Michael Rispoli
Michael Rispoli (born November 27, 1960) is an American character actor recognized for his portrayals of tough, working-class Italian-American figures in film, television, and theater.[1] Best known for his role as the mob boss Jackie Aprile Sr. in the HBO series The Sopranos, Rispoli has built a prolific career spanning over three decades, often embodying complex, street-smart characters with a mix of menace and vulnerability.[2] A second-generation Italian American raised in Tappan, New York, as one of eight children, he brings authenticity to his roles drawn from his cultural background.[3] Rispoli earned a degree in theater from the State University of New York at Plattsburgh before honing his craft at the Circle in the Square Theatre School in New York City.[4] His early career included stage work with the Atlantic Theater Company, where he appeared in productions such as David Mamet's The Woods and American Buffalo.[2] On screen, he debuted in Household Saints (1993) and gained momentum with supporting roles in movies including Death to Smoochy (2002), Kick-Ass (2010), and The Rum Diary (2011).[1] His television credits extend beyond The Sopranos (1999–2001) to series such as The Good Wife, Banshee, and The Deuce (2017–2019).[5] Throughout his career, Rispoli has been praised for his versatility, transitioning seamlessly between dramatic gangster parts and comedic turns, as seen in films like Top of the Food Chain (1999).[6] He continues to perform in theater, maintaining ties to his New York roots, and remains active in both independent and mainstream projects as of 2025, including upcoming roles in Alto Knights and Father Joe.[2][7]Early years
Childhood and family background
Michael Rispoli was born on November 27, 1960, in Nyack, New York, and raised in the nearby town of Tappan in Rockland County.[8][9] As a second-generation Italian American, Rispoli's heritage stemmed from his father's side, where his paternal grandparents were Italian immigrants; this background fostered a strong cultural identity that later influenced his worldview and frequent casting in blue-collar Italian-American roles.[4][10] His parents, Madeline and Ralph Rispoli, ran a local hardware store, providing a working-class foundation in a highly literate household where his father, a Columbia University philosophy graduate, emphasized education and poetry.[4][10][9] The seventh of eight children in a large, close-knit family, Rispoli grew up amid a dynamic environment of unspoken affection and shared responsibilities that shaped his resilient and affable early personality.[4] Rispoli attended Tappan Zee High School, graduating in 1977, where he participated in football and developed an interest in performing arts through school plays and theater productions.[9][11]Education
Michael Rispoli earned a bachelor's degree in theater from the State University of New York at Plattsburgh, graduating in December 1981.[4][11][12] During his time at SUNY Plattsburgh, he blossomed as a student actor, gaining early exposure to theater through university productions that honed his performance skills and deepened his passion for the craft.[13] This structured academic environment, influenced by his second-generation Italian-American heritage as a motivator for pursuing theater, provided foundational training in acting techniques and stagecraft.[11] Following graduation, Rispoli pursued postgraduate acting studies at the Circle in the Square Theatre School in New York City, a prestigious institution known for its rigorous program.[4][9] He was selected as one of 50 students for the program, where he refined his skills through intensive training in classical and contemporary acting methods, preparing him for professional opportunities.[9] This advanced education built directly on his undergraduate experiences, emphasizing ensemble work and character development essential to his future career.Career
Theater work
Rispoli launched his stage career in the Circle Rep/Steppenwolf Theatre Company revival of Lanford Wilson's Balm in Gilead, directed by John Malkovich, which premiered Off-Broadway in 1984.[2][14] This production marked his professional debut and showcased his early work with prominent ensemble theaters.[4] In 1988, Rispoli co-founded the Willow Cabin Theatre Company with fellow actors to create opportunities for ensemble-driven work.[14][4] The company's production of Wilder, Wilder, Wilder – Three by Thornton, featuring short plays by Thornton Wilder including Rispoli as the Stage Manager in Pullman Car Hiawatha, premiered Off-Off-Broadway before transferring to Broadway's Circle in the Square Theatre in 1993.[15][16] The revival earned a Tony Award nomination for Best Revival of a Play. Rispoli has maintained a strong association with the Atlantic Theater Company, appearing in multiple productions that highlight his ensemble contributions.[2] In Stephen Adly Guirgis's Between Riverside and Crazy, he originated the role of Lieutenant Caro in the world premiere at Atlantic's Linda Gross Theater in 2014, reprising it during the 2015 Off-Broadway transfer to Second Stage Theater and the 2022 Broadway production at Second Stage's Hayes Theater.[17][18][19]Film roles
