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Magic Mike's Last Dance

Magic Mike's Last Dance is a musical comedy-drama film directed by , serving as the third and final installment in the franchise, following (2012) and (2015). The film stars reprising his role as stripper-turned-entrepreneur , alongside Pinault as a wealthy who recruits him for a new stage production. The story follows , who, after a failed business venture leaves him broke and bartending in , accepts an offer from Hayek's character to move to and direct an extravagant, immersive dance show. Screenwritten by , the production emphasizes elaborate and a shift toward a female perspective on sensuality and performance, with filming commencing in November 2021 across locations in and . The film is rated R for sexual material and language but notably avoids full nudity, distinguishing it from its predecessors. Released theatrically in the United States on February 10, 2023, by , Magic Mike's Last Dance debuted at number one at the domestic box office, earning $8.2 million in its opening weekend despite competition from the . It ultimately grossed $26 million domestically and $57.1 million worldwide against a $40 million , underperforming compared to the franchise's earlier entries. The film became available for streaming on Max (now Max) on June 2, 2023. Critically, the film received mixed reviews, with a 48% approval rating on Rotten Tomatoes based on 231 reviews, praised for Tatum's charismatic performance and the dance sequences but critiqued for a thin plot and uneven tone. It earned four award nominations, including two Razzie nods for Hayek in comedic categories, reflecting its polarizing reception.

Synopsis

Plot

Mike Lane (Channing Tatum), a former male stripper known as Magic Mike, has left the revue industry behind after his furniture restoration business collapses during the COVID-19 pandemic, leaving him broke and working odd jobs as a bartender in Miami while owing money to his old crew, the Kings of Tampa. Struggling financially and emotionally, Mike tends bar at a high-society fundraiser where he encounters Maxandra "Max" Mendoza (Salma Hayek Pinault), a wealthy London socialite in the midst of a bitter divorce from her unfaithful husband, billionaire Roger Rattigan. After the guests depart, Max, feeling neglected and empowered to reclaim her desires, pays Mike $6,000 for a private lap dance in her limousine, sparking an instant chemistry between them. Impressed by his talent and charisma, Max offers him a lucrative opportunity: accompany her to London to direct and stage a groundbreaking male revue performance at the historic Rattigan Theatre, which she has acquired as part of her divorce settlement, transforming it from a staid venue into a space for bold reinvention. In , arrives to find Max envisioning a one-night-only show that reimagines the classic play Ascendant as Isabel Descending Revelation—a provocative, female-empowering spectacle blending artistry with theatrical elements to celebrate sensuality and liberation. As director, recruits a ragtag ensemble of inexperienced young dancers, including enthusiastic newcomers like Woody () and others from the theater staff, such as the sharp-witted Hannah (Juliette Motamed), while clashing with Max over her domineering creative input and insistence on casting decisions that prioritize spectacle over cohesion. Rehearsals are intense and chaotic, marked by 's meticulous that draws on his past expertise in the male world, featuring elaborate dance sequences with synchronized movements, aerial elements, and thematic motifs like fake currency emblazoned with "In unicorns we trust" to symbolize whimsical female autonomy. Amid the preparations, external conflicts arise, including threats from theater board members and Roger's influence attempting to the production, forcing and Max to navigate bureaucratic hurdles and personal insecurities. The narrative delves into Mike's internal arc of reinvention, as he grapples with whether to perform one last time, balancing his desire for stability against the thrill of the stage, while strengthening bonds of friendship through video calls with the Kings of Tampa, who offer encouragement from afar. Max's relationship with her estranged teenage daughter Zadie (Jemelia George) evolves through the process, with Zadie's initial sarcasm giving way to tentative involvement, highlighting themes of familial reconnection and maternal empowerment. The film explores the male revue industry as a vehicle for artistic expression and economic survival, underscoring how fosters vulnerability and camaraderie among performers, while Mike and Max's burgeoning romance adds layers of intimacy, seen in tender scenes where they collaborate on routines and share vulnerabilities about past heartbreaks.

