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Dwayne Johnson

Dwayne Douglas Johnson (born May 2, 1972), known professionally as The Rock, is an American actor, film producer, businessman, and retired professional wrestler, widely regarded as one of the greatest professional wrestlers of all time, of Samoan and Black Canadian descent. Born in Hayward, California, to professional wrestler Rocky Johnson and Ata Johnson, whose family included wrestling promoter Peter Maivia, Johnson grew up immersed in the industry amid frequent relocations due to his father's career. After brief pursuits in football—including college play at the University of Miami and a stint in the Canadian Football League—he debuted in the World Wrestling Federation (WWF, later WWE) in 1996, quickly rising to prominence through his charismatic persona, athletic prowess, and signature catchphrases. In WWE, Johnson achieved 10 world championships, two Intercontinental titles, and multiple tag team reigns, cementing his status as a triple crown champion and Royal Rumble winner while headlining major events like WrestleMania. His in-ring success, bolstered by intense physical training regimens common to the era's wrestlers, propelled him to mainstream fame before transitioning to acting in the early 2000s, where he leveraged his imposing 6'5" frame and marketability into blockbuster roles. Johnson's film career exploded with action franchises like The Fast and the Furious and Jumanji, leading Forbes to rank him as the highest-paid actor in 2016, 2019, 2020, 2021, and 2024, with earnings of $88 million in the latter year from projects including Red One and backend deals. Parallel to Hollywood, he built a business empire encompassing the Teremana Tequila brand, Project Rock apparel with Under Armour, and co-ownership of the United Football League, contributing to an estimated net worth of $800 million as of 2025. While his ascent reflects disciplined self-promotion and crossover appeal, it has drawn scrutiny over past steroid admissions from his wrestling days and recent political flirtations, including a 2020 Biden endorsement and aborted presidential considerations, amid perceptions of shifting public stances.

Early Life

Family Background and Heritage

Dwayne Johnson was born on May 2, 1972, in Hayward, California, to professional wrestler Rocky Johnson and Ata Johnson. His father, born Wayde Douglas Bowles on August 24, 1944, in Amherst, Nova Scotia, was a Black Canadian wrestler of Nova Scotian heritage, descending from African Americans who migrated after the American Revolutionary War. Rocky Johnson broke barriers as the first Black NWA Georgia Heavyweight Champion and, alongside Tony Atlas, the first African American tag team to win the WWF World Tag Team Championship on November 10, 1983. Ata Johnson, born Feagaimaleata Fitisemanu in Samoa, carried Samoan heritage through her upbringing by wrestling promoter Peter Maivia, whom she regarded as her father after her mother Lia Maivia's marriage to him. Peter Maivia, a Samoan wrestler active from the 1960s to 1980s, promoted events and trained wrestlers, embedding the family in Polynesian wrestling traditions. This maternal line connected Johnson to the broader Anoa'i wrestling dynasty via cultural and adoptive ties, though not direct blood relation to its core members. Johnson's biracial Black and Samoan ancestry positioned him within the racial dynamics of 1970s America, where his father's pioneering role in wrestling highlighted barriers faced by Black athletes, while Samoan family expectations emphasized physical prowess and communal resilience. The pervasive involvement of both paternal and maternal relatives in professional wrestling offered early immersion in the industry from infancy, fostering familiarity with its rigors amid the economic precarity typical of itinerant performers.

Childhood Struggles and Relocation

Johnson's family faced chronic financial instability stemming from his father Rocky Johnson's sporadic earnings as a professional wrestler, leading to frequent evictions and periods of homelessness during his childhood and adolescence. The family, including Johnson's mother Ata, often relied on motels and even their car for shelter after being turned out of apartments, with Johnson later recounting stealing steaks from stores to eat amid these hardships. By his own account, they endured multiple evictions before he turned 17, culminating in a notable instance at age 14 when they were forced from their Hawaii residence for unpaid rent, prompting a relocation away from the state. These socioeconomic pressures were compounded by constant relocations across the United States, driven by Rocky's itinerant wrestling schedule, which took the family from Johnson's birthplace in Hayward, California, to various locales including Hawaii during his early teens. Following the Hawaii eviction around 1986, they moved to the mainland, eventually settling in Pennsylvania where Johnson attended high school, though further instability persisted, such as an episode in Nashville at age 15 involving another eviction and his mother's suicide attempt. Exposure to such precarious living fostered early brushes with petty crime; Johnson admitted to participating in a theft ring in Hawaii and being arrested eight or nine times by age 17 for offenses including theft, check fraud, and fighting. Amid these challenges, Rocky's influence introduced wrestling as both a survival mechanism and source of familial tension, with training beginning as early as age six through basic mat work and progressing into rigorous, tough-love sessions that emphasized discipline over leniency. This paternal regimen, while providing structure and skills amid poverty, strained family dynamics due to Rocky's strict demeanor and the underlying pressures of their nomadic, income-volatile lifestyle, yet it arguably cultivated Johnson's resilience without romanticizing the era's deprivations.

Education and Initial Ambitions

Johnson attended Freedom High School in Bethlehem Township, Pennsylvania, graduating in 1990 after transferring there as a senior. Throughout high school, including prior schools in multiple states, he encountered frequent disciplinary issues and prioritized athletic participation in football, wrestling, and track over academic performance. Johnson received a full athletic scholarship to the University of Miami, enrolling in 1991 to play defensive tackle for the Hurricanes football team. As a member of the 1991 squad, which finished undefeated and claimed the AP Poll national championship (later vacated by the NCAA due to unrelated violations), he contributed amid a roster featuring future NFL talents like Ray Lewis. Academically, he majored in criminology and physiology toward a Bachelor of General Studies, but his early college experience reflected a subordination of studies to athletics; depressed after initial setbacks, he briefly quit during his freshman semester, earning a 0.7 GPA before recommitting and later serving as academic captain. Graduating in 1995, Johnson's post-collegiate ambitions centered on launching a professional football career, reflecting a persistent athletic focus undiminished by his uneven academic record, which he treated as ancillary to physical prowess and competitive drive. This orientation propelled him toward professional tryouts, bypassing deeper academic or alternative pursuits.

Athletic Pursuits

High School and College Football

Dwayne Johnson played football for two years at Freedom High School in Bethlehem Township, Pennsylvania, primarily as a defensive tackle. After moving to the area at age 15 and initially facing personal challenges, including arrests for minor offenses, Johnson credited head football coach Jody Cwik with instilling discipline and a positive work ethic through mentorship and team involvement. His high school performance, despite limited experience, attracted attention from major college programs and secured a full athletic scholarship to the University of Miami. Johnson enrolled at the University of Miami in 1991 and played defensive tackle for the Hurricanes through 1994, standing 6 feet 5 inches tall and weighing between 253 and 274 pounds. Over four seasons, he appeared in 39 games with only one start, limited by intense competition on the defensive line featuring future NFL Hall of Famers like Warren Sapp and Ray Lewis, as well as injuries that hampered his development. As a freshman in 1991, he contributed to the team's national championship squad under coach Dennis Erickson, though primarily in a reserve role. Career statistics reflect his backup status: 77 total tackles and 4.5 sacks. Johnson's physical conditioning emphasized weight training, culminating in a reported bench press maximum of 450 pounds by the end of his college tenure, corroborated by observations from teammate Leon Searcy, an NFL offensive tackle. This strength base, developed amid the rigors of Miami's program, underscored his athletic potential despite not securing a starting position.

Professional Football Attempts and Setbacks

Following his graduation from the University of Miami in 1995, Johnson went undrafted in the NFL Draft, reflecting his marginal college production of 77 tackles and 4.25 sacks across 39 appearances with just one start as a defensive tackle. Unable to secure an NFL roster spot despite tryouts with multiple teams, he signed as an undrafted free agent with the Calgary Stampeders of the Canadian Football League (CFL), a common pathway for overlooked American prospects seeking professional experience. Johnson joined the Stampeders' practice roster in May 1995, earning approximately $200 per week Canadian while living in modest conditions in Calgary. He appeared in preseason games but struggled with recurring injuries—exacerbated by prior college ailments—and failed to demonstrate the consistent impact needed for a regular roster position amid stiff competition from established players. These factors, rather than transient misfortune, underscored a causal mismatch between his physical tools and the demands of professional-level play, where depth and durability are paramount. Head coach Wally Buono released him after roughly two months, in July 1995, effectively ending his CFL tenure without regular-season appearances. The release left Johnson in dire financial straits, with only $7 remaining in his pocket after expenses, exposing the precarious economics of fringe professional athletics without diversified skills or fallback plans. Subsequent NFL overtures yielded no contracts, as his injury history and unproven production deterred teams prioritizing reliable contributors over potential. This sequence of rejections illustrated the league's unforgiving meritocracy, where perseverance alone cannot compensate for deficits in explosiveness, technique, or health that limited his transition from college backup to pro viability.

