Jared Martin
Jared Martin (December 21, 1941 – May 24, 2017) was an American actor best known for portraying Steven "Dusty" Farlow, the rodeo cowboy and love interest of Sue Ellen Ewing, in the long-running prime-time soap opera Dallas from 1979 to 1982 and in 1991.[1][2] Born in Manhattan, New York, Martin came from an artistic family, with his father, Charles E. Martin, being a renowned cartoonist and cover artist for The New Yorker, and his mother, Florence Taylor, an artist and homemaker.[3][4] Martin pursued acting after graduating from the Putney School in Vermont and studying at Columbia University, followed by an apprenticeship with theater director Joseph Papp at the New York Shakespeare Festival.[1] His early career in the late 1960s included roles in films such as Murder à la Mod (1968) and The Wedding Party (1969).[1] He gained further recognition in the 1970s for his lead role as Ben Richards in the short-lived sci-fi series The Immortal (1970–1971), the lead role of Varian in The Fantastic Journey (1977), and a supporting part in the science-fiction film Westworld (1973), directed by Michael Crichton.[1] Throughout the 1980s and early 1990s, Martin's career emphasized television work, including episodes of The Hitchhiker and a lead role as Harrison Blackwood in the sci-fi series War of the Worlds (1988–1990).[1] His iconic Dallas character, Dusty Farlow, became a fan favorite, embodying the rugged, independent spirit of Texas ranch life and contributing to the show's dramatic storylines involving the Ewing family dynasty.[2] After Dallas, Martin transitioned into directing and producing, teaching acting and directing as a senior lecturer at the University of the Arts in Philadelphia from 2004 to 2007 and co-founding a non-profit organization focused on film production education for inner-city and migrant youth.[1] In his personal life, Martin was married to Yu Wei from 2000 until his death and had a son, Christian Martin, an executive at A&E Television Networks, along with two grandchildren.[1] He passed away on May 24, 2017, in Philadelphia, Pennsylvania, at the age of 75, after a battle with pancreatic cancer.[3][2]Early life
Family background
Jared Christopher Martin was born on December 21, 1941, in Manhattan, New York City.[5] His father, Charles E. Martin, was a renowned cartoonist and cover artist who contributed hundreds of works to The New Yorker magazine over several decades.[6] Martin's mother, Florence Taylor Martin, was an artist and homemaker whose creative pursuits complemented the family's artistic environment.[7] Growing up in the culturally vibrant atmosphere of New York City, surrounded by his parents' involvement in the arts, Martin developed an early appreciation for creative expression that would later influence his career path.[8] At the age of thirteen, Martin made his acting debut in a local children's theater group, a decision prompted by his parents offering him the choice between piano lessons or participation in theater.[7] This early exposure to performance marked the beginning of his interest in acting, fostering skills and passion amid the city's rich theatrical scene.Education
Martin attended the Putney School, an independent boarding high school in Putney, Vermont, where he graduated after developing his early interest in theater and discovering athletics.[9][2] He then enrolled at Columbia University in New York City, earning a Bachelor of Arts degree with a focus on drama.[10][9] During his time there, Martin honed his acting skills through participation in university plays and experimental films, often collaborating with peers like future director Brian De Palma, with whom he roomed.[7][9] These experiences in Columbia's theater scene served as a crucial foundation for his professional aspirations in performance. Following graduation, Martin took a position at The New York Times as a copy boy and assistant in selecting books for review, reading galleys to support the literary section.[9][11] Encouraged by his family's artistic inclinations from childhood, he ultimately left this newspaper role in 1967 to pursue acting full-time, marking the transition from academic preparation to a dedicated career in the arts.[9][12]Acting career
Theater and early roles
Martin began his professional acting career in theater during the late 1960s, following his studies in drama at Columbia University, where he developed foundational skills through stage performances and experimental films.[13] He made his Off-Broadway debut at Joseph Papp's Public Theater in Manhattan, portraying Laertes in a modern rock-disco adaptation of Hamlet alongside Martin Sheen and Cleavon Little.[14] This role marked his entry into professional stage work after apprenticing with Papp's Shakespeare in the Park company during college summers.[15] Throughout the late 1960s, Martin continued performing in Off-Broadway productions, honing his craft in New York's vibrant theater scene while balancing emerging screen opportunities.[16] His stage experience culminated in a notable Broadway appearance as part of the replacement cast in Harvey Fierstein's Torch Song Trilogy at the Helen Hayes Theatre, which ran from 1982 to 1985 and earned critical acclaim for its exploration of gay life.[17] In the production, Martin shared scenes with actors like Christopher Collett and Philip Astor, contributing to the show's long run of over 1,300 performances.[18] Transitioning to film, Martin's screen debut came in 1966 when he starred as the lead photographer-turned-murderer in Brian De Palma's low-budget thriller Murder à la Mod, a project born from his college friendship with the director; the film received a limited release in 1968. This role, for which he was paid just $35 and featured improvised effects like Hershey's syrup as fake blood, highlighted the resourcefulness required in early independent cinema.[13] As a newcomer, Martin navigated the shift from theater's live immediacy to film's technical demands, often relying on personal connections amid the era's competitive Hollywood landscape. Martin's initial forays into television consisted of guest spots in the late 1960s, including appearances on the Western series The Virginian and a role in the gothic soap opera Dark Shadows in 1969.[19] These sporadic roles on established shows like The Virginian provided exposure and built his resume, though breaking into recurring parts proved challenging for the aspiring actor fresh from stage work.[19]Television roles
