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Jefferson Hack

Jefferson Hack (born 1971) is a British media entrepreneur, editor, and creative director best known as the co-founder and editorial director of Dazed Media, an independent publishing company that has shaped contemporary youth culture, fashion, art, and music through its flagship titles and digital platforms. Born in Montevideo, Uruguay, to an English father and a Swiss mother, Hack spent his early childhood traveling across South America, Singapore, and Belgium before his family settled in the United Kingdom when he was nine years old. While studying at the London College of Printing (now the London College of Communication) in 1991, Hack co-founded the influential magazine Dazed & Confused (later shortened to Dazed) alongside photographer Rankin Waddell, quickly establishing it as a provocative voice for emerging talents in fashion, music, and subcultures during the 1990s grunge and rave eras. Under his leadership, Dazed Media expanded to include AnOther Magazine in 2001, focusing on luxury fashion and contemporary art; Another Man in 2005, targeting menswear and culture; and the video platform NOWNESS in 2010, which delivers short-form content on global creativity. Hack's editorial vision has championed boundary-pushing collaborations with artists, designers, and musicians, earning Dazed Media recognition for its role in democratizing access to avant-garde culture and influencing mainstream trends. Beyond publishing, Hack has directed creative projects, curated exhibitions, and contributed to films and books that explore modern identity and counterculture, solidifying his status as a pivotal figure in the global creative industries.

Early life

Family background

Jefferson Hack was born on June 20, 1971, in Montevideo, Uruguay, to English father Douglas Hack, a cigarette salesman, and Swiss mother Teresa Hack. His birth in Uruguay stemmed from his father's work posting, which led the family to spend his early years moving across South America, Singapore, and Belgium before returning to the United Kingdom when Hack was nine years old. Upon settling in Ramsgate, Kent, the family established roots in a modest English coastal environment, where Hack's parents, described as bemused by his later creative pursuits, provided a stable but unremarkable home life with limited exposure to arts or culture. Despite this, Hack's formative years were shaped by self-directed discoveries, including an obsession with magazines such as Interview and National Geographic, which opened windows to global and artistic worlds beyond his immediate surroundings. At age eleven, encountering Jean-Luc Godard's films ignited his interest in the French New Wave, prompting library explorations that fueled his burgeoning passion for visual storytelling and counterculture.

Education

Jefferson Hack moved to London from his upbringing on the Kent coast to pursue higher education, supported by his family. In 1990, he enrolled at the London College of Printing (now known as the London College of Communication), where he studied journalism. During his time at the college, Hack gained hands-on experience through involvement in student publications, including a collaboration with photographer Rankin on the university magazine, which honed his editorial skills. This period immersed him in London's dynamic creative scene, fostering connections that shaped his approach to media and fashion. Through coursework and extracurricular projects, he developed practical expertise in editorial design and photography, laying the groundwork for his future endeavors in publishing. Hack briefly attended the one-year journalism course but dropped out after a term.

Career

Founding Dazed & Confused

In 1991, Jefferson Hack, then a 19-year-old journalism student at the London College of Communication, co-founded the magazine Dazed & Confused with photographer John Rankin Waddell, known professionally as Rankin. The inaugural issue was a modest single A2 foldout on newsprint, hand-distributed in London's club scene to capture the raw energy of emerging youth culture. The publication's early content centered on London's underground scenes, blending fashion, music, and art to challenge the polished "synthetic leisure culture" of the early 1990s, featuring contributions from up-and-coming talents in a DIY aesthetic. Hack served as co-editor and publisher, shaping the magazine's eclectic, avant-garde style through provocative layouts and boundary-pushing editorials that prioritized cultural rebellion over commercial gloss. By the mid-1990s, Dazed & Confused had evolved from sporadic releases to a bimonthly schedule, gaining traction with iconic covers and features that spotlighted rising stars, such as Jefferson Hack's 1995 interview with Björk—accompanied by Rankin's striking photographs—discussing her album Post and her innovative approach to music and visuals. This period solidified the magazine's reputation as a vital platform for Britpop, Britart, and alternative fashion, influencing a generation of creators with its unfiltered lens on subcultural innovation.

Expansion of Dazed Media

Under Jefferson Hack's leadership, Dazed evolved from its foundational print magazine into a diversified media empire, launching sister publications to broaden its influence in fashion, culture, and lifestyle sectors. In 2001, Hack co-founded AnOther Magazine, a biannual luxury title emphasizing high-end fashion editorials and cultural essays, which complemented the original Dazed & Confused by targeting a more sophisticated audience. This was followed in 2005 by the launch of Another Man, a menswear-focused biannual publication that captured the resurgence of creativity in men's fashion through in-depth interviews and visual storytelling. The company's digital pivot accelerated with the 2006 launch of Dazed Digital, an independent online platform that shifted toward an online-first model by delivering daily content on music, art, film, and emerging trends, complete with blogs and user-generated features. Meanwhile, in 2012, Nowness—a premium digital channel founded by Hack in 2010 in partnership with LVMH—debuted a Chinese-language version to reach global audiences with sensorial short films and inspirational narratives. By 2017, Dazed acquired a majority stake in Nowness in partnership with Modern Media, solidifying its position as a video-led platform within the portfolio. In 2019, the organization rebranded as Dazed Media to encompass its growing ecosystem of print, digital, and video brands, with headquarters in London and offices in New York, alongside global outposts in Shanghai and Seoul. Revenue streams diversified beyond subscriptions to include advertising, experiential events, and branded content production via Dazed Studio, the creative agency arm launched in 2013 that crafts campaigns for youth-oriented brands. Key business milestones under Hack include high-profile partnerships, such as the 2020 Gucci Absolute Beginners series, where nine artists directed short films to promote the brand's collections, blending Dazed's editorial ethos with commercial innovation. These efforts earned recognition for media innovation, culminating in Hack receiving the British Fashion Council's Special Recognition Award for Cultural Curation in 2022, honoring his role in empowering emerging creatives and shaping global youth culture.

Curatorial projects and collaborations

Jefferson Hack has extended his influence into curatorial projects and collaborations, often serving as creative director for luxury brand campaigns that blend fashion, art, and cultural narratives. In 2024, he curated Moncler's global "An Invitation to Dream" campaign and accompanying public exhibition in Milan, which showcased contributions from visionaries including artist Daniel Arsham, chef Laila Gohar, and makeup artist Isamaya Ffrench to explore themes of innovation and aspiration. Similarly, in May 2025, Hack contributed to Dom Pérignon's "Creation is an Eternal Journey" campaign, interviewing and collaborating with figures like Tilda Swinton, Zoë Kravitz, and Iggy Pop to capture their creative processes through film and photography directed by Camille Summers-Valli and Collier Schorr. These efforts highlight his role in elevating brand storytelling beyond traditional advertising. Hack's curatorial exhibitions emphasize immersive experiences at the intersection of visual art and technology. In October 2025, he co-curated "Paradigm Shift: New Dimensions in Moving Image" with Mark Wadhwa and Susanna Davies-Crook at 180 Studios in London, in partnership with Ray-Ban Meta; the exhibition, running until December 21, 2025, surveys five decades of screen-based art from the 1970s onward, featuring works by artists such as Nan Goldin, Andy Warhol, Mark Leckey, Arthur Jafa, Sophia Al-Maria, and Cao Fei to examine revolutions in moving image and speculative futures. Earlier, in 2019, Hack curated "Transformer: A Rebirth of Wonder" during Frieze London at 180 The Strand, presented by The Store X and The Vinyl Factory, which included newly commissioned pieces by Doug Aitken, Sophia Al-Maria, and Korakrit Arunanondchai exploring shamanism, technology, and rebirth amid cultural shifts. He has also organized charitable initiatives, such as the 2024 "Photographs for Blue: Art for the Ocean" auction with Christie's and the Blue Marine Foundation, curating works by photographers including Viviane Sassen, Harley Weir, and David Bailey to support ocean conservation. Through these projects, Hack frequently collaborates with iconic artists and performers, fostering interdisciplinary dialogues. His partnerships with Tilda Swinton extend to conversations on artistic legacy, including a 2022 Fashion Awards presentation where she honored his cultural curation, and joint explorations of youth disillusionment in 2015 interviews. With Iggy Pop, collaborations appear in multimedia campaigns like Dom Pérignon's 2025 initiative, emphasizing creation as an ongoing journey. As co-founder of the video platform Nowness since 2010, Hack has overseen short film series such as the 2015 "Movement" project with Sadler's Wells, uniting fashion designers, choreographers, and filmmakers in experimental works that challenge conventional boundaries. In 2025, he launched the podcast series "Where It's At" on Nowness, featuring in-depth interviews with creative figures, including an episode with Tilda Swinton on November 10, 2025, reflecting on her artistic legacy. As of 2025, Hack's initiatives continue to empower emerging designers and offer commentary on youth culture and counterculture, positioning him as a key advocate for subversive creativity in a digital age; through exhibitions like Paradigm Shift, he underscores the urgency of screen-based art in reimagining future worlds and amplifying underrepresented voices.

