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Nothing in Common

Nothing in Common is a comedy-drama film directed by , starring as David Basner, a high-flying executive whose bachelor lifestyle is upended when his parents, Max () and Lorraine (), decide to divorce after 36 years of marriage. The story follows as he navigates the challenges of caring for his newly unemployed and ailing father, Max, while managing his demanding career and romantic entanglements, ultimately leading to a deeper understanding of bonds. Supporting roles are filled by as David's love interest Cheryl Ann Wayne, Hector Elizondo as work associate Charlie Gargas, as his boss Andrew Woolridge, and as his ex-girlfriend Donna. Written by Rick Podell and Michael Preminger, the film blends humor with poignant drama, running for 118 minutes. Nothing in Common marked Jackie Gleason's final film appearance, as he was battling terminal cancer during production, a role that personally persuaded him to take. Released on July 30, 1986, by Tri-Star Pictures, it received mixed reviews for its tonal shifts but has been noted for strong performances, particularly by Hanks and Gleason. The film's , composed by , features original songs including the title track performed by .

Production

Development

The screenplay for Nothing in Common was written by Rick Podell and Michael Preminger, who crafted a story centered on themes of and the protagonist's journey toward personal growth amid generational tensions. The script was finalized on July 15, 1985, drawing from observations of familial conflicts to explore the strained relationship between a successful young executive and his aging father. Garry Marshall was brought on as director after the success of his 1984 film The Flamingo Kid, which showcased his ability to blend comedy and drama in depicting family and coming-of-age stories. Marshall's involvement marked an early foray into more serious dramatic elements while retaining his signature humorous touch, aligning with the project's aim to contrast lighthearted sequences with emotional depth. The film was produced by under Rastar Productions in association with Delphi Films, with an initial budget of $12 million. This phase positioned the project as a to pair rising talent —transitioning from comedies like (1984)—with veteran comedian , highlighting their differing acting styles to underscore the generational divide at the story's core. personally persuaded Gleason to accept the role.

Filming

Principal photography for Nothing in Common began on September 9, 1985, and concluded on December 5, 1985, taking place primarily in , , to authentically portray the urban setting central to the advertising executive's storyline. The production utilized the city's distinctive architecture and streetscapes, with some additional filming in , California. Key locations in included at 300 N. State Street, where scenes such as the opening credits and a pivotal reconciliation on the 19th-floor parking ramp of the east tower were shot. Other downtown sites, like the at 222 Merchandise Mart Plaza, helped depict the protagonist's bustling professional life, while exteriors along Morse Avenue and at added to the film's grounded realism. A horse farm in , served as the setting for specific residential scenes. The 118-minute runtime was achieved through streamlined scheduling over the multi-month shoot, allowing the blend of comedic and dramatic elements to unfold efficiently. Production faced significant challenges due to Jackie Gleason's declining ; he exhibited early signs of illness during filming and was diagnosed with colon cancer that had metastasized to his liver. Garry Marshall directed the film, working closely with cinematographer to capture 's vibrant energy while navigating the logistical demands of on-location shooting.

Narrative and Cast

Plot

David Basner (), a successful but immature advertising executive in , leads a carefree, hedonistic lifestyle filled with parties, women, and high-profile work. His world is upended when he learns that his parents, married for 36 years, are divorcing. David's mother, Lorraine (Eva Marie Saint), leaves his father, Max (Jackie Gleason), a bitter and unsuccessful shoe salesman who soon loses his job and is diagnosed with , requiring —including toe and partial foot —and ongoing care. Reluctantly, David takes on the responsibility of caring for Max, moving him into his apartment and managing his medical needs, which strains their already distant relationship. At work, juggles a major for while dealing with personal turmoil, including the end of his relationship with girlfriend (Bess Armstrong). He interacts with his demanding boss (Héctor Elizondo) and client (Barry Corbin), and has a brief affair with Andrew's daughter (Sela Ward). Max's former coworker () provides comic relief amid the chaos. As David's responsibilities mount, he begins to mature, helping Max navigate and , including teaching him to use public transportation. Lorraine returns briefly to support Max during his recovery, leading to a tentative reconciliation. Ultimately, David recommits to Donna, embracing greater responsibility in both his personal and professional life. The film's advertising industry setting reflects the fast-paced, materialistic culture of .

