Garth Jennings
Garth Jennings is a British filmmaker born on 4 March 1972 in Epping, Essex, England, renowned for his work as a director, screenwriter, and former music video director, particularly in blending humor, animation, and music across feature films and videos for artists like Blur and Radiohead.[1][2][3] Raised in Essex, Jennings developed an early passion for filmmaking, inspired by 1980s action movies like First Blood, which he first watched around age 11 or 12; he began creating amateur action films with friends in his backyard during childhood, laying the groundwork for his creative career.[4][5] After attending Central Saint Martins College of Art and Design in London, where he met future collaborator Nick Smith, Jennings co-founded the production company Hammer & Tongs in 1993, initially focusing on innovative music videos that garnered critical acclaim and awards.[6][7] Through Hammer & Tongs, Jennings directed landmark music videos, including Blur's animated "Coffee & TV" (1999), which won the MTV Europe Music Award for Best Video, Pulp's "Help the Aged" (1998), Radiohead's "Lotus Flower" (2011)—nominated for a Grammy for Best Music Video—and works for Fatboy Slim, Vampire Weekend, R.E.M., and Beck, establishing him as a key figure in 1990s and 2000s music visuals known for their whimsical, low-budget ingenuity.[3][8][9] Transitioning to feature films, Jennings made his directorial debut with the 2005 sci-fi comedy The Hitchhiker's Guide to the Galaxy, adapting Douglas Adams' novel with a star-studded cast including Martin Freeman and Zooey Deschanel.[1] He followed with the semi-autobiographical coming-of-age film Son of Rambow (2007), which he wrote and directed, drawing from his own childhood experiences and earning a BAFTA nomination for the Carl Foreman Award for Most Promising Newcomer, as well as nods from the British Independent Film Awards and Locarno Film Festival.[10][11] Jennings achieved major commercial success with the animated musical Sing (2016), produced by Illumination, featuring voices from Matthew McConaughey, Reese Witherspoon, and Scarlett Johansson, which grossed over $634 million worldwide and led to the sequel Sing 2 (2021), grossing $408 million worldwide and receiving nominations including from the Annie Awards.[1][12][13] His work often emphasizes themes of aspiration, creativity, and ensemble performance, frequently incorporating music as a narrative driver, and he has also contributed voice acting roles in his films, such as Miss Crawly in the Sing series, as well as directing the 2024 Netflix animated special Sing: Thriller.[14][15]Early life and education
Childhood and family background
Garth Jennings was born on 4 March 1972 in Epping, Essex, England.[16] He grew up in rural Essex in a supportive household, where his family resided next door to a Plymouth Brethren family for many years—an experience that profoundly influenced his imaginative worldview and later informed the semi-autobiographical elements of his film Son of Rambow.[4] Jennings has recalled his childhood as a happy one marked by the rural countryside life, which encouraged creative play and a fascination with adventure stories.[17] This environment further nurtured his penchant for collaborative imagination and narrative invention.[6]Entry into filmmaking
Jennings was raised in Epping, Essex, where he attended secondary school and developed an early fascination with cinema through self-directed exploration of films. At the age of five, he was profoundly influenced by Star Wars, which ignited his lifelong passion for storytelling on screen.[18] By age 11, Jennings obtained a bulky video camera acquired at a yard sale by a family friend for his father, who had no idea how to operate it; Jennings immediately took charge, directing and filming homemade action movies with his friends, such as Rambo-inspired adventures involving stunts and elaborate setups.[18] These early experiments, drawn from his childhood memories of unrestricted creativity, served as practical training in filmmaking techniques, emphasizing improvisation and visual effects on a minimal budget. His family's encouragement of these pursuits, including access to basic equipment, further fueled his hands-on approach.[19] Following secondary school, Jennings pursued brief studies in graphic design at Central St. Martin's College of Art & Design in London during the early 1990s, a program that incorporated introductory elements of film and animation; however, he remained predominantly self-taught in directing and production, honing his skills through persistent personal projects rather than formal film education.[6] It was at St. Martin's that he met future collaborators Nick Goldsmith and Dominic Leung, laying the groundwork for his transition into professional work. In the late 1980s and early 1990s, Jennings began creating his first music videos during his college years, developing resourcefulness with limited equipment.[20]Professional career
