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Nuno Lopes

Nuno Miguel Pereira Lopes (born 6 May 1978) is a and . Born in , he graduated from the Lisbon Theatre and School and further trained at the École des Maîtres. Lopes gained international recognition for portraying , an unemployed boxer drawn into amid Portugal's , in the 2016 drama directed by Marco Martins, a performance that earned him the award in the Orizzonti competition at the and helped the film secure Portugal's nomination for the Academy Award for Best Foreign Language Film. In 2019, he made his directorial debut with , a about a 1920s Portuguese landowner's downfall, receiving the Bisato d'Oro Award for Best Director from independent critics at the . His career spans Portuguese cinema and international television, with roles in Netflix's White Lines as the nightclub bouncer Boxer and Amazon's as Lord Gaebril, alongside multiple Golden Globe Portugal wins for acting in films like (2005). Lopes has amassed over 20 national and international awards, establishing him as one of Portugal's prominent contemporary performers.

Early life and education

Childhood and family

Nuno Miguel Pereira Lopes was born on May 6, 1978, in , . Publicly available information on his family background and childhood remains limited, with no verified details on parental occupations, siblings, or specific early influences shaping his interests. In a interview, Lopes described himself as a shy with few friends prior to pursuing , though he provided no further elaboration on familial dynamics or formative experiences. 's vibrant cultural milieu during the late and , post-Carnation Revolution, offered general exposure to theater and arts, but no direct evidence links this environment causally to his personal development at the time.

Acting training and debut

Lopes underwent formal acting training at the Escola Superior de Teatro e Cinema of the Instituto Politécnico de Lisboa, graduating in the late 1990s. He supplemented this with international study at the École des Maîtres, focusing on advanced theatrical techniques. His professional debut occurred in 1997, at age 19, in the role of Gustiuz Gonçalves in Os Sete Infantes (Lenda dos sete infantes de Lara), staged by the Teatro da Cornucópia under director Luís Miguel Cintra. This production, presented at the , introduced him to the rigors of professional ensemble work in Portugal's national theater circuit. Through persistent involvement in the local stage scene during the late , Lopes transitioned from novice performer to a recognized presence in theater, building foundational experience via collaborations with established troupes like the Cornucópia.

Professional career

Theater contributions

Nuno Lopes made his professional theater debut in 1997 at the age of 19, portraying Gustiuz Gonçalves in Os Sete Infantes de Escrivá, directed by Luís Miguel at the Teatro da Cornucópia in . This marked the beginning of his formative years with the company, where he participated in multiple productions, including roles as a meirinho and Furta-Sol, a young , in O Casamento de Figaro (Beaumarchais) and as Sol in Amor/Enganos. The Teatro da Cornucópia, a cornerstone of theater, provided Lopes with rigorous training under , shaping his approach to live performance; he later described it as the place where he "formed as an and as a man." Throughout the early 2000s, Lopes demonstrated versatility across classical and modern repertoires, performing works by authors such as Aristófanes, (Um Homem é um Homem), , , , and . Collaborations with directors including , Rodrigo Garcia, António Pires, and Marco Martins highlighted his range, from Brechtian alienation techniques to , as seen in the 2007 co-production of The Tragedy of Julius Caesar with the Teatro da Cornucópia. His affiliation with the Cornucópia lasted until its closure in 2016, amid financial challenges in cultural funding, which Lopes noted as emblematic of broader difficulties in the sector. Lopes maintained sustained involvement in Lisbon's theater scene post-Cornucópia, joining ensembles like Artistas Unidos and contributing to multidisciplinary projects such as the 2012 co-direction of Estaleiros ENVC 2012 with Marco Martins. In 2017, he appeared in A Noite da Iguana by , directed by Jorge Silva Melo at the São Luiz Teatro Municipal. These commitments underscore his foundational role in domestic theater, balancing live stage demands with screen work and earning acclaim for intensity derived from classical training. In recent years, Lopes starred as in Yasmina Reza's , directed by António Pires, alongside Cristóvão Campos and Rui Melo, premiering on September 11, 2025, at the Teatro Maria Matos. The production, exploring friendship strained by a controversial purchase, sold out initial sessions, leading to an extension through November 30, 2025, reflecting strong critical and audience reception in Portugal's contemporary theater landscape. This role exemplifies his ongoing dedication to probing human relationships on stage, prioritizing live interaction's immediacy over filmed performances.