Jared Martin's television career spanned several decades, beginning with guest appearances in the late 1960s and early 1970s that showcased his versatility in dramatic and genre roles. He appeared as a recording engineer in the first-season episode "See Here, Private Partridge" of The Partridge Family in 1970, marking an early foray into family-oriented comedy-drama.[20] His range extended to mystery with a guest spot as Harry Alexander, a young doctor unwittingly entangled in a murder plot, in the 1973 Columbo episode "A Stitch in Crime."[21] These early roles often cast him as earnest professionals or innocents, helping to establish his on-screen presence before more prominent parts. A breakthrough came in science fiction with his lead role as Varian, a pacifist healer from the 23rd century, in the short-lived NBC series The Fantastic Journey (1977), where he appeared in all 13 episodes. Varian's telepathic abilities and moral guidance drove the show's exploration of parallel worlds and lost civilizations, contributing to Martin's reputation in the sci-fi genre despite the series' cancellation after one season due to low ratings.[2] Later, he took on another starring sci-fi role as Dr. Harrison Blackwood, an astrophysicist leading the fight against a renewed alien invasion, in the syndicated War of the Worlds (1988–1990), appearing in all 44 episodes across two seasons.[22] This portrayal emphasized Blackwood's determination and intellect, helping the series blend horror elements with action and earning a cult following for its innovative continuation of H.G. Wells' classic.[5] Martin's most enduring television success was in the primetime soap opera Dallas (1979–1991), where he played the recurring role of Steven "Dusty" Farlow in 34 episodes.[23] As the handsome rodeo cowboy and adoptive son of Clayton Farlow, Dusty became Sue Ellen Ewing's passionate love interest, adding layers of romance, betrayal, and family drama to the Ewing dynasty narrative; his character's dramatic "death" in a plane crash and subsequent returns amplified the show's signature twists.[2] This role solidified Martin's status in soap operas, where his chemistry with Linda Gray's Sue Ellen fueled fan investment and highlighted themes of forbidden love and redemption central to the genre. He also made a notable guest appearance in a dual role as brothers David and Leon Gurney in the 1979 Wonder Woman two-part episode "Phantom of the Roller Coaster," blending superhero action with personal tragedy. Throughout his career, Martin's television work bridged soap operas and science fiction, demonstrating his adaptability from heartfelt romantic leads to heroic figures combating otherworldly threats. His contributions to Dallas exemplified the emotional intensity of 1980s primetime soaps, while roles in The Fantastic Journey and War of the Worlds enriched sci-fi television's tradition of speculative storytelling, often portraying characters who embodied hope amid chaos.[24]Film roles
Jared Martin's film career, though less extensive than his television work, featured a mix of supporting roles in mainstream productions and leading parts in international low-budget genre films during the 1970s and 1980s. His early cinematic appearances included minor parts in science fiction and thriller features, where his presence often supported ensemble casts without drawing primary focus. For instance, in Michael Crichton's Westworld (1973), Martin portrayed Technician #3, a background role amid the film's exploration of malfunctioning androids in a theme park setting.[25] By the early 1980s, Martin transitioned to more prominent roles in European productions, capitalizing on his established television profile to secure leads in action and horror genres. In Lucio Fulci's The New Gladiators (also known as Warriors of the Year 2072, 1984), he starred as a reluctant fighter thrust into deadly televised combats in a dystopian future, blending gladiatorial spectacle with social commentary on media violence; the film received mixed reviews for its ambitious visuals but derivative plotting.[26][27] Similarly, Martin headlined Fulci's Italian horror Aenigma (1987) as Dr. Robert Anderson, a psychologist investigating supernatural events at a girls' boarding school, where a comatose student's spirit enacts revenge; critics noted the film's atmospheric tension and graphic effects, though it was critiqued for narrative inconsistencies typical of Fulci's later works.[28][29] Martin's film output also encompassed supporting appearances in American B-movies, such as the erotic thriller The Lonely Lady (1983), where he played a minor role opposite Pia Zadora, and the action film Quiet Cool (1986) as Sheriff Mike Prior in a rural crime story. These roles highlighted his versatility in genre fare but rarely led to critical acclaim or awards recognition, with no major nominations tied specifically to his film performances. Overall, his cinematic contributions remained modest in scale—spanning about a dozen features—compared to his television prominence, yet included notable international collaborations that expanded his reach into Italian cinema.Later pursuits
Directing and production