Hammer and Tongs and early projects
In 1993, Garth Jennings co-founded the production company Hammer and Tongs with producer Nick Goldsmith and creative partner Dominic Leung while in their early 20s, establishing a small operation in London dedicated to innovative filmmaking. The trio began with limited resources, focusing on experimental short-form content that emphasized creative problem-solving and visual experimentation. Early budgets were modest, with initial projects funded on as little as £500, necessitating bootstrapped equipment and hands-on production techniques to realize ambitious ideas.[21][20] Hammer and Tongs' initial output centered on independent short films that showcased Jennings' self-taught expertise in visual effects and quirky, humorous storytelling. A notable early example is the 1995 short One Cold Eskimo, co-directed by Jennings and Andrew Larbi, which featured surreal animation and aired as part of the BBC's youth-oriented Takeover TV series. This project highlighted the company's knack for blending low-fi techniques with engaging narratives, setting the tone for their collaborative beginnings.[22][23] By the late 1990s, Jennings and his partners developed a signature style characterized by low-budget innovation, stop-motion-inspired elements, and dry British wit in experimental shorts. Films such as Eiffel's Blessing, Polish Plums, and Toast the Cat—compiled later in The Hammer and Tongs Collection—exemplified this approach, using simple animation and visual gags to create glitchy, endearing worlds despite operational constraints like garage-based editing and self-financed gear. These works not only honed the team's technical skills but also built a reputation for resourceful creativity in the pre-feature phase of their career, up to around 2000.[24][25]Music videos and commercials
Jennings, in collaboration with Nick Goldsmith under the production company Hammer & Tongs, directed over 40 music videos from the mid-1990s to 2012, working with a diverse array of artists across genres.[26] Notable examples include:- "Coffee & TV" for Blur (1999)[27]
- "Right Here, Right Now" for Fatboy Slim (1999)[28]
- "Pumping on Your Stereo" for Supergrass (1999)
- "Imitation of Life" for R.E.M. (2001)[29]
- "A-Punk" for Vampire Weekend (2008)[26]
- "Lotus Flower" for Radiohead (2011)[26]
Feature films
- The Hitchhiker's Guide to the Galaxy (2005): Director; starring Martin Freeman as Arthur Dent and Zooey Deschanel as Trillian.[34]
- Son of Rambow (2007): Director and writer; starring Bill Milner as Will Proudfoot and Will Poulter as Lee Carter.[35]
Animated films and recent shorts
Jennings entered the realm of feature animation through a partnership with Illumination Entertainment, where he wrote and directed Sing (2016), a jukebox musical centered on anthropomorphic animals competing in a singing contest to save a theater.[18] The film featured prominent voice talent, including Matthew McConaughey as the optimistic koala theater owner Buster Moon and Tori Kelly as the shy elephant singer Meena.[36] Produced on a $75 million budget, Sing achieved commercial success with a worldwide box office gross of $634 million. Building on this success, Jennings returned for the sequel Sing 2 (2021), which he developed amid the challenges of the COVID-19 pandemic, including remote production workflows.[37] The story explores themes of ambition and perseverance in the performing arts, as Buster and his troupe pursue bigger opportunities in a glamorous city while staging an elaborate show.[38] Notable additions included a cameo by Bono as the reclusive rockstar lion Clay Calloway, whose involvement added emotional depth to the narrative of creative risk-taking.[39] With an $85 million budget, Sing 2 grossed $408 million globally, demonstrating resilience in a pandemic-affected market.[13] In recent years, Jennings has expanded the Sing universe through short-form animated works. He directed Come Home (2021), a holiday-themed short featuring characters from the franchise, where a wolf mother navigates a blizzard to reunite with her family backstage at a variety show.