Michael Brandon (born Michael Feldman; April 20, 1945) is an Americanactor renowned for his portrayal of the brash New York detective Lieutenant James Dempsey in the British action-drama television series Dempsey and Makepeace (1985–1986), opposite Glynis Barber, and for narrating the U.S. version of the children's series Thomas & Friends from its seventh season in 2003 through the sixteenth season in 2012.[1][2][1]Born in Brooklyn, New York, to Jewish parents Sol Feldman, a car mechanic, and Miriam Feldman (née Tumen), Brandon was one of three siblings and relocated with his family to Valley Stream, New York, at age nine.[3][2] He graduated from Valley Stream Central High School, briefly considered law studies, and pursued acting training at the American Academy of Dramatic Arts and the Actors Studio in New York.[3]Brandon launched his professional career in 1970 with a supporting role as Mike in the Academy Award-winning romantic comedyfilmLovers and Other Strangers, directed by Cy Howard and featuring Gig Young and Anne Jackson. Over five decades, he has amassed credits in film, television, and theater, including early Broadway appearances in Does a Tiger Wear a Necktie? (1969), as well as film roles in Dario Argento's thriller Four Flies on Grey Velvet (1971) and voice work in Ralph Bakshi's animated Heavy Traffic (1973).[3] His television work spans miniseries such as Dinotopia (2002), and the biographical drama Hawking (2004) as Arno Allan Penzias.[1]In his personal life, Brandon was married to actress Lindsay Wagner from 1976 to 1979 and has resided in London since the 1980s.[3] He married Barber, his Dempsey and Makepeace co-star, on November 18, 1989; the couple has a son, Alex Michael Brandon (born 1992).[3][1] In August 2025, Brandon released his memoir That's All I'm Sayin', a candid account of his journey from a Jewish upbringing in New York amid childhood bullying to international stardom in the UK, interspersed with anecdotes involving celebrities like Elizabeth Taylor.[2]
Early life
Family background
Michael Brandon was born Michael Feldman on April 20, 1945, in Brooklyn, New York, to parents Sol Feldman, a car mechanic (1920–1988), and Miriam (née Tumen).[4]As one of three siblings—alongside brother Elliot and sister Debi—he grew up in a working-class Jewish family of Eastern European ancestry. The family relocated to Valley Stream, New York, when Brandon was nine years old.[4][5][6]The family's Jewish cultural influences, rooted in Eastern European heritage, were significant during his childhood.[2][4]
Education and early influences
Brandon attended Memorial Junior High School and graduated from Valley Stream Central High School in the New York area.[5]After high school, he briefly attended Nassau Community College but left after three hours due to back pain to pursue acting full-time.[7][5] In 1965, Brandon auditioned at the American Academy of Dramatic Arts in Manhattan, performing scenes from Hamlet and The Teahouse of the August Moon, and enrolled in the two-year program, graduating in 1967 with a diploma in dramatic arts.[4] Following graduation, he participated in workshops at The Actors Studio to further refine his technique.[5]Brandon experienced bullying in his youth due to his Jewish background, as recounted in his 2025 memoir.[2] His initial amateur acting experiences came through small roles in off-off-Broadway productions in New York, where he built foundational skills before transitioning to paid professional work.[4]
Career
Early breakthroughs
Born Michael Feldman in Brooklyn, New York, the aspiring actor adopted the stage name Michael Brandon early in his professional career to better suit the industry. After training at the American Academy of Dramatic Arts, where he honed his skills through rigorous classical theater preparation, Brandon made his film debut in the 1970 romantic comedyLovers and Other Strangers. In the role of Mike Vecchio, the anxious groom navigating family chaos ahead of his wedding, he shared the screen with newcomers like Diane Keaton and established stars such as Bea Arthur, earning early critical notice for his fresh, relatable performance in a film that won the Academy Award for Best Original Screenplay and became a box-office success.Seeking expanded opportunities in Hollywood, Brandon relocated to Los Angeles shortly after his debut, renting modest accommodations to focus on building his resume. This move facilitated his involvement in international projects, including a lead role in the 1971 giallo thriller Four Flies on Grey Velvet, directed by Dario Argento, where he portrayed rock drummer Roberto Tobias, entangled in a blackmail scheme following an accidental killing. The film, part of Argento's "Animal Trilogy," showcased Brandon's ability to handle suspenseful, psychologically intense material and marked his entry into European cinema.[5][8]Parallel to his film work, Brandon began appearing in television during the early 1970s, leveraging guest spots to gain visibility. Notably, he starred in the premiere episode of the NBC anthology series Love Story in 1973, titled "Love Came Laughing," directed by Michael Landon, playing Gary Stone in a lighthearted romance alongside Bonnie Bedelia; this role reunited him with his Lovers and Other Strangers co-star and highlighted his versatility in romantic narratives. These early television appearances, combined with his film breakthroughs, solidified Brandon's presence in the industry by the mid-1970s.[9][5]