Professional Wrestling Career

Debut and Early Matches

Johnson trained for a professional wrestling career under the guidance of his father, Rocky Johnson, leveraging the family's established connections in the industry to secure initial opportunities. In 1996, he made his professional debut in the United States Wrestling Association (USWA) under the ring name Flex Kavana, with his first televised match airing on May 25, 1996. That summer, Johnson signed a developmental contract with the World Wrestling Federation (WWF), receiving further training from Tom Prichard alongside wrestlers like Mark Henry. He debuted under the ring name Rocky Maivia—a portmanteau of his father's (Rocky Johnson) and grandfather's (Peter Maivia) names—appearing on television for the first time on the November 4, 1996, episode of Monday Night Raw as part of Marc Mero's entourage. His official in-ring debut occurred at Survivor Series on November 17, 1996, at Madison Square Garden, where he served as the sole survivor for his team in an eight-man elimination match against Razor Ramon II, Goldust, and Crush. Billed at 6 feet 5 inches tall and approximately 260 pounds, Johnson's physical presence derived from his prior collegiate football conditioning, enhanced by targeted strength and wrestling-specific regimen to adapt to the demands of the ring. Early booking emphasized his athletic potential with quick victories in house shows and preliminary bouts, but the "blue chipper" babyface persona—characterized by a wholesome, smiling demeanor—drew fan derision, with audiences chanting "Die, Rocky, die" despite the scripted successes, highlighting a disconnect between promotion and crowd sentiment.

WWF/E Rise to Prominence


Dwayne Johnson entered the World Wrestling Federation (WWF) as Rocky Maivia at Survivor Series on November 17, 1996, initially positioned as a clean-cut babyface drawing from his family wrestling heritage. His early push included capturing the Intercontinental Championship on February 13, 1997, by defeating Hunter Hearst Helmsley on Monday Night Raw, marking a 74-day reign ended by The Sultan on April 28, 1997. Fan reception soured amid the Attitude Era's shift toward edgier characters, prompting booking changes that accelerated his transformation.
Johnson's ascent capitalized on WWF's competitive landscape post-Montreal Screwjob, with creative decisions emphasizing his physicality and emerging charisma over prolonged undercard stasis. By mid-1997, persistent "Die, Rocky, Die" chants signaled the need for reinvention, leading to heel alignment that unlocked his verbal prowess. This opportunistic pivot, amid Vince McMahon's survival-driven booking against WCW, elevated him from midcard contender to cornerstone talent by 1998.

Intercontinental and Tag Team Achievements

Johnson secured his second Intercontinental Championship on December 8, 1997, in Portland, Maine, defeating Stone Cold Steve Austin via forfeit after Austin handed him the belt amid a storyline injury, initiating a record 265-day reign defended against challengers like Ken Shamrock and Triple H until vacating it on August 30, 1998, due to injury. This extended hold solidified his credibility as a singles competitor during WWF's ratings surge. In tag team pursuits, he partnered with Mankind to win the WWF Tag Team Championship on October 14, 1999, by defeating The New Age Outlaws on SmackDown, a brief but high-profile run amid their Rock 'n' Sock Connection that boosted his versatility before main event focus intensified.

Faction Involvement and Character Evolution

On August 11, 1997, episode of Raw, Johnson joined the Nation of Domination stable led by Faarooq, marking his heel turn and departure from the smiling Rocky Maivia persona amid fan rejection of his initial goody-two-shoes alignment. This faction integration provided a platform for edgier promos, evolving into the cocky "The Rock" moniker by late 1997, with a pivotal betrayal at Survivor Series on November 9, 1997, where he eliminated team partners to side fully with the Nation, honing his trash-talking style that became central to WWF storytelling. His microphone development, blending bravado with catchphrases like "If you smell what The Rock is cooking," transformed booking opportunities into cultural phenomena, distinguishing him from stablemates through rapid character refinement.

Main Event Status and Championship Reigns

Johnson achieved main event breakthrough by winning his first WWF Championship on November 15, 1998, at Survivor Series, defeating Mankind in a brutal match involving steel cage falls and thumbtack stipulations, ending Mankind's brief reign. This victory, at age 26, positioned him as the first African-American world champion in WWF history, with defenses against Mankind, The Corporation foes, and building to iconic clashes with Stone Cold Steve Austin at WrestleMania XV on March 28, 1999. By 2002, he amassed eight world title reigns through strategic feuds, including multiple against Austin and later Kurt Angle, leveraging WWF's post-WCW acquisition momentum for sustained top billing.

Intercontinental and Tag Team Achievements

Johnson, performing under the ring name Rocky Maivia, captured his first WWF Intercontinental Championship on February 13, 1997, defeating Hunter Hearst Helmsley via a small package roll-up during a special Thursday edition of Raw Is War. He defended the title successfully against Helmsley at In Your House: Revenge of the 'Taker on April 20 before dropping it to The Sultan on the April 28 episode of Raw Is War, ending a 74-day reign. Johnson secured a second Intercontinental Championship as The Rock in 1998, holding the title into SummerSlam where he lost it to Triple H in a ladder match on August 30. This reign highlighted his transition to a more aggressive heel persona within the Nation of Domination stable, though it was shorter than his initial title hold. In tag team competition, Johnson formed the Rock 'n' Sock Connection with Mankind (Mick Foley) in mid-1999, capturing the WWF Tag Team Championship three times that year through short but high-profile reigns amid the promotion's Attitude Era storylines. Their first victory came on the August 30 episode of Raw Is War, defeating The Undertaker and Big Show after Johnson intervened to aid Foley against Corporate Ministry interference. The duo regained the titles on September 20 in a "Dark Side Rules" match against Big Show, Mideon, and Viscera, reflecting the chaotic, multi-man defenses typical of the era. A third win occurred on the October 14 episode of SmackDown against the New Age Outlaws (Road Dogg and Billy Gunn), though they lost the belts days later to the same team. These reigns, totaling brief but impactful periods, elevated Johnson's versatility beyond singles competition while capitalizing on Foley's hardcore appeal. Johnson later added two more tag team reigns, including one with Chris Jericho in October 2001, contributing to his overall five-time status.

Faction Involvement and Character Evolution

Johnson debuted in the WWF as Rocky Maivia on November 17, 1996, at Survivor Series, portraying a clean-cut, smiling babyface character modeled after his father Rocky Johnson and grandfather Peter Maivia, which emphasized positivity and athleticism but drew significant fan backlash, including chants of "Die Rocky Die" due to perceptions of inauthenticity in the shifting Attitude Era landscape. This negative reception prompted a heel turn on the August 11, 1997, episode of Monday Night Raw, where Maivia aligned with the Nation of Domination, a stable led by Faarooq that promoted black pride and militant opposition to establishment figures, alongside members D'Lo Brown and Kama (later The Godfather). His integration into the faction marked a shift to an edgier, arrogant persona, allowing him to engage in provocative promos and physical dominance that resonated with audiences seeking grit over wholesomeness. Within the Nation, Johnson's character began evolving from the generic Maivia archetype toward "The Rock," incorporating rapid-fire trash-talk, signature gestures like eyebrow raises, and catchphrases such as "If you smell what The Rock is cookin'," which he debuted gradually during faction segments in late 1997 and early 1998; this transformation was cemented by March 1998 when he introduced the "People's Elbow" finisher, blending athletic flair with self-aggrandizing bravado that foreshadowed his breakout as a solo heel. The faction's internal dynamics, including Johnson's rising mic skills overshadowing leader Faarooq, contributed to its 1998 dissolution amid power struggles, enabling The Rock's independent ascent; this period solidified his evolution into a versatile performer capable of heel heat through cocky entitlement, setting the stage for broader WWF prominence without reliance on group affiliation.

Main Event Status and Championship Reigns

Johnson transitioned to main event status in late 1998 following his heel turn and alliance with The Corporation, which positioned him as a top contender in WWF's premier storylines. His breakthrough came at Survivor Series on November 15, 1998, where he won the vacant WWF Championship by defeating Mankind in the tournament final, marking his first world title and elevating him to the company's highest level. This 44-day reign ended on December 29, 1998, when Mankind defeated him on Raw Is War. The title victory launched Johnson into iconic rivalries with figures like Stone Cold Steve Austin and Mankind, cementing his role in WWF's Attitude Era main events. He headlined WrestleMania XV on March 28, 1999, defending the WWF Championship against Austin in a no disqualification match, though he was defeated. Johnson's charisma, promos, and in-ring performances during these feuds contributed to his status as a draw, with multiple pay-per-view main events solidifying his prominence. During his rise, Johnson captured the WWF Championship four more times between 1999 and 2000, often in high-stakes matches against established champions. His second reign began at Backlash on May 23, 1999, defeating Big Show, lasting 36 days until a loss to The Undertaker at King of the Ring on June 28, 1999. The third followed at Survivor Series on November 14, 1999, again over Big Show, ending after 28 days in a triple threat loss to Big Show at Armageddon on December 12, 1999. His fourth reign was secured at WrestleMania 2000 on April 2, 2000, pinning Big Show in a fatal four-way with Triple H and Mick Foley, holding the title for 28 days before Triple H defeated him at Backlash on April 30, 2000. The fifth and longest early reign started at Judgment Day on May 21, 2000, defeating Triple H in a Last Man Standing match, enduring 98 days until Kurt Angle pinned him in a triple threat with Triple H at SummerSlam on August 27, 2000.
ReignWonEventDefeatedLength (days)
1November 15, 1998Survivor SeriesMankind (tournament)44
2May 23, 1999BacklashBig Show36
3November 14, 1999Survivor SeriesBig Show28
4April 2, 2000WrestleMania 2000Big Show (4-way)28
5May 21, 2000Judgment DayTriple H98
These reigns, characterized by frequent defenses and crossovers with other top talents, underscored Johnson's rapid elevation and contribution to WWF's competitive main event landscape.