[40] More recently, Sing: Thriller (2024), a Netflix-exclusive short, reimagines Michael Jackson's iconic "Thriller" music video with Sing characters, blending horror elements and musical performance in a star-studded spectacle led by Buster Moon.[15][41] As of 2025, Illumination CEO Chris Meledandri has confirmed that Sing 3 is in development, with Jennings slated to direct, though no release date has been announced. The project emphasizes expanding the established universe with new storytelling opportunities centered on performance and ensemble dynamics.[42] Throughout these animated projects, Jennings navigated a significant learning curve in CGI animation at Illumination's Paris-based studio, transitioning from live-action directing by immersing himself in the technical pipeline over several years.[43] He focused on blending his background in live-action humor—characterized by naturalistic character interactions and witty dialogue—with vibrant musical sequences, instructing animators to evoke the energy of real-world performances rather than stylized cartoons.[44] This approach allowed for expressive, personality-driven animation that enhanced the films' emotional and comedic impact.[45]Writing career
Children's books
Garth Jennings made his debut in children's literature with the middle-grade series The Deadly 7, a trilogy published in the United Kingdom by Macmillan Children's Books and in the United States by Feiwel & Friends, an imprint of Macmillan Publishers.[46] The first book, Who Needs Friends When You've Got Monsters?, was released in 2015, followed by The Good, the Bad, and the Deadly 7 in 2016, and The Curse of the Deadly 7 in 2017.[47] Aimed at readers aged 8 to 12, the series follows 11-year-old Nelson Green, a lonely boy whose older sister disappears during a school trip, prompting him to uncover a family secret involving his late father's invention—a machine that extracts the seven deadly sins from a person's soul, transforming them into monstrous siblings.[48] These creatures, embodying sloth, greed, wrath, pride, envy, gluttony, and lust, join Nelson on a globe-trotting adventure from London to Hong Kong and New York to rescue his sister from sinister villains seeking the machine.[48] Jennings provided the black-and-white illustrations throughout the series, enhancing its chaotic energy with quirky, humorous sketches that capture the monsters' personalities.[48] The Deadly 7 books explore themes of friendship through unlikely alliances with flawed companions, family secrets tied to parental legacy and sibling bonds, boundless imagination in the monsters' antics, and irreverent humor derived from the sins' exaggerated behaviors.[48] Critics praised the series for its playful absurdity and subversive take on morality, with Publishers Weekly describing the debut as a "globe-trotting, playfully preposterous, mystery-adventure" and Kirkus Reviews noting its "muddled but fun" narrative with a "notably subversive premise."[48] In 2018, Jennings ventured into picture books with the standalone The Wildest Cowboy, published by Macmillan Children's Books in the UK and Little, Brown Books for Young Readers in the US, targeted at children aged 3 to 7.[49] Written in rhyming verse, the story centers on cheerful traveling salesman Bingo B. Brown and his dog, who arrive in the rough Western town of Fear, only to confront its terrifying nighttime visitor—the Wildest Cowboy—leading to a high-spirited chase involving a train, rattlesnake socks, and a dancing horse that ultimately transforms fear into joy.[49] Illustrated by Sara Ogilvie with vibrant, expressive artwork, the book emphasizes themes of imagination in Wild West escapades, humor in overcoming frights, and the power of fun to dispel anxiety.[49] Reviewers highlighted its uplifting whimsy, with The Bookseller commending the "bouncy rhythm" and Ogilvie's illustrations for bringing the adventure to life.Adaptations and other writings
