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Ed Templeton

Ed Templeton (born July 28, 1972) is an American professional skateboarder, contemporary artist, and photographer renowned for his influential role in skateboarding culture and his interdisciplinary exploration of suburban life and subcultural experiences. Born and raised in Orange County, California, specifically Garden Grove, Templeton began skateboarding in 1985 during junior high school and turned professional in 1990 with the New Deal team, quickly rising as a prodigy in the late 1980s. Templeton's skateboarding career peaked with multiple world championships, including victories in , (1991), the NSA event in (1991), Antwerp's Nike Air Attack (1993), and the inaugural Skateboarding street title (1995), establishing him as a two-time world champion in his late teens. In 1993, he co-founded Toy Machine, a prominent skateboard company that embodies the DIY ethos of skate culture through its graphics, videos, and team, which he continues to lead alongside ventures like TV and Schmitt Stix. His innovations, such as pioneering tricks deemed "impossible," and his induction into the Skateboarding Hall of Fame in 2016 underscore his lasting impact on the sport. Transitioning into art during his skating tours, Templeton began photographing in 1994, drawing inspiration from artists like and , and held his first solo exhibition, Waiting for the Earth to Explode, at New York's Alleged Gallery that year. His work spans painting, drawing, , and mixed-media installations, often chronicling the raw, banal, and psychological dimensions of American suburbia, skateboarding tours, and personal intimacies, such as portraits of his wife, while critiquing societal ugliness and beauty. Exhibitions of his have appeared at major venues including the Museum of Contemporary Art in , Palais de Tokyo in , and the in , with pieces collected by institutions like the and the Zabludowicz Collection in . Templeton has authored over 30 publications, blending , journals, collages, and to document skate culture's rebellious spirit, with notable titles including Deformer (2009, winner of Best Book of the Year in ), The Golden Age of Neglect, Wires Crossed (, 2023), and zines like The Debasing of Juanita (2005). His art, collected by figures such as and , bridges the subculture with , reflecting a lifelong of athletic prowess and creative expression rooted in his Huntington Beach home.

Early life and background

Childhood and family

Ed Templeton was born on July 28, 1972, in , and raised in the suburban environment of . His early years were marked by financial hardship, with his family living in a trailer park in the Huntington Beach area after his father, Gary Hering, left when Templeton was eight years old, departing with the family's teenage babysitter. His mother, Susie, who had suffered from a severe illness in infancy that affected her cognitive abilities, raised Templeton and his younger brother Matt largely on her own, providing a stable yet challenging household. Templeton's grandparents played a significant role in his upbringing, offering creative inspiration and emotional support during his childhood. In 1991, at age 19, Templeton married Deanna Templeton, whom he had met four years earlier when he was 15 and she was 18; the couple has since maintained a close collaborative professional relationship in their artistic endeavors. They reside in , where they share a home studio and , integrating their personal and creative lives. Templeton adopted a vegan diet in 1990 at age 18, influenced by peers in the community who shared literature and encouraged plant-based eating. This shift was driven primarily by ethical concerns for , supplemented by personal health benefits such as increased energy. He has also adhered to principles avoiding and recreational drugs throughout his life, viewing them as detrimental to the focus and vitality required for his pursuits, and positioning himself as an observer rather than participant in associated social scenes. Lacking formal education in either discipline, Templeton developed his skills in and through self-directed practice and community immersion during his ; he attended schools including Dwyer Middle School and before dropping out to pursue . This autodidactic approach laid the groundwork for his transition to professional skateboarding as a teenage prodigy.

Initial interests in skateboarding and art

Ed Templeton discovered in 1985 during junior high school at age 13, after witnessing a stranger perform an up a curb, amid the burgeoning skate scenes of . Growing up in the Huntington Beach area, he was drawn into the activity through friendships with enthusiasts who skated at local spots like sidewalks, apartment complex ramps, and mini-ramps, providing an outlet for rebellion and community in the suburban environment. Concurrently, Templeton explored art as a self-taught pursuit, beginning with simple drawings inspired by the subculture's DIY ethos, including doodles on folders and the creation of zines that captured the irreverent of his surroundings. These early experiments in reflected the raw, expressive style of fanzines and publications prevalent in Orange County's youth scene during the . In his high school years, Templeton's passions for and began to intersect meaningfully, as he customized his personal skateboards with hand-drawn designs and filled sketchbooks with illustrations documenting his daily experiences in the skate world. Without any formal art training, he honed his skills through direct observation of street culture, punk aesthetics, and the visual language of , laying the groundwork for his later interdisciplinary practice.