Peak Popularity and Hollywood Transition

Dwayne Johnson's tenure as the "People's Champion" achieved its zenith from 2000 to 2002, marked by headlining WrestleMania XVI through X-9, where his matches drove significant pay-per-view buy rates and live event attendance during the Attitude Era's peak. His prominence contributed to WWF's annual merchandise sales reaching approximately $120 million in the early 2000s, with estimates suggesting Johnson personally generated around $10 million in sales during 2000 alone through items like T-shirts and action figures. This period solidified his status as one of WWE's top draws, rivaling Steve Austin in fan engagement and revenue generation. By 2003, Johnson adopted the "Hollywood Rock" heel persona, reflecting his growing film commitments, and transitioned to a part-time wrestling schedule while feuding with icons like Hulk Hogan at No Way Out and Steve Austin at WrestleMania XIX. These appearances maintained high visibility but signaled his shift away from full-time in-ring work. In early 2004, he made a notable return to support Mick Foley against Evolution, including participation in a handicap match setup, which served as his final significant wrestling involvement before fully departing WWE. The causal driver for this transition was financial pragmatism: acting roles offered substantially higher upfront pay with lower physical risks compared to wrestling's demanding schedule and injury potential. For instance, Johnson earned $12.5 million for the 2003 film The Rundown, exceeding typical top-tier WWE salaries augmented by merchandise shares. This move, while eliciting fan criticism for "selling out" amid WWE's reliance on his draw, prioritized long-term career sustainability over continued ring exposure.

Sporadic Returns and Modern Feuds

Johnson returned to WWE programming on the February 14, 2011, episode of Raw, marking his first appearance in seven years and positioning him as the host of WrestleMania XXVII. This led to a high-profile feud with John Cena, culminating in main event matches at WrestleMania XXVIII on April 1, 2012, where Cena defeated Johnson, and WrestleMania XXIX on April 7, 2013, where Cena again prevailed to capture the WWE Championship after Johnson had won the title from CM Punk at Royal Rumble 2013. The WrestleMania XXVIII event achieved a record 1.253 million pay-per-view buys, surpassing the previous high of 1.25 million from WrestleMania 23, largely attributed to the star power of the matchup. Johnson's part-time schedule during this period prioritized his acting commitments, limiting him to select high-profile engagements rather than full-time competition. From 2014 to 2023, Johnson's WWE involvement remained sporadic, featuring brief appearances such as the opening segment at WrestleMania XXX on April 6, 2014, alongside Hulk Hogan and Stone Cold Steve Austin, and a confrontation on the October 6, 2014, Raw. He wrestled Brock Lesnar to a no-contest at SummerSlam on August 21, 2016, following interference, and made non-competitive returns like his appearance for the SmackDown 20th anniversary on October 4, 2019. Angles such as a 2020 eye injury storyline tied to a heel turn against The Miz were short-lived, emphasizing Johnson's selective participation amid his Hollywood focus. These returns often drew strong audience interest but highlighted critiques of ring rust and inconsistent physical conditioning due to infrequent in-ring activity. In 2024, Johnson returned as a heel dubbed the "Final Boss," inserting himself into the WrestleMania XL storyline by slapping Cody Rhodes on the February 2 SmackDown, aligning with Roman Reigns' Bloodline faction. This culminated in a tag team main event on Night 1 of WrestleMania XL on April 6, where Johnson and Reigns defeated Rhodes and Seth Rollins, securing a Bloodline Rules stipulation for Rhodes' title match against Reigns the following night. Fan reactions were divided, with excitement over the star power contrasted by backlash against derailing Rhodes' organic storyline and perceptions of Johnson's creative influence prioritizing personal branding over narrative coherence. Performance critiques noted visible ring rust and slower pacing, attributed to his acting-prioritized schedule limiting full-time commitment. By October 2025, Johnson had not competed further in WWE following WrestleMania XL, with a silent appearance at Bad Blood on October 5, 2024, teasing potential involvement in the Reigns-Rhodes feud. Injuries sustained outside wrestling, including an elbow tear in June 2024 and a concussion in September 2025 during filming of The Smashing Machine, delayed any immediate returns, underscoring fan concerns over his divided focus between entertainment ventures and in-ring reliability.

Acting Career

Initial Film Appearances

Johnson's entry into film acting occurred in 2001, when he portrayed the ancient warrior Mathayus, known as the Scorpion King, in a brief but physically demanding supporting role in The Mummy Returns, directed by Stephen Sommers. This appearance, lasting approximately five minutes, capitalized on his wrestling persona and muscular build, serving as a bridge from sports entertainment to cinema without requiring extensive dialogue. The role earned him $5.5 million, reflecting studios' initial wager on his marketability as a action-oriented newcomer. The performance prompted Universal Pictures to expand the character into a prequel spin-off, The Scorpion King (2002), Johnson's first leading role under director Chuck Russell. With a $60 million production budget, the film grossed $91 million domestically and approximately $156 million worldwide, achieving commercial viability through international appeal and Johnson's draw as a sword-and-sorcery hero. However, it faced critical disapproval for formulaic plotting and uneven effects, earning a 40% approval rating on Rotten Tomatoes from 134 reviews and a 5.5/10 average on IMDb from over 150,000 users. Subsequent projects reinforced typecasting in high-testosterone action vehicles, such as The Rundown (2003), a jungle adventure with comedic elements, and Walking Tall (2004), a vigilante remake emphasizing physical confrontations. These roles, often budgeted between $50-80 million and grossing modestly, positioned Johnson as a reliable draw for mid-tier action fare, with per-film earnings rising to the $5-10 million range amid wrestling-adjacent bravado. Efforts to diversify included WWE Studios productions like The Condemned (2007), a survival thriller he starred in and executive produced, alongside inspirational dramas such as Gridiron Gang (2006), where he depicted real-life probation officer Sean Porter assembling a juvenile detention football team to instill discipline. A 2007 guest spot as himself on the Disney series Hannah Montana in the episode "Don't Stop 'Til You Get the Phone" provided lighter exposure to family audiences, blending humor with his celebrity status. By 2010, films like Tooth Fairy and Faster continued the pattern of leveraging his imposing physique for genre roles, gradually building audience familiarity ahead of broader leading-man opportunities.

Transition to Leading Roles

Johnson's portrayal of DSS agent Luke Hobbs in Fast Five (2011) represented a pivotal shift toward prominent leading antagonist and hero roles, revitalizing the Fast & Furious franchise and grossing $626 million worldwide against a $125 million budget. This performance, emphasizing physicality and authoritative presence, expanded his appeal beyond supporting parts in films like The Other Guys (2010), positioning him as a bankable action draw capable of anchoring ensemble casts. Building on this momentum, Johnson assumed his first solo leading role in Journey 2: The Mysterious Island (2012), playing stepfather Hank Parsons in a family-oriented adventure that earned $335 million globally on a $79 million budget, underscoring audience preference for his relatable, high-energy persona over nuanced dramatic range. He followed with Snitch (2013), a self-financed vehicle where he starred as a father infiltrating drug rings to free his son, further demonstrating his capacity to lead mid-budget thrillers despite mixed critical reception focused on formulaic intensity rather than acting subtlety. In G.I. Joe: Retaliation (2013), Johnson took on the muscle-bound Roadblock in a supporting yet charismatic capacity within the ensemble, contributing to the film's $376 million worldwide haul and highlighting his everyman heroism in PG-13 spectacles tailored to broad demographics. These successes, driven by empirical box office metrics rather than critical acclaim for depth, elevated his per-film earnings to $20 million and above by the mid-2010s, reflecting studios' prioritization of his proven revenue generation over ideological casting trends.

Blockbuster Era and Commercial Dominance

Johnson's transition into leading action and family-oriented blockbusters from 2011 onward solidified his status as a commercial powerhouse, with films leveraging high-concept premises and his physical presence driving substantial global earnings. Key successes included the Jumanji reboots, where Jumanji: Welcome to the Jungle (2017) grossed $962 million worldwide against a $95 million budget, propelled by strong international performance in markets like China and Europe. Its sequel, Jumanji: The Next Level (2019), added $800 million globally, yielding a franchise combined total exceeding $1.76 billion and demonstrating sustained appeal through ensemble dynamics and video game-themed adventures. Similarly, the Fast & Furious spin-off Hobbs & Shaw (2019) earned $761 million worldwide, capitalizing on the franchise's established action formula and Johnson's pairing with Jason Statham. By 2020, Johnson had appeared in at least two films surpassing $1 billion worldwide—Furious 7 (2015, $1.52 billion) and The Fate of the Furious (2017, $1.24 billion)—with additional entries like the Jumanji series pushing his cumulative box office involvement toward $10 billion across lead roles. His earning power peaked during this period, as Forbes ranked him the highest-paid actor in 2016 ($64.5 million pretax) and again in 2019 ($89.4 million), reflecting backend deals, endorsements, and production incentives averaging high eight figures annually. This dominance stemmed from Johnson's wrestling-honed brand of charisma and reliability, which translated to broad audience synergy, particularly among male demographics familiar with his WWE persona, fostering loyalty in action genres. International markets amplified returns, with Fast & Furious installments drawing massive hauls from China—where Furious 7 alone exceeded $300 million—and other Asia-Pacific regions, accounting for over 60% of many films' totals due to localized marketing emphasizing spectacle over narrative depth. Such factors underscored a model reliant on franchises rather than standalone vehicles, ensuring predictable profitability amid Hollywood's risk-averse landscape.