Jennings' screenwriting career encompasses original scripts for feature films and shorts, often intertwined with his directorial work. His breakthrough as a screenwriter came with Son of Rambow (2007), for which he penned the original screenplay, drawing inspiration from his own childhood experiences in 1980s Britain, including a fascination with action movies like First Blood.[50] The script captures the innocence and chaos of youth through two boys attempting to remake a Rambo sequel, reflecting Jennings' semi-autobiographical lens on friendship and creativity.[51] Development spanned six years, involving multiple revisions to refine the narrative's tone and pacing, as Jennings iterated through various styles to balance humor and heartfelt moments.[52] In the animated realm, Jennings wrote the screenplay for Sing (2016), an ensemble musical comedy about anthropomorphic animals competing in a talent show, emphasizing themes of perseverance and self-expression through character-driven stories.[53] He continued this role for the sequel Sing 2 (2021), expanding the world with new songs and arcs that highlight collaboration among diverse casts, a process that involved close teamwork with Illumination's story artists to integrate music seamlessly into the plot.[54] His writing style here prioritizes concise, witty dialogue that propels emotional beats, often revising scenes extensively to ensure rhythmic flow akin to a stage musical.[3] For shorter formats, Jennings scripted the horror-tinged short Madame (2019), a tale of an elderly woman harboring a monstrous secret within her Parisian apartment, showcasing his ability to blend eccentricity with subtle tension in a compact narrative.[55] He also contributed to the creative direction and conceptual scripting of Scotch Mist (2007), a webcast film featuring Radiohead performing their album In Rainbows, where his involvement helped shape the intimate, improvisational vignettes around the band's live sessions.[56] During the Hammer and Tongs era, Jennings generated numerous unproduced ideas for music videos and shorts, filling sketchbooks with whimsical concepts that never materialized due to client changes or scheduling, such as elaborate animations for artists like Kanye West.[57] These efforts underscore his collaborative process, frequently bouncing revisions off producer Nick Goldsmith to infuse British quirkiness into ensemble-driven tales. As of 2025, Jennings is involved in writing the screenplay for Sing 3, currently in pre-production as a continuation of the franchise's animated adventures.[58]Personal life
Family and influences
Jennings is married and the father of four sons. His experiences as a parent have shaped the family dynamics in his films, including the youthful camaraderie in Son of Rambow (2007) and the ensemble of animal families in Sing (2016). In the latter, he incorporated his sons by having them record the grunts and squeals for the piglet characters, capturing their boisterous energy to bring authenticity to the scenes.[3] Jennings resided in Paris with his family as of 2021, having relocated there around 2013.[3][59] His creative influences include Douglas Adams, whose satirical science fiction he brought to the screen in The Hitchhiker's Guide to the Galaxy (2005), praising the author's blend of absurdity and wit as a cornerstone of his own storytelling. He has also studied the quirky visual style of Wes Anderson, noting how films like Rushmore (1998) initially challenged him but ultimately inspired his attention to detail in composition and character.[60] In his personal pursuits, Jennings enjoys drawing, which informs his work as an illustrator for his children's books, and listening to music, a passion rooted in his early career directing videos for artists like Radiohead and Fatboy Slim.[61][62]Philanthropy and interests
Jennings has demonstrated a commitment to charitable causes through his creative work, including directing the 2021 animated short film Come Home, a holiday-themed production featuring characters from the Sing franchise that promotes themes of family reunion and support during difficult times.[40] While primarily a promotional piece for Comcast's Xfinity service, it aligns with broader efforts to foster community and emotional connection.[63] Beyond philanthropy, Jennings maintains strong personal interests in animation and music, which extend from his professional background into hobbies that inspire his storytelling. He has spoken extensively about his lifelong fascination with music, beginning with his early obsession with music videos that led him to co-found the production collective Hammer and Tongs.[3] This passion is evident in his collection of influences from diverse genres, which he draws upon to infuse projects with rhythmic and emotional depth.[24] In recent years, Jennings has delivered public talks on fostering creativity in animation.[64] These activities reflect his dedication to nurturing the next generation of artists.Awards and honors
Film awards