Michael Rispoli made his film debut in a featured role as the tragic Nicky Falconetti in Nancy Savoca's Household Saints (1993), a performance that established him as a promising character actor capable of conveying emotional depth in supporting parts.[6] Over the following decade, he transitioned into a steady stream of character roles, frequently portraying Italian American figures in ensemble-driven stories, such as the bookie Jimmy George in Snake Eyes (1998), the intimidating loan shark Grama in Rounders (1998), and the volatile Joey T. in Spike Lee's Summer of Sam (1999).[1] These early appearances highlighted his ability to infuse tough, streetwise personas with underlying vulnerability, drawing on his theater background to bring authenticity to on-screen dynamics.[20] Rispoli achieved wider recognition in the 2010s with breakthrough supporting turns that showcased his versatility in high-profile action and comedy projects. In Matthew Vaughn's Kick-Ass (2010), he played Big Joe, the ruthless enforcer for mob boss Frank D'Amico, delivering a menacing presence that amplified the film's satirical edge.[21] He followed this with the role of the boisterous photojournalist Sala in The Rum Diary (2011), a Hunter S. Thompson adaptation where his character's chaotic camaraderie with Johnny Depp's protagonist added levity to the period drama.[22] A significant collaboration came with director Michael Bay in Pain & Gain (2013), in which Rispoli portrayed Frank Griga, a flamboyant Hungarian-born businessman whose abduction drives the plot's dark humor and escalating violence.[23] Throughout his career, Rispoli has been typecast in roles as resilient, no-nonsense Italian American men—often tough exteriors masking sympathetic cores—that leverage his New York roots for grounded authenticity.[20] This pattern persisted in later works like his portrayal of Tommy, a wiseguy mentor figure, in the Russo brothers' Cherry (2021), where he provided comic relief amid the film's intense exploration of addiction and crime.[24] More recently, he appeared as the affable Ray in the indie drama Allswell in New York (2022), embodying a paternal everyman navigating family tensions. Rispoli starred as the eccentric mobster Don Muchie Buchie in the romantic comedy A Brooklyn Love Story (2024). He also appeared as the street vendor Al in the ensemble film Nonnas (2025) and as the infamous gangster Albert Anastasia in Barry Levinson's The Alto Knights (2025), continuing his tradition of enriching mob-centric narratives with nuanced intensity.[25][26][27]Television appearances
Michael Rispoli achieved his breakthrough in television with the role of Jackie Aprile Sr. in HBO's The Sopranos (1999–2001). As the acting boss of the DiMeo crime family, Aprile navigates internal power struggles while battling terminal cancer, ultimately succumbing to the illness in the season 1 episode "College," which heightens tensions among the mob hierarchy and propels Tony Soprano's rise to leadership. Rispoli's portrayal, informed by his Italian American heritage and upbringing in a large family of Italian descent, brought authenticity to the character's blend of vulnerability and authority, earning praise for grounding the series' early exploration of mob dynamics and personal frailty. His performance, including later flashback appearances, helped establish The Sopranos as a landmark in prestige television by humanizing the criminal underworld.[4][28][29] Rispoli continued portraying mob figures in cable series with his series regular role as Rudy Pipilo in HBO's The Deuce (2017–2019), appearing in 24 episodes as a pragmatic mafia capo facilitating the growth of the Times Square sex trade in the 1970s and 1980s. Pipilo's arc evolves from a supportive enforcer to a key player in escalating criminal enterprises, showcasing Rispoli's ability to convey calculated menace amid the era's social upheaval. The role reinforced his affinity for complex organized crime narratives, drawing parallels to his Sopranos work while adapting to the show's historical lens on urban decay.