Television stardom
Brandon's breakthrough in television came with his casting as the lead in the British crime drama series Dempsey and Makepeace, where he portrayed Lieutenant James Dempsey, a tough New York cop transferred to London to join an elite undercover squad.[10] The series, which aired on ITV from 1985 to 1986 across three seasons and 30 episodes, paired him with Glynis Barber as the aristocratic Detective Sergeant Harriet Makepeace, blending high-octane action with comedic elements that earned it a dedicated cult following in the UK.[11] Producers selected Brandon for his authentic Brooklyn edge, which contrasted sharply with Barber's refined British demeanor, creating dynamic on-screen chemistry that mirrored their eventual real-life romance.[12]The role profoundly shaped Brandon's career, prompting his relocation from California to London in 1984 for what was initially envisioned as a six-month commitment, but ultimately leading to over two decades of residence in the UK.[13] This move not only boosted his visibility among British audiences but also typecast him as the quintessential American tough guy in subsequent UK productions, a persona that both opened doors and limited his range in the transatlantic market.[14] The series' success, coupled with his marriage to Barber in 1989, solidified his status in the British entertainment scene, extending his professional stay abroad far beyond the production's run.In the late 1980s and 1990s, Brandon continued to secure notable television work in the UK, leveraging his Dempsey fame to navigate a mix of lead and supporting parts in British genres.[1]Navigating a transatlantic career presented challenges for Brandon, including adapting to the more restrained pacing and ensemble focus of British television production compared to the high-energy American style he knew from earlier anthology work.[13] Visa logistics and cultural adjustments further complicated his dual-market presence, yet these hurdles reinforced his commitment to the UK, where Dempsey and Makepeace had cemented his stardom.[14]
Later developments and narration
In the 2000s, Michael Brandon expanded his career into voice narration, most notably as the narrator for the US version of the children's series Thomas & Friends, covering series 7 through 16 from 2004 to 2012, including series 13 to 16 aired between 2009 and 2012.[15] His warm American accent provided a distinctive contrast to previous narrators, helping to engage a new generation of young viewers and introducing the Brooklyn-born actor to family audiences worldwide.[16] This role marked a significant evolution from his earlier live-action work, leveraging his versatile voice to sustain prominence in British media.Brandon also took on diverse guest appearances in British television during this period, including recurring as Louis Dreyfuss across four episodes of The Bill in 2007, as well as roles in Casualty (2007) and Trial & Retribution (2006).[17] Complementing these, he pursued extensive voice work, narrating audiobooks such as Jeffrey Archer's Sons of Fortune and The Eleventh Commandment, and documentaries including The Mafia in America (2008).[18][19] These projects highlighted his adaptability, blending dramatic reading with informative narration to reach varied audiences.His role in Dempsey and Makepeace earlier in his career acted as a key pivot, enabling the longevity of his UK-based opportunities into later decades. In August 2025, Brandon released his memoirThat’s All I’m Sayin’, a reflective account of his professional path from Jewish roots in New York to stardom in London, filled with lively anecdotes spanning his early influences to the heights of Dempsey fame.[2] As of late 2025, he maintains his residence in the UK, where recent promotional events for the book, such as a sold-out signing in Chelsea in June 2025, underscore his ongoing engagement with fans and the industry.[20]
Personal life
Relationships and marriages