Skateboarding career

Professional debut and early achievements

Ed Templeton turned professional at age 17 in 1990, signing with Skateboards just a month before graduating high school, which marked his formal entry into the competitive world. This debut sponsorship provided him with immediate opportunities, including trips to for contest circuits, allowing him to showcase his skills on an international stage early in his career. Throughout the early 1990s, Templeton's profile rose through additional sponsorships and prominent media exposure, including an interview and cover feature in Thrasher magazine in November 1990 and February 1991, respectively, which highlighted his emerging talent and contributed to his growing reputation within the skateboarding community. These appearances underscored his transition from local skater to a recognized professional, as Thrasher was a key platform for documenting the evolving skate scene. In the , Templeton became a key figure in advancing street skating innovations, pushing the boundaries of the "" style that emphasized urban environments, technical tricks, and creative lines over traditional skating. His contributions during this period, particularly from 1990 to 1993, helped solidify street skating as a dominant form, influencing a generation of skaters through his prolific video parts and on-the-ground progression of tricks at iconic spots. Templeton relocated to , immersing himself in the professional skate community centered there, a hub for the industry that fostered his development amid like-minded innovators. This move aligned with his early career momentum, eventually leading to the founding of Toy Machine in 1993 as an extension of his professional experiences.

Toy Machine founding and role

In 1993, Ed Templeton founded Toy Machine Skateboards after departing from New Deal Skateboards, where he had been a professional rider from 1990 to 1992, and following the dissolution of a short-lived venture called TV with in 1992. This move was driven by Templeton's dissatisfaction with the stagnant state of the industry in the early and his desire for greater creative autonomy to build a brand aligned with his vision. Backed initially by investor Brad Dorfman, formerly of Vision Skateboards, Toy Machine emerged as an independent operation under the distribution umbrella, allowing Templeton to prioritize originality over corporate constraints. The company's philosophy centered on subverting commercial norms through and provocative, anti-corporate graphics that critiqued advertising's absurdity within skate culture. Templeton described this approach as embracing "crass commercialism" with a satirical edge, exemplified by taglines like "Toy Machine: A Bloodsucking Company," to appeal to ers as cultural misfits rather than mainstream consumers. As owner and , Templeton took on the roles of designing decks, apparel, and video content, while assembling an early of riders including , Brian Anderson, and , who embodied the brand's emphasis on raw talent and personality over polished performance. Toy Machine evolved into a cult favorite by maintaining independent production standards and a consistent focus on innovative graphics and team-driven output, sustaining its relevance through the 2020s with adaptations to while preserving its core ethos. This longevity has subtly influenced broader skate culture by championing authenticity amid growing commercialization.

Contest victories and influence

Ed Templeton achieved significant success in professional skateboarding competitions during the , establishing himself as a dominant force in skating. He won the Münster World Championships in in 1991, the NSA event in 1991, and the Antwerp Nike Air Attack in 1993. In 1995, Templeton became the first American to claim the Skateboarding Street Championship title. These victories highlighted his technical prowess and innovative approach to street-style maneuvers, including complex flips and grabs that pushed the boundaries of the discipline. Templeton's influence extended beyond the contest circuit, shaping street skating culture through his emphasis on individual style and rather than purely competitive outcomes. He was known for performing demanding tricks like the , involving a 360-degree board rotation around the back foot, inspiring a generation of skaters to prioritize artistic expression in their lines. magazine recognized his enduring impact by including him among the 30 most influential skateboarders of all time in their 2011 list. In 2016, Templeton was inducted into the Skateboard Hall of Fame, honoring his contributions to the sport's evolution and his role in bridging with broader cultural elements like art and photography.