[30] Transitioning to network television, Rispoli took on diverse supporting parts in procedural dramas, marking an evolution from archetypal mobsters to multifaceted authority figures. In CBS's Blue Bloods (2011), he guest-starred as Jack Condo, a former cop turned desperate bank robber in the season 2 episode "Critical Condition," highlighting themes of fallen law enforcement and redemption. His appearances in the Law & Order franchise further demonstrated this range, including as hot-tempered suspect Johnny DeMayo in the original series' "Faccia a Faccia" (1998) and as defense attorney Frank Adair across two episodes of Law & Order: Criminal Intent (2005–2006), where he navigated moral ambiguities in high-stakes investigations. Additionally, Rispoli guest-starred as political operative Stu Harper in the season 6 episode "Sticky Content" of CBS's The Good Wife (2014), contributing to the show's dissection of media manipulation and ethics. These roles underscored Rispoli's versatility in blending grit with procedural tension, expanding beyond crime family confines.[31][32][33] Rispoli continued his television career with recurring and guest roles in several series. He portrayed Joseph Magliocco in Godfather of Harlem (2019–). In 2020, he appeared as Ray Higgins in an episode of FBI: Most Wanted. Rispoli recurred as Richie Sansome in Billions during seasons 4 (2018) and 7 (2023). From 2022 to 2023, he played the mob boss Sal Boselli in Power Book III: Raising Kanan, further demonstrating his expertise in portraying authoritative figures in crime dramas.[34][31][35][36]Personal life
Rispoli has been married to Madeline Crawford since September 18, 1993.[1] They have three children.[1] As of 2024, the family resides in Pine Bush, New York.[11]Filmography
Film
- 1988: Midnight Run, as Tony Darvo
- 1992: Jersey Girl, as Terry
- 1993: The Night We Never Met, as Joe
- 1993: Household Saints, as Nicky Falconetti[1]
- 1993: New York Cop, as Richie
- 1994: Above the Rim, as Shep
- 1995: While You Were Sleeping, as Joe Jr.[1]
- 1995: To Die For, as Sgt. Lou
- 1996: Feeling Minnesota, as Motel Manager
- 1996: Homeward Bound II: Lost in San Francisco, as Jack
- 1997: Volcano, as Gator
- 1998: Rounders, as Grama
- 1998: One Tough Cop, as Lt. Denny Reagan
- 1998: Snake Eyes, as Capt. Santosi
- 1999: Summer of Sam, as Joey T
- 1999: The Third Miracle, as John Leone
- 2000: Two Family House, as Buddy
- 2002: Death to Smoochy, as Spinner Dunn
- 2005: The Weather Man, as Don
- 2006: Invincible, as Max
- 2007: I Think I Love My Wife, as George
- 2008: The Narrows, as Vinny
- 2009: The Taking of Pelham 1 2 3, as John T. Johnson
- 2010: Kick-Ass, as Big Joe
- 2011: The Rum Diary, as Roberto 'Sala' Sala
- 2013: Pain & Gain, as Frank Llane
- 2013: The Lifeguard, as Steve
- 2014: Friends and Romans, as Bobby DiNome
- 2016: Jamesy Boy, as Lt. Gerity
- 2020: Here After, as Angelo[1]
- 2021: Cherry, as Tommy[1]
- 2022: Allswell in New York, as Sal
- 2023: Cabin Girl, as Stranger[1]
- 2024: A Brooklyn Love Story, as Don Muchie Buchie
- 2024: Nonnas, as Al
- 2025: The Alto Knights, as Albert Anastasia[1]
Television
- 1994: NYPD Blue, as Gary Montalvo (1 episode)[1]
- 1996: Law & Order, as Tommy (1 episode)[1]
- 1997: Dellaventura, as Vinny (1 episode)[1]
- 1998: From the Earth to the Moon, as Jack Schmitt (miniseries, 1 episode)[1]
- 1999: Touched by an Angel, as Tony DeSalvo (1 episode)[1]
- 1999–2000: Third Watch, as Jerry Mankowicz (8 episodes)[1]
- 1999–2001: The Sopranos, as Jackie Aprile Sr. (11 episodes)[1]
- 2001: Night Visions, as Frank (1 episode)[1]
- 2002: Widows, as Tommy (miniseries, 4 episodes)[1]
- 2003: Karen Sisco, as Steve Mears (1 episode)[1]
- 2004: Deadwood, as Joey (1 episode)[1]
- 2005: Law & Order, as Detective Ed Purtell (1 episode)[1]
- 2006: Jonny Zero, as Tommy Coffee (1 episode)[1]
- 2007: Damages, as Coach O'Connor (1 episode)[1]
- 2008: Lipstick Jungle, as Sal (1 episode)[1]
- 2010: Blue Bloods, as Vitale (1 episode)[1]
- 2011: Prime Suspect, as Paul Bigelow (1 episode)[1]
- 2012: Made in Jersey, as Frank Cioffi (recurring, 3 episodes)[1]
- 2013: The Blacklist, as The Major (1 episode)[1]
- 2014: Unforgettable, as Frank McNally (1 episode)[1]
- 2015: Public Morals, as Vince Collesano (recurring, 5 episodes)[1]
- 2017–2019: The Deuce, as Rudy Pipilo (recurring, 18 episodes)[1]
- 2018: Instinct, as Frankie (1 episode)[1]
- 2021: Power Book III: Raising Kanan, as Stefano "The Pizza Guy" Regini (recurring, 3 episodes)[1]
- 2022: The Offer, as Joe Colombo (miniseries, 6 episodes)[1]
- 2023: FBI: Most Wanted, as Lou Carbino (1 episode)[1]
- 2024: Law & Order: Organized Crime, as Detective Lou Santini (guest, 2 episodes)[1]