Cast

stars as David Basner, a high-energy known for his quick wit and fast-paced lifestyle. portrays Max Basner, David's estranged father, a gruff and ailing former shoe salesman in retirement; this was Gleason's final film appearance before his death in 1987. A legend best remembered for his role as Ralph Kramden in the 1950s television series , Gleason infuses the character with emotional gravitas. Eva Marie Saint plays Lorraine Basner, David's mother, who after decades of marriage decides to pursue her independence. Sela Ward appears as Cheryl Ann Wayne, the alluring daughter of client Andrew Woolridge and a figure in David's romantic entanglements. Bess Armstrong is cast as Donna Mildred Martin, David's supportive girlfriend who offers a sense of stability amid his chaotic life. In supporting roles, plays Charlie Gargas, David's boss and trusted mentor at the ad agency. portrays Andrew Woolridge, the authoritative airline executive and key client. appears as one of Max Basner's former coworkers. provides comic relief as Roger, the commercial director involved in the agency's creative pitches.

Release

Theatrical release

Nothing in Common was theatrically released in the United States on July 30, 1986, by , with a wide release commencing the following day on August 1. The film was rated by the , deemed suitable for family audiences owing to its mild language, brief sexual references, and emotional thematic elements involving family conflict and illness. Marketing efforts highlighted ' burgeoning stardom after successes like (1984) and The Man with One Red Shoe (1985), paired with in his final screen role, positioning the film as a blend of and heartfelt centered on generational clashes. Trailers showcased the father-son dynamic through humorous pitches and poignant family reconciliations, aiming to appeal to audiences interested in character-driven stories. The international rollout began later that year, with releases in on October 2, Brazil on November 4, on November 8, and subsequent markets into 1987.

Home media

The film was first made available on home video through a VHS release in 1987 by /Columbia Pictures Home Video, shortly following its theatrical run, and it became a popular rental title in video stores during the late 1980s. The VHS edition, distributed by /Columbia Pictures Home Video, featured the film's original 118-minute runtime in standard play mode and was widely available in . The DVD debut occurred in 2002 from Columbia TriStar Home Entertainment, presented in format with English and audio tracks, along with basic supplemental materials such as theatrical trailers. In 2012, Image Entertainment issued the first Blu-ray edition on January 31, offering enhanced video quality in the original 1.85:1 and 5.1 surround sound, marking a significant upgrade for high-definition viewing. The film has seen periodic availability on streaming platforms since the 2010s, including stints on and , though access has varied by region and licensing agreements. As of 2025, it is accessible for free ad-supported viewing on services like and , with rental or purchase options remaining on . No or extensive special editions have been released, though the title has benefited from standard digital remastering efforts over time without a dedicated package.

Reception

Critical reception

Upon its release, Nothing in Common received mixed reviews from critics, who praised the performances but often noted its uneven tonal shifts between comedy and drama. awarded the film 2.5 out of 4 stars, commending ' charismatic portrayal of the protagonist while critiquing the abrupt transition from lighthearted wisecracking to heavy emotional territory. On aggregate review site , it holds a 58% approval rating based on 24 critic reviews, with an average score of 5.9/10; the site's consensus highlights the strong performances that elevate its sentimental scripting. On , it has a score of 62 out of 100 based on 8 critic reviews, indicating "mixed or average" reviews. Critics frequently lauded Jackie Gleason's poignant performance in what would be his final film role, bringing emotional depth to the aging father figure, and Garry Marshall's direction for effectively blending humor with heartfelt family dynamics. One review described it as an "uncommonly funny drama" where the painful truths are brightened by Hanks' clowning and Gleason's deadpan intensity. However, others found the plot contrived and overly manipulative, with The New York Times specifically critiquing the "half-sharp, half-sentimental" script by Rick Podell and Michael Preminger for its uneven execution. In modern retrospectives, the film is often seen as a transitional work in Hanks' career, bridging his comedic roots and dramatic turn, with appreciation for its nostalgia but criticism for dated pacing and contrived elements. Recent viewer comments on platforms like as of emphasize its uneven tone and forgettable aspects, though some value the nostalgic charm of its era-specific advertising world and family reconciliation themes.

Box office

Nothing in Common opened on August 1, 1986, earning $3.28 million from 618 theaters during its domestic opening weekend and ranking 8th at the box office. The film went on to gross a total of $32.32 million domestically against its $12 million production budget, generating a moderate profit once marketing and distribution costs were factored in. Among 1986 releases, it placed 31st in domestic earnings, aided by its prime summer release timing but challenged by major competitors including Aliens and . International performance was negligible, resulting in a worldwide total of roughly $32.3 million. Its commercial showing benefited from robust word-of-mouth among family viewers, although mixed critical response likely curtailed additional viewings.

