Fact-checked by Grok 2 weeks ago

Hollywood Steps Out

Hollywood Steps Out is a 1941 American animated short film in the series, directed by and produced by for The seven-minute cartoon satirizes the glamorous nightlife of , depicting a parade of celebrity caricatures arriving at nightclub on the for dining, dancing, and flirtation, accompanied by the music of as emcee. Production on the short began on October 22, 1940, in Avery's unit at the studio, with animation by artists including , Virgil Ross, and Bob McKimson, and musical direction by Carl Stalling. Released theatrically on May 24, 1941, it features voice characterizations by , Kent Rogers, , and , bringing to life over 40 caricatures of stars such as , , , , and the , often in risqué or exaggerated scenarios that reflect Avery's signature wild humor. The film premiered in at the Strand Theatre from July 5 to 19, 1941, and later in on September 18, 1941. Notable for its timely pop culture references and adult-oriented gags, including suggestive dances and celebrity pairings, Hollywood Steps Out was reissued in 1948 as a "Blue Ribbon" Merrie Melodies title, but with approximately 52 seconds edited out to remove scenes featuring recently deceased or sensitive figures like Carole Lombard and Shirley Temple. The original 1941 nitrate print was long considered lost, though fragments resurfaced in 2016 from a private collection. As one of Avery's early Warner Bros. works before his departure to MGM in 1942, the short exemplifies the bold, satirical style that influenced later Looney Tunes productions.

Production

Concept and Development

Hollywood Steps Out originated as a short conceived by director during late 1940, with production commencing on October 22, 1940, at ' Termite Terrace studio. The concept centered on a satirical portrayal of Hollywood's elite nightlife, capturing the glamour and gossip surrounding celebrity gatherings at upscale venues like nightclub on the , a notorious hotspot for film stars in the early 1940s. Avery aimed to lampoon the social scene through exaggerated caricatures, reflecting the era's fascination with Tinseltown personalities and their public personas. The development process emphasized a streamlined narrative structure to build comedic momentum within a single-location setting: a bustling nightclub sequence where stars arrive, mingle, and engage in absurd antics. Story credits went to Melvin Millar and Dave Monahan, who crafted the script around escalating visual humor rather than extensive dialogue, allowing Avery's signature irreverent style—evident in prior works like Of Fox and Hounds—to shine through rapid-fire gags and sight-based . This approach facilitated the inclusion of over 40 caricatures selected for their peak popularity in 1941, prioritizing instantly recognizable figures such as , , and to maximize audience appeal and satirical bite. Pre-production planning highlighted the short's status as a high-profile "special event" cartoon, with Avery and producer promoting it aggressively in newspapers and trade publications like Variety and Motion Picture Herald for its star-studded ensemble and novelty value. Technicolor cutting continuities were prepared as early as May 16, 1941, underscoring the meticulous preparation to ensure the parody's timely relevance amid Hollywood's evolving celebrity landscape. This buzz positioned Hollywood Steps Out as a standout entry, distinct from standard character-driven shorts.

Creative Team and Animation

Hollywood Steps Out was directed by Fred "Tex" Avery for Productions. The animation was primarily handled by lead animator , with uncredited support from Virgil Ross, , Charles McKimson, and Rev Chaney. The short's editing was overseen by Treg Brown. Musical direction came from , who arranged an original score incorporating adaptations of popular tunes such as "Oh! You Beautiful Doll," "Merrily We Roll Along," and "Where Was I?" to underscore the nightclub setting. The voice cast featured as the nightclub waiter (Jerry Colonna caricature). Kent Rogers provided voices for numerous male caricatures, including , Jimmy Stewart, , and . Sara Berner provided voices for several female caricatures, such as , , and . Additional voices were contributed by . The animation techniques emphasized exaggerated squash-and-stretch principles to amplify the caricatures' comedic expressions and movements, a hallmark of Avery's dynamic style. Crowd scenes employed more restrained to efficiently populate the 8-minute, 36-second runtime, while the use of enhanced the lively, glamorous atmosphere of the depicted .