Garth Jennings received early recognition for his music video work, particularly through nominations from major awards bodies. For the 1999 Blur video "Coffee & TV," directed under his Hammer & Tongs banner with Nick Goldsmith, the video earned critical acclaim and awards including a Walk of Fame Award. His direction of Radiohead's "Lotus Flower" (2011) was nominated for Best Music Video at the 54th Annual Grammy Awards in 2012.[65] In his transition to feature films, Jennings' debut directorial effort, Son of Rambow (2007), received multiple nominations at the 2008 British Independent Film Awards, including for Best Director and Best Screenplay.[66] The film also led to a nomination for Jennings in the Carl Foreman Award for Most Promising Newcomer (Directing) at the 2009 BAFTA Film Awards. Jennings' work in animation brought further accolades, primarily through the Annie Awards. For Sing (2016), the film received nominations at the 44th Annie Awards in 2017, including for Music in a Feature Produced for Theatrical Release.[67] The sequel, Sing 2 (2021), expanded this recognition at the 49th Annie Awards in 2022, where it was nominated for Best General Audience Animated Feature, along with categories for storyboarding, character design, and music.[68] Across his film and video projects, Jennings has accumulated 8 wins and 13 nominations from prestigious organizations including BAFTA, the Grammys, the British Independent Film Awards, and the Annie Awards, highlighting his consistent acclaim for innovative visuals and storytelling despite few major feature-film wins.[10]Literary awards
Garth Jennings' transition to children's literature has been marked by nominations in key UK book awards, highlighting the engaging and humorous style that draws from his background in film direction. His 2017 picture book The Wildest Cowboy, illustrated by Sara Ogilvie, was shortlisted for the Sainsbury's Children's Book Awards in the Books for Boys category in 2018.[69] The nomination recognized the book's lively adventure story, which follows a young boy imagining himself as a cowboy in the Wild West, praised for its vibrant illustrations and accessible narrative that appeals to early readers.[70] While Jennings' The Deadly 7 series has not secured major literary prizes, it has garnered positive mentions in children's literature circles for its inventive monster-themed adventures, with reviewers noting the series' potential to captivate reluctant readers through fast-paced plots and visual humor reminiscent of Jennings' animated films.[48] These recognitions emphasize the crossover appeal of his writing, blending cinematic flair with print storytelling to encourage young audiences' imagination and reading interest.Filmography
Feature films
- The Hitchhiker's Guide to the Galaxy (2005): Director; starring Martin Freeman as Arthur Dent and Zooey Deschanel as Trillian.[34]
- Son of Rambow (2007): Director and writer; starring Bill Milner as Will Proudfoot and Will Poulter as Lee Carter.[35]
- Sing (2016): Director and writer; animated musical starring voices of Matthew McConaughey, Reese Witherspoon, and Scarlett Johansson.[36]
- Sing 2 (2021): Director and writer; animated musical sequel starring voices of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, and Bono.[39]
Short films and television
Jennings began his career with experimental short films during the Hammer and Tongs era, including pieces showcased at film festivals such as the Portobello Film Festival retrospective in 2008.[71] Key short films directed by Jennings include:- Scotch Mist (2007): A 41-minute webcast film featuring Radiohead performing tracks from their album In Rainbows, co-directed with Adam Buxton.[72]
- Madame (2019): An animated short depicting an elegant elderly Parisian woman harboring an inner monster.[55]
- Come Home (2021): A 2-minute animated short in the Sing franchise, where a wolf mother reunites with her family during a blizzard at a variety show.[40]
- Sing: Thriller (2024): An 11-minute Netflix animated short in the Sing universe, featuring characters performing Michael Jackson's "Thriller" in a zombie-themed spectacle.[15]
Music videos and commercials
Jennings, in collaboration with Nick Goldsmith under the production company Hammer & Tongs, directed over 40 music videos from the mid-1990s to 2012, working with a diverse array of artists across genres.[26] Notable examples include:- "Coffee & TV" for Blur (1999)[27]
- "Right Here, Right Now" for Fatboy Slim (1999)[28]
- "Pumping on Your Stereo" for Supergrass (1999)
- "Imitation of Life" for R.E.M. (2001)[29]
- "A-Punk" for Vampire Weekend (2008)[26]
- "Lotus Flower" for Radiohead (2011)[26]