Music and Adaptations

Soundtrack

The soundtrack for the 1986 film Nothing in Common was released by as a featuring contemporary pop songs selected to enhance key emotional moments throughout the movie. The album's title track, "Nothing in Common" by the , served as a new single written by band members Tom Bailey and , peaking at number 54 on the and number 38 on the chart; it underscores the central theme of familial estrangement between the protagonist and his father.) Notable featured tracks include "Burning of the Heart" by , which accompanies scenes in the film's romantic subplot, and "If It Wasn't Love" by , played during reflective interpersonal sequences. The album also incorporates the original score composed by , who integrated influences with traditional orchestral elements to support the narrative's blend of humor and drama. The soundtrack entered the Billboard 200 chart in 1986, with its performance bolstered by radio airplay of the lead single and other tracks from established artists. Songs from the album punctuate pivotal emotional beats in the film, such as the Thompson Twins' track during a tense family confrontation involving marital dissolution.

Television series

Nothing in Common was adapted into a short-lived sitcom television series that aired on from April 2 to June 3, 1987. Created by , the series starred as David Basner and as his father Max Basner, with as Jennifer Kingsley and as Andrew Rubens. A total of 13 episodes were produced, but only 7 were broadcast before its cancellation.

Legacy

Impact on careers

Nothing in Common marked a pivotal transition in Tom Hanks' career, shifting him from comedic leads in films like Splash (1984) and Bachelor Party (1984) toward dramatic roles that showcased his emotional range. Hanks himself described the film as his "first dramatic role," noting it was the project from which he "learned the most" about acting beyond comedy, requiring deeper preparation to convey complex family dynamics. This performance paved the way for his breakout in Big (1988), which earned an Academy Award nomination for Best Actor, and subsequent Oscar wins for Philadelphia (1993) and Forrest Gump (1994), solidifying his status as a versatile leading man. For , Nothing in Common served as his final feature film appearance, highlighting his capacity for dramatic nuance beyond his iconic comedic persona from . Diagnosed with colon cancer that had metastasized to his liver during production—while he was also battling , , and other health issues—Gleason completed the role amid serious illness. He passed away on June 24, 1987, less than a year after the film's release, from complications of the cancer. The film further bolstered director Garry Marshall's reputation for crafting heartfelt comedies with emotional depth, building on earlier works like (1984) and positioning him for major successes such as (1990), which grossed over $463 million worldwide. Supporting cast member Héctor Elizondo's role in Nothing in Common exemplified the start of his enduring collaboration with Marshall, appearing in all 18 of the director's films and becoming a trusted on-set presence. Similarly, Sela Ward's performance provided early feature-film exposure, contributing to her casting as Teddy Reed in the NBC series Sisters (1991–1996), for which she won a Primetime Emmy Award for Outstanding Lead Actress in a Drama Series in 1994. Overall, the film's moderate performance—earning $32 million domestically—provided a key stepping stone for Hanks, accelerating his ascent to prominence by the late through roles that demonstrated his dramatic prowess.

Cultural significance

Nothing in Common explores key themes reflective of American society, particularly the work-life imbalance faced by young professionals, the challenges of caring for aging parents, and the emotional fallout from . The film portrays protagonist David Basner as a high-achieving executive whose career-driven lifestyle in clashes with his sudden responsibility to support his diabetic father, Max, amid the latter's job loss and health decline. This narrative highlights the generational tensions between ambitious and their post-World War II parents, presciently addressing the impending "" burdens as boomers aged into caregiving roles. The of David's parents after 36 years further underscores shifting gender roles and marital expectations, with the mother's departure framed as a late-life assertion of in an era of rising rates among older couples. In film history, the movie exemplifies Garry Marshall's emerging "feel-good" dramedy style, blending humor with heartfelt family drama in a manner that influenced subsequent works like his own Father of the Bride (1991), which similarly centered on intergenerational reconciliation and domestic conflicts. Released in 1986, it contributed to a wave of mid-1980s cinema examining yuppie anxieties and paternal mortality, alongside films such as Memories of Me (1988) and Dad (1989), capturing the era's cultural shift toward introspective family stories amid economic prosperity. Jackie Gleason's portrayal of Max marked his final film role, often referenced in discussions of his career as a poignant swan song that humanized the comedian's legacy beyond his iconic television persona. The film received no major awards or Academy Award nominations despite strong performances, though audience polling by yielded an A− , indicating broad appeal and emotional resonance. Its enduring cultural relevance persists through nostalgic streaming availability, where recent retrospectives as of have praised its honest depiction of intergenerational conflict and familial duty, even as elements like the ad industry feel dated. In contrast to the short-lived adaptation, which struggled with ratings and was canceled after one season, the original film's staying power lies in its balanced exploration of themes.

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