Plot

The short opens with sweeping searchlights over a nighttime view of , pulsing to the rhythm of a drum. The action shifts inside Ciro's nightclub on the , where various Hollywood celebrities arrive for a glamorous evening of dining at $50 a plate, dancing, and flirtation, with acting as the emcee. The film unfolds as a series of rapid-fire gags and interactions among the caricatured stars. purchases a cigar from , who lights it using her foot after matches fail. chats up , dubbed the "Oomph Girl." sheds his tuxedo for his loincloth to fan , who trails feathers. , , and engage in a game of . plays a prank on Garbo with a match, drawing out her slow "Ouch!" Crosby introduces conductor , who leads the orchestra in a beat, prompting a dance sequence. Dorothy pairs with , who flees in panic, leaving behind a sign reading "??" and glide across the floor on ice skates, while poke one another to the rhythm. and wash dishes to settle their bill. Other stars mingle in pairs, including with and with . The entertainment features Sally Rand's bubble dance, which Harpo Marx bursts with a pin, leaving her clinging to a barrel. The cartoon closes with Clark Gable escorting a blonde woman into a taxi, only for her to reveal herself as Groucho Marx in drag, prompting Gable to quip, "Well! If it isn't Groucho Marx! Of all the gin joints in all the world..."

Caricatures

Hollywood Steps Out features caricatures of over 40 celebrities from the era, many in exaggerated or risqué scenarios. The following is a list in approximate order of appearance, with brief descriptions of their roles:
  • Claudette Colbert: Arrives at the nightclub for dining.
  • Don Ameche: Arrives at the nightclub for dining.
  • Adolphe Menjou: Arrives at the nightclub for dining.
  • Norma Shearer: Arrives at the nightclub for dining.
  • Cary Grant: Buys cigarettes from Greta Garbo and talks to himself.
  • Greta Garbo: Portrayed as a cigarette girl who lights Grant's cigarette with her foot.
  • Edward G. Robinson: Inquires about Ann Sheridan's "oomph."
  • Ann Sheridan: Responds to Robinson as the "Oomph Girl."
  • Henry Binder and Leon Schlesinger: Seated together at a table (studio producers).
  • Bette Davis: Has a reserved table.
  • Kate Smith: Seated on a large sofa, referencing her size.
  • Blondie, Dagwood, and Baby Dumpling (from the comic strip): Seated at a family table, with the dog Daisy using a fire hydrant.
  • Johnny Weissmuller: Arrives in a cloak, revealing a Tarzan outfit in the cloakroom.
  • Sally Rand: Performs a suggestive bubble dance.
  • James Cagney, Humphrey Bogart, and George Raft: Prepare to pitch pennies against a wall.
  • Harpo Marx: Plays pranks, including sticking matches under Garbo's foot and shooting at the bubble dance.
  • Clark Gable: Chases a woman (Groucho Marx in drag) and interacts flirtatiously.
  • Bing Crosby: Serves as emcee, announcing acts, interrupted by a jockey.
  • Leopold Stokowski: Conducts the conga line with a hair net as a baton.
  • Dorothy Lamour: Asks James Stewart to dance.
  • James Stewart: Stutters and flees from Lamour, leaving a sign behind.
  • Tyrone Power and Sonja Henie: Dance together, with Henie on ice skates.
  • Boris Karloff: Dances stiffly like Frankenstein's monster.
  • The Three Stooges (Moe, Larry, Curly): Poke and smash each other to the rhythm.
  • Oliver Hardy: Dances with two women.
  • Cesar Romero and Rita Hayworth: Dance clumsily, with Romero's large feet ripping Hayworth's dress.
  • Mickey Rooney and Judy Garland: Seated together; Rooney later washes dishes due to a large bill.
  • Lewis Stone: Assists Rooney in washing dishes.
  • Kay Kyser: Shouts "Students!" during the bubble dance.
  • William Powell, Spencer Tracy, Ronald Colman, and Errol Flynn: Whistle and exclaim "Baby!" at the bubble dance.
  • Wallace Beery, C. Aubrey Smith: Sit watching the bubble dance.
  • Peter Lorre: Dreamily comments on the bubble.
  • Henry Fonda: Enjoys the bubble dance but is pulled away by his mother.
  • J. Edgar Hoover: Repeatedly says "Gee!" while watching.
  • Arthur Treacher, Buster Keaton, and Mischa Auer: Watch the bubble dance impassively.
  • Jerry Colonna: Reacts excitedly to the bubble, mentioning "Yehudi."
  • Groucho Marx: Disguised in drag, chased and kissed by Gable.
Certain scenes featuring Carole Lombard (with Gable), Edna May Oliver (with Ned Sparks), Gary Cooper (with Shirley Temple), and Shirley Temple were edited out in the 1948 reissue.