Videography and media appearances

Templeton's skateboarding prowess is captured in several landmark video parts that highlight his fluid style, technical precision, and charismatic presence on screen. His segment in Toy Machine's Welcome to Hell (1996), directed by , features high-energy street skating including massive wallrides and stair sets, establishing it as one of the most iconic parts of the era and contributing to the video's raw, unfiltered aesthetic. In Toy Machine's Jump Off a Building (1998), Templeton's part exemplifies the company's emphasis on creative, humorous storytelling through absurd skits and innovative filming, blending his aggressive ledge work and manuals with the video's overall narrative flair. He continued to shine in Good & Evil (2004), where his section showcases matured technical tricks like switch heelflips and big rails, set against Toy Machine's signature blend of and introspective montages that Templeton helped shape as the brand's founder. Beyond full-length videos, Templeton appeared in the influential documentary (2001), providing historical context on skateboarding's evolution through interviews that underscore his role as a cultural . His cameo in Girl Skateboards' Yeah Right! (2003) further cemented his cross-team appeal, featuring in a memorable segment that ties into the film's experimental tricks and celebrity . In recent years, Templeton starred in TransWorld SKATEboarding's "Ed Templeton: I'm Obsessed With People" (2025), a profile video exploring his intertwined passions for skating, photography, and human observation, narrated with his signature witty introspection.

Artistic career

Influences and style development

Ed Templeton's artistic style draws heavily from the suburban landscapes of , particularly the mundane alienation of Huntington Beach, where he spent significant time in his youth and now resides, immersed in a culture of boredom and rebellion that permeated his early graphics and later fine art works. further shaped his aesthetic, with its DIY ethos and raw expressionism influencing his adoption of bold, subversive visuals, as seen in his documentation of punk hairstyles and zine-inspired designs. Skateboarding graphics from the 1980s and 1990s, exemplified by artists like and , provided foundational inspirations, emphasizing gritty, narrative-driven illustrations that Templeton adapted for his Toy Machine brand. In photography, Templeton was profoundly influenced by the candid, intimate street documentation of Nan Goldin, Larry Clark, and Robert Frank, whose works like The Ballad of Sexual Dependency and Teenage Lust encouraged his focus on unfiltered glimpses of youth subcultures. These inspirations guided his shift toward personal, observational imagery that captured the hedonism and transience of skater life. His early skateboarding experiences in Orange County's street scenes laid a stylistic foundation, fostering a resourcefulness that translated into art. Templeton's style evolved notably in the early , transitioning from the satirical, monster-themed graphics he created for Toy Machine—started in 1993—to more introspective paintings and photographs exploring themes of youth, beauty, and decay. This development marked a pivot from commercial skate design to , where he began using local suburban photos as source material for distorted, expressive canvases reminiscent of Egon Schiele's figural intensity. The 2004 Beautiful Losers project, a collaborative , book, and documentary, played a pivotal role in this evolution, bridging the subculture with by showcasing Templeton alongside like-minded creators and elevating his graphics and photos to gallery contexts.

Photography and publications

Ed Templeton's photography primarily documents the raw edges of skateboarding subculture, adolescence, and suburban Americana through a voyeuristic lens of color street photography, capturing unposed, candid moments of youth rebellion and everyday life without staging. His approach emphasizes intimate, observational shots taken on the streets and during skate tours, often highlighting themes of hedonism, identity, and transience in Southern California and beyond. Templeton's major photographic books include Teenage Smokers (2000), a self-published collection of 32 pages featuring color and black-and-white images of young smokers in unguarded moments, released in an edition of 2,000 copies by Alleged Press to accompany his exhibition "The Golden Age of Neglect." This was followed by Deformer (2008), a 176-page exploring suburban decay and personal deformation through mixed color and black-and-white photographs, published by Damiani in collaboration with Alleged Press. In 2014, Wayward Cognitions presented a curated archive of 20 years of , spanning 160 pages of unthemed vignettes and in-between moments from global travels, issued by Um Yeah Arts. Subsequent works continued this focus on youth and subculture, with Teenage Smokers 2 (2015) expanding the original series through additional candid portraits of adolescent smokers, self-published via Appendix Photobook Society, the imprint co-founded by Templeton and his wife Deanna. Contemporary Suburbium (2017), co-authored with Deanna Templeton and published by Nazraeli Press, offered an accordion-bound meditation on Huntington Beach life with 86 duotone plates, blending their perspectives on Southern California's sunbaked suburbia. Hairdos of Defiance (2018), released by Deadbeat Club Press, compiled 68 pages of portraits showcasing punk mohawks encountered over two decades across continents, from Disneyland to Scotland, in a 6.75 x 9-inch hardcover edition of 1,500 copies. Templeton has contributed photographs to key publications documenting street and skate culture, such as (2004), a seminal anthology edited by Aaron Rose and Christian Strike that featured his images alongside works by over two dozen artists, celebrating DIY ethos through hundreds of contributions from precursors like to contemporaries like , published by Iconoclast/DAP. His involvement extended to Toy Machine zines, including Joy Machine (1993–1994), a fan publication he produced to promote the brand, compiling ads, graphics, and photographic outtakes in a DIY format that captured early skate scene energy. Through via Appendix Photobook Society, Templeton has produced limited-edition works emphasizing skate and suburban themes, such as the Loose Shingles (2018), a B-Sides collection of 50 archival cards with 47 photographs, including outtakes from Teenage Smokers and Teenage Kissers, housed in an acrylic box in an edition of 1,000 signed copies. This approach allows for experimental formats like zines and sets, prioritizing intimate access to his raw, unfiltered archive over commercial distribution.