Critical Reception and Box Office Fluctuations

Johnson's performances have garnered mixed critical reception, with praise centered on his physical charisma and appeal in action and comedy roles, where his imposing presence and high-energy delivery often compensate for script weaknesses. However, detractors frequently highlight limitations in dramatic depth, describing his line delivery as wooden and overly reliant on his wrestler persona rather than versatile acting technique. This has contributed to an average Metacritic score of 51 across major roles, reflecting inconsistent quality in non-formulaic projects. Box office performance peaked in the 2010s with reliable action hits but showed marked fluctuations from 2021 onward, exacerbated by audience fatigue from overexposure, production delays tied to the COVID-19 pandemic, and shifting market preferences away from star-driven spectacles. Black Adam (2022) earned $393 million worldwide against a production budget exceeding $190 million plus marketing costs, resulting in estimated studio losses of $50-100 million due to underwhelming legs (2.51 multiplier) and failure to launch a franchise. Red One (2024), a $250 million holiday action-comedy, opened to a disappointing $32 million domestically—below projections—and struggled to sustain momentum amid competition and lukewarm word-of-mouth. The Smashing Machine (2025), portraying MMA fighter Mark Kerr, marked a physical transformation with Johnson shedding substantial weight for authenticity, earning a 15-minute standing ovation at its Venice Film Festival premiere on September 1, 2025, where he visibly wept amid audience cheers. Critics aggregated a 76% Rotten Tomatoes score, lauding the commitment to the role's grit but expressing skepticism over whether it fully overcomes prior constraints in emotional range. Despite this, it opened to just $6 million domestically on October 3, 2025—Johnson's career-worst debut—prompting him to acknowledge that box office outcomes cannot be controlled, prioritizing personal artistic fulfillment over commercial metrics.

Recent Transformations and Projects

In 2025, Dwayne Johnson portrayed mixed martial arts fighter Mark Kerr in The Smashing Machine, a biopic directed by Benny Safdie and distributed by A24, which delves into Kerr's UFC successes alongside his battles with opioid addiction and personal decline. To embody the 6-foot-3, 260-pound Kerr, Johnson gained over 30 pounds of muscle via targeted training regimens distinct from his prior action-hero preparations, incorporating prosthetics and method acting elements for authenticity. The film garnered festival attention at events like TIFF and Venice, earning a 70% approval rating on Rotten Tomatoes for its gritty avoidance of clichés, marking Johnson's pivot toward prestige dramatic roles amid prior blockbuster inconsistencies. Post-production, Johnson initiated a deliberate slimming phase, reducing bulk from his Smashing Machine physique to adapt for diverse character demands, a move he described as fulfilling a personal hunger for evolution beyond muscle-bound archetypes. This physical recalibration aligns with strategic diversification, evidenced by his October 2025 attachment to Lizard Music, reteaming with Safdie for United Artists in a surreal adaptation of the novel about a boy uncovering late-night broadcasts of lizards performing music, with Johnson cast as the eccentric "Chicken Man." These shifts reflect an empirical response to typecasting risks, favoring indie-caliber narratives over nostalgic wrestling revivals or formulaic franchises, as Johnson transitions from commercial dominance to roles prioritizing actorly credibility and thematic depth. While WWE appearances remain sporadic without confirmed 2025 integrations beyond speculation, Johnson's focus prioritizes filmic reinvention to sustain longevity.

Producing and Media Production

Seven Bucks Productions Overview

Seven Bucks Productions was co-founded in 2012 by Dwayne Johnson and Dany Garcia, Johnson's ex-wife and business partner, as a multi-platform entity dedicated to developing original content for film, television, and digital distribution. The company emphasizes projects rooted in themes of athleticism, perseverance, and real-life narratives, often drawing from Johnson's WWE background to produce biopics and sports dramas that prioritize narrative authenticity over conventional Hollywood formulas. This approach stems from a deliberate strategy to secure intellectual property rights and creative oversight, enabling the founders to self-finance select initiatives through personal capital and targeted partnerships rather than relying solely on studio advances, which mitigates external interference but exposes the venture to direct financial variance. Key outputs include the HBO series Ballers (2015–2019), a drama exploring professional football's business underbelly that achieved critical and commercial viability over five seasons, and the 2019 film Fighting with My Family, a biopic of WWE wrestler Paige that grossed approximately $41.5 million worldwide on a modest budget through collaborations with WWE Studios and Film4. Partnerships have expanded reach, such as the NBC autobiographical comedy Young Rock (2021–2023) via Universal Television and Netflix developments like the announced Ball and Chain project, underscoring a hybrid model blending Johnson's personal brand with streamer deals for broader monetization. Johnson's celebrity facilitates rapid greenlighting and distribution leverage, as evidenced by high-profile deals including a 2025 first-look agreement with Disney for theatrical and streaming films, yet this fame-dependent dynamic reveals a hit-or-miss ratio vulnerable to overextension. For instance, the DC Extended Universe entry Black Adam (2022), produced under Seven Bucks, incurred substantial production costs exceeding $190 million before marketing and faced box office shortfalls relative to projections, culminating in canceled sequel plans due to Warner Bros. leadership shifts and strategic pivots away from Johnson's vision for franchise expansion. Such outcomes highlight how reliance on star-driven IP control can amplify successes in niche athlete stories but amplify risks in blockbuster pursuits where external studio dynamics override internal autonomy.

Key Projects and Collaborations

Seven Bucks Productions, co-founded by Dwayne Johnson and Dany Garcia in 2012, has emphasized projects allowing Johnson creative input on storytelling and character development, often tied to his starring roles but with production oversight driving narrative choices. A notable example is the 2021 Disney adventure film Jungle Cruise, where Johnson served as a producer alongside Garcia and Hiram Garcia, contributing to script refinements for humor and action sequences; the film grossed $220.9 million worldwide amid COVID-19 restrictions, recovering costs on a $200 million budget through hybrid theatrical-streaming release. Post-divorce in 2008, Johnson and Garcia have sustained an amicable business alliance, channeling their partnership into Seven Bucks' expansion across film and television, with Garcia handling operational strategy while Johnson asserts influence on talent selection and thematic authenticity. This collaboration extended to securing multi-year first-look deals, such as the 2024 agreement with Disney for theatrical and streaming content featuring Johnson-led vehicles, and a 2025 pact with 20th Television for scripted series development. In 2025, Seven Bucks spearheaded The Smashing Machine, a biographical drama on UFC fighter Mark Kerr directed by Benny Safdie, with Johnson as producer acquiring rights years prior to ensure fidelity to Kerr's athletic struggles and addiction battles; produced for a net $50 million after incentives, it prioritized gritty realism over commercial gloss but underperformed at the box office with limited domestic earnings. These efforts underscore Seven Bucks' model of leveraging Johnson's persona for athlete-centric narratives, quantifying success through backend participation and IP control rather than upfront fees alone.

Business Model and Industry Impact

Seven Bucks Productions, co-founded by Dwayne Johnson and Dany Garcia in 2012, operates on a model that integrates Johnson's star power with backend profit participations, allowing the company to capture significant shares of revenue from films where he stars and produces. This approach enables vertical integration by controlling development, production, and distribution partnerships, such as multi-year first-look deals with Disney for theatrical and streaming content, which streamline project greenlighting while minimizing external studio dependencies. The company has generated over $4 billion in box office revenue from its projects, contributing to Johnson's career total exceeding $13 billion worldwide, by prioritizing commercially viable action and family-oriented films that leverage his persona for broad appeal. Diversification beyond feature films includes television series, documentaries like the NFL Draft-focused "Draft Day" series, and digital content through Seven Bucks Digital Studios, which produces YouTube programming and animated projects such as "RoboForce." This expansion mitigates reliance on theatrical releases by tapping into streaming and short-form media, fostering synergies with Johnson's endorsements and social media reach to amplify audience engagement and ancillary revenue streams. However, the model's emphasis on high-volume output—often formulaic blockbusters—has drawn critiques for trade-offs in creative quality, as vertical control prioritizes rapid iteration of proven tropes over innovative storytelling, potentially diluting artistic depth in favor of predictable profitability. In terms of industry impact, Seven Bucks has facilitated the mainstream integration of wrestlers and athletes into Hollywood narratives, producing content that bridges sports entertainment with cinema and elevating figures from WWE backgrounds through self-financed vehicles. This has influenced production economics by demonstrating how celebrity-led companies can achieve backend deals yielding substantial returns—Johnson reportedly earns upwards of $20 million per film plus profit shares—while challenging traditional studio gatekeeping. Yet, recent projects like "Red One" underscore risks of this integration, with reports of production delays inflating budgets to $250 million and highlighting how star-centric decision-making can compromise efficiency and output quality, prompting debates on whether such models prioritize short-term gains over sustainable innovation.

