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Eric Haydock

Eric Haydock (born Eric John Haddock; 3 February 1943 – 5 January 2019) was a British musician best known as the original bass guitarist of the rock band the Hollies from its formation in 1962 until 1966. As a co-founder of the group, initially known as the Deltas or Dominators, Haydock contributed to the band's breakthrough as part of the British Invasion, playing on early hits including "Just One Look," "Look Through Any Window," and "I'm Alive." He was notable for being among the first English bassists to use a six-string Fender Bass VI, which added a distinctive texture to the Hollies' rhythm section alongside drummer Bobby Elliott. Born in , , , Haydock began his musical career playing with guitarist in the local band the before joining forces to form in late 1962. During his tenure with the band, he supported the vocal harmonies of Allan Clarke, Hicks, and , helping establish as one of the era's top pop-rock acts with a string of chart-topping singles in the UK and US. Haydock left the group in the spring of 1966 amid management disputes and personal challenges, including the demands of constant touring as a newlywed; he was replaced by . Following his departure from , Haydock formed his own short-lived R&B-oriented band, Haydock's Rockhouse, which released a pair of unsuccessful singles but failed to achieve commercial success. He briefly reunited with in 1981 for a television appearance on to promote the compilation album Holliedaze, though he did not participate in their 1983 reunion album. In 1998, his former bandmates obtained a prohibiting him from using ' name in his endeavors. Haydock was inducted into the Rock and Roll Hall of Fame as an original member of in 2010. He died at his home in on 5 January 2019 at the age of 75, after a period of ill health.

Early Life

Birth and Family

Eric Haydock was born Eric John Haddock on 3 February 1943 in , , . He grew up in a working-class family in the industrial northwest of amid the post-World War II era, a time marked by economic recovery and community resilience in mill towns like . His mother, Vina, managed the Queens Head pub, providing a lively local environment shaped by working-class traditions and social gatherings. Haydock never knew his biological father, who had vanished during his early childhood, but his stepfather, Mick, played a significant role in the household until his death when Haydock was a teenager. No records indicate siblings in Haydock's immediate family, and his upbringing reflected the modest circumstances of many families in wartime and postwar , where parental occupations in like pub management were common amid limited opportunities.

Education and Early Interests

Eric Haydock attended local schools in , , during the , where he distinguished himself as an outstanding junior athlete, winning trophies in track events. He left school at the age of 15 around 1958 to begin an as a toolmaker, a decision that reflected the working-class environment of post-war Britain. Haydock's early interests shifted toward music and performance in his mid-teens, influenced by the instrumental rock of and supported by his stepfather Mick's passion for music. At age 16 in 1959, he purchased his first guitar and began teaching himself to play, later transitioning to as a self-taught . To fund his equipment, including a six-string imported from , he took on additional jobs such as . By 1960, Haydock had developed an interest in comedy and stage performance, joining a Manchester-based comedy band as a singer and , where he honed skills in humorous delivery and audience engagement. Known among peers as "the ," his penchant for playful antics, such as disrupting performances for comedic effect, became a defining aspect of his onstage personality.

Musical Career

Pre-Hollies Bands

Prior to joining the Deltas, Eric Haydock played bass in the Manchester-based band the Dolphins alongside guitarist in the early 1960s. Eric Haydock began his musical career in 1960 by joining the Deltas, a Manchester-based comedy band, where he took on the role of . The group, also known as Kirk Daniels and the Deltas, was formed that year and consisted of Kirk Daniels (born Harry Morris) on lead vocals, Tommy Turner on , John Murphy on , Haydock on bass, and Don Rathbone on drums. Amid the vibrant Manchester beat scene of the early , the Deltas performed at local venues such as the La Ronda club, contributing to the region's emerging rock and pop culture. During his time with the Deltas, Haydock honed his skills on the , establishing himself as one of the standout players on the early British beat scene through his adoption of innovative techniques.