Cast

Channing Tatum reprises his role as , a former from who, after a failed business venture, works as a bartender in before moving to to direct a new theatrical production featuring male dancers. Pinault portrays Maxandra "Max" Mendoza, a glamorous and affluent who becomes Mike's romantic partner and financier for the London show. The supporting cast introduces a fresh ensemble tailored to the film's setting, emphasizing the international expansion of the striptease narrative. Jemelia plays Zadie, Max's sharp-witted adopted daughter who narrates parts of the story and observes the production's development. appears as Victor, Max's loyal butler who provides steadfast support amid the high-society intrigue. Juliette Motamed stars as Hannah, a skilled performer and emcee in the new show, bringing classical training to the ensemble's dynamic routines. Other key supporting roles include Gavin Spokes as Matthew, a bureaucratic figure complicating the production, and as Kim, Mike's acquaintance who connects him to Max's world.
ActorRoleNotes on Character Significance
Mike LaneLeads the story as the experienced mentor reviving his career through a bold London venture.
PinaultMaxandra MendozaDrives the plot as the influential patron enabling Mike's artistic risks.
Jemelia GeorgeZadieOffers youthful perspective and voiceover, highlighting generational contrasts.
VictorServes as a grounding familial ally in Max's opulent life.
Juliette MotamedHannahRepresents the talented new generation of performers in the show's ensemble.
Gavin SpokesMatthewEmbodies institutional hurdles the production must overcome.
The film also features brief cameos from original franchise actors, including , , , and , nodding to Mike's roots without overshadowing the new cast. This casting choice underscores the transition to a predominantly supporting ensemble, reflecting the story's shift to a London-based spectacle.

Production

Development

The development of Magic Mike's Last Dance began with its official announcement on November 29, 2021, as an original film for HBO Max, with returning to star as in the third installment of the franchise. The project reunited with director , who helmed the 2012 original but not the 2015 sequel, and marked a continuation of the series' exploration of male stripping as a lens for personal and economic challenges. Reid Carolin, who co-wrote the first two films, penned the script, which follows as he travels to for a new opportunity involving a high-stakes performance. Early casting developments included being attached to a lead role opposite Tatum, but she departed in April 2022 due to family matters and was replaced by . Although officially attributed to family matters, Newton's exit sparked rumors of an on-set dispute with Tatum over the Oscars incident and personal issues, which she publicly denied. Soderbergh also took on under his longtime Peter Andrews and editing as Mary Ann Bernard, consistent with his collaborative approach on previous projects. In July 2022, Soderbergh revealed plans for potential expansion beyond , including developments for additional stories centered on other characters from the series. The production carried an estimated budget of $45 million. By September 2022, shifted the release strategy from an Max exclusive to a wide theatrical rollout, reflecting evolving distribution priorities post-pandemic.

Filming

Principal photography for Magic Mike's Last Dance took place primarily in , , beginning in April 2022 and wrapping in August 2022. The production shifted focus to the city's vibrant urban landscape to capture the film's theatrical elements, with director overseeing the shoot. Opening sequences were filmed in , , establishing the story's initial setting before transitioning to the international locale. Key London locations included the , a Victorian standing in for the fictional Rattigan , where major stage performances were shot; the Amazonico restaurant for intimate dinner scenes; for recruitment sequences; and International station for transitional moments. Soderbergh, utilizing his Peter Andrews, handled to emphasize dynamic movement and intimacy in the dance-heavy visuals. Production design by Pat Campbell transformed these spaces to blend opulent aesthetics with contemporary flair. Choreographers Alison Faulk and Luke Broadlick crafted the film's elaborate routines, prioritizing sensual, theatrical revue-style numbers that highlighted ensemble synchronization and individual flair, such as the extended and rain-soaked finale. The process involved intensive to adapt stage-inspired moves for the screen, ensuring fluidity amid complex . encountered hurdles in coordinating these large-scale sequences across international sites, compounded by post-COVID for and .

Release

Theatrical

Magic Mike's Last Dance had its world premiere on January 25, 2023, at a star-studded event in , featuring a and after-party with live performances. The film received a wide theatrical release in the United States on February 10, 2023, distributed by , following an initial plan for a streaming debut that was shifted to theaters in September 2022. Internationally, the rollout began in select markets on February 8, 2023, including and the , followed by releases in , , and the UAE on February 9, before expanding to additional territories worldwide. Marketing efforts highlighted the film's dance sequences and sensual themes to appeal to the established Magic Mike franchise fanbase, with the first official trailer released on November 15, 2022, showcasing Channing Tatum's choreography and the story's romantic elements. The campaign included targeted promotions timed for , emphasizing the film's for sexual material and language. Industry projections estimated an opening weekend gross of $6 million to $11 million in the , which the film met with $8.2 million from 1,500 theaters, topping the despite competition from the . The movie ultimately earned $57.1 million worldwide at the .

Home media

Following its theatrical release on February 10, 2023, Magic Mike's Last Dance became available for (VOD) purchase and rental starting February 28, 2023, through major digital platforms including , , , and . The film received a physical home media release on Blu-ray and DVD on April 18, 2023, distributed by Warner Bros. Home Entertainment. The Blu-ray edition includes 1080p high-definition video in a 2.39:1 aspect ratio with DTS-HD Master Audio 5.1 surround sound, alongside standard definition DVD and a digital code for iTunes or Movies Anywhere. Special features on the disc consist of the featurette Magic Mike's New Moves (6 minutes), which explores the choreography and behind-the-scenes dance rehearsals with cast and crew interviews, and a single deleted scene. Magic Mike's Last Dance made its streaming debut exclusively on Max (formerly HBO Max) in the United States on June 2, 2023. Internationally, the film became available on HBO's regional streaming platforms, such as in and , and in and other select markets, with rollout dates varying by territory starting in mid-2023.

Reception

Box office

Magic Mike's Last Dance grossed $26 million in the United States and , and $31.1 million in other territories, for a worldwide total of $57.1 million. The film was made on a of $45 million. In its opening weekend of February 10–12, 2023, the film earned $8.3 million from 1,496 theaters, securing the top spot at the North American despite coinciding with . This debut outperformed holdover releases such as ($5.2 million) and the 25th anniversary re-release of ($3.1 million), though the overall weekend was impacted by the sporting event's draw on audiences. The film's theatrical run was influenced by several factors, including mixed critical reception that limited word-of-mouth momentum, competition from high-profile blockbusters during its release window, and the enduring appeal of the franchise to its core demographic. Originally developed as a direct-to-streaming project for Max, the decision to release it theatrically with a corresponding helped ensure profitability even as domestic earnings opened lower than anticipated. In comparison to its predecessors, Magic Mike's Last Dance underperformed at the , with the 2012 original earning $167 million worldwide and the 2015 sequel grossing $123 million globally on smaller budgets of $7 million and $14.8 million, respectively. Nonetheless, the third installment recouped costs through its theatrical window and subsequent streaming availability on Max starting March 2023, leveraging the series' popularity in home viewing formats.

Critical response

Magic Mike's Last Dance received mixed reviews from critics, with praise centered on Channing Tatum's performance and the dance sequences, while criticisms focused on the screenplay, pacing, and romantic elements. On , the film holds a 48% approval rating based on 231 reviews, with an average score of 5.4/10; the critic consensus states that it is "loose and limber enough to entertain, although it's hard to escape the feeling that this franchise has lost a step or two along the way." The audience score stands at 73%. On , it has a score of 52 out of 100 from 54 critics, indicating "mixed or average" reviews, with 33% positive, 57% mixed, and 9% negative assessments. Critics frequently lauded Tatum's charisma and the film's energetic , viewing them as highlights that maintained the series' appeal. For instance, Roger Ebert's review awarded it three out of four stars, praising the dance sequences for their "energy and artistry" and Tatum's "relatable, working-class charm," noting that the film is "about fit, graceful bodies moving through space." echoed this, highlighting Tatum's "natural performance and physical grace" alongside "sizzling scenes" with , though it rated the film two out of five stars overall. However, many reviewers found fault with the script and narrative structure, describing them as convoluted and lacking depth. Variety called the screenplay "lazy," relying on "unconvincing pandemic-related plot points and platitudes," and deemed the story "far-fetched," resulting in a "toothless" sequel that has "dulled its bite" compared to prior entries. The Guardian similarly critiqued the pacing as "anti-climactic," with the script feeling "cobbled together" and the extended final dance dissipating dramatic tension. The romantic subplot drew particular ire for its contrivances, with Ebert noting "romantic melodrama" elements that occasionally elicited eye-rolling, such as simplistic commentary on economic inequality. A recurring theme in critiques was the franchise's evolution from a raw comedy to a more theatrical , which some saw as ambitious but uneven. Reviewers observed that while the film retains value through its dance focus, it struggles to balance lighter elements with heavier dramatic aspirations, leading to a sense of dilution in the series' original edge.

Accolades

Magic Mike's Last Dance received nominations across a few awards ceremonies, but did not secure any wins. These recognitions were largely satirical or focused on specific technical aspects, aligning with the film's polarizing response among critics and audiences. The most notable were at the , held on March 9, 2024, which honor cinematic underachievements. was nominated for Worst Actress for her role as Maxandra Mendoza, while she and received a nomination for Worst Screen Combo. In critic group awards, the film earned a nomination from the at their 2023 EDA Awards for the Time Waster Remake or Sequel Award, critiquing its status as a franchise entry. Additionally, the Indiana Film Journalists Association nominated the film's choreography team—Alison Faulk and Luke Broadlick—for Best Stunt/Movement in their 2023 awards, highlighting the production's dance sequences.
AwardCategoryNominee(s)OutcomeDate
Worst ActressNominatedMarch 9, 2024
Worst Screen Combo and NominatedMarch 9, 2024
EDA AwardsTime Waster Remake or Sequel AwardMagic Mike's Last DanceNominated2023 (announced December 2023)
Indiana Film Journalists Association AwardsBest Stunt/Movement ChoreographyAlison Faulk and Luke BroadlickNominated2023 (announced December 2023)

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