Business Ventures

Beverage Brands and Consumer Products

In 2020, Dwayne Johnson co-founded Teremana Tequila, an ultra-premium brand emphasizing hand-crafted production from agave sourced in Jalisco, Mexico. The brand debuted in March of that year and achieved sales of over 300,000 nine-liter cases within its first nine months, capitalizing on surging demand for premium spirits during pandemic-related lockdowns. By 2023, Teremana had surpassed one million nine-liter cases sold annually, marking it as the fastest-growing tequila brand in U.S. history and reaching this milestone in just three years—faster than most competitors in a crowded celebrity-endorsed market. Sales grew from 0.9 million cases in 2022 to one million in 2023, a 17.7% increase, driven by affordable pricing starting at around $21 per bottle and a focus on quality over hype. The brand's valuation reached $3.5 billion by late 2024, reflecting sustained consumer demand amid a tequila boom characterized by diverse price points and expanded availability. Teremana's growth contrasted with numerous celebrity tequila ventures that faltered due to perceived inauthenticity or inadequate product differentiation, such as brands tied to figures like Kendall Jenner or Nick Jonas, which struggled with underage audience misalignment or lack of ongoing promotion. Johnson's involvement—rooted in his emphasis on taste, affordability, and personal oversight of production—fostered bootstrapped expansion without heavy reliance on fleeting star power, though the category's rapid proliferation posed risks of market saturation and overreliance on agave supply chains. By 2025, Teremana announced expansions into multiple international markets, including Europe and Asia, alongside U.S. distillery upgrades to sustain hand-crafted standards amid rising global demand. In 2021, Johnson launched ZOA Energy, a zero-sugar energy drink line co-founded with business partner Dany Garcia, trainer Dave Rienzi, and investor John Shulman, positioning it as a "better-for-you" option with natural caffeine, superfoods, B and C vitamins, and electrolytes for post-workout recovery. The product hit retail shelves in March 2021 through a partnership with Molson Coors Beverage Company, which handled distribution and later acquired a majority stake in November 2024 to accelerate national rollout. ZOA's branding leveraged Johnson's wrestler-honed ethos of resilience and health, targeting consumers seeking functional beverages over traditional high-sugar alternatives, though specific sales data remains proprietary amid competitive energy drink dynamics. Beyond beverages, Johnson entered consumer products with Papatui, a men's grooming line launched in March 2024, featuring oil-free formulations like matte-finish moisturizers tailored for active lifestyles. This venture extended his personal brand into daily essentials, emphasizing practical efficacy over luxury marketing, though it operates on a smaller scale compared to his beverage successes. Overall, these initiatives highlight Johnson's strategy of aligning products with his authentic image of discipline and performance, yielding outsized results in saturated markets where many celebrity-backed efforts fail from mismatched authenticity or insufficient follow-through.

Sports and Entertainment Investments

In August 2020, Dwayne Johnson, along with business partner Dany Garcia and RedBird Capital Partners, acquired the assets of the bankrupt XFL professional football league for approximately $15 million. The purchase occurred shortly before a planned bankruptcy auction, reflecting Johnson's personal interest in football stemming from his college career at the University of Miami and brief professional stint in the Canadian Football League. Under the new ownership, the league secured a multiyear broadcasting agreement with ESPN and Disney networks in May 2022, covering all games from the 2023 relaunch through 2027. The 2023 season featured eight teams and innovative rules aimed at faster play, but faced financial losses amid modest viewership and operational challenges, including the prior suspension of the 2020 iteration due to the COVID-19 pandemic. Following the 2023 season, the XFL merged with the USFL in December 2023 to form the United Football League (UFL), with Johnson and Garcia retaining co-ownership alongside FOX Sports, which holds the other half. Johnson publicly unveiled the UFL, positioning it as a spring alternative to NFL football with combined talent pools and enhanced production. The merger addressed sustainability issues in secondary football leagues, though player compensation disputes emerged by 2025, with some athletes seeking Johnson's intervention. In entertainment, Johnson expanded through apparel via the Project Rock line, a collaboration with Under Armour launched in 2016 and featuring ongoing collections of training gear tested and endorsed by him. The partnership emphasizes performance-oriented products like shoes and clothing, marketed around themes of hard work and limit-pushing. Additionally, in January 2024, Johnson joined the board of directors of TKO Group Holdings, the parent company of WWE and UFC, receiving equity equivalent to a nine-figure payday and full ownership of the "The Rock" trademark previously held by WWE. This stake aligns with his WWE history while providing influence over combat sports and wrestling content distribution.

Failures and Lessons from Setbacks

Johnson's initial ventures outside wrestling and acting encountered significant hurdles. In 2016, he launched Athleticon, a fitness and wellness festival in Toronto intended to blend celebrity appearances, workouts, and motivational content, but it struggled with securing television partnerships and did not recur, reflecting limited audience draw and scalability issues relative to production costs. The 2020 acquisition of the XFL football league for $15 million, co-owned with Dany Garcia, faced immediate disruption when the inaugural season suspended after five weeks due to the COVID-19 pandemic, culminating in bankruptcy proceedings. The 2023 relaunch, while completing a full season, resulted in roughly $60 million in operating losses, prompting staff reductions and a merger with the USFL to consolidate resources amid subdued viewership and revenue shortfalls against expectations. Parallel challenges arose in Johnson's DC Extended Universe ambitions. His production and starring role in Black Adam (2022), budgeted at $190–260 million, grossed $393 million worldwide but failed to meet profitability thresholds after marketing expenses, derailing sequel development and a proposed confrontation with Superman that Johnson had aggressively pitched as central to the franchise's direction. This outcome stemmed from mismatched audience expectations, critical underperformance (39% Rotten Tomatoes score), and subsequent studio leadership shifts prioritizing reboots over Johnson's vision. These setbacks highlight causal factors like external shocks (e.g., pandemics) and overreliance on personal branding without sufficient market validation, yet Johnson has emphasized iterative adaptation. After his 1995 release from the Canadian Football League left him with $7 in pocket, he pivoted to World Wrestling Federation, leveraging physicality and charisma into a platform for broader diversification across entertainment, production (Seven Bucks), and consumer goods, amassing a net worth exceeding $800 million by spreading revenue streams beyond any single domain. Such shifts underscore that sustained outcomes derive from reallocating capital and skills post-failure, prioritizing multiple low-correlation bets over isolated high-stakes gambles.

Controversies and Criticisms

On-Set Professionalism Allegations

In April 2024, a report by The Wrap detailed allegations of chronic tardiness by Johnson during the production of the film Red One (2024), claiming he arrived 7 to 8 hours late to set on multiple occasions, forcing the crew to reshoot scenes or work around his absence and contributing to an estimated $50 million in additional costs that inflated the budget to over $250 million. Insiders cited in the article described the delays as demoralizing for the crew of over 100 members, who waited idly while production stalled, with one former production assistant noting Johnson was "regularly three to four hours late" across projects, exacerbating inefficiencies on star-centric sets where scheduling revolves around lead actors. The report also referenced unverified claims of Johnson urinating in bottles on set to avoid bathroom breaks, a practice allegedly observed but not confirmed at the time. Similar patterns of lateness have surfaced in prior projects, including the Fast & Furious franchise. During filming of The Fate of the Furious (2017), sources indicated Johnson's tardiness strained production dynamics, contributing to reported tensions with co-star Vin Diesel, as crew members waited extended periods amid a high-stakes schedule. These incidents align with broader critiques of power imbalances on films led by A-list stars, where individual delays can cascade into multimillion-dollar overruns due to idle labor, equipment rentals, and rescheduling, though such issues are not unique to Johnson and often stem from demanding personal regimens like his intensive training routines. Johnson addressed the Red One allegations in a November 2024 GQ profile, dismissing the 7-to-8-hour delay claims as exaggerated and "bulls---," while admitting he is sometimes late but emphasizing he never missed a full day of filming. He confirmed urinating in bottles as an occasional efficiency measure—"Yeah, that happens"—to minimize downtime amid his workload, framing it as a practical choice rather than disregard for protocol, though he rejected the scale of reported disruptions. Amazon MGM Studios, the film's distributor, rebutted the initial report as "false" and "ridiculous," with director Jake Kasdan defending Johnson as reliable despite occasional lateness, attributing it to Hollywood norms and praising his overall professionalism and generosity toward crew. Despite these defenses, the allegations highlight tangible crew frustrations, as prolonged waits reportedly eroded morale and extended shoots, underscoring the real economic and human costs of such behaviors in budget-constrained environments.

Political Statements and Public Backlash

In September 2020, Dwayne Johnson made his first prominent political endorsement by publicly supporting Joe Biden and Kamala Harris for president and vice president, respectively, in a video statement released via the Biden campaign. He cited their "compassion," "heart," and extensive public service records as reasons for his backing, framing it as a call for unity amid national divisions. This move, unusual for Johnson who had previously avoided partisan alignments, elicited immediate backlash from conservative audiences and fans, including social media campaigns urging boycotts of his films and WWE appearances, with critics labeling the endorsement as a shift toward "woke" Hollywood politics that alienated his broad, working-class appeal. By April 2024, Johnson expressed regret over the 2020 endorsement during a Fox News interview promoting his film Moana 2, stating it "tore our country in half" by fostering division rather than the intended unity, and affirming he would not repeat such public partisanship in the 2024 election cycle. He emphasized keeping future politics private to avoid further alienating segments of his audience, a stance he attributed to learning from the endorsement's unintended consequences on national discourse. This reversal drew sharp criticism from progressive outlets and commentators, who accused him of flip-flopping under pressure from right-leaning media and pandering by decrying "woke culture" and cancel culture in the same interview, portraying it as a betrayal of the unity he once championed with Biden. Johnson's 2024 election commentary further highlighted tensions, as he condemned violent rhetoric targeting Donald Trump during a September appearance at The Vault Conference in West Palm Beach, Florida, while recalling positive past interactions with Trump but stopping short of an endorsement despite repeated public queries. This measured non-partisanship frustrated some conservatives who sought explicit support amid Trump's campaign, viewing Johnson's reticence as evasive given his prior Biden alignment and celebrity influence. The pattern underscores a calculated retreat from endorsements, balancing the commercial risks of alienating half his fanbase against the perceived value of political signaling in an era of polarized media narratives.

