Dumpstaphunk
Dumpstaphunk is an American funk band from New Orleans, Louisiana, formed in 2003 by brothers Ivan Neville (keyboards and vocals) and Ian Neville (guitar), second-generation members of the renowned Neville musical family.[1][2] The group is celebrated for its high-energy fusion of funk, jazz, soul, and rock, rooted in the gritty grooves of New Orleans traditions while incorporating modern influences to create a dynamic, jam-oriented sound.[1][2] Since its debut performance at the New Orleans Jazz & Heritage Festival, Dumpstaphunk has evolved into one of the city's premier musical institutions, regularly performing at the festival and touring extensively across the United States and internationally.[1][2] The band has shared stages with icons such as the Rolling Stones—opening for them at the Mercedes-Benz Superdome in 2019—and George Clinton, while attracting guest appearances from artists including Carlos Santana, Trombone Shorty, Chaka Khan, and Bob Weir during live sets.[1][2] Core members include co-founders Ivan and Ian Neville, alongside bassist Tony Hall, bassist and vocalist Nick Daniels III (who passed away in April 2024), trombonist Alex Wasily, trumpeter Ryan Nyther, and drummer Devin Trusclair, forming a seven-piece ensemble known for its tight instrumentation and improvisational flair.[1][2] Following Daniels' death, the band held a public memorial and has continued to honor its legacy through ongoing performances and recordings as a six-piece ensemble with Tony Hall on bass.[3] Dumpstaphunk's discography spans four studio albums, beginning with Listen Hear (2007) and including Everybody Want Sum (2010), Dirty Word (2013), and Where Do We Go From Here (2021), which addressed themes of social justice and uncertainty amid global events.[1][2] In February 2025, they released the single "Let's Do It," an infectious funk track featuring Daniels' final recordings and emphasizing unity, accompanied by an animated music video.[4] The band remains active, with appearances at events like the 2025 New Orleans Jazz Fest and upcoming shows at festivals such as Suwannee Amp Jam in 2026.[5][6]History
Formation and early career
Dumpstaphunk was formed in 2003 by keyboardist and vocalist Ivan Neville specifically for a solo performance at the New Orleans Jazz & Heritage Festival, initially conceived as a one-off project to showcase his musical vision.[7][8] Drawing from the vibrant New Orleans funk tradition, Neville assembled a core group of local talents to deliver a high-energy set that blended groove-heavy rhythms with improvisational flair.[9] The early lineup featured Ivan Neville on keyboards and vocals, his cousin Ian Neville on guitar, Nick Daniels III on bass, Tony Hall on bass for the band's signature double-bass attack, and drummer Raymond Weber.[9][10] This configuration emphasized a robust low-end foundation, reflecting the ensemble's commitment to funk's rhythmic core from its inception. The group's debut at Jazz Fest in 2003 marked their entry into the local scene, where they began building a following through repeated appearances at the festival and other New Orleans venues.[8] Deeply tied to the Neville family's musical legacy—Ivan as the son of singer Aaron Neville and part of a dynasty that includes the Neville Brothers and connections to The Meters—Dumpstaphunk naturally integrated into New Orleans' funk ecosystem, performing alongside established acts and contributing to the city's post-performance club circuit.[11][1] Without a record deal in these formative years, the band relied on grassroots momentum from word-of-mouth buzz and live shows, fostering organic growth through the mid-2000s.[9] A key early milestone came in 2006 with the release of their debut live recording, Jazz Fest 2006, captured during a performance at the New Orleans Jazz & Heritage Festival, which captured the raw energy of their emerging sound and helped solidify their presence in the regional funk community.[8]Mid-career developments