Following his prominent acting roles in the 1970s and 1980s, Jared Martin transitioned to directing and production work in the mid-1990s, driven by an interest in using film to address social issues and inner-city challenges, informed briefly by his prior on-set experience.[30] In 1994, Martin co-founded the nonprofit Big Picture Alliance with entrepreneur Jeffrey Seder as a filmmaking apprenticeship program for underserved inner-city youth in Philadelphia. Serving as creative director until 2010, he mentored dozens of staff and students, overseeing the production of more than 250 short films and videos. One mentee won the first Sundance Film Festival award for editing, and the organization earned honors including the Cine Eagle Award and recognition from the Chicago International Film Festival. The initiative focused on empowering at-risk youth through media skills while producing content for social service causes.[31][30][2] Also in 1994, Martin made his feature directing debut with In Deeper, a docudrama that celebrated Philadelphia's local citizens combating crime in disadvantaged communities, commissioned by entrepreneur Jeffrey Seder as part of Mayor Edward Rendell's public safety initiative.[1][30] The film highlighted the efforts of inner-city youth and everyday heroes, blending documentary elements with dramatic reenactments to underscore community resilience.[30] This project marked Martin's pivot toward socially conscious filmmaking, as he sought to channel his creative background into narratives promoting civic engagement and awareness.[30] In a notable later collaboration, Martin co-directed the 2016 satirical drama The Congressman with former U.S. Congressman Robert J. Mrazek, starring Treat Williams as a scandal-plagued Maine politician who retreats to a remote island for self-reflection.[32][33] The film, which premiered at the Sarasota Film Festival, explored themes of political disillusionment and personal redemption, drawing on Mrazek's legislative background while showcasing Martin's directorial vision for character-driven indie narratives.[32][33] This partnership highlighted Martin's commitment to meaningful projects despite the hurdles of first-time feature directing in a post-acting career phase.[33]Teaching and fine arts
Following his acting career, Jared Martin served as a senior lecturer at the University of the Arts in Philadelphia from 2004 to 2007, where he taught courses in acting and directing, including "Acting on Camera" for third-year majors and a specialized class in acting for film based on his proprietary curriculum.[7][30] Martin largely retired from professional acting in the early 1990s. After retiring as creative director of Big Picture Alliance in 2010, he pursued fine arts photography as his primary creative outlet.[7] In this new phase, Martin studied under the abstract painter Michael David, whose mentorship influenced Martin's exploration of painting alongside photography, allowing him to blend gestural techniques with photographic composition for a more expressive visual language.[7] His painting pursuits complemented his photography by emphasizing emotional depth and abstraction, drawing from David's emphasis on bold, intuitive mark-making.[34] Martin's photographic work, often featuring photo-encaustic processes, has been exhibited at galleries such as YellowKorner, where limited-edition prints of his art photographs are available with certificates of authenticity, highlighting themes of cultural intersection and personal narrative.[35][34] His artistic development was notably shaped by extensive travel in Asia, particularly his time in Beijing in 1998, where encounters with Chinese culture and his marriage to classical dancer Wei Yu inspired motifs of movement, tradition, and cross-cultural harmony in his photography and paintings.[7]Personal life
Marriages and family
Martin was married three times. His first marriage, to Nancy Fales, lasted from 1963 to 1977.[36] His second marriage was to Carol Ann Vogel, from 1979 to 1984.[36] In 2000, he married Yu Wei, a Chinese classical dancer he met while in Beijing in 1998; the couple corresponded for two years prior to their wedding and remained together until Martin's death in 2017.[1][2] Martin had one son, Christian, a television executive who served as general manager for video at SiriusXM.[1][2] Christian is married to Liz Cole, an executive producer at Dateline NBC, and the couple has two children, Charles and Emilia.[19][2]Death
Martin was diagnosed with pancreatic cancer in early 2016 and battled the disease for over a year before his death.[37] He passed away on May 24, 2017, at his home in Philadelphia, Pennsylvania, at the age of 75.[2][19] No public details emerged regarding a funeral or memorial service, suggesting it was handled privately by the family.[38] Following his death, tributes poured in from colleagues, including Dallas co-star Linda Gray, who shared on Twitter: "I have such beautiful memories of working with you… Rest in Peace dear Jared Martin."[19][39] His son, Christian Martin, confirmed the news on social media, noting the family's gratitude for support during his illness.[11] Additionally, artists mentored by Martin in his later years posted heartfelt remembrances, highlighting his influence beyond acting.[40] Martin is survived by his wife, Yu Wei, whom he married in 2000; his son, Christian; daughter-in-law, Liz Cole; and two grandchildren, Charles and Emilia.[41][19][9]Partial filmography
Films
Selected notable films from Jared Martin's acting career include:- Murder à la Mod (1968) as Chris[42]
- The Wedding Party (1969) as Wedding Guest[43]
- Westworld (1973) as Technician[25]
- The Second Coming of Suzanne (1974) as Film Maker[44]
- The Lonely Lady (1983) as George Ballantine[45]
- The New Gladiators (1984) as Drake[46]
- Quiet Cool (1986) as Mike Prior[47]
- Karate Warrior (1987) as Paul Scott[48]
- Aenigma (1987) as Dr. Robert Anderson[49]
- Twin Sitters (1994) as Frank Hillhurst[50]