Image Management and Authenticity Debates

Johnson has frequently invoked a narrative of overcoming extreme poverty in his early life, recounting instances of family evictions, sleeping on the street after a Honolulu motel stay in 1985, and entering professional wrestling in 1996 with only $7 in his pocket. These accounts, shared in interviews and motivational posts, portray a self-made ascent from hardship despite his father Rocky Johnson's established career as a professional wrestler earning mid-six-figure incomes at peaks in the 1970s and 1980s. Critics, including wrestling fans on platforms like Reddit, have questioned the narrative's realism, arguing it overlooks inherited industry connections and exaggerates destitution for inspirational branding, though no definitive evidence disproves the reported financial instability and relocations across 13 states. Public perception of Johnson's persona intensified in 2024 amid online discussions labeling elements of his image as manufactured, with Reddit threads and commentary highlighting perceived inconsistencies between his "authentic" everyman hustle and polished, focus-group-tested social media presence. Supporters view his evolution from WWE performer to Hollywood powerhouse as genuine entrepreneurial grit, crediting calculated self-promotion for grossing over $12 billion in films by emphasizing relatable toughness. Detractors, however, cite overhyping of projects as evidence of inauthenticity, such as his 2022 insistence that Black Adam would "change the hierarchy of power" in DC's universe—a commitment involving vetoing post-credits scenes to center his character—only for the film to underperform with $393 million worldwide against a $190 million production budget plus marketing, derailing broader DC plans. These debates escalated with recent box office setbacks, prompting fears of a status decline. In October 2025, The Smashing Machine opened to $6 million domestically—Johnson's lowest debut ever—despite a $50 million budget, leading outlets to question if his A-list dominance, once buoyed by consistent hits like Jumanji: Welcome to the Jungle ($962 million in 2017), is waning toward B-tier territory amid flops including Red One (2024) and earlier misfires like Tooth Fairy (2010). Johnson responded philosophically, stating "you can't control the box office," attributing success to factors beyond hype while acknowledging flops do not define legacy. Fans remain divided: some praise the resilience mirroring his branded ethos, while others decry it as evasive PR glossing over accountability for ambitious promises that falter, such as unfulfilled DC expansions pitched to executives as multi-year franchises. Empirically, Johnson's image management has driven commercial triumphs through persona consistency—leveraging wrestling charisma into a $800 million net worth by 2025—but invites scrutiny for selectively amplifying wins while minimizing risks, fostering authenticity debates that contrast his motivational rhetoric with project outcomes.

Philanthropy and Activism

Charitable Foundations and Donations

In 2006, Johnson established the Dwayne Johnson Rock Foundation, which supports programs for at-risk and terminally ill children, later expanding to include education and child obesity prevention initiatives. The foundation has facilitated grants of wishes and enrichment activities, with Johnson personally contributing millions of dollars to its efforts. Johnson has donated to the Make-A-Wish Foundation, including a $100,000 pledge in October 2022 following a public challenge, and has granted wishes to numerous children, often coordinating with WWE's longstanding partnership that has fulfilled over 250 wishes since the 1980s. In August 2023, he co-committed $10 million with Oprah Winfrey to seed the People's Fund of Maui, providing relief to wildfire survivors; the fund ultimately distributed $60 million to over 8,100 adults who lost homes in Lahaina and Kula, offering monthly stipends as a bridge to longer-term aid. These contributions align with tax-deductible philanthropy structures available to high earners, while also amplifying Johnson's public image through media coverage of grant events and fund launches, though outcomes like direct disbursements to thousands in Maui demonstrate tangible resource allocation amid disaster response.

Community and Health Initiatives

Johnson has openly shared his experiences with depression, including three major episodes: one following the end of his University of Miami football career in the early 1990s, when he faced unemployment and financial hardship; another after his 2007 divorce; and subsequent bouts tied to career pressures. These struggles, which he described as involving suicidal ideation in his family history but personal resilience through action, prompted him to advocate physical fitness as a primary tool for mental health management, emphasizing that "working out helps manage depression" by fostering discipline and endorphin release over passive rumination. Drawing from these experiences, Johnson launched the Rock Clock app in 2016 as part of Project Rock, a motivational tool integrated with Under Armour products to deliver wake-up calls with his voice, goal-setting reminders, and productivity prompts aimed at combating procrastination and building daily habits for mental toughness. He has shared structured workout routines via Project Rock videos and playlists, such as chest presses, pushups, and core exercises, stressing progressive overload and recovery to mirror his own path from depressive lows to sustained performance, while critiquing wellness trends that promise quick fixes without evidence of long-term adherence. The Dwayne Johnson Rock Foundation, established to aid at-risk youth, focuses on community-based fitness programs that teach nutrition basics and physical activity to enhance self-esteem and prevent obesity-related health issues, partnering with schools for hands-on sessions reaching thousands of children annually. In September 2025, Johnson announced a global fitness initiative offering free digital coaching apps, personalized exercise plans, and mental health modules, explicitly linking physical regimens to emotional regulation based on his recovery model of consistent effort yielding causal improvements in mood and resilience. His 2025 weight loss of approximately 20-30 pounds for the film The Smashing Machine, achieved via reduced caloric intake and targeted cardio after prior bulking phases, underscored advocacy for role-adaptive fitness over unattainable ideals, warning against industry hype that ignores physiological limits like metabolic adaptation and injury risk in perpetual high-volume training. Johnson positioned this as realistic scalability, encouraging followers to prioritize sustainable protocols grounded in personal experimentation rather than generalized extremes often promoted in fitness media.

Environmental and Social Causes

Johnson has expressed support for environmental preservation efforts tied to his Polynesian heritage, particularly emphasizing ocean resource protection in interviews promoting Moana 2 in 2024, where he described the ocean's importance to Samoan and broader Polynesian culture. The Moana franchise, in which he voiced the demigod Maui, has indirectly spurred educational initiatives on marine conservation alongside cultural awareness. In 2019, he joined Native Hawaiian protesters opposing the construction of the Thirty Meter Telescope on Mauna Kea, a sacred site, highlighting concerns over environmental and cultural disruption from development. Additionally, in May 2020, Johnson pledged to plant 20,000 trees as part of broader reforestation efforts, encouraging fan participation. On social issues, Johnson has publicly endorsed anti-domestic violence campaigns, drawing from personal family experiences with abuse. In November 2020, he responded emotionally to a message from a 5-year-old New Zealand-Samoan boy, Angelou Brown, who sent him a gift and plea to end violence against women, affirming the child's mission and sharing that it resonated due to his father's past struggles with anger and the need for men to heal to protect families. This support aligned with initiatives like White Ribbon's efforts to address gender-based violence, though his involvement appears episodic rather than through sustained organizational leadership. Critics have questioned the depth of Johnson's environmental commitments amid Hollywood's prevalent greenwashing, noting his frequent private jet use contributes to a high carbon footprint inconsistent with advocacy for conservation. While verifiable actions like the tree pledge and Mauna Kea participation demonstrate selective engagement, they lack the ongoing institutional involvement seen in peers such as Leonardo DiCaprio, positioning Johnson's efforts as culturally motivated but limited in systemic impact compared to industry norms of high-profile endorsements.

Political Views

Early Independence and Endorsements

Johnson identified as a registered independent voter, consistently avoiding alignment with major political parties throughout his pre-2020 career. Federal Election Commission records show no contributions from Johnson to federal candidates, parties, or political action committees prior to 2020, distinguishing him from many celebrities who routinely donate to partisan causes. This apolitical posture contrasted with the prevalent media expectation for entertainers to engage in partisan endorsements, allowing Johnson to maintain broad appeal across demographics without alienating fans. His reluctance to enter partisan politics stemmed from cultural influences, including Samoan heritage values of family loyalty, respect, and community over division, instilled by his mother Ata Johnson, and the populist ethos of professional wrestling, where performers like his father Rocky Johnson connected with working-class audiences through entertainment rather than ideology. Wrestling's emphasis on universal heroism and resilience, rather than elite political signaling, shaped Johnson's public persona as a unifier, prioritizing personal achievement and motivational messaging over policy debates. In a departure from this independence, Johnson issued his first public endorsement on September 27, 2020, supporting Joe Biden and Kamala Harris for the presidential election, praising their "compassion and heart" after decades of public service. This decision followed polls indicating Johnson's own widespread popularity, including a 2021 survey where 46% of Americans expressed support for a hypothetical presidential candidacy by him, reflecting his cross-ideological draw amid celebrity-driven political polarization.

Regrets and Shifts in Public Stance

Johnson publicly reflected on his 2020 endorsement of Joe Biden and Kamala Harris in an April 5, 2024, interview with Fox News, expressing regret that it had divided his fanbase and contributed to broader national discord. He stated, "It all came back to me... I realized, 'Man, all of this was because of what I did,'" and concluded the endorsement "did more harm than good" by alienating supporters and failing to promote unity. This marked a pivot from his earlier involvement, as Johnson had indicated in 2021 that he intended to step back from overt political commentary to focus on entertainment and philanthropy. Opting for neutrality in the 2024 election cycle, Johnson declined to endorse any candidate, including despite reported outreach from Donald Trump, emphasizing that revealing his vote would only deepen divisions. He articulated a cost-benefit assessment tied to his public role: "I realized that when I endorsed a certain way... it divided a lot of people," leading him to prioritize inclusivity over partisanship. This stance aligned with empirical patterns where high-profile celebrity endorsements correlate with heightened audience polarization, as evidenced by fan reactions spanning conservative accusations of inconsistency—given Johnson's subsequent critiques of "woke" excesses—and liberal frustration over withheld support for Democratic incumbents. By 2025, Johnson's discourse evolved further toward advocating personal autonomy in political expression, as seen in public appearances where he highlighted "freedom" as a core value without tying it to specific ideologies. In interviews, he stressed maintaining broad appeal amid fame's inherent trade-offs, implicitly critiquing the normalization of activist celebrity as a driver of cultural fragmentation rather than cohesion. This recalibration preserved his status as a unifying figure, substantiated by sustained popularity metrics across diverse demographics post-2024.