Exhibitions and installations

Ed Templeton's exhibitions from the 2000s onward have showcased his multifaceted practice, integrating culture with through paintings, photographs, and mixed-media works in both solo and group contexts. A pivotal early collaborative presentation was the traveling exhibition "," which debuted in 2004 at the in , , and toured internationally through 2008, stopping at venues like the Yerba Buena Center for the Arts in and the in . This show highlighted Templeton's contributions alongside other culture artists, featuring his mixed-media installations that blended paintings, photographs, and artifacts to evoke suburban youth experiences. In 2013, Templeton presented the solo exhibition "Memory Foam" at Roberts & Tilton in , where he explored his personal archives of photographs capturing everyday life in his hometown of Huntington Beach, emphasizing themes of suburban sprawl and nostalgia through a series of intimate, candid images. Later solo exhibitions included "Hairdos of Defiance" in 2018 at Roberts Projects in , which displayed Templeton's photographic documentation of punk-inspired hairstyles encountered over two decades, underscoring his ongoing interest in subcultural expression. That same year, the two-person show "Convergent Parallel" with Deanna Templeton at Casemore Kirkeby in juxtaposed their parallel explorations of personal and social themes through photographs and mixed-media pieces, creating immersive environments that merged individual narratives with shared cultural observations. Templeton also participated in the group "This Land" at Pier 24 Photography in in 2018, contributing photographs that examined American landscapes and social dynamics within a broader survey of contemporary U.S.-based from the prior decade. Across these presentations, his installations often incorporated skate-related with visual to construct site-specific environments that bridged his dual identities as and artist.

Recent works and legacy

In 2025, Ed Templeton presented his solo exhibition "Wires Crossed" at NILS STÆRK gallery in , running from May 2 to June 14. The show featured selections from his long-term photographic project documenting the , capturing candid moments of identity, human connections, and suburban life within the DIY punk-infused world of 1990s and early 2000s . In late 2024, Templeton held the solo exhibition "The Sprawl" at Tim Van Laere Gallery in , , from November 28, 2024, to January 25, 2025, featuring paintings and photographs exploring suburban themes. He also participated in the Museum of Art's 2025 California Biennial, presenting over 40 photographs from his ongoing series. Later that year, Templeton appeared in a video titled "I'm Obsessed With People," released on August 7, where he discussed his photographic obsessions, people-watching habits, and the interplay of in culture. In October, he featured on the "Work Works" episode of the , aired on October 16, exploring themes of aging, impermanence, possessions, and artistic legacy. Templeton continues to oversee Toy Machine, the skateboard company he founded in 1993, with ongoing releases of new graphics and decks throughout 2025, including an August deck featuring a burning figure as an anti-racist statement and an October "Halloween Girl" design. His enduring legacy lies in bridging subculture with , influencing generations through and the crossover of street-level aesthetics into gallery spaces, as seen in his archival reflections for the ANP Archive capsule in September 2025. Since the 2023 Wires Crossed book (), Templeton has released additional publications including City Confessions #3: (Super Labo, 2024), a collection of 69 black-and-white photographs from skate trips to , and the catalog for his The Sprawl exhibition (Tim Van Laere Gallery, 2025). He maintains an active digital presence via his website and , sharing archival and ongoing projects that preserve skate culture's raw essence.

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