Brandon's first notable romantic partnership was an 18-month relationship with actress Kim Novak from 1973 to 1974, a high-profile Hollywood romance that captured media attention but ultimately ended due to conflicting career demands.[5]In 1976, Brandon married actress Lindsay Wagner, whom he met at an acting workshop; the union lasted until 1979, when it concluded in divorce amid the pressures of their demanding professional schedules, with no children from the marriage.Brandon began a long-term relationship with actress Glynis Barber in the mid-1980s after meeting her during the filming of the television series Dempsey and Makepeace, where they portrayed romantic partners; the couple married on November 18, 1989, and their partnership has been characterized by stability and mutual support, particularly in navigating transatlantic career commitments.[5][2]In public interviews, Brandon has reflected on how his relationships shaped his life decisions, including his relocation to the United Kingdom following his marriage to Barber, while expressing views on the transient nature of Hollywood romances compared to more enduring personal bonds.[2]
Family and residences
Michael Brandon and his wife, actress Glynis Barber, have built a stable family life together since their marriage in 1989, which has served as the foundation for their household.[5]The couple has one son, Alexander "Alex" Brandon, born in 1992 in Los Angeles. Alex was raised primarily in London following the family's relocation there shortly after his birth, where he grew up in a close-knit environment amid his parents' acting careers. Public mentions of their family life often highlight the joys of parenthood, with Barber noting in a 2013 interview that Alex's arrival transformed their relationship, bringing a deeper sense of commitment and balance.[21][22][23]Brandon maintains ongoing close ties to his two siblings and extended Jewish family rooted in the United States, reflecting his upbringing in a Jewish household in Brooklyn, New York. Occasional visits to the U.S. to connect with relatives have been noted in his personal reflections, underscoring the enduring family bonds despite his long-term life abroad.[4][2][24]Since the late 1980s, Brandon's primary residence has been in London, where he and his family settled after initial years in Los Angeles post-marriage. In family contexts, Brandon has reflected on his dual American-British identity, describing it as a blend shaped by his New York Jewish roots and decades in the UK, which influences how he instills values of resilience and cultural adaptability in his son.[5][2][25]
Theatre work
Key stage roles
Michael Brandon made his Broadway debut in 1969 as Prince, a troubled young inmate, in Don Petersen's Does a Tiger Wear a Necktie? at the Belasco Theatre, portraying a character grappling with addiction and rehabilitation in a juvenile detention center alongside Al Pacino in the lead role.[26][27] The production, which ran for just over a month, marked Brandon's entry into professional theatre following his training at the American Academy of Dramatic Arts, where he honed techniques that informed his raw, authentic depiction of youthful defiance.[5]Transitioning to a prominent transatlantic career, Brandon established himself in the UK with his title role as Jerry Springer in Richard Thomas and Stewart Lee's controversial musical Jerry Springer: The Opera at the National Theatre in 2003, transferring to the Cambridge Theatre in the West End. His charismatic, sanctimonious portrayal of the talk-show host—blending bland observation with underlying sleaziness—earned critical praise for capturing the character's manipulative allure and drew an Olivier Award nomination for Best Actor in a Musical.[28][29] Reviewers highlighted how Brandon's performance anchored the show's satirical excess, balancing spoken dialogue with the ensemble's operatic chaos to underscore themes of voyeurism and American excess.[30]Demonstrating versatility in dramatic roles, Brandon played Charlie Malloy, the pragmatic union lawyer, in Steven Berkoff's adaptation of On the Waterfront at the Hackney Empire Theatre in 2007, delivering a nuanced performance that emphasized moral ambiguity and brotherly tension amid the waterfront corruption narrative.[31] Critics noted his commanding presence in the intimate production, which showcased his ability to convey quiet intensity in a classic tale of redemption.In lighter fare, Brandon portrayed studio head R.F. Simpson in the 2012 West End revival of Singin' in the Rain at the Palace Theatre, following its Chichester premiere, where his suave, authoritative take on the character added comedic flair to the Hollywood satire on the transition to sound films.[32] This role exemplified his range across comedic and dramatic parts, bridging his American roots with sustained UK stage success over decades.