Presidential Ambitions and Speculation

In 2022, speculation about Dwayne Johnson's presidential candidacy intensified following a 2021 poll indicating that 46% of Americans would consider supporting him as president, prompting multiple political parties to approach him sequentially about a potential run. Johnson, who has described himself as a political independent and centrist with a history of voting across party lines, expressed openness to the idea if driven by public demand but emphasized his current priorities as family and career over a 2024 bid. By 2023, Johnson reiterated the party outreach from the prior year during appearances on podcasts and Capitol Hill visits, where reporters directly queried his intentions, but he maintained a conditional stance without committing. In 2024, he explicitly denied plans for an immediate run in a Fox News interview, stating "as of now, no," while critiquing the divisiveness of celebrity political endorsements and declining to back any candidate, a shift from his 2020 support for Joe Biden and Kamala Harris which he later said fueled regret over increased national polarization. As of September 2025, Johnson left the door slightly open for a future campaign in a Variety interview promoting his film The Smashing Machine, responding "we'll see" to questions about presidential aspirations while underscoring his focus on wrestling returns and acting projects amid ongoing betting market interest placing him at 25/1 odds for 2028 or 2032. Speculation positions him as a potential centrist-realist figure, aligning with his independent streak and recent criticisms of "woke culture" over progressive agendas, though he has warned against unprepared celebrity entries into politics lacking substantive policy grounding.

Personal Life

Relationships and Family Dynamics

Dwayne Johnson married Dany Garcia on May 2, 1997, following a three-year courtship that began during his early wrestling career. The couple welcomed their only child together, daughter Simone Alexandra Johnson, on August 14, 2001. Their marriage ended in an amicable divorce finalized in 2008, after which Garcia transitioned into managing Johnson's career and co-founding Seven Bucks Productions with him in 2012, maintaining a collaborative business partnership focused on film and media ventures. Johnson entered a relationship with singer-songwriter Lauren Hashian in 2007, shortly after his separation from Garcia. Hashian and Johnson have two daughters: Jasmine Lia, born on December 16, 2015, and Tiana Gia, born on April 17, 2018. The couple married on August 18, 2019, in a private ceremony at their Hawaii estate. Johnson's family reflects a blended structure across his two long-term partnerships, with three daughters who share his emphasis on discipline and achievement. Simone, pursuing a wrestling career, began training at the WWE Performance Center in February 2020 and debuted in NXT in October 2022 as Ava Raine, marking her as the first fourth-generation wrestler in the Johnson-Anoa'i lineage. Johnson has described wrestling as a bonding element with Simone, crediting it for strengthening their father-daughter connection amid her entry into the family profession. He maintains co-parenting harmony with Garcia, integrating all three children into a cohesive family unit without reported conflicts, while prioritizing time with Jasmine and Tiana through shared activities that underscore his role as a present father.

Health Challenges and Fitness Evolution

Johnson has publicly discussed his mental health struggles, including an ADHD diagnosis revealed in a 2023 interview, and experiencing three bouts of depression in his life, the first occurring after his college football career ended without an NFL draft selection, leaving him feeling devastated and suicidal at times. A second episode followed his 2008 divorce from Dany Garcia, exacerbating feelings of isolation despite professional success. He has credited therapy and open conversations—particularly encouraging men to seek help without shame—as key to managing these challenges, noting that depression "doesn't discriminate" based on achievement or status. Physically, Johnson sustained a facial laceration above his right eye during a October 2020 workout involving heavy chains, requiring stitches after blood streamed down his face; he shared footage emphasizing resilience in training. In June 2024, while filming The Smashing Machine, he ruptured the bursa sac in his right elbow, resulting in extensive bruising and swelling that he displayed on social media, yet he continued production without delay. These incidents highlight the toll of his high-intensity regimen, compounded by prior wrestling-related strains like hernias and muscle tears from roles demanding extreme physicality. Johnson's fitness approach has evolved from the bulk-heavy protocols of his WWE era—often maintaining 260-275 pounds through 5-7 daily high-protein meals (e.g., cod, chicken, and complex carbs totaling 5,000+ calories) and weightlifting splits targeting major muscle groups—to more role-specific adaptations prioritizing functionality over maximal size. For The Smashing Machine (released in 2025), portraying MMA fighter Mark Kerr required gaining approximately 30 pounds of muscle atop 22 prosthetic applications, achieved via 6-7 whole-food meals daily high in protein and carbs, combined with MMA-style conditioning to ensure mobility rather than static bulk. Post-filming, he slimmed to around 220 pounds by incorporating lighter weights, higher reps, increased cardio, and caloric reduction, demonstrating disciplined caloric cycling over unsustainable extremes. Speculation about performance-enhancing drugs persists in wrestling contexts, where Johnson admitted to brief anabolic steroid use in his late teens and early career for recovery amid grueling schedules, but he has denied ongoing reliance, attributing his physique to genetics (inherited from wrestler father Rocky Johnson), consistent training, and nutrition. Recent rumors tying his 2025 weight fluctuations to steroid cessation lack verification and ignore documented dietary shifts, though the industry's historical prevalence underscores caution in assessing such claims without evidence. This evolution reflects causal emphasis on sustainable habits enabling longevity beyond peak athleticism.

Lifestyle and Public Persona

Dwayne Johnson's lifestyle reflects the privileges of his $800 million net worth as of 2025, encompassing high-end travel and real estate. He owns a Gulfstream G650 private jet, valued at around $65 million, which encountered a hydraulics malfunction leading to an emergency landing in April 2025 after takeoff. Johnson maintains ties to Hawaii through vacation rentals and family properties, where he has recounted personal history including early arrests, using time there for cultural reconnection and reflection on life's ups and downs. His routine prioritizes physical discipline, starting with 4 a.m. wake-ups for 30 to 50 minutes of cardio, such as jogging or elliptical work, followed by extended weight training sessions focused on specific muscle groups. Johnson's public persona centers on motivational content disseminated via social media, where he commands 392 million Instagram followers as of October 2025. Posts often highlight his work ethic, family values, and inspirational anecdotes drawn from wrestling and acting careers, positioning him as a symbol of perseverance. This image, while widely emulated for its emphasis on grind and positivity, has prompted discussions on its realism, with some attributing its polish to professional curation amid the demands of celebrity life. In 2025, Johnson shared insights prioritizing family dynamics, crediting his daughters for life lessons and describing rare Hawaii gatherings as irreplaceable amid professional pressures, suggesting an evolving focus on balance over relentless output.

Legacy and Influence

Impact on Wrestling

Dwayne Johnson's portrayal of The Rock was instrumental in WWE's Attitude Era (1997–2002), where he emerged alongside Stone Cold Steve Austin as one of the promotion's top draws, contributing to peak television ratings such as the 8.4 Nielsen rating for Raw in October 1999. His charismatic promos and in-ring feuds helped transition WWE from niche appeal to mainstream phenomenon, with events like WrestleMania XV in 1999 drawing over 800,000 pay-per-view buys amid his rising prominence. Johnson's merchandise sales exemplified his commercial dominance, reportedly generating up to $60,000 per live event in the early 2000s and ranking him among WWE's all-time top sellers alongside Austin. His 17 total championship reigns, including 10 world titles (eight WWE Championships and two WCW Championships), underscored his on-screen success and helped solidify WWE's product as a high-stakes entertainment spectacle. The Rock's crossover appeal to Hollywood further amplified WWE's visibility, inspiring subsequent wrestler-actor transitions and drawing non-traditional audiences back to events upon his sporadic returns. Johnson's part-time scheduling post-2002, including high-profile comebacks like the 2011–2013 run culminating in WrestleMania 28 against John Cena (which generated over 1.2 million buys), boosted short-term metrics like buyrates and attendance but drew criticism for sidelining full-time talent and prioritizing lucrative deals over coherent long-term storylines. Critics, including wrestlers like Finn Bálor, argued these appearances "stole" WrestleMania spots from roster members who competed year-round, potentially diluting competitive integrity. Despite not yet being inducted into the WWE Hall of Fame as of 2025, Johnson's global stardom facilitated WWE's international growth, with his persona aiding expansion into markets like Europe and Asia through televised feuds and events that capitalized on his universal recognition. His later role on TKO Group's board reflects ongoing influence, though wrestling-specific impact stems primarily from era-defining draws balanced against the part-time model's trade-offs in narrative depth.