In the early 2010s, Dumpstaphunk solidified its presence in the funk and jam band circuits through strategic releases and expanded live engagements. The band's second full-length album, Everybody Want Sum, arrived on November 11, 2010, via Controlled Substance Soundlabs, marking a step toward broader distribution after their independent debut. Produced with a playful credit to the pseudonymous Morgus the Magnificent, the record showcased the group's signature dual-bass grooves while incorporating guest contributions from family and New Orleans contemporaries, including keyboardist Art Neville—Ivan Neville's uncle—and Trombone Shorty on horns.[12][13][14] By 2013, Dumpstaphunk signed with Louisiana Red Hot Records, a deal that facilitated national promotion and aligned with the label's focus on regional funk acts. Their follow-up, Dirty Word, released on July 30, 2013, emphasized raw, opinionated funk inspired by Sly and the Family Stone, with production highlighting Ivan Neville's keyboard work and family ties through appearances by Art Neville on tracks like "Dancin' to the Truth." The album featured additional collaborators such as Ani DiFranco on vocals for the title track, Flea on bass for "If I'm in Luck," and the Rebirth Brass Band, underscoring the band's interconnected New Orleans roots and growing collaborative network.[15][16][17][18] Touring expanded significantly during this period, with Dumpstaphunk securing slots at prominent festivals that amplified their national profile. Appearances at Bonnaroo in 2012 and Voodoo Fest in 2011 and 2015 allowed the band to showcase extended jams and heavy bass interplay to diverse audiences, bridging New Orleans funk with the jam band community.[19][20] Dumpstaphunk emerged as a key player in the funk revival and jam band scenes, blending gritty grooves with improvisational energy that resonated beyond Louisiana. This recognition peaked with their win as Best Funk Band in OffBeat Magazine's 2014 Best of the Beat Awards, affirming their status as a leading force in contemporary New Orleans music.[21] Throughout the decade, the band's core lineup remained stable, anchored by the dual-bass foundation of Nick Daniels III and Tony Hall, whose interplay defined Dumpstaphunk's sound alongside Ivan and Ian Neville. This consistency on bass provided a reliable rhythmic core amid occasional drummer rotations, enabling focused artistic growth.[10][1]Recent years and challenges
In 2021, Dumpstaphunk released their fourth studio album, Where Do We Go From Here, on April 23, marking their first full-length project in seven years and featuring guest appearances by Trombone Shorty, Marcus King, and Chali 2na.[22][23] The album's creation and rollout occurred amid the disruptions of the COVID-19 pandemic, which limited live performances and shifted the band's focus toward studio work and social commentary on global unrest.[24] The band faced a profound challenge with the death of founding bassist and vocalist Nick Daniels III on April 26, 2024, at age 68, due to complications from multiple myeloma.[25] Daniels' passing deeply impacted the group, as he had been a core member since the band's formation, contributing to its signature dual-bass sound and infectious energy; bandmates described the loss as devastating, emphasizing his irreplaceable role in their musical and personal dynamics.[26] A public memorial honoring Daniels took place on April 30, 2024, outside Tipitina's in New Orleans, drawing the local music community to celebrate his legacy.[27] Following Daniels' death, Dumpstaphunk adjusted their lineup by relying on longtime bassist Tony Hall to anchor the rhythm section, enabling the band to resume touring and maintain their rigorous performance schedule.[5] This transition underscored the group's resilience, as they continued to headline shows across the U.S. without interruption. In early 2025, they released the single "Let's Do It" on February 4, an uplifting track of collective empowerment that featured one of Daniels' final recordings, serving as a poignant tribute to his contributions.[28] Demonstrating their ongoing vitality, Dumpstaphunk performed at the New Orleans Jazz & Heritage Festival on May 3, 2025, delivering a high-energy set on the main stage to an audience exceeding 30,000, with special guest appearances that highlighted their enduring connections in the funk scene.[29] This appearance, coming less than a year after Daniels' passing, symbolized the band's commitment to perseverance and their deep ties to New Orleans' musical heritage.[30]Musical style
Core elements and influences