Role in The Hollies

Eric Haydock co-founded in December 1962 in , , when his band, The Deltas, evolved into the new group alongside Allan Clarke, , Vic Steele, and Don Rathbone for a performance at the Oasis Club. As the band's original , Haydock brought prior experience from local ensembles, contributing to the group's tight rhythm section from the outset. Haydock's bass lines were central to The Hollies' early sound, anchoring their breakthrough singles during the era. He played on "Just One Look," which reached No. 2 on the in 1964, providing a driving foundation that complemented the band's harmonious vocals. Similarly, his contributions featured prominently on "Look Through Any Window," peaking at No. 4 in the UK in 1965, and the band's first No. 1 hit, "I'm Alive," which topped the UK chart for three weeks that same year. These tracks showcased Haydock's melodic and rhythmic style, helping establish The Hollies as one of Britain's top pop acts. Haydock pioneered the use of the , a six-string , in , adopting it early in his career with around 1963. This instrument allowed for greater versatility, blending bass and guitar-like tones that influenced the band's jangly, upbeat arrangements and set a precedent for other musicians. On stage, Haydock's lively personality enhanced the band's energy, often through humorous practical jokes that fostered camaraderie and entertained audiences during their early tours. His antics, such as playful pranks on bandmates, contributed to the group's dynamic and lighthearted image in the mid-1960s.

Departure from

Eric Haydock's tenure with ended abruptly in July 1966 when he was sacked by the band's manager, , amid escalating tensions within the group. The decision stemmed from a combination of disputes over management practices and finances, as Haydock raised concerns about the band's earnings and sought greater financial security following his recent marriage. Exhausted by the relentless touring schedule, including a grueling tour earlier that year, Haydock also missed several gigs, citing illness and providing medical certificates, though the band viewed this as unreliability and a disruption to their momentum. Haydock's departure was particularly acrimonious, with band members describing him as moody and surly during this period, while he felt the group had unfairly sidelined him. , a former colleague from the band who had already filled in on bass for some sessions, was brought in as his permanent replacement, providing stability on bass and keyboards for the band's ongoing success. Haydock's final contributions included his distinctive bass lines on the hit single "," recorded earlier that year. In the immediate aftermath, , then just 23 years old, received an offer to replace as bassist for , but he turned it down, insisting he was still committed to —a decision that deepened his bitterness when the sacking was confirmed shortly thereafter. The professional setback was compounded by emotional strain, as Haydock later expressed resentment over being excluded from songwriting royalties and the abrupt end to his role in one of Britain's rising acts, marking a pivotal and challenging turning point in his young career.

Post-Hollies Projects

After leaving The Hollies in July 1966, Eric Haydock joined the existing Manchester-based band The Soul Executives, which had formed in 1964, and the group was subsequently renamed Haydock’s Rockhouse following internal lineup changes. The band, signed to , released two unsuccessful singles: "Cupid" backed with "She Thinks" in November 1966 and "Lovin' You" backed with "Mix A Fix" in February 1967, neither of which charted or gained significant attention. Haydock’s Rockhouse proved short-lived, disbanding soon after as Haydock pursued other opportunities sporadically. In September 1981, Haydock made a brief return to performing with his former bandmates for a one-off reunion appearance on the British television program Top of the Pops, where the original 1963 lineup—including Allan Clarke, , , and Don Rathbone—performed a medley of hits titled "Holliedaze" to promote a compilation release. This television spot represented a rare public collaboration for Haydock with following his departure. Haydock's later musical involvement was limited to occasional guest spots, such as his appearance as a with during their concert at Kisapirtti in Parikkala, , on 13 July 2013. By this point, he had largely stepped back from full-time music, focusing instead on a more private existence away from the demands of the industry.

Personal Life

Marriage and Children

Eric Haydock married Pamela Dore in 1965 while still a member of . The couple had three children: , who later ran a company in ; Robbie, an ; and Nicola. The demands of the band's extensive touring schedule strained Haydock's new and growing family responsibilities, contributing to his absences from gigs and eventual departure from in 1966. Eager to spend more time with his wife and children, Haydock's unreliability led to tensions within the group, culminating in his dismissal amid disputes over finances and management. Haydock's marriage to Dore ended in in 1979. He married for a second time in 1983 to Dee Le Bray, but the union was short-lived. Despite the from Dore, he maintained positive relations with his ex-wife and children, as evidenced by their surviving him at his death in 2019.

Later Residence and Privacy

After leaving in 1966, Eric Haydock relocated within , settling in the area of , where he maintained a notably low public profile for the remainder of his life. He resided alone in later years in , eschewing the spotlight that had defined his early musical fame. Haydock took up non-musical occupations to support himself, including manual labor at Needhams Foundry in Portwood, , and later running a music shop. He also worked as a . These roles reflected his shift away from the entertainment industry toward a more ordinary, working-class existence in his hometown region. Known among former bandmates as an "enigma," Haydock avoided the public eye and rarely discussed his past, with singer Allan Clarke noting that he "never wanted to say anything to anybody." His reclusive nature extended to limited interactions during the 1970s through 2000s, including sparse media appearances—such as a brief 1981 television reunion with —and no involvement in their 1983 comeback efforts. Following his divorces, Haydock kept details of his family life private, further contributing to the scarcity of information about his personal circumstances.