Contributions to Entertainment


Dwayne Johnson's transition from professional wrestling to Hollywood leading man exemplifies an athlete-to-star pipeline, with his films grossing over $13 billion worldwide in worldwide box office receipts. His debut in The Mummy Returns (2001) marked an initial foray, but sustained success came through action-oriented roles that capitalized on his physicality and charisma, generating reliable commercial returns amid a landscape favoring high-budget spectacles.
Johnson played a pivotal role in revitalizing franchises, notably as Luke Hobbs in the Fast & Furious series starting with Fast Five (2011), which shifted the saga toward heist-action blockbusters and elevated its global appeal. Similarly, his portrayal of Dr. Smolder Bravestone in Jumanji: Welcome to the Jungle (2017) rebooted the property, earning $962 million worldwide on a $90 million budget, followed by Jumanji: The Next Level (2019) adding nearly $800 million. These performances underscore his function as a franchise stabilizer, drawing audiences through star power rather than narrative innovation. Critics have faulted Johnson's filmography for formulaic repetition, often featuring invincible protagonists in interchangeable high-stakes scenarios that prioritize spectacle over depth, contributing to perceptions of blockbuster bloat where economic scale overshadows artistic merit. His reluctance to portray vulnerability in early roles has been attributed to an ego-driven approach, limiting range and reinforcing a template of unchallenged heroism. Through Seven Bucks Productions, co-founded with Dany Garcia in 2012, Johnson has influenced Hollywood by producing content that leverages non-traditional talent pipelines, enabling outsiders like former athletes to access starring vehicles via integrated acting-producing models. This self-sustaining ecosystem, while empowering entrepreneurial figures, faces industry scrutiny for resembling nepotism-lite dynamics, where personal networks facilitate preferential project control. In 2025, Johnson's pivot toward dramatic roles, exemplified by his portrayal of MMA fighter Mark Kerr in The Smashing Machine—involving significant physical transformation and vulnerability—signals adaptation to critical demands for prestige, potentially broadening his legacy beyond commercial dominance.

Broader Cultural and Economic Footprint

Johnson's trajectory from possessing $7 after being cut from the Calgary Stampeders in 1995 to amassing an estimated net worth of $800 million by 2025 exemplifies a self-made narrative that underscores personal agency and relentless effort over external dependencies. This story, which he has framed as a literal reminder in his office alongside mementos of failure, has inspired entrepreneurial mindsets by highlighting causal links between disciplined risk-taking and wealth accumulation, rather than systemic barriers or victim narratives. His ventures, including the sale of a stake in Teremana Tequila for over $200 million in 2022 and the launch of ZOA Energy in 2021, have generated substantial economic activity, employing teams and expanding into consumer goods markets while demonstrating scalable branding from personal charisma. These efforts contrast with critiques from progressive outlets that frame such success as insufficiently tied to collective identity politics, positioning Johnson's emphasis on individual hustle as a counter to narratives prioritizing grievance over grit. Culturally, Johnson's dual Samoan and Black heritage has amplified Polynesian visibility in mainstream media, notably through voicing Maui in Disney's Moana franchise, which exceeded $1 billion in global box office revenue and integrated Pacific Islander motifs into family entertainment. He has described this as an authentic extension of his upbringing, blending Samoan communal values with Black resilience, though some analyses question whether his portrayals sanitize traditional toughness for broader appeal, potentially diluting cultural edge in favor of universal heroism. This representation has sparked debates: conservative perspectives hail it as merit-based integration promoting self-reliance across ethnic lines, while left-leaning voices occasionally recast him as a diversity token whose political moderation—such as critiquing "woke" excesses—undermines representational purity. In 2025, Johnson's public discussions of health vulnerabilities, including gut issues, cardiac concerns, and a deliberate weight loss regimen, have contributed to shifting male norms toward proactive self-examination, framing openness about physical limits as strength rather than weakness. Drawing from roles like the MMA fighter Mark Kerr in The Smashing Machine, he advocates ownership of bodily realities, urging men to bypass denial for empirical intervention—a stance that aligns with causal realism in health outcomes but invites scrutiny from sources biased toward pathologizing traditional stoicism as toxic. This ripple effect extends entrepreneurship's ethos, modeling resilience amid setbacks like the XFL's $60 million losses in 2023, reinforcing that economic and personal sovereignty demand confronting unvarnished realities over idealized invulnerability.

Championships and Accomplishments

Wrestling Titles

Dwayne Johnson, performing under the ring name The Rock in professional wrestling—a form of scripted sports entertainment—accumulated 17 recognized championship reigns across various promotions, emphasizing his rapid ascent and drawing power. His titles spanned world heavyweight divisions, midcard singles, and tag team categories, with many reigns featuring high-profile defenses that drove major storylines and pay-per-view events. Johnson's earliest titles came in the United States Wrestling Association (USWA) in 1996, wrestling as Flex Kavana. He won the USWA World Tag Team Championship twice alongside Bart Sawyer, with reigns totaling 21 days; the first via a tournament victory on June 17, 1996, and a second brief hold shortly thereafter. These short-lived accomplishments marked his professional debut and provided initial exposure before transitioning to the World Wrestling Federation (WWF). In the WWF (later WWE), Johnson secured eight WWF Championship reigns, recognized as world heavyweight titles, spanning from November 15, 1998, to April 7, 2013, with cumulative days held around 367. Key among these was his first victory at Survivor Series 1998 against Mankind, followed by defenses amid a heated rivalry with Stone Cold Steve Austin, including a loss to Austin in a No Disqualification match at WrestleMania XV on March 28, 1999, and a title-winning rematch at Backlash the prior month. Later reigns included a 119-day hold from June 25, 2000, to October 22, 2000, and a 70-day tenure in 2013 culminating in defeat by John Cena at WrestleMania 29. He also claimed the WCW World Heavyweight Championship twice during the 2001 WWF-WCW "Invasion" angle, with a 63-day reign from August 19, 2001, to October 21, 2001, incorporating defenses against Alliance members to unify brand narratives. Beyond world titles, Johnson held the WWF Intercontinental Championship twice, with a notable 265-day first reign from December 8, 1997, to August 30, 1998, defended against challengers like Ken Shamrock and Goldust to build his heel persona as Rocky Maivia's evolution. He captured the WWF World Tag Team Championship five times, often in partnerships like with The Undertaker (1 day in 2000) or Chris Jericho (8 days in 2001), typically as transitional angles boosting undercard dynamics. These midcard and tag accomplishments, while shorter in duration, underscored his versatility before dominating main-event scenes.
ChampionshipNumber of ReignsTotal Days HeldNotable Reign Details
WWF/WWE Championship8~367First: Nov 15, 1998 (3 days); Longest individual: varies, e.g., 119 days (2000)
WCW World Heavyweight Championship2~9763 days (Aug 19–Oct 21, 2001); Part of Invasion storyline
WWF Intercontinental Championship2339265 days (Dec 8, 1997–Aug 30, 1998)
WWF World Tag Team Championship5~24 (short reigns)E.g., 1 day with Undertaker (Dec 18–19, 2000)
USWA World Tag Team Championship221With Bart Sawyer; Tournament win Jun 17, 1996

Film and Business Milestones

Dwayne Johnson topped Forbes' list of the world's highest-paid actors in 2016, earning $64.5 million from film salaries, production deals, and endorsements, more than doubling his 2015 pretax income. He retained the top spot in 2019 with $89.4 million over the prior year, driven largely by backend deals on blockbusters like Jumanji: Welcome to the Jungle. That same year, Time magazine included him on its list of the 100 Most Influential People, praising his blend of charisma and work ethic in Hollywood. Johnson's films have balanced commercial dominance with mixed critical reception; for instance, his lead role in the 2017 Baywatch adaptation earned a Golden Raspberry Award nomination for Worst Actor and a win in the reader-voted "Razzie Nominee So Rotten You Loved It" category, which he accepted via video, framing it as audience enjoyment over perfection. Countering such critiques, he received the Generation Award at the 2019 MTV Movie & TV Awards, recognizing his decade-plus of high-grossing action vehicles and inspirational persona. By 2025, his starring roles had cumulatively grossed over $15 billion worldwide at the box office. In business ventures, Johnson co-founded Teremana Tequila in 2020, which grew into the fastest-expanding tequila brand in the U.S., surpassing 1 million case sales annually by 2023 through emphasis on traditional production and agave sourcing from Jalisco, Mexico. He also spearheaded the 2020 acquisition of the XFL football league for $15 million alongside partners, reviving operations for a 2023 season that drew modest viewership but incurred $60 million in losses, with Johnson committing to a "long game" strategy amid competition from other spring leagues. A 2025 milestone came with The Smashing Machine, Johnson's portrayal of MMA fighter Mark Kerr, which premiered at the Venice Film Festival to a 15-minute standing ovation and screened at the Toronto International Film Festival, marking a shift toward dramatic roles under director Benny Safdie.

Awards and Recognitions

Dwayne Johnson received the 2,624th star on the Hollywood Walk of Fame on December 13, 2017, in the category of Motion Pictures, recognizing his transition from professional wrestling to blockbuster films. This honor was attended by family members and celebrities, including Jack Black, highlighting Johnson's broad appeal in entertainment. Johnson has been named the world's highest-paid actor by Forbes on five occasions: 2016, 2019, 2020, 2021, and 2024, with pretax earnings of $88 million in the latter year driven by backend deals on films like Red One and production through Seven Bucks Productions. These rankings reflect his box office draw, with films grossing over $14 billion worldwide, though they account for diversified income including endorsements and business ventures rather than acting fees alone. In film accolades, Johnson won Teen Choice Awards for Choice Movie Villain in The Mummy Returns (2001) and Choice Fantasy Movie Actor in Moana (2017). He received the People's Choice Award for Favorite Movie Actor in 2021, which he dedicated to an Armenian cancer survivor via Make-A-Wish. Johnson received a nomination for Best Performance by a Male Actor in a Motion Picture – Drama for The Smashing Machine at the 2026 Golden Globe Awards. Time magazine listed him among the 100 most influential people globally in 2016 and 2019. Despite his WWE achievements, including multiple Slammy Awards such as Game Changer of the Year (2011) and Best Actor (2013), Johnson has not been individually inducted into the WWE Hall of Fame as of October 2025, though he inducted family members in 2008 and 2024.

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