Release

Original Release and Reissues

Hollywood Steps Out was released on May 24, 1941, as a Merrie Melodies short subject produced by Leon Schlesinger Productions and distributed by Warner Bros. It premiered in New York at the Strand Theatre from July 5 to 19, 1941, and later in Los Angeles on September 18, 1941. The short was advertised in trade publications like Motion Picture Herald as a celebrity-packed novelty, emphasizing its satirical caricatures of to appeal to audiences seeking lighthearted diversion amid escalating global tensions leading into . It drew strong attendance through star recognition, with exhibitor reports praising its humorous appeal, though precise data remains unavailable. In 1948, the cartoon underwent a reissue on October 2, part of ' program to rerelease select shorts with refreshed title sequences. This version was altered, shortening the runtime by approximately 52 seconds.

and Editing

Following its original 1941 theatrical release, "Hollywood Steps Out" underwent significant alterations, beginning with the 1948 reissue, which shortened the cartoon by approximately 52 seconds to remove scenes involving recently deceased actors and potentially sensitive content. These cuts included the sequence of dining with his wife (following her death in a 1942 plane crash), dancing with during the , and paired with Edna Mae Oliver (who died in 1942), reflecting ' practice of updating caricatures for sensitivity to real-world events and audience expectations. For television broadcasts, additional edits were applied to align with family-oriented standards influenced by lingering Hays Code principles, particularly targeting suggestive or violent gags. On the WB Network, two scenes featuring were excised: one where she offers a and lights it using a match struck on her , and another where applies a hot-foot prank by lighting matches in her shoe, deemed inappropriate due to depictions of smoking and minor . In syndication packages aired during the 1960s through 1980s on networks like and later , further trims occurred, including potential shortening around the sequence to obscure his flirtatious pursuit. The original 1941 nitrate print was long considered lost, though fragments resurfaced in 2016 from a , allowing partial recovery of uncut . The commonly available version preserves the edited , including its risqué elements under the era's Production Code. In modern times, post-2000 television airings have become rare owing to concerns over dated stereotypes in the celebrity caricatures and the overall mature themes, though the short remains preserved in film archives for historical study and occasional festival screenings.

Reception and Legacy

Critical Reception

Upon its release in 1941, Hollywood Steps Out garnered favorable notices from industry trade publications for its satirical take on Hollywood glamour. Exhibitors in the Motion Picture Herald described it as a "good color which burlesques the movie " and rated it "above average," emphasizing its appeal through sharp caricatures and timely humor amid the era's . One reviewer, W. Varick Nevins III of the Alfred Co-Op Theatre in , called it "one of the best s ever," praising the "perfect voice imitations" that drew laughter from small-town audiences. Animator perspectives highlighted the short's success in distilling celebrity essences into exaggerated gags, contributing to its immediate popularity. Animation historian Keith Scott, in his analysis of voice work, points to the cartoon's reliance on young impressionist Kent Rogers for celebrity vocals, which elicited strong laughter through spot-on mimicry and the thrill of identification. Retrospective views continue to celebrate the short's bold, irreverent gags as a high point of Tex Avery's Warner Bros. tenure, showcasing innovative parody that blurred lines between animation and live-action stardom. The cartoon received no formal awards or Academy Award nominations, unlike some contemporaries in the series. Nonetheless, it earned internal acclaim at Warner Bros., with studio promotions and exhibitor feedback underscoring the Avery team's prowess in delivering a hit that boosted short-subject bookings.

