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Inalpi Arena

The Inalpi Arena is a multi-purpose indoor arena located in , , serving as the largest indoor sporting and entertainment venue in the country with a maximum of 15,000. Originally constructed as the Palasport Olimpico and opened on December 13, 2005, it was built specifically to host events during the , including preliminary rounds, semi-finals, and finals, at a cost of €87 million. The arena, designed by Japanese architect in collaboration with Italian architect Pier Paolo Maggiora, spans 183 meters in length, 100 meters in width, and 18 meters in height, featuring cladding over a glazed base and exceptional acoustics for diverse configurations. Renamed Pala Alpitour in 2014 under a sponsorship agreement with the travel company Alpitour, the venue adopted its current name, Inalpi Arena, in early 2024 following a new sponsorship deal with the dairy company Inalpi, while remaining managed by Parcolimpico S.r.l. in with Live Nation. Its flexible design allows for capacities ranging from 12,350 seats in configuration to over 15,600 in concert mode, and it holds UNI EN ISO 20121:2012 certification for sustainable event management. Since its Olympic debut, Inalpi Arena has become a premier destination for international sports and entertainment, hosting the Nitto ATP Finals annually since 2021 with up to 12,000 spectators per session, as well as the opening ceremony of the 2025 FISU World University Games. In music, it has welcomed global icons including U2, Madonna, Bruce Springsteen, Lady Gaga, Rihanna, and Ed Sheeran, alongside around 50 major events in 2023 that drew nearly 500,000 attendees. The arena also supports ice hockey events and accommodates corporate events, exhibitions, and other spectacles, solidifying its role as a cultural and athletic landmark in northern Italy.

History

Planning and construction

The decision to construct a new multi-purpose arena in stemmed from the city's successful bid to host the , awarded by the in 1999. As part of the venue infrastructure, the Palasport Olimpico was planned to serve as the primary facility for competitions, accommodating preliminary rounds and semifinals for up to 12,500 spectators, in conjunction with the adjacent Torino Esposizioni hall. This development was integral to revitalizing the Santa Rita district and enhancing 's urban landscape through the creation of the Torino Olympic Park, a centralized hub for Olympic events and future community use. Planning advanced rapidly following the bid, with an international design competition announced in 2001 and won by Japanese architect in late 2002. Construction commenced in July 2003 under the supervision of Isozaki and Italian project architects Andrea Maffei and Pier Paolo Maggiora, who collaborated on adapting the concept to local contexts. The design drew inspiration from modernist geometric forms, envisioning a sleek, rectangular "box" structure to symbolize efficiency and versatility, with a stainless steel-clad exterior evoking industrial precision while allowing reconfiguration for post- events. Building progressed swiftly to meet Olympic deadlines, reaching completion in November 2005. The project incurred total construction costs of €87 million, financed mainly through contributions from the City of and the Torino 2006 Olympic Winter Games Organising Committee (TOROC), supported by national government allocations within the overall Games budget of approximately €1.2 billion. The site at Corso Sebastopoli 123 was selected for its proximity to existing transport links and the Stadio Comunale (later redeveloped as ), facilitating integration into the 300,000-square-meter Torino Olympic Park. Environmental considerations guided the build, including the use of recyclable materials like titanium-zinc alloy roofing for durability and reduced lifecycle impact, alongside energy-efficient systems to minimize emissions during construction, aligning with the Olympics' charter.

Opening and early operations

The Inalpi Arena, originally known as PalaOlimpico, was officially inaugurated on December 13, 2005, with an initial test event featuring a friendly match between the Italian and Canadian national teams. This public debut marked the arena's readiness for its primary role in the upcoming , following a series of preparatory tests to ensure operational functionality. The opening aligned with the final phases of construction, allowing for immediate integration into Turin's Olympic infrastructure. During the , held from February 10 to 26, the arena served as the main venue for the men's and women's tournaments, hosting preliminary rounds, semifinals, and finals alongside the secondary Torino Esposizioni. Notable matches included the men's game on February 26, where defeated 3–2 in overtime, drawing an attendance of 8,274 spectators. The facility accommodated up to 12,350 fans for these events, contributing to the overall success of the Olympic competitions, which featured 14 teams in the men's draw and eight in the women's. Early management of the arena fell under Parcolimpico S.r.l., a company established by the City of Turin to oversee Olympic legacy venues and ensure their post-Games viability. Following the Olympics, the arena transitioned to regular operations, with initial non-Olympic bookings focusing on sports and entertainment to maintain utilization. Adaptations for multi-use functionality, such as reconfiguring the for courts, enabled early hosting of professional events, including the 2008–09 final stage. However, logistical challenges arose in optimizing the underground design—originally tailored for —for diverse configurations, requiring adjustments in flooring systems and spectator flow to support varied event formats.