Film acting roles

Lopes began his film acting career with supporting roles in international productions, including a part in the French drama (2004), directed by . He followed with the Portuguese independent film (2008), portraying a character in a narrative centered on personal loss and redemption. His breakthrough in Portuguese cinema came with Saint George (2016), directed by Marco Martins, where he played the lead role of Jorge, a laid-off boxer navigating economic hardship and family ties amid Portugal's financial crisis; the film was selected as Portugal's entry for the Best Foreign Language Film at the 89th Academy Awards and premiered at the Venice Film Festival. Earlier, in the co-production Lines of Wellington (2012), a historical epic about the Peninsular War, Lopes appeared alongside international cast including John Malkovich, contributing to its depiction of strategic retreats and human resilience. Lopes expanded into international with roles in films such as No Filter (2019), a directed by Louis-Julien Petit, and (2019), a coming-of-age on exploring adolescent rebellion in . He also featured in the Brazilian-Portuguese co-production The Great Mystical (2018), playing a character in a multigenerational story of a traveling family facing existential threats. More recent Portuguese films include Remains of the Wind (2022), directed by Tiago Guedes, in which he portrayed , a figure entangled in rural traditions and interpersonal conflicts during Carnival season; the film premiered at the in the section. Other credits encompass Azuro (2022), a , and (2023), reinforcing his versatility across .

Television roles

Lopes began his television career in with roles in domestic series that established his presence in the local industry. In the 2008 series Boa Noite Irene, he portrayed , contributing to early serialized storytelling focused on interpersonal dramas. This was followed by his appearance as Telmo Sobral in the 2011 miniseries Sangue do Meu Sangue, a period piece exploring family and societal tensions, which aired on RTP and helped solidify his reputation among audiences for nuanced character work in episodic formats. His international breakthrough came with the 2020 Netflix series White Lines, where he played Duarte "Boxer" Silva, the stoic head of security for a prominent nightclub family in Ibiza. Cast in one of the lead roles, Lopes's depiction of Boxer—a loyal yet enigmatic figure who aids the protagonist's investigation into her brother's death—earned acclaim for its intensity and depth, marking a shift toward serialized global narratives with complex moral ambiguities. The role highlighted his ability to convey restrained menace and vulnerability, contributing to the series' exploration of , , and life, and expanded his visibility beyond . In recent years, Lopes has taken on prominent parts in high-profile international productions. He portrayed fashion designer in the 2024 Apple TV+ series The New Look, appearing in seven episodes that dramatize the designer's resistance to collaboration during II-era , emphasizing themes of artistic integrity amid occupation. Concurrently, in season 3, he embodies Lord Gaebril (secretly the Forsaken Rahvin), a manipulative advisor wielding influence through deception and power, adding to the fantasy epic's serialized intrigue of political and supernatural conflicts. Domestically, he stars as Gaspar Mendes da Sousa in the ongoing series Lavagante (2024–2025), a drama set in 1960s amid political persecution, underscoring his continued engagement with national history in extended episodic arcs.

Directing work

Nuno Lopes has no verified directing credits in feature films, television, or major theater productions as of October 2025. Although his extensive collaborations, including lead roles in films like The Domain (2019), have involved close work with directors such as Tiago Guedes—who helmed that project and earned the Bisato d'Oro Award for Best Director at the 76th —Lopes himself has not transitioned behind the camera for credited directing efforts. This absence highlights his primary focus on performative roles, where his insights into character development and narrative structure, honed through decades of on-set and experience, inform creative discussions without extending to formal direction. Claims attributing directing awards or debuts to Lopes, such as erroneous associations with The Domain, appear to stem from misattributions in secondary sources conflating his starring performance with Guedes' directional achievements.

Filmography

Feature films

  • Ma Mère (2004, actor as Pierre)
  • Alice (2005, actor as Mário)
  • Boa Noite Irene (Goodnight Irene, 2008, actor as Bruno)
  • Sangue do Meu Sangue (Blood of My Blood, 2011, actor as Telmo Sobral)
  • Linhas de Wellington (Lines of Wellington, 2012, actor as Sargento Francisco Xavier)
  • Cadências Obstinadas (Obsessive Rhythms, 2013, actor as Furio)
  • O Falcão Português da Nova Independência (The Portuguese Falcon, 2015, actor)
  • Um Posto Avançado do Progresso (An Outpost of Progress, 2016, actor as João de Mattos)
  • Santo Jorge (Saint George, 2016, actor as Jorge)
  • O Grande Circo Místico (The Great Mystical Circus, 2018, actor)
  • Un automne à Great Yarmouth (Great Yarmouth: Provisional Figures, 2019, actor)
  • O Domínio (The Domain, 2019, director and actor as Zé)
  • Une fille facile (An Easy Girl, 2019, actor as Andres)
  • Chamboultout (No Filter, 2019, actor as Bernard)
  • Azuro (2021, actor as L'Homme)
  • Restos do Vento (Remains of the Wind, 2022, actor as Samuel)
  • Tout le monde aime Jeanne (Everybody Loves Jeanne, 2022, actor)
  • Mal Viver (Bad Living, 2023, actor as Jaime)
  • Les Derniers Hommes (The Last Men, 2023, actor)
  • Lavagante (2025, actor)