Notable productions and awards
Brandon's early theatre career featured his Broadway debut in the original production of Does a Tiger Wear a Necktie? at the Belasco Theatre in 1969, a drama about juvenile rehabilitation that co-starred Al Pacino.[33]In the 2000s, following his television success, he engaged in collaborative ensemble productions at major UK institutions, including the National Theatre's premiere of Jerry Springer: The Opera in 2003, directed by Stewart Lee, which transferred to the Cambridge Theatre and garnered multiple awards for the production.[34] The show explored tabloid sensationalism through operatic form, with Brandon originating the title role alongside a large cast blending musical theatre and contemporary opera styles.[35]Brandon's theatre accolades include a nomination for the Laurence Olivier Award for Best Actor in a Musical in 2004 for his performance in Jerry Springer: The Opera, recognizing his commanding portrayal amid the production's innovative score and staging.[34]Post-television prominence, Brandon sustained his stage presence through London-based productions into the 2020s, such as White Christmas at the Dominion Theatre in 2019 as General Henry Waverly and Straight White Men in 2021.[36][31]
Filmography
Film roles
Michael Brandon made his film debut in the romantic comedy-drama Lovers and Other Strangers (1970), playing the role of Mike Vecchio, a young groom navigating family dynamics ahead of his wedding.[37]In 1971, he appeared in two notable international productions: the Italian giallo thriller Four Flies on Grey Velvet, directed by Dario Argento, where he portrayed Robert Tobias, an American drummer entangled in a murder mystery; and the American drama Jennifer on My Mind, as Jeffrey, a hitchhiker involved in a tragic road trip romance.Brandon's film work in the late 1970s included the ensemble comedy-drama FM (1978), in which he played Jeff Dugan, a passionate radio engineer fighting corporate interference at a rock station; and the adventure thriller A Vacation in Hell (1979), leading as Matt, a photographer surviving a perilous jungle ordeal with a film crew.During the 1980s and 1990s, Brandon transitioned to supporting roles in diverse genres.In the 2000s and 2010s, his film appearances encompassed thrillers like the superhero blockbuster Captain America: The First Avenger (2011) as Senator Brandt in a World War II sequence; and the action drama Born of War (2013) as Harm Helder, a military operative aiding a kidnapped woman; and the political thrillerCanary Black (2024) as the President of the United States.[38][39][40]Over his career, Brandon has accumulated more than 20 feature film credits, spanning dramas, thrillers, and occasional comedies, often highlighting his versatility as a character actor in both American and international cinema.[1]
Television roles
Michael Brandon's television career encompasses over 50 appearances across series, miniseries, TV movies, and specials, spanning from the early 1970s to the present day. His work primarily features live-action roles in both American and British productions, beginning with supporting parts in made-for-TV films and progressing to leading roles in popular series.[41]Brandon's early television credits included the role of David, a young delivery boy entangled in a romance with an aging chorus girl, in the ABC TV movie The Third Girl from the Left (1973).[42] He followed this with the part of Sam, a shy accountant who finds romance on the dance floor, in the CBS TV movie Queen of the Stardust Ballroom (1975). In 1976, he took on the titular role of James Dean in the NBC biographical TV movie James Dean, portraying the iconic actor's turbulent life and career. Another notable early TV movie was The Impatient Heart (1971), where he played the lead role of Frank Pescadero in this Universal production based on Alvin Sargeant's work.[17]During the 1980s, Brandon secured a recurring role as David Marquette in the American soap operaEmerald Point N.A.S. (1983–1984), appearing in multiple episodes of the naval-themed drama.