Naming changes and renovations

The arena, originally named Palasport Olimpico upon its opening in 2005 and commonly referred to as Torino Palasport Olimpico or simply PalaOlimpico until 2009, underwent its first significant operational shift with the entry of Live Nation as the main shareholder of Parcolimpico Srl, the managing entity for Torino 2006 Olympic venues, in December 2009. This partnership emphasized enhanced programming for entertainment and concerts, leading to temporary branding continuity as PalaOlimpico while boosting the venue's role as a hub for international tours and events. In August 2014, the arena was renamed Pala Alpitour following a sponsorship agreement with the Italian travel company Alpitour, a deal that lasted until January 2024 and reflected efforts to integrate promotion with venue operations under Live Nation's management. The name changed again in January 2024 to Inalpi Arena through a multi-year sponsorship with Inalpi, a Piedmont-based company, extending at least until the end of 2028 and underscoring commitments to environmental sustainability, including adoption of best practices for and waste reduction as outlined in the venue's charter. A major renovation project in focused on maintenance and upgrades, including improvements to seating configurations for better flexibility, enhanced lighting and acoustics for improved event quality, and measures such as system optimizations to reduce consumption. These works, directed by engineering firms like MDR Engineering, resulted in more sustainable operations and heightened adaptability for diverse programming, though specific costs were not publicly detailed beyond the original construction budget of €87 million. Ownership of the arena has remained stable under the City of Turin since its inception, ensuring long-term public oversight of the asset as part of the legacy infrastructure. Operator changes, particularly Live Nation's involvement since 2009, have influenced programming by prioritizing high-profile concerts and sports events, expanding the venue's annual calendar while maintaining its multipurpose functionality.

Design and facilities

Architectural features

The Inalpi Arena, originally known as PalaOlimpico, embodies a futuristic philosophy envisioned by Japanese architect and Italian architect Pier Paolo Maggiora, who conceptualized it as a "factory of events" to support diverse and post- uses. Completed in 2005 for the in , the structure draws on themes of adaptability and innovation, reflecting Isozaki's approach to architecture as a responsive, fluid entity that bridges cultural and functional boundaries. The exterior presents a striking form, measuring approximately 183 meters long, 100 meters wide, and 18 meters high, clad entirely in that gives it a sleek, ethereal appearance. This volume appears to hover above a transparent 5-meter-high base, creating an of lightness and integration with the surrounding , enhanced by its position within the Torino Olympic Park for seamless pedestrian access via adjacent green spaces. The design harmonizes visually with the park's open areas, including proximity to the and Piazzale , fostering a cohesive urban sports district. Structurally, the arena incorporates innovations for multi-purpose functionality, including a high load-bearing capable of supporting up to 80 tons and a system of movable and retractable that allow rapid reconfiguration. A temporary movable deck enables flexible flooring transitions between ice rinks, sports courts, and concert stages, while advanced safety features like smoke evacuation domes and digital access controls ensure operational versatility. Inside, the arena spans two levels above two underground ones, for a total of four levels, with a 4,000-square-meter foyer featuring spaces and refreshment areas that emphasize spatial flexibility. Exceptional acoustics, designed to adapt for both sports and performances, combine with dimmable lighting systems and high-impact aesthetics to support immersive events, including integrated LED elements for dynamic . Sustainability was integrated into the original 2005 design through energy-efficient structural choices, and ongoing management by Parcolimpico has enhanced this with 100% renewable energy use and certification for occupational health and safety.

Capacity and configurations

The Inalpi Arena features a flexible seating system with movable and retractable , allowing for configurations tailored to various event types and capacities exceeding 15,000 spectators in general setups, including floor standing areas for concerts. As of 2025, temporary configurations for events like the Nitto ATP Finals have further increased capacity with added courtside stands. For , the arena accommodates 12,350 seated spectators, while events utilize a capacity of 16,600, and competitions support up to 15,800 attendees. Concert configurations vary, with 15,657 seats available for center-stage performances and 13,347 for end-stage setups. Accessibility provisions include dedicated seating and services for individuals with mobility impairments located on the ground floor along the arena's perimeter, providing direct external without stairs, in compliance with Italian standards for disabled such as ramps and elevators. Event organizers handle reservations for these areas to ensure inclusive participation. Additional facilities encompass VIP lounges like the Golden Stage hospitality area with reserved entrances, dedicated catering, and indoor options, alongside areas for coverage. The venue offers ample for over 2,000 vehicles in nearby public lots, including designated spots for persons with disabilities along adjacent streets, complemented by strong links via the nearby Nizza metro station and tram lines 4, 10, 14, 63, and 17. Safety features prioritize efficient evacuation with multiple emergency exits and a capacity designed for rapid egress of up to 15,000+ occupants, supported by a comprehensive including sprinklers and smoke evacuation domes, as well as an advanced for monitoring. Post-2018 upgrades have enhanced crowd management through the addition of safety lines for rigging, anti-counterfeiting technology, and improved technical infrastructure to bolster overall security.