Personal life

Romantic relationships

Jefferson Hack's most prominent romantic relationship was with supermodel Kate Moss, which began in 2001 after he interviewed her for Dazed & Confused, the magazine he co-founded. Their partnership, lasting until 2004, positioned them as a quintessential fashion power couple in London's early 2000s scene, frequently appearing together at high-profile events such as fashion weeks and exhibitions, which amplified Hack's visibility within the industry. This era highlighted their shared influence on youth culture and media, with their joint presence often covered in outlets like The Guardian, underscoring the intersection of editorial prowess and supermodel allure. In the vibrant London fashion milieu of the late 1990s and 2000s, Hack had other notable connections, including a marriage to Belgian model Anouck Lepère from 2007 to 2011, during which they attended events like Dior's menswear shows, further embedding him in the international fashion circuit. These relationships, while less publicly dissected than his time with Moss, contributed to his reputation as a central figure in the creative and social networks of the period. More recently, Hack began a relationship with American model Anna Cleveland around early 2022, after they met at a Los Angeles party celebrating one of his book launches. Their bond, rooted in mutual fashion world ties—Cleveland having performed in Jean Paul Gaultier's Fashion Freak Show—has seen them collaborate on public appearances, including Paris Fashion Week for Chloé in 2023 and London Fashion Week celebrations in 2024, reflecting a continued synergy between personal partnership and professional spheres. This relationship has enhanced Hack's ongoing cultural footprint, with their joint event presences often noted for blending editorial legacy with contemporary modeling dynamics.

Family

Jefferson Hack married model Anna Cleveland on July 15, 2023, in a countryside ceremony at Oakley Court near Windsor, England, attended by fashion industry figures including Kate Moss and her daughter Lila. Hack has a daughter, Lila Grace Moss Hack, born on September 29, 2002, from his past relationship with Kate Moss; Lila has since entered the modeling industry. On April 20, 2025, Hack and Cleveland welcomed their son, Presley Phoenix Hack, as announced in The Times, noting him as a brother to Lila Moss Hack and emphasizing the family's expansion. The family resides in East London, where Hack balances his role as co-founder of Dazed Media with his responsibilities as a father to both children.

