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Jeffery Self

Jeffery Self (born February 19, 1987) is an , , , and known for his work in television, film, and . Born in , Self began his acting career in the early 2000s with guest and recurring roles on popular sitcoms and dramas, including appearances as a student on Desperate Housewives (2004–2012), Randy Lemon, Liz Lemon's cousin, on 30 Rock (2006–2013), and various characters on 90210 (2008–2013) and Shameless (2011–2021). His breakthrough came with the TBS dark comedy series Search Party (2016–2022), where he portrayed Marc, the boyfriend of the eccentric Elliott Goss, earning praise for his comedic timing and dramatic range. Self has expanded his creative output into writing, authoring young adult novels such as Drag Teen (2016), a about a high schooler entering the world of , and A Very, Very Bad Thing (2017), which explores themes of friendship and identity. In 2024, he announced his debut adult memoir, Self-Sabotage: And Other Ways I've Spent My Time (2025), delving into his personal experiences as a man navigating fame, relationships, and self-doubt. On screen, he has appeared in films like Spoiler Alert (2022) and the horror series (2023), and starred in the Blumhouse thriller (2025), directed by Christopher .

Biography

Early life

Jeffery Self was born on February 19, 1987, in Rome, Georgia. As the youngest of three siblings, Self grew up in the conservative cultural environment of the American South, where traditional family values and community ties shaped daily life. His family dynamics were marked by a degree of openness, as evidenced by his ability to persuade his parents to support alternative educational choices amid personal challenges, including his emerging awareness of his sexual orientation. This Southern upbringing, with its blend of hospitality and social constraints, influenced his early worldview and desire for self-expression. After completing , Self convinced his parents to homeschool him, primarily to avoid the potential and discomfort of high school as a teenager in rural . This arrangement allowed greater flexibility in his schedule, fostering through independent pursuits and exposure to local arts scenes. Surrounded by adult friends from the community theater in , Self began nurturing an interest in performance during his adolescence, viewing it as an escape and a path to adulthood. He later reflected on this period as one focused on "wanting to be an adult and getting out of and being ," highlighting how these experiences sparked his creative inclinations without the structure of traditional schooling.

Personal life

Self is openly and has publicly embraced his identity as a central aspect of his persona, often describing it as "a gift" that informs his comedic and creative output. This perspective contrasts with more challenging experiences in and underscores his role as a trailblazer in and , where he for positive representations of characters. In early 2017, Self became engaged to British actor following a romantic proposal during a hike in at the site of their . Prew hid the inside an , which he presented to Self in a surprise moment that initially puzzled him before leading to the joyful acceptance. The couple married on January 13, 2018, in a modern, unconventional ceremony at the Smog Shoppe in . Since their wedding, Self and Prew have maintained a committed , sharing personal milestones through public celebrations of their relationship while residing in .

Professional career

Comedy and early work

Jeffery Self began his professional career as a and in 2009, emerging from New York's vibrant comedy scene where he honed his craft through collaborative sketches and online content. Alongside frequent collaborator , whom he met as teenagers at a gay youth event in the city, Self quickly gained traction by leveraging emerging digital platforms to showcase their irreverent, campy humor. Their early work emphasized exaggerated characters, wigs, and absurd scenarios, often drawing from '90s pop culture and LGBTQ+ experiences, which resonated with a niche but devoted audience. Self and Escola's breakthrough came via YouTube, where they launched the series VGL Gay Boys (Very Good Looking Gay Boys) in 2008, producing semi-scripted video sketches filmed casually in Self's apartment. These low-budget vlogs and shorts, typically under three minutes, featured Escola in outlandish roles—like impersonating —while Self played the bemused , often culminating in darkly comedic twists such as implied murders to heighten the stakes. The series built a substantial online fanbase through viral clips on topics like gay marriage and celebrity encounters, establishing Self's style of webcam-style intimacy and absurdity that blurred vlogging with . This digital presence not only amassed views but also attracted attention from television networks, marking a pivotal milestone in Self's early career. Transitioning from online to broadcast, Self co-created, wrote, directed, starred in, and edited Jeffery & Cole Casserole, a series that debuted as a web project before airing two seasons on from June 2009 to 2010. The show retained the duo's signature chaotic energy, with webcam intros leading into skits that parodied everything from tropes to personal anecdotes, produced on a modest that amplified its raw, unpolished charm. Prior to the TV adaptation, Self and Escola performed live iterations of their material in venues, testing sketches in front of audiences and refining their act through intimate club shows that helped cultivate a following among comedy enthusiasts. These pre-2010 live outings, often held in alternative spaces, were instrumental in building Self's reputation as a multifaceted performer capable of translating digital whimsy to stage presence. A notable early hosting milestone came in 2016 when Self served as the host of MTV's Scream: After Dark, an aftershow companion to the horror series Scream. In this role, Self conducted interviews with cast members, screened exclusive behind-the-scenes footage, and facilitated fan discussions, showcasing his quick-witted charisma in a live-wire format that echoed his sketch roots. The gig highlighted Self's versatility beyond writing and acting, solidifying his early industry foothold in unscripted entertainment.

Television

  • Jeffery & Cole Casserole (2009–2011, Jeffery, 13 episodes)
  • 30 Rock (2010, Randy Lemon, 1 episode)
  • 90210 (2010, Ilon, 3 episodes)
  • Hot in Cleveland (2011, Waiter, 1 episode)
  • Shameless (2011, Grant, 1 episode)
  • Torchwood (2011, James Percey, 1 episode)
  • Desperate Housewives (2012, Brian, 1 episode)
  • Difficult People (2015, Carl, 1 episode)
  • Search Party (2016–2022, Marc Doober, 23 episodes)
  • Truth Be Told (2017, Jeffery Self, 1 episode)
  • iCarly (2021, Dimitri-Pascual, 1 episode)
  • The Horror of Dolores Roach (2023, Caleb Sweetzer, 5 episodes)

Film

Self appeared in the short film Paragon School for Girls (2013) as Millicent. He co-wrote, produced, and starred as George in the independent horror-comedy You're Killing Me (2015). Self played the role of Jeffery in the comedy California No (2019). In the romantic drama The High Note (2020), he portrayed Josh. Self appeared as Dr. Henry in the drama 7 Days (2021). He played Sam in the comedy Mack & Rita (2022). In the biographical romantic comedy-drama Spoiler Alert (2022), Self's role was Nick. Self starred as Matt in the Blumhouse psychological thriller Drop (2025).

Stage

Jeffery Self began his performance career with live comedy, including unscripted sketches and improvisational pieces developed alongside collaborator Cole Escola in the late 2000s, which originated as web content before transitioning to live audiences in New York clubs and festivals. These early live outings emphasized absurd, character-driven humor, laying the foundation for his later theatrical style that blends sharp wit with personal vulnerability. In July 2024, Self took a leading role in the workshop production of 's Messy White Gays at Powerhouse Theater, , where he performed alongside , , Aaron Jackson, and Pete Zias during public presentations from July 19 to 21. The play, a satirical directed by Donahue, explores themes of entitlement, interpersonal drama, and the absurdities of affluent gay social circles in , critiquing oblivious privilege through chaotic ensemble interactions. Self's involvement in this developmental staging marked a return to live theater, allowing him to channel his comedic timing into ensemble dynamics that echo his earlier sketch work while expanding into scripted narrative satire. Self's most recent stage credit came in the Off-Broadway premiere of Ginger Twinsies, a parody of the 1998 film The Parent Trap, which opened on July 25, 2025, at the Orpheum Theatre. In the production, written and directed by Kevin Zak, Self portrayed one of the ginger-haired twins alongside , delivering a campy, high-energy performance that reimagines the story's separated siblings as adults navigating family reconciliation with ruthless 1990s pop culture mockery and millennial nostalgia. Critics praised the show's over-the-top humor and unapologetic revelry in rom-com tropes, noting its "raucous laughter" and "endless jokes" that transform childhood memories into a bold, joyful spectacle, with Self's role highlighting his ability to infuse live performance with the improvisational flair from his screen comedy background. These recent stage appearances have diversified Self's career by emphasizing direct audience engagement and thematic depth in live formats, contrasting the controlled environments of television and film while leveraging his established comedic persona to explore contemporary identities.

