platinum projects[77] |
| 2 Chainz | "Money Machine" | 2012 | From Platinum Based on a T.R.U. Story[77] |
| Usher | "Stranger" | 2010 | From Versus EP[77] |
| August Alsina | "No Love" (ft. Nicki Minaj), "FML" (ft. Pusha T) | 2014 | 2x Platinum ("No Love"); from Gold Testimony[77] |
| Quavo (ft. Alexis Ayaana) | "Bad Enough" | 2017 | Pop-rap crossover single[79] |
| Derez De'Shon | "Still Can't Believe It" | 2020 | Ongoing single promotion into 2024 releases[78] |