Publications

Books

Jefferson Hack has edited and contributed to several books that extend the creative ethos of Dazed Media into print, often compiling visual and editorial highlights from the magazine's archives or exploring broader themes in fashion, culture, and celebrity. These publications reflect his curatorial approach, blending photography, interviews, and personal reflections to document influential figures and movements in contemporary style. Dazed & Confused: Making It Up As We Go Along, co-edited by Hack with Jo-Ann Furniss and published by Abrams in 2011, chronicles the first 20 years of the magazine through a selection of iconic photo shoots, covers, and interviews with cultural figures. The 336-page hardcover features contributions from photographers and artists who shaped Dazed's aesthetic, emphasizing its role in avant-garde fashion and arts journalism. In We Can't Do This Alone: Jefferson Hack the System, published by Rizzoli in 2016, Hack presents a personal manifesto on publishing, creativity, and collaboration, drawing from his experiences at Dazed. Edited by Ferdinando Verderi and John Paul Pryor, the 304-page volume includes essays, images, and contributions from figures like Tilda Swinton, Juergen Teller, and Chloë Sevigny, illustrating Hack's transdisciplinary method in breaking conventional media boundaries. Dazed: 30 Years Confused: The Covers, released by Rizzoli in 2021, offers a visual retrospective of the magazine's cover art spanning three decades, curated with contributions from Hack alongside Katie Grand, Björk, and Tyler Mitchell. The 288-page book juxtaposes archival covers with contemporary interpretations, highlighting Dazed's evolution in interpreting youth culture and fashion through bold imagery. Hack served as one of the editors for Kate: The Kate Moss Book, published by Rizzoli in 2012, a 448-page pictorial autobiography compiled by Moss in collaboration with Fabien Baron and Jess Hallett. The volume traces Moss's career with photographs from over 20 years of shoots, including personal selections tied to her history with Hack, and features eight variant covers by photographers such as Mario Testino and David Sims. Star Culture: The Dazed and Confused Collected Interviews, co-edited by Hack with Mark Sanders and issued by Phaidon Press in 2000, gathers seminal interviews from the magazine's early issues with celebrities and influencers like David Bowie and Björk. This 304-page collection underscores Dazed's innovative use of conversational journalism to explore stardom and subculture.

Editorial contributions

Jefferson Hack has served as editorial director of Dazed Media since its inception in 1991, overseeing content creation and curation for publications including Dazed, AnOther, and the digital video platform Nowness, with a focus on fashion, art, music, and youth culture. In December 2023, Dazed Media announced the relaunch of Another Man as a bi-annual print magazine starting in April 2024, under Hack's direction, returning the menswear title to physical format after a period of digital emphasis. Under his direction, these outlets have produced innovative editorial features that blend visual storytelling with cultural analysis, emphasizing emerging talents and subversive narratives. Hack's personal editorial output includes notable essays and opinion pieces that articulate his vision for media and creativity. In System Magazine's Issue 13 (2019), he penned "For the Love of Print," a reflective piece celebrating the tactile and cultural significance of physical magazines amid digital shifts. Similarly, in Dazed (December 2019), Hack contributed "The Xs," an essay examining the cultural turbulence of the 2010s through events like the Fyre Festival and the rise of speculative media. These writings highlight his ongoing advocacy for print's enduring role in fostering deep engagement, often extending themes from his broader editorial oversight. Hack has also shared his editorial philosophy through interviews in external publications, underscoring his influence on global cultural discourse. For instance, a 2010 profile in The Guardian and a 2022 feature in EL PAÍS draw from his discussions on shaping alternative culture over three decades. On Nowness, Hack's editorial contributions emphasize digital formats like video essays and curatorial series, providing layered cultural commentary on topics from arthouse cinema to contemporary design. Notable examples include his curation of the video essay "Come Together" (2019), honoring modern masculinity through dance in partnership with Harrods, and the "Paradigm Shift" exhibition (2025), co-curated with Mark Wadhwa at 180 Studios in London from October 15 to December 21, 2025. Featuring video explorations of film history and urban transformation by artists such as Nan Goldin, Derek Jarman, and Andy Warhol, it highlights revolutions in video art and the politics of the screen. These works adapt his print-era insights to immersive online storytelling, prioritizing accessibility and innovation in cultural critique.

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