Writing

Jeffery Self began his literary career with humorous works that satirized cultural phenomena and social norms within the LGBTQ+ community. His debut novel, 50 Shades of Gay (2012, Riverdale Avenue Books), is a playful parody of E.L. James's , following celebrity blogger Alex Kirby as he navigates a steamy romance with Hollywood heartthrob Taylor Grayson. The book employs exaggerated tropes of erotic fiction to explore themes of desire and identity with wit and irreverence, earning praise for its comedic take on romance. Self followed this with Straight People: A Spotter's Guide to the Fascinating World of Heterosexuals (2013, Running Press), a satirical field guide modeled after manuals that humorously categorizes straight individuals into "" and "" based on behaviors and stereotypes. Through illustrations, quizzes, and charts, the book affectionately mocks heterosexual norms from a perspective, highlighting cultural absurdities while celebrating diversity in sexuality. It received acclaim for its accessibility and sharp observational humor. Transitioning to young adult fiction, Self delved into coming-of-age stories centered on LGBTQ+ youth. In Drag Teen (2016, Arthur A. Levine Books), protagonist JT Barnett, a gay high school senior from , enters a national drag competition to win college scholarship money, confronting family expectations and self-doubt along the way. The novel emphasizes , , and the joy of culture without relying on coming-out clichés, featuring diverse characters and a road-trip that celebrates resilience. Critics lauded its positive and lighthearted exploration of . Self's second YA novel, A Very, Very Bad Thing (2017, Arthur A. Levine Books), follows Marley, a cynical gay teen in North Carolina, who falls into a forbidden first love with classmate Christopher amid conservative family pressures. As Marley resorts to lies to protect their relationship, the story examines the blurred lines between truth, identity, and the lengths one goes for love, culminating in a twist that underscores emotional consequences. The book was noted for its raw portrayal of adolescent romance and the complexities of authenticity in queer experiences. In , Self co-wrote the script for the indie horror-comedy film You're Killing Me (2015) with director Jim Hansen, blending with dynamics in a tale of a self-absorbed influencer oblivious to his boyfriend's tendencies. The screenplay's witty and satirical edge on modern relationships contributed to the film's status. Self's writing evolved from early satirical humor toward deeply personal narratives in his 2025 memoir-in-essays, Self-Sabotage: And Other Ways I've Spent My Time (), published on March 11. Structured as interconnected essays, it chronicles his Southern gay upbringing, diagnosis, acting pursuits, and path to , blending hilarity with vulnerability to dissect and ambition. The book launched with an event at City's Strand Book Store on March 17, where Self discussed its themes with comedian . Reviewers highlighted its honest, rollicking insight into artistry and personal growth.

Filmography

Television

  • Jeffery & Cole Casserole (2009–2011, Jeffery, 13 episodes)
  • 30 Rock (2010, Randy Lemon, 1 episode)
  • 90210 (2010, Ilon, 3 episodes)
  • Friends with Benefits (2011, Packard, 1 episode)
  • Hot in Cleveland (2011, Waiter, 1 episode)
  • Shameless (2011, Grant, 1 episode)
  • Torchwood (2011, James Percey, 1 episode)
  • Co-op of the Damned (2012, Dave, 1 episode)
  • Desperate Housewives (2012, Brian, 1 episode)
  • Difficult People (2015, Carl, 1 episode)
  • Not Looking (2014–2015, Lee, 4 episodes)
  • Search Party (2016–2022, Marc Doober, 23 episodes)
  • Truth & Iliza (2017, Self, 1 episode)
  • The Demons of Dorian Gunn (2018, Dorian Gunn, TV pilot)
  • Lovestruck (2019, Kevin, TV pilot)
  • iCarly (2021, Dimitri-Pascual, 1 episode)
  • The Horror of Dolores Roach (2023, Caleb Sweetzer, 5 episodes)

Film

Self appeared in the short film Paragon School for Girls (2013) as Millicent. He co-wrote, produced, and starred as George in the independent horror-comedy You're Killing Me (2015). Self played the role of Jeffery in the comedy California No (2019). In the romantic drama The High Note (2020), he portrayed Josh. Self appeared as Dr. Henry in the drama 7 Days (2021). He played Sam in the comedy Mack & Rita (2022). In the biographical romantic comedy-drama Spoiler Alert (2022), Self's role was Nick. Self starred as Matt in the Blumhouse psychological thriller Drop (2025).
  • Ladies' Man: A Made Movie (2013, Xavier, TV film)

References

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