Dumpstaphunk's foundational sound is a dynamic fusion of funk, rock, R&B, and psychedelic elements, rooted in New Orleans' rich musical traditions.[31] The band's style emphasizes prominent bass lines that drive infectious grooves, complemented by intricate keyboard grooves led by Ivan Neville, and extended improvisational jams that allow for spontaneous musical exploration.[16][31] This blend creates a heavy, rhythmic foundation often described as "staphunk," characterized by hard-slamming rhythms and a multi-layered sonic texture.[16] The group's influences draw heavily from Parliament-Funkadelic and James Brown for their funk propulsion, Sly and the Family Stone for psychedelic flair, and local New Orleans icons like The Meters and the Neville Brothers for syncopated grooves and soulful depth.[31][16] Additional inspirations include Tower of Power's brass-driven energy and broader R&B figures such as Marvin Gaye and Curtis Mayfield, which infuse social consciousness into their rhythmic framework.[31][32] Central to their "staphunk" identity are dual bass attacks from Nick Daniels III and Tony Hall, which provide a thunderous, interlocking pulse, while Neville's keyboard leads add colorful, improvisational layers.[16] Vocals play a pivotal role through call-and-response patterns and soulful deliveries, often drawing from Ivan Neville's family gospel heritage to evoke raw emotional intensity.[31][33] Ian Neville's guitar riffs contribute a rock-infused edge, and occasional horn sections layer in brassy funk accents, enhancing the overall infectious energy.[32][16]Evolution and reception
Dumpstaphunk's musical style has undergone notable shifts since its inception in 2003, beginning with a raw, groove-centric funk rooted in New Orleans traditions that emphasized tight, bass-heavy rhythms and local improvisation.[34] Over time, particularly post-2010, the band's sound evolved toward more polished, collaborative jams, integrating hip-hop elements such as rap-infused tracks and jazz fusion through extended improvisational structures and horn-driven arrangements.[1] This progression is evident in albums like Dirty Word (2013), which blended P-Funk influences with modern R&B, and later works that expanded the core funk foundation into broader fusion territory.[16] The 2021 album Where Do We Go From Here marked a significant milestone in this evolution, featuring guest appearances by artists including Marcus King on guitar, Trombone Shorty on trumpet, Chali 2na on vocals, and Erica Falls on vocals, which broadened the band's appeal by infusing hip-hop, jazz, and brass elements into socially conscious funk anthems.[35] These collaborations highlighted a shift toward more expansive, message-driven compositions that addressed themes of justice and unity, enhancing the band's crossover potential in jam and fusion circuits.[31] Critically, Dumpstaphunk has garnered acclaim for its innovative take on funk. In 2007, The New York Times praised their live energy at Jazz Fest, calling them "the best funk band from New Orleans right now" and noting the unique "funky smell" of their infectious, sweat-drenched grooves.[36] Later reviews, such as The New York Times' 2020 nod to the forthcoming Where Do We Go From Here, highlighted its "slinky funk backbeat" and "gospel determination," underscoring the band's maturing blend of tradition and innovation.[1] Popular reception has paralleled this evolution, with steady fanbase growth in jam band communities through festival appearances at Bonnaroo and Voodoo Fest, culminating in the band being voted "New Orleans' Best Funk Band" in the 2014 OffBeat Magazine and Gambit Weekly polls.[37] This recognition affirmed their status as a vital force in the regional scene, drawing diverse audiences to their high-energy performances.[38] Following the 2024 passing of founding bassist Nick Daniels III, Dumpstaphunk demonstrated resilience in maintaining its signature sound, continuing to tour with a lineup featuring Tony Hall on bass, focused on honoring Daniels' legacy through ongoing performances and recordings. This adaptability was showcased in their February 2025 single "Let's Do It," one of Daniels' final recordings, which celebrates his legacy while signaling a bold new era of funk-infused energy and forward momentum.[39]Band members
Current members
Dumpstaphunk's current lineup as of 2025 features a core of longstanding members augmented by key contributors who enhance the band's signature funk grooves and live energy. Ivan Neville serves as the bandleader on keyboards and vocals, having founded and guided the group since 2003 with his production oversight and soulful leads drawn from his Neville family legacy.[11][34] Ian Neville, Ivan's cousin, handles guitar duties, infusing rock-edged riffs that propel the band's high-octane rhythms and connect to New Orleans' musical heritage through his father Art Neville's influence.[11][40] Tony Hall provides bass and vocals, assuming primary bass responsibilities post-2024 while delivering versatile grooves and harmonies that anchor the ensemble's bottom end.[11][34] The rhythm section is completed by Deven Trusclair on drums, whose precise and powerful playing drives the band's infectious funk foundation.