Television series

Lopes portrayed Inspector Rebelo in the Portuguese crime drama series South (2019), appearing in nine episodes as a key investigator in a Lisbon-based narrative exploring urban tensions and investigations. In 2020, he played Boxer, the head of security for the Calafat family, in the Netflix series White Lines, a British-Spanish production set in Ibiza involving drug trade and family secrets, where his character provided intense physicality and loyalty amid escalating conflicts. Lopes appeared as Stone in the Portuguese comedy-drama Princípio, Meio e Fim (2021), depicting a descomplexed, harmonious free spirit in ensemble dinners blending fiction and reality, broadcast on . He took the role of Mário in Causa Própria (2022), a Portuguese legal on RTP where his character navigates investigations tied to a judge's personal dilemmas following a student's . In the telenovela (2024–2025), airing on TVI and set in , Lopes leads as Gaspar Mendes de Sousa, a entangled in secrets and family revelations on a inherited . Lopes joined season 3 (2025) on Prime Video as Lord Gaebril, Queen Morgase's consort and advisor handling political and military affairs, revealed as the Rahvin with manipulative powers.

Awards and recognition

Major awards

Nuno Lopes received the Orizzonti Award for at the 73rd on September 10, 2016, for portraying an unemployed boxer in São Jorge, directed by Marco Martins. For his directorial debut A Herdade (The Domain), Lopes won the Bisato d'Oro Award for Best Director, awarded by independent critics at the 76th in 2019. In , Lopes has secured five for in film, recognizing performances across his career, including roles in Alice (2005), Goodnight Irene (2008), Linhas de Wellington (2012), and Posto Avançado do Progresso (2016).

Nominations and honors

Lopes received a for at the 2024 Prémio Autores for his role in Living Bad. Earlier nominations include Best Actor at the 2016 Sophia Awards for São Jorge, at the 2013 Golden Globes Portugal for Operação Outono, and at the 2012 Sophia Awards and 2012 Golden Globes Portugal, both for Filhos do Vento. He also earned a 2012 nomination for at the Prémio Autores.
YearAwardCategoryWork
2012Prémio AutoresFilhos do Vento
2012Golden Globes PortugalFilhos do Vento
2012Sophia AwardsFilhos do Vento
2013Golden Globes PortugalOperação Outono
2016Sophia AwardsSão Jorge
2024Prémio AutoresLiving Bad
Beyond competitive nominations, Lopes has been recognized through selections and honors highlighting emerging or distinguished talent. In 2006, he was named Portugal's Shooting Star at the , spotlighting promising European actors. In 2005, he received a Merit Honorary Award from the CinEuphoria Awards. In 2021, he was appointed Knight of the Order of Arts and Letters by , acknowledging contributions to arts and literature. Lopes has also served as a guest and performer at film festivals, including a DJ set at the 2025 Lisboa Film Festival.

2023 sexual assault civil

In November 2023, American writer and filmmaker A.M. Lukas filed a civil against Portuguese Nuno Lopes in the U.S. District Court for the Eastern District of , alleging that he drugged and raped her on April 29, 2006, following an after-party event tied to the Tribeca Film Festival in . The suit, docketed as Case 1:23-cv-08614, seeks compensatory and for claims including , , , and gender-motivated violence, and was enabled by New York's , which temporarily suspended statutes of limitations for adult claims until November 23, 2023. Lukas's details that she met Lopes, then an aspiring , at the after-party for the premiere of a film in which he appeared; after socializing and consuming drinks, she became incapacitated, awoke to find Lopes assaulting her while unconscious, and subsequently reported the incident to police that same day, undergoing a sexual assault nurse examiner (SANE) forensic evaluation. The filing asserts that Lukas experienced immediate physical effects including and disorientation, leading her to take medication for prevention, and later received a PTSD linked to the event; however, no criminal charges were pursued against Lopes at the time, and the matter proceeded solely as nearly 17 years later. Lopes publicly denied the allegations shortly after the filing, stating to outlets that his " is absolutely clear" and that he was "morally and ethically incapable" of such acts, though he has not filed a formal or presented counter-evidence in as of the suit's initiation. The civil proceeding operates under a preponderance-of-the-evidence standard, lower than the beyond-a-reasonable-doubt threshold required for criminal conviction, allowing claims without prior prosecution; empirical data on reports indicate false allegation rates typically range from 2% to 10% based on classifications of unfounded cases, though definitive proof of falsity remains rare absent or contradictory forensics. As of October 2025, the case remains ongoing with no reported resolution, settlement, or trial outcome in public court records, reflecting the extended timeline common in civil litigation under revived statutes like the .

References

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    Nov 21, 2023 · 'My conscience is absolutely clear, I am morally and ethically incapable of committing the acts I am accused of,' Lopes told DailyMail.com.Missing: sexual assault
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    Portugese actor Nuno Lopes sued over sexual assault
    Nov 20, 2023 · AM Lukas, a writer and filmmaker, says Lopes raped her while she was unconscious after they met at a film festival in 2006.