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Matthew Graham

Matthew Graham (born 1968) is a British television , producer, and renowned for his contributions to and series. He is best known as the co-creator, alongside , of the series Life on Mars (2006–2007), a critically acclaimed time-travel that follows a modern transported to 1973, and its sequel Ashes to Ashes (2008–2010), which continues the story in the . Graham's work often explores themes of identity, time, and moral ambiguity, blending genre elements with character-driven narratives. Early in his career, Graham wrote for children's programs such as , , and The Biz! in the early 1990s, before joining the writing team of the soap opera in 1992, where he honed his skills in serialized storytelling. He later contributed episodes to acclaimed series including This Life (for which he won a Writers' Guild of Great Britain Award), , , and (writing "Fear Her" in 2006 and the two-part story "The Rebel Flesh"/"The Almost People" in 2011). In 1999, Graham created The Last Train, a post-apocalyptic drama, and formed Monastic Productions with Pharoah in 2006 to develop original content. Graham's notable achievements include co-creating (2008), a six-part archaeological adventure, and (2012), a supernatural legal drama. He adapted Arthur C. Clarke's into a 2015 Syfy miniseries and wrote the premiere episode of Amazon's Philip K. Dick's Electric Dreams (2017). More recently, he served as writer and executive producer on (2019–2020), a historical drama about , and The Living and the Dead (2016), a folk-horror series. His international work extends to collaborating with on a planned Star Wars live-action television series in the early 2000s. Throughout his career, Graham has received multiple accolades, including the Broadcasting Press Guild Award for (2007), the International Emmy Award for Best Drama Series for the same series (2006), and a BAFTA Television Award nomination for Best Writer. He also earned an Edgar Allan Poe Award for and further recognition from the and SFX Awards. Graham continues to work across the and , maintaining an advisory role with production companies like Studio21.

Early career

Children's television

Matthew Graham entered the television industry in 1990 as a for the Children's ITV series Streetwise, a teen drama centered on young bicycle couriers navigating life in , which featured an early role by actor . This marked his professional debut, where he contributed scripts that captured the gritty realities of street life and urban from an authentic perspective, drawing on his own youth. Following Streetwise, Graham transitioned to the BBC, writing for youth-oriented dramas that delved into adolescence and social challenges. For Byker Grove, a long-running teen series set in a Newcastle youth club, he penned six episodes in 1992, including contributions to series 4 that explored themes of rivalry, identity, and community among teenagers. His work on the show, often co-written, highlighted issues like peer pressure and personal growth in a relatable, ensemble format. Graham later contributed to The Biz in 1995, a BBC children's drama following aspiring musicians in a cutthroat industry, where he wrote two episodes focusing on ambition, relationships, and the pressures of young adulthood. These scripts emphasized ethical dilemmas and emotional maturation, aligning with the series' blend of music and for teen audiences. By the mid-1990s, Graham had begun shifting toward adult-oriented programming.

Drama and soap operas

In the early 1990s, Matthew Graham shifted his focus from children's television to adult-oriented drama, beginning with a stint as a on the from 1992 to 2002, where he penned 39 episodes exploring ensemble dynamics and serialized narratives centered on family conflicts and community tensions in London's East End. His contributions often highlighted intricate character arcs, such as intergenerational disputes and relational betrayals within the Mitchell and Slater families, contributing to the show's reputation for emotionally charged, ongoing storylines. Graham expanded his portfolio in 1996–1997 with four episodes of the drama This Life, delving into the personal and professional lives of young London barristers navigating relationships, career ambitions, and identity crises amid a backdrop of urban ensemble interactions.) Notable scripts included "Cheap Thrills" and "The Bi Who Came in from the Cold," which emphasized serialized themes of sexual exploration and moral ambiguity, earning him a shared Award for Original Drama Serial in 1997. These episodes showcased his skill in crafting twisty, dialogue-driven plots that balanced humor with dramatic tension. In the early 2000s, Graham wrote for thrillers and (known internationally as MI-5), contributing two episodes to the former—including "Picture Perfect" (series 1, episode 3)—featuring con artists executing elaborate, high-stakes scams with moral quandaries and team betrayals. For , he scripted "Hackers" (series 2, episode 3), a tense installment involving , agent endangerment, and ethical dilemmas in counter-terrorism operations. Across these series, Graham authored over 50 episodes in total, honing a narrative style rich in plot twists, ensemble interplay, and serialized suspense that influenced his subsequent original projects.

Major creations and contributions

Life on Mars and Ashes to Ashes

Matthew Graham co-created the science fiction police drama alongside and , with the series premiering on in January 2006 and running for two seasons comprising 16 episodes. The plot centers on Detective Chief Inspector (played by ), a 2006 who, following a car accident, awakens in 1973 and must navigate a more brutal era of policing under the maverick DCI (), while grappling with the ambiguity of whether his displacement is a coma-induced , , or psychological breakdown. The series earned widespread critical acclaim for its innovative blend of and temporal disorientation, achieving peak viewership of over 7 million in the UK and establishing itself as a cultural phenomenon that sparked debates on . Central themes in include for a perceived simpler past contrasted with modern ethical policing, the raw brutality of 1970s practices such as unchecked and casual , and the protagonist's profound amid existential uncertainty. These elements were lauded for their sharp social commentary, with the awarding the show's creators the 2007 prize for Best Series, and Episode 1 securing the Award for Best Television Episode Teleplay. The series' impact extended internationally, inspiring remakes including a 2008 ABC adaptation starring and that aired for one season. In 2000, Graham and Pharoah established Monastic Productions, which oversaw the development and production of and its related projects. This company facilitated the spin-off , which aired from 2008 to 2010 across three seasons and 24 episodes on , shifting the narrative to 1981 where DI Alex Drake () experiences a similar temporal shift and encounters once more. The sequel resolved lingering mysteries from , including the nature of Tyler's fate, while exploring 1980s themes of yuppie culture, Thatcher-era tensions, and continued police reform critiques, maintaining the original's mix of humor, suspense, and introspection to solid commercial success with audiences exceeding 6 million.

Doctor Who episodes

Matthew Graham contributed three episodes to the revived Doctor Who series, bringing his expertise to standalone stories that emphasized horror-tinged mysteries and ethical dilemmas within the show's established universe. His scripts for the () and () integrated innovative alien threats with emotional depth, often drawing on contemporary settings and philosophical inquiries. Working in close collaboration with the production team, Graham adapted his concepts to fit the series' high-stakes format, incorporating unique elements like the Doctor's psychic paper and grotesque, organic creatures inspired by practical effects. Graham's first Doctor Who script, "Fear Her," aired as the eleventh episode of Series 2 on 24 June 2006. Set in during preparations for the 2012 , the story follows the and (Billie Piper) as they investigate the disappearance of children from a near the . The culprit is an Isolus, a pod-dwelling alien that possesses 12-year-old Chloe Webber (Abigail Phillips), granting her the ability to absorb people into her drawings using ionic energy from the environment. This "alien graffiti artist" motif turns Chloe's sketches into living prisons, reflecting the creature's own after being separated from its family unit. The episode culminates in Rose thwarting the Isolus's plan to kidnap the entire Olympic audience, with the using his psychic paper to pose as an official and the story resolving amid the Games' opening fireworks. Graham tailored the narrative for a younger audience, emphasizing accessible over , and incorporated a storm warning in the finale at the suggestion of . Central themes include and , embodied in Chloe's and the lingering from her abusive father, whose return forces a confrontation that heals the fractured family dynamic. The Olympic backdrop adds timeliness, tying the alien's desire for companionship to the event's spirit of unity. In 2011, Graham returned for a two-part story in Series 6: "The Rebel Flesh" (episode 5, aired 21 May) and "The Almost People" (episode 6, aired 28 May). Co-produced by , these episodes are set in a 22nd-century converted into a on a remote , where workers use "the "—a programmable, acidic liquid matter—to create doppelgangers (called Gangers) for hazardous acid-drilling tasks. A and disrupt the system, causing the Gangers to gain autonomy and rebel against their human originals, leading to a chaotic struggle for survival involving the , (Karen Gillan), and (Arthur Darvill). The plot draws influences from films like The Thing for its paranoia-inducing duplicates and The Name of the Rose for its monastic setting, with practical effects bringing the Flesh to life as bubbling, eyeball-like organic masses reminiscent of pits. Graham pitched the Flesh factory concept, while showrunner specified the creatures' grotesque, eye-like texture and their role in dangerous labor, tying into broader arcs like Amy's pregnancy mystery—revealed here as her being a Ganger herself—and the introduction of the eyepatch-wearing Madame Kovarian (). The narrative builds to dual cliffhangers, linking to the mid-season finale "," and features the Doctor deploying his psychic paper to navigate the escalating conflict. These episodes explore profound moral questions about , particularly the and of artificial beings. As the Gangers develop , the story probes whether they deserve equality or destruction, mirroring debates on and , with the advocating for their amid the humans' fear and prejudice. Graham's collaboration with director and producer Marcus Wilson amplified the production's scope, using the isolated location to heighten tension and ethical ambiguity. Unlike his full-series creations elsewhere, these guest scripts focused on self-contained horrors that advanced the overarching mythology without dominating it.

Later works and adaptations

Historical dramas

Matthew Graham's contributions to historical dramas center on his collaboration with his wife, screenwriter , particularly in adapting Gregory's novels into television series that explore the lives of powerful women in . Their joint work emphasizes intricate portrayals of ambition, , and societal constraints faced by female figures amid political intrigue. A key project in this vein is The Spanish Princess, a 16-episode limited series co-created and co-showrun by Graham and Frost for Starz, which aired from 2019 to 2020. The series adapts Gregory's novels The Constant Princess and The King's Curse, chronicling the life of Catherine of Aragon—from her arrival in England as a teenage Spanish princess betrothed to Prince Arthur, through her marriage to Henry VIII, and her struggles to secure her position as queen. Starring Charlotte Hope in the lead role, the production highlights Catherine's determination and strategic navigation of court politics, with Graham contributing to the scripting and overall narrative structure as executive producer. This marked Graham's entry into period dramas following his earlier experience in contemporary television writing, building on Frost's prior adaptations in the same historical universe. The series distinguishes itself through its exploration of themes such as power dynamics, racial diversity, and within the constraints of 16th-century . Graham and Frost incorporated a multi-racial lens, depicting the Spanish court and its entourage with greater ethnic representation than traditional portrayals, to underscore issues of cultural clash and identity. They framed the as a feminist endeavor, amplifying the of women like Catherine and her diverse companions—such as the Black noblewoman —amid themes of , racial prejudice, and the exercise of influence in a patriarchal society. In interviews, Graham discussed how these choices allowed for a reimagining of historical events to highlight underrepresented perspectives on ambition and among women of varying backgrounds. This approach not only enriched the and dramatic elements but also provoked discussions on inclusivity in period storytelling.

Science fiction projects

Matthew Graham has contributed to several projects beyond his work, adapting classic speculative literature and exploring dystopian futures through television and anthology episodes. His adaptation of Arthur C. Clarke's 1953 novel for aired as a three-part in December 2015, spanning six hours total and depicting the arrival of benevolent alien overlords who impose a utopian order on , only to reveal the profound evolutionary costs to humanity. Graham's script emphasized the psychological tension between technological salvation and human autonomy, with the Overlords' hidden agenda driving the narrative toward themes of collective transcendence. In 2016, Graham co-created the six-part BBC supernatural folk-horror series The Living and the Dead with Ashley Pharoah. Although Graham withdrew from writing the episodes due to commitments on Childhood's End, he served as executive producer. Set in 1890s Somerset, the series follows psychologist Nathan Appleby and his wife as they inherit a farm and confront eerie supernatural events tied to local folklore, blending psychological drama with ghostly apparitions and themes of modernity clashing with the supernatural.) In 2017, Graham wrote "The Hood Maker," the premiere episode of the anthology series Philip K. Dick's Electric Dreams, which aired on in the UK and internationally. Adapted from Dick's 1955 short story, the episode portrays a surveillance state where telepathic individuals are hunted using experimental "hoods" that block mind-reading, leading to a amid rising authoritarian control. Starring as a detective and as his telepathic partner, the story delves into the erosion of and under advanced monitoring technology. Graham co-wrote elements of Redwater, a six-episode spin-off from broadcast on and , which incorporates supernatural speculation into its family drama as characters and arrive in an coastal village haunted by visions and omens tied to Kat's search for her long-lost son. The series blends speculative elements like prophetic dreams and eerie coastal with personal tragedy, creating a speculative lens on fate and hidden truths. Across these projects, Graham consistently examines technology's and speculative forces' disruptive influence on society, echoing the time-travel roots of his earlier while shifting focus to broader dystopian , alien intervention, and inevitability.