Hosted events

Sports competitions

The Inalpi Arena, originally constructed as the Palasport Olimpico for the , served as the primary venue for competitions during the Games, hosting both men's and women's tournaments alongside the Torino Esposizioni. The men's event featured 12 teams and 282 athletes, culminating in Sweden's victory over in the final, with securing bronze after defeating the . The women's tournament involved 8 teams and 160 athletes, where defended its Olympic title by defeating Sweden in the game, while took bronze against . Notable attendances included over 8,700 spectators for key playoff matches at the arena, approaching its 12,350 capacity for configurations and contributing to the event's role in showcasing high-level international play. From 2021 to 2025, the Inalpi Arena hosted the Nitto ATP Finals, the season-ending championship for the top eight men's singles players and doubles teams on the , marking it as Italy's largest indoor event. The 2025 edition, held from November 9 to 16, featured group play followed by knockout stages on indoor hard courts, drawing elite competitors such as world No. 1 and , with matches broadcast globally and emphasizing the venue's suitability for high-profile racket sports. This annual residency solidified the arena's prominence in professional , attracting thousands of fans and boosting local engagement with the sport. The arena has been a key home venue for basketball in Turin since its opening, regularly hosting games for local teams like (formerly Auxilium Torino) and serving as the site for the Italian Basketball Cup's Final Eight tournament in multiple years, including 2023, 2024, and 2025. These events feature the top eight teams in quarterfinals, semifinals, and finals, with capacities filled for high-stakes matches that highlight Italy's competitive domestic league. Volleyball competitions have also been prominent, including the final six of the 2018 FIVB Men's Volleyball World Championship, where defeated for the title in front of packed crowds, as well as the 2023 Super Finals. The arena hosted the opening ceremony of the 2025 on January 13, 2025, marking the start of the for university athletes. Mixed martial arts events at the Inalpi Arena include 152 in April 2016, headlined by Patricky "Pitbull" Freire's lightweight title defense against Kevin Souza, and Bellator 176 in April 2017, featuring Rafael Carvalho's middleweight rematch win over , both drawing significant international attention to the venue's combat sports capabilities. Other athletic competitions encompass live events, such as the 2018 tour stop with matches involving top roster talents, and international meets like the Acro Cup series for acrobatic disciplines. and additional MMA bouts have further diversified the programming, with notable crowds underscoring the arena's versatility for contact sports. Post-Olympics, the Inalpi Arena has significantly contributed to 's evolution as a major sports hub, leveraging its to host over 100 international events annually and generating economic impacts exceeding €500 million through and local development since 2021. By accommodating diverse competitions from nationals to global championships, it has sustained the city's legacy, fostering community participation and positioning as a preferred destination for professional athletics in .

Entertainment and cultural events

The Inalpi Arena has established itself as a premier venue for major international concerts, showcasing a diverse array of global artists since its opening. Notable performances include Madonna's shows during her in 2008 and in 2015, which drew large crowds and highlighted the arena's capacity for high-production spectacles. performed there twice during their 360° Tour in 2009 and 2010, featuring innovative stage designs that surrounded the audience, while Metallica's 2012 concert as part of their European Black Album Tour emphasized the venue's suitability for acts with intense sound systems. These events often featured setlists blending and new material, such as 's renditions of "" and "," contributing to sold-out attendances exceeding 12,000 per show. A significant cultural milestone was the arena's role in hosting the , the 66th edition of the event, held from May 10 to 14 at the then-PalaOlimpico. The contest, broadcast live by Italy's and the , culminated in Ukraine's winning with the song "Stefania," amid geopolitical solidarity themes. It attracted 161 million television viewers worldwide, marking one of the highest viewership figures in the contest's history and underscoring the arena's broadcast infrastructure. The event's production involved elaborate staging and international feeds, reaching audiences across and beyond. Beyond , the arena supports a range of including tours, ceremonies, and private corporate events, leveraging its exceptional acoustics for clear audio delivery across genres. performances benefit from the venue's intimate configurations, while shows utilize its flexible spaces for ceremonies honoring and achievements. Corporate gatherings, such as gala dinners and conferences, often incorporate elements, with the 4,000 m² foyer enabling formats. These non-concert events highlight the arena's versatility for cultural and professional programming. Broadcast history includes extensive RAI productions for music and entertainment, with international feeds for major shows like Eurovision, ensuring wide accessibility. Post-2024, under the Inalpi sponsorship, the arena has seen an uptick in bookings for Italian artists, exemplified by upcoming 2025 concerts like on November 28 and on November 29, which sold out rapidly and feature setlists from their latest albums, reflecting a focus on national talent. This shift has enhanced programming diversity, with events like Elodie's show emphasizing local pop and rock acts.

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