[11][2] The horn section adds rich brass textures: Alex Wasily on trombone layers in deep, funky tones that amplify the group's P-Funk-inspired sound; Ashlin Parker on trumpet brings melodic flair and enhances the horn-driven arrangements; and John Michael Bradford on trumpet contributes to the cohesive ensemble brass, bolstering live dynamics since 2021.[11][41] Vocal support comes from Viveca Hawkins, who joined in 2024 to deliver backing harmonies that enrich the band's vocal interplay but suffered a severe stroke in January 2025 and is undergoing recovery as of 2025.[11][42][43] Ari Teitel, a 2024 addition on guitar and vocals, injects fresh live dynamics with his versatile playing and harmonies, expanding the band's onstage presence.[11][40]Former members
Nick Daniels III served as a founding member and co-bassist of Dumpstaphunk from its inception in 2003 until his death on April 26, 2024, at age 68 from complications of multiple myeloma.[25][44] Alongside Tony Hall, Daniels pioneered the band's signature dual-bass attack, blending gritty, interlocking grooves that defined Dumpstaphunk's heavy funk sound and drew from New Orleans R&B traditions.[45][46] His departure profoundly impacted the group, prompting a public memorial on April 30, 2024, outside Tipitina's in New Orleans, a full tribute concert on August 22, 2024, at the same venue featuring guest musicians, and ongoing reflections into 2025 that emphasized the band's reliance on Hall to anchor the bass foundation.[27][47][48] The band's original drummer, Raymond Weber, performed with Dumpstaphunk from 2003 to 2011, providing a steady, propulsive rhythm during the group's formative years as Ivan Neville's side project evolved into a full-time ensemble.[49] His tenure helped solidify the core lineup's chemistry before he parted ways amicably after seven years to pursue other opportunities.[49] Subsequent drummers included Nikki Glaspie, who joined in 2011 and contributed energetic, jazz-infused beats until 2014, when she left to focus on her project The Nth Power.[50] Alvin Ford Jr. followed from 2014 to 2019, bringing diverse influences from his New Orleans roots and enhancing the band's live intensity before departing for solo endeavors.[50][51] Pre-2010, Dumpstaphunk occasionally featured short-term contributors, such as rotating horn players to augment live sets, though the core remained focused on the Neville cousins, Hall, Daniels, and Weber. These early additions influenced the band's expansive, collaborative sound, laying groundwork for later horn sections without fixed roles.[1]Discography
Studio albums
Dumpstaphunk's studio discography commenced with the EP Listen Hear, a self-released effort recorded at Neville Land Studios in New Orleans and issued on August 10, 2007.[52] This five-track debut showcased the band's raw funk grooves, marking their initial foray into studio recording as a cohesive unit led by Ivan Neville.[53] The band's first full-length studio album, Everybody Want Sum, followed on November 11, 2010, through Controlled Substance Soundlabs in a self-released capacity.[54] Produced amid the band's rising live reputation, it emphasized bass-driven tracks and served as a pivotal milestone in establishing their sound beyond live performances.[55] In 2013, Dirty Word was released on July 30 via Louisiana Red Hot Records, featuring collaborations with family members including Art Neville and George Porter Jr.[56] Ivan Neville handled production duties, blending funk, blues, and R&B elements in a New Orleans-centric recording process.[57] The group returned after an eight-year hiatus with Where Do We Go From Here on April 23, 2021, distributed by Mascot Label Group's The Funk Garage imprint.[58] Recorded at The Parlour, The Music Shed, and Esplanade Studios in New Orleans, the album included guest appearances by Trombone Shorty, Chali 2na, and Marcus King, and was offered in a limited double vinyl edition.[23][59]| Album Title | Release Date | Label | Key Notes |
|---|---|---|---|
| Listen Hear (EP) | August 10, 2007 | Dumpstaphunk (self-released) | Recorded at Neville Land Studios, New Orleans; debut studio EP. |
| Everybody Want Sum | November 11, 2010 | Controlled Substance Soundlabs | First full-length studio album; self-released. |
| Dirty Word | July 30, 2013 | Louisiana Red Hot Records | Family collaborations including Art Neville; produced by Ivan Neville. |
| Where Do We Go From Here | April 23, 2021 | Mascot Label Group / The Funk Garage | Guests Trombone Shorty and Chali 2na; recorded in New Orleans studios; double vinyl edition. |