Production ventures

Monastic Productions

Monastic Productions was established in 2006 by Matthew Graham and his long-time collaborator , specifically to develop and produce the police drama series and its . The company served as a creative hub for Graham and Pharoah, allowing them to maintain oversight on their co-creations amid partnerships with established entities like Film and Television and the . As through Monastic Productions, Graham played a key role in steering the development and production processes for these projects, ensuring alignment with the duo's vision for innovative sci-fi narratives. The company facilitated collaborations, such as co-production arrangements with for , which aired from 2008 to 2010 on . This structure emphasized creative control, enabling Graham and Pharoah to prioritize high-concept storytelling in the genre without broader diversification during this period. Monastic Productions' output was primarily confined to and , reflecting its focused mission on these interconnected series. Following the conclusion of in 2010, the company wound down its active operations, officially dissolving in 2018, as Graham shifted toward new production endeavors. This included a brief transition to later ventures, such as co-founding & with writer in the 2020s.

Watford & Essex

In 2020, Matthew Graham and his wife, screenwriter , launched Watford & Essex as a with , establishing the company as a Bristol-based drama production outfit focused on developing and financing premium scripted content for international markets. Graham served as co-CEO alongside Frost, with the venture building on their prior successes in historical and sci-fi dramas, such as . The company appointed Christine Healy, formerly head of production at New Pictures, as to oversee operations. Watford & Essex debuted with an initial slate of 10 projects spanning diverse genres, including period pieces, sci-fi adaptations like a remake of Voyage to the Bottom of the Sea, and bold, female-driven narratives aimed at event television. The company emphasized genre-bending stories with international appeal, drawing on Frost and Graham's experience in creating high-impact series to attract global financing and distribution partners. By late 2024, the partnership faced significant challenges, as Legendary declined to renew the joint-venture agreement, citing the difficult climate for UK scripted producers amid financial pressures. In response, Watford & Essex entered creditors' voluntary liquidation on December 30, 2024, with a declaration of solvency. Liquidators from Cork Gully, including Anthony Malcolm Cork, were appointed on January 8, 2025, to oversee the winding-up process. As of November 2025, the liquidation is ongoing, marking the end of the company's short-lived international expansion efforts, though several projects from the slate remained in various stages of development at the time of the insolvency filing.

Awards and nominations

Wins

Matthew Graham received the Writers' Guild of Great Britain Award in 1997 for his contributions to the acclaimed legal drama This Life, sharing the honor with co-writers Richard Zajdlic, Mark Davies Markham, and Joe Ahearne for the series' innovative storytelling and character development. His screenplay for the premiere episode of Life on Mars earned him the Edgar Allan Poe Award for Best Television Episode Teleplay in 2007, presented by the Mystery Writers of America, recognizing the script's masterful blend of crime procedural and science fiction elements. As co-creator of , Graham shared in the series' win for Best Drama Series at the Broadcasting Press Guild Awards in 2007, highlighting the production's cultural impact and narrative innovation during its debut season. The same series also secured the BAFTA Television Pioneer Audience Award in 2007, a publicly voted honor for outstanding programming that captured widespread viewer engagement, with Graham credited alongside co-creators and . Life on Mars won the TV Quick Award for Best New Drama in 2007, shared with co-creators and . Graham shared the Award for Life on Mars Series 2 in 2007. For the finale episode of Ashes to Ashes, Graham won the SFX Award for Best TV Episode in 2011. These key wins underscore Graham's pivotal role in shaping influential British television dramas, though the projects also garnered numerous nominations across major awards bodies.

Nominations

Graham's contributions to Life on Mars garnered significant recognition, including a nomination for the British Academy Television Craft Award for Best Writer in 2007. The series was also nominated for Best Drama Series at the same ceremony, highlighting its innovative blend of science fiction and police procedural elements. These accolades underscored the critical acclaim for Graham's co-creation and writing, which transported a modern detective into the 1970s. Life on Mars was nominated for the Writers' Award at the Broadcasting Press Guild Awards in 2007 (which it won). Graham's episode "Fear Her" for Doctor Who contributed to the series' broader nominations, including recognition from science fiction awards bodies in 2007. Over the course of his career, Graham's projects have amassed more than 15 nominations across prestigious organizations, such as the Royal Television Society Programme Awards and the Broadcasting Press Guild Awards. In more recent work, , co-created by Graham, received a at the Royal Television Society Craft & Design Awards in 2021 for Best Sound: Drama. These nominations affirm Graham's versatility in historical storytelling and visual spectacle.

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