Cultural Impact and Influence

"Hollywood Steps Out" exemplifies Tex Avery's irreverent style within the canon, characterized by anarchic comedy and pop culture references that broke the , influencing subsequent shorts and the broader trajectory of cartoon satire. This short's use of exaggerated caricatures to lampoon personas set a benchmark for in , evident in Avery's later works at and echoed in the irreverent spoofs of cartoons. The film's pioneering approach to mass celebrity in theatrical shorts contributed to a tradition of in , inspiring similar ensemble parodies that between live-action stardom and animated critique. By featuring over 40 stars in a nightclub setting, it highlighted animators' resentment toward the , positioning animated figures as subversive counterparts to their live-action idols and influencing crossover appeal in adult-oriented . This legacy extends to later media, where logic reinforces cultural stereotypes through incongruity and exaggeration, as seen in contemporary satirical animations. As a reflection of 1940s celebrity worship, the short offers incisive commentary on Hollywood's glamour through its satirical lens, targeting the era's icons with adult humor that critiqued public personas and industry hierarchies. Modern analyses note its gender dynamics in sequences like the dance numbers, where suggestive gags involving stars such as and underscore the film's iconoclastic take on sexualized celebrity imagery, though these elements have drawn scrutiny for reinforcing period-specific tropes. The short's historical value has ensured its preservation as a key artifact of golden-age , frequently featured in retrospectives and discussions on evolution, underscoring its role in bridging early 20th-century with enduring critique.

Home Media

Hollywood Steps Out is available on the : Volume 2 DVD set, released on November 2, 2004. The short is also included in the Looney Tunes Platinum Collection: Volume 2 Blu-ray set, originally released on October 16, 2012, and reissued on June 24, 2025. Both releases feature the 1948 reissue version of the cartoon. As of November 2025, it is not available on major streaming platforms.