[43] His breakthrough in British television came with the lead role of Lieutenant James Dempsey, a brash New York cop partnering with a London detective, in the action series Dempsey and Makepeace (1985–1986), which ran for three seasons totaling 30 episodes on ITV.[44] Later in the decade, he starred in the TV movie Deadly Messages (1985), playing a man receiving ominous predictions from a Ouija board.In the 1990s, Brandon led the short-lived American sitcom Home Fires (1992) as Ted Kramer, the family patriarch in a household dealing with everyday comedic challenges, appearing in all 6 episodes on ABC.[45] He also guest-starred as Alex Weaver in an episode of Murder, She Wrote (1995).[17] Additional TV movie work included Shattering the Silence (1993), where he portrayed Ted Ricci, a father confronting his daughter's abuse, and Murder or Memory? (1994), in a principal role.[17]The 2000s saw Brandon return to British television with guest appearances in procedural dramas. He played Louis Dreyfuss across four episodes of The Bill in 2007, including storylines involving burglary and hostage situations.[17] In 2002, he portrayed pilot Frank Scott, one of the central protagonists, in the ABC miniseries Dinotopia, a fantasy adventure filmed in Hungary and consisting of three episodes. Other credits from this period include a guest lead as Max Stanford, a profiler, in Trial & Retribution XI: Closure (2006).[17]Brandon continued with guest spots in the 2010s and beyond, such as Robertson Laing in the Netflix series The Power (2023) and Palmer in Renegades (2022). He also appeared as General Sanchez in the Doctor Who episode "The Stolen Earth" (2008). His television output remains active, with roles emphasizing character-driven narratives in both drama and mystery genres.[41]
Video games and voice work
Michael Brandon has contributed to several video games through voice acting, showcasing his vocal range in interactive media. In 2017, he provided voice work for Star Wars: Battlefront II, contributing to the game's audio elements.[1] Three years later, in 2020, Brandon voiced the character of The Seer in King's Bounty II, a role that highlighted his ability to portray mystical figures in fantasy settings.[18] These limited gaming credits reflect a selective engagement with the medium, totaling around two notable projects.Beyond video games, Brandon's voice work extends to audiobooks, where he has narrated numerous titles, often for prominent authors. He has performed seven audiobooks for Michael Connelly, including crime thrillers like The Reversal, as well as works by David Baldacci, Martin Cruz Smith, and Jackie Collins.[46] In the 2020s, he narrated Jeffrey Archer's Sons of Fortune and The Eleventh Commandment, emphasizing his skill in delivering suspenseful narratives over extended listening sessions.[18] With over ten audiobook projects, this body of work demonstrates a shift toward voice performance as physical acting roles diminished with age.Brandon's narration talents, honed through earlier television experience, have also appeared in documentaries and radio projects. In the 2010s, he provided narration for U.S. documentaries such as Shark Bite Beach and OctoMom, focusing on real-world events and human interest stories.[18] On radio, during the 2000s, he narrated a two-hour BBC broadcast on Billie Holiday and hosted his own weekly talk show on City Talk Radio in Liverpool starting in 2008.[18] Additionally, he contributed voiceovers to various promos and audio narrations in 2010.[18]In the realm of children's media, Brandon lent his voice to post-series specials for Thomas & Friends in the late 2000s and 2010s, including Hero of the Rails (2009) and Misty Island Rescue (2010) as the U.S. narrator, alongside voicing the character Diesel in select entries.[47] These efforts, part of approximately ten voice projects overall, underscore his versatility in engaging younger audiences through animated storytelling.