Death and Legacy

Final Years and Passing

In his later years, Eric Haydock had been in declining health for some time, leading to a period of reduced public appearances. His bandmates later confirmed that ill health had preceded his passing, though specific details were not disclosed publicly. Haydock died peacefully at his home in on 5 January 2019, at the age of 75. The news was promptly shared by his former bandmates via a statement on ' official page, where drummer expressed condolences and reflected on Haydock's contributions to the group. Funeral arrangements were handled privately by his family, with no public ceremony reported.

Recognition and Influence

Eric Haydock was inducted into the Rock and Roll Hall of Fame as a founding member of on March 15, 2010, during the 25th annual ceremony at the Waldorf Astoria in , recognizing the band's contributions to the era. This honor marked a reconciliation with his former bandmates, as Haydock attended the event alongside Allan Clarke, , , , and , affirming his pivotal role in the group's early success. Haydock's innovative bass playing significantly influenced the tight, rhythmic sound of British Invasion rock, particularly through his adoption of the Fender Bass VI, one of the first six-string basses used by a British musician, which added unique tonal depth to tracks like "Just One Look" and "Look Through Any Window." Following his death in 2019, bandmates paid tribute to his technical prowess and personality; Graham Nash described him as "a bad-ass bass player and a very funny man," while the band collectively hailed him as "one of the finest bass players on the planet" with a distinctive style that shaped their early recordings. These acknowledgments underscored Haydock's lasting impact on rock bass techniques during the 1960s. In 2005, sought enforcement of a 1998 court against Haydock for repeatedly using variations of the band name, such as "Eric Haydock's ," in promotions for his performances in the UK, , and , claiming breaches that confused audiences and diluted their . The case highlighted ongoing tensions over Haydock's legacy association with the group, with the band requesting his imprisonment to deter further violations, though the matter ultimately reinforced the prior ban on his use of the name.

Discography

Contributions to The Hollies

Eric Haydock served as the bassist for from their formation in 1962 until 1966, providing the rhythmic foundation for their early recordings. He played bass on their debut album Stay with The Hollies (1964), which featured covers of R&B and rock standards and marked the band's initial foray into the UK charts. His contributions extended to subsequent releases up to 1966. Haydock participated in the band's singles recordings up to and including "I Can't Let Go" (1966), his final session with the group. He also played on "Bus Stop" (1966), which reached No. 5 on the UK Singles Chart and became one of their breakthrough hits written by Graham Gouldman. Earlier singles like "Just One Look" (1964, UK No. 2) and "I'm Alive" (1965, UK No. 1) showcased his prominent bass lines, anchoring the band's harmonious pop-rock sound during their rise in the British Invasion era. From 1963 to 1966, Haydock performed live with on numerous UK tours, including their first national outing in March 1964 alongside and . The band made several US visits during this period, with Haydock's last performance occurring on May 7, 1966, at , closing their inaugural American tour. Haydock was among the first British musicians to adopt the , a six-string that allowed for extended range and melodic interplay, which he used on early tracks such as those featured in the 1963 film It's All Over Town during performances like "Now's the Time." This instrument contributed to the distinctive, driving bass tone evident in songs like "" (1965), enhancing the band's energetic live and studio dynamics.

Solo and Group Recordings

Following his departure from The Hollies in 1966, Eric Haydock formed the short-lived band Haydock's Rockhouse, with which he recorded and released two singles on . The group's debut, a cover of Sam Cooke's "Cupid" backed by the original composition "She Thinks," was issued in November 1966 as DB 8050 but failed to chart or gain significant attention. The follow-up single, "Lovin' You" (written by ) paired with "Mix a Fix," followed in February 1967 under catalog number DB 8135 and similarly met with little commercial success, after which the band disbanded. Beyond these efforts, Haydock had no credited guest bass or production work on other artists' tracks after 1966, and he never released a solo album or pursued extensive independent recording projects. This limited output aligned with his career transition away from studio work toward sporadic live performances and other endeavors. In his later years, Haydock made a notable guest appearance on bass with the Swinging Blue Jeans at a concert in Parikkala, Finland, on July 13, 2013, though no archived audio or video recordings from the event have been commercially released.

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