References

  1. [1]
    Hollywood Steps Out (1941) - The Internet Animation Database
    Studio: Warner Bros. Release Date : May 24, 1941, Series: Merrie Melodies · General Info · Screenshots ...
  2. [2]
    Hollywood Steps Out (Short 1941) - IMDb
    Rating 7/10 (1,233) Set in the Legenday Hollywood hills restaurant Ciro's, this Tex Avery directed Looney Tunes short has way too many caricatures of popular actors and actresses ...Missing: facts | Show results with:facts
  3. [3]
    “Hollywood Steps Out”: The Full Scoop | - Cartoon Research
    Mar 25, 2025 · On October 22, 1940, Tex Avery's unit began production on Hollywood Steps Out, a satire of Tinseltown nightlife that brims with caricatures ...Missing: facts | Show results with:facts
  4. [4]
    Hollywood Steps Out (Short 1941) - Full cast & crew - IMDb
    Hollywood Steps Out (Short 1941) - Cast and crew credits, including actors ... Tex Avery. (as Fred Avery). Writer. Edit. (in alphabetical order). Melvin ...
  5. [5]
    Hollywood Steps Out (1941) - Tex Avery - Letterboxd
    Rating 3.5 (1,870) Hollywood Steps Out ; Director · Tex Avery ; Producer · Leon Schlesinger ; Story · Melvin Millar ; Editor · Treg Brown ; Composer · Carl W. Stalling ...
  6. [6]
    Hollywood Steps Out (Short 1941) - Soundtracks - IMDb
    Cast & crew · User reviews · Trivia · FAQ · IMDbPro. All topics. Hollywood Steps Out (1941). Soundtracks. Hollywood Steps Out ... See the full gallery. Recently ...
  7. [7]
    Hollywood Steps Out (1941) - Movie | Moviefone
    Hollywood Steps Out (1941). Movie. Hollywood Steps Out ... StarringDave Barry Sara Berner Mel Blanc. Director ... Kent Rogers. as Jimmy Stewart / Mickey Rooney / ...
  8. [8]
    Tex Avery - Lambiek Comiclopedia
    Avery renditions of Gary Cooper and Shirley Temple in 'Hollywood Steps Out' (1941). This scene, however, was not included in the theatrical release. Influence ...
  9. [9]
    328. Hollywood Steps Out (1941) - Likely Looney, Mostly Merrie
    Apr 22, 2014 · Warner cartoon no. 327. Release date: May 24, 1941. Series: Merrie Melodies. Supervision: Tex Avery. Producer: Leon Schlesinger.
  10. [10]
    Full text of "Motion Picture Herald (May-Jun 1941)" - Internet Archive
    May 3 , 1941 MOTION PICTURE HERALD 23 RCA CALLS ON FILMS FOR SHOWS FOR ... Hollywood Steps Out 5-24-41 BOB HOPE RE-ISSUES (Average 18 Min.) 6901 ...
  11. [11]
  12. [12]
    Full text of "Motion Picture Herald (Nov-Dec 1941)" - Internet Archive
    1941 MOTION PICTURE HERALD 13 PITTSBURGH IS NO. 1 BOX OFFICE BENEFICIARY ... HOLLYWOOD STEPS OUT: Merrie Melodies— A very good take-off on the stars in ...
  13. [13]
    List of Warner Bros. cartoons with Blue Ribbon reissues
    ... box office value for a low cost and to mitigate the studio's limitations of ... "Hollywood Steps Out", 1941-05-24, Merrie Melodies, 1947–48, 1948-10-02.
  14. [14]
    Hollywood Steps Out | Warner Bros. Entertainment Wiki - Fandom
    Hollywood Steps Out is a 1941 Merrie Melodies short directed by Fred Avery. A large bird's-eye view of a city is shown with beams of light moving to a conga ...
  15. [15]
    The Censored Looney Tunes and Merrie Melodies Guide: H
    "Hollywood Steps Out" (Avery; 1941):. WB: This cartoon was definitely missing two scenes: first, Greta Garbo offering to Cary Grant a cigarette and then ...
  16. [16]
    “Hello All You Happy Tax Payers”: Tex Avery's Voice Stock Company |
    Feb 10, 2020 · Tex knew who he wanted for the alter ego: the young actor-impressionist Kent Rogers had done some fine mimicry for Avery in HOLLYWOOD STEPS OUT ...
  17. [17]
    Hays Is for Horses: Cartoons' Crossover Appeal, Dis-figuration, and ...
    Mar 31, 2023 · In films like Hollywood Capers (1935), Coo-Coo Nut Grove (1936), Hollywood Bowl (1938), and Hollywood Steps Out (1941), famous personalities ...
  18. [18]
    Issues of performance and representation in celebrity voice-acting
    Aug 6, 2025 · ... Hollywood Steps Out (Tex Avery 1941)). But there is a novel convergence that occurs with the recent popularization of celebrity voice-acting ...
  19. [19]
    Tex Avery: Arch-Radicalizer of the Hollywood Cartoon
    Apr 30, 2009 · Tex Avery was the foremost innovator at the Warner Brothers Cartoon comedy cooking hotbed, and his strategies of self-reflexive structuring and ...
  20. [20]
    Dr. Toon: Celebrity Bash | Animation World Network
    Mar 9, 2007 · Cartoons, such as The Coo Coo Nut Grove (1936) and Hollywood Steps Out (1941), featured a gala of Tinseltown's elite. One charming effort ...
  21. [21]
    Overloading, Incongruity, Animation: A Theory of Caricature and ...
    For an example, see Tex Avery's Hollywood Steps Out (1941). Crafton describes the multiple forms of resentment expressed by the Warner Bros. animators ...<|separator|>
  22. [22]
    [PDF] Animation in the Core of Dystopia: Ari Folman's The Congress - RiuNet
    Deliberately aimed at an adult audience, Tex Avery's satirical parody Hollywood Steps Out (1941) presents an animated world featuring exclusively film stars ...
  23. [23]
    (PDF) Theatrical Cartoon Comedy: From Animated Portmanteau to ...
    Hollywood Steps Out (Tex Avery, 1941) set in a dinner club, caricatures some of Hollywood's best known romance and comedy stars – Cary Grant, Clark Gable ...