Fact-checked by Grok 2 weeks ago

Object

In philosophy, an object is any entity that can be the subject of thought, reference, or discourse, encompassing concrete things like physical bodies and electrons, abstract entities like numbers and properties, structured wholes like nations, and even fictional or nonexistent items like ghosts. This broad conception contrasts with narrower historical usages, such as in medieval philosophy where objectum often denoted something thrown against the mind (as in opposition to the subject), but in modern philosophy, it has evolved to include whatever stands as a Gegenstand or counterpart to cognition, applying to both real and ideal domains. A pivotal development occurs in Immanuel Kant's transcendental philosophy, where the concept of an object in general is identified as the highest and most abstract category, serving as the necessary correlate of any representation—whether through intuition or concept—without which cognition would lack unity or reference. Kant distinguishes between quantificational objects (q-objects), which exist through absolute positing and are given in sensible intuition (e.g., "there is an object that falls under the concept F"), and representational objects (r-objects), which are what representations are about and can include thought-objects like negative noumena that we cannot sensibly intuit but can conceive. This framework underscores objects' role in bridging appearances (phenomena) and things-in-themselves (noumena), limiting knowledge to the former while allowing thought of the latter. Contemporary philosophy extends these ideas through object-oriented ontology (OOO), which posits a "flat" metaphysics where objects—real or sensual—are withdrawn from full human access and not reducible to their relations or components, challenging anthropocentric views in both analytic and continental traditions. Philosophers like Graham Harman distinguish real objects (independent entities with withdrawn qualities) from sensual objects (experienced via relations), emphasizing that all objects, from quarks to myths, possess intrinsic reality beyond observation or use. Such theories intersect with debates on ordinary objects (e.g., tables as mereological sums), abstract objects (e.g., universals vs. nominalism), and nonexistent objects (e.g., unicorns as intentional targets), highlighting the term's enduring centrality in metaphysics, epistemology, and ontology.

Philosophy and general concepts

Metaphysical and ontological definitions

In metaphysics, an object is generally understood as a being or entity that exists independently of other entities or human perception, serving as a fundamental unit of reality. This conception encompasses both concrete particulars, such as individual substances, and abstract entities, depending on the philosophical framework. The historical development of the concept traces back to ancient philosophy, where Plato posited ideal Forms as transcendent, perfect objects that particular things in the sensible world imitate or participate in, providing the eternal essence beyond imperfect physical instances. Aristotle, critiquing Plato's separation of Forms, developed hylomorphism, viewing objects as composites of matter (the underlying substrate) and form (the organizing principle that actualizes potential), as seen in substances like a bronze statue where bronze is the matter and the statue's shape is the form. Ontologically, objects are often distinguished as particulars—unique, non-repeatable entities located in space and time—from universals, which are repeatable properties or kinds shared across multiple instances. This distinction fuels debates between realism, which affirms the independent existence of universals as real entities (e.g., the universal "redness" inhering in red objects), and nominalism, which denies universals, positing only particulars and treating shared properties as mere linguistic conventions or resemblances. Epistemologically, the nature of objects involves how they are known or perceived. Immanuel Kant differentiated phenomena (objects as they appear to us, structured by space, time, and categories of understanding) from noumena (things-in-themselves, independent of our cognition and unknowable directly). John Locke further elaborated this by distinguishing primary qualities of objects (such as shape, size, and solidity, which resemble ideas in the mind and exist independently) from secondary qualities (like color and taste, which are powers to produce sensations in perceivers and do not resemble the ideas they cause). In twentieth-century phenomenology, Martin Heidegger reconceived objects in relation to human existence (Dasein), distinguishing "ready-to-hand" objects encountered practically as equipment in everyday use (e.g., a hammer as a tool in hammering) from "present-at-hand" objects analyzed theoretically after breakdown, emphasizing that objects reveal their being through our engaged involvement rather than detached observation. These metaphysical ideas extend briefly to physical objects in science, where empirical entities are seen as manifestations of underlying independent beings.

Everyday and linguistic usage

In everyday language, an "object" commonly refers to a material thing that can be seen or touched, perceptible by the senses and distinct from abstract ideas or immaterial entities. This usage emphasizes tangible items in the physical world, such as a book on a table or a stone in one's hand, which occupy space and can interact with other physical entities. In linguistics, "object" plays a key role in sentence structure, particularly as the direct object, which is the noun, pronoun, or noun phrase that receives the action of a transitive verb, answering "what?" or "whom?" after the verb. For instance, in the English sentence "The chef prepared the meal," "meal" serves as the direct object, completing the verb's meaning by indicating what was acted upon. English typically identifies direct objects through word order (subject-verb-object), without explicit case markings. Across languages, the direct object concept is universal, but expression varies: Romance languages like Spanish often use pronouns to replace direct objects (e.g., "lo" for masculine singular), while languages such as German or Latin employ accusative case endings to mark them morphologically. In contrast, some agglutinative languages like Turkish attach suffixes directly to the object to indicate its role. Cognitively, humans perceive and categorize objects through innate organizational processes, as described in Gestalt psychology, where sensory information is grouped into meaningful wholes rather than isolated parts. Key Gestalt principles, such as figure-ground organization, enable the brain to distinguish an object (the figure) from its surrounding context (the ground), facilitating recognition—for example, identifying a tree amid a forest. Principles like proximity (grouping nearby elements) and closure (filling gaps to form complete shapes) further aid in object categorization, allowing quick mental classification of everyday items like a smartphone or a vehicle without conscious effort. These perceptual mechanisms underpin basic cognition, helping individuals navigate and interact with their environment efficiently. Idiomatically, "object" extends beyond literal meanings in phrases that evoke emotional or social dynamics, such as "object of desire," which denotes a person, thing, or goal intensely coveted or pursued. Similarly, "sex object" refers to an individual regarded primarily as a means of sexual gratification, often critiqued in discussions of dehumanization where personal agency is overlooked in favor of physical appeal. These expressions highlight how "object" can imply passivity or target status in relational contexts, reflecting broader linguistic patterns of metaphorically applying concrete terms to abstract human experiences.

Science, technology, and mathematics

Physics and natural sciences

In physics, a physical object is an identifiable entity composed of matter that possesses mass, occupies volume, and has a definite position in spacetime, characterized by a timelike spacetime interval that ensures its existence as a duration in spacetime. In classical mechanics, such objects are often modeled as rigid bodies, where the distances between constituent particles remain fixed, allowing Newton's laws to describe their motion. Newton's first law states that a physical object at rest remains at rest, and one in motion continues in uniform motion unless acted upon by an external force, reflecting its inertia proportional to mass. The second law quantifies acceleration as force divided by mass (F = ma), applied to the center of mass of rigid bodies for translational motion, while the third law ensures internal forces cancel, enabling net external forces to govern overall dynamics. In astronomy, celestial objects refer to naturally occurring physical entities in space, such as stars, planets, asteroids, and galaxies, studied as discrete units separated from their surroundings. Planetary bodies in the Solar System exemplify these, including eight planets (Mercury through Neptune), five dwarf planets like Pluto and Eris, hundreds of moons, and thousands of asteroids and comets orbiting the Sun. These objects maintain stable orbits due to gravitational interactions, with planets classified by composition—terrestrial (rocky, like Earth) or gas giants (like Jupiter)—and sizes ranging from Mercury's diameter of about 4,879 km to Jupiter's 142,984 km. At subatomic scales, quantum mechanics treats particles like electrons and photons as fundamental objects exhibiting wave-particle duality, where they behave as discrete quanta with quantized properties such as energy levels in bound states. These particles are described by wave functions that provide probabilities for position and momentum, rather than definite trajectories, yet they interact as localized entities in experiments like the double-slit interference. In general relativity, massive objects such as stars and black holes curve spacetime, with the degree of curvature proportional to mass and inversely to distance, dictating the geodesic paths that objects follow as gravitational motion. In biology, organisms serve as discrete objects, organized into cells that form the fundamental units of life, enclosed by membranes defining clear boundaries for metabolic and reproductive processes. Unicellular organisms like bacteria or multicellular ones like humans exhibit traits such as growth, response to stimuli, and heredity, distinguishing them as independent entities in ecosystems. In chemistry, molecules represent the smallest discrete units of chemical objects, consisting of two or more atoms bonded covalently, retaining the substance's properties while being electrically neutral. Examples include diatomic oxygen (O₂) for homonuclear molecules and water (H₂O) for heteronuclear ones, where bonds determine structure and reactivity.

Computing and information technology

In object-oriented programming (OOP), an object is a fundamental unit, representing an instance of a class with a unique identity that encapsulates both data attributes (state) and associated methods (behavior) for manipulating that data. This concept, pioneered by Alan Kay in the development of Smalltalk, views objects as entities that communicate via message passing to simulate real-world interactions, promoting modularity and reusability in software design. In languages like Java, an object is created using the new keyword, such as Car myCar = new Car();, where the Car class defines the object's state (e.g., speed, color) and behavior (e.g., accelerate method). Similarly, in Python, all data is represented as objects, instantiated via class constructors like class Dog: pass; dog = Dog(), allowing seamless integration of attributes and methods. Central to OOP are three key principles: encapsulation, inheritance, and polymorphism. Encapsulation bundles an object's internal state and operations, restricting direct access to promote data integrity and abstraction, as seen in private fields and public methods in class definitions. Inheritance enables a subclass to acquire attributes and methods from a superclass, facilitating code reuse; for example, a SportsCar class in Java might extend Car to add specialized features like turbo boost. Polymorphism allows objects of different classes to be treated interchangeably through a common interface, such as overriding methods in subclasses to achieve runtime flexibility, exemplified by Python's method resolution order in multiple inheritance scenarios. These principles, unified in OOP languages, support scalable software architectures by modeling complex systems as hierarchies of interacting objects. In databases, objects extend beyond programming to object-relational models, which integrate OOP concepts with relational structures to handle complex data types like multimedia or spatial information. Object-relational database management systems (ORDBMS) support inheritance and encapsulation for entities, allowing queries on object attributes alongside traditional SQL operations, as implemented in systems like PostgreSQL. Object-relational mapping (ORM) frameworks further bridge this gap by automatically converting database records into programming objects, enabling developers to interact with persistent data using familiar OOP syntax without writing raw SQL. In file systems and cloud computing, object storage treats data as discrete objects comprising files and metadata, optimized for scalability and unstructured content like backups or media. Amazon Simple Storage Service (S3) exemplifies this, storing objects in buckets with unique keys, providing durable access without hierarchical directories, which supports massive-scale applications in big data environments. In emerging technologies as of 2025, objects play a pivotal role in artificial intelligence, particularly computer vision, where object detection algorithms identify and classify real-world entities in images or video. The YOLO (You Only Look Once) framework, introduced in 2015, treats detection as a single regression problem to predict bounding boxes and class probabilities directly, enabling real-time performance; subsequent versions like YOLOv10 (2024) and YOLOv12 (2025) have refined accuracy and efficiency for applications in autonomous vehicles and surveillance. This digital representation of objects draws brief inspiration from physical modeling in simulations but focuses on computational efficiency for pattern recognition.

Mathematics and logic

In mathematics, an object is any abstract entity that serves as a fundamental unit of study, such as numbers, sets, or more complex structures like groups and topological spaces. These entities are defined by their properties and the relations they enter into, forming the building blocks of mathematical theories without reference to physical instantiation. In category theory, objects are the vertices or nodes in a diagrammatic framework, where the emphasis lies on the morphisms (arrows) connecting them rather than intrinsic properties of the objects themselves. A category consists of a collection of objects and morphisms satisfying axioms of composition, associativity, and identity, allowing for the abstraction of structures across mathematics; for instance, the category of sets has sets as objects and functions as morphisms. This approach, pioneered by Samuel Eilenberg and Saunders Mac Lane in 1945, shifts focus from individual elements to relational patterns. In formal logic, particularly first-order predicate logic, objects are the individuals within a domain of discourse, denoted by constant terms or variables that range over non-logical entities. These objects form the universe over which quantifiers operate, enabling statements about properties and relations; for example, in a structure, constants like a or b refer to specific individuals in the domain. Examples of mathematical objects include natural numbers, which are basic entities under arithmetic operations; functions, which map between objects while preserving structure; and vector spaces, which are sets equipped with addition and scalar multiplication satisfying certain axioms. These illustrate how objects encapsulate conceptual frameworks for reasoning. Historically, Gottlob Frege's distinction between sense (Sinn) and reference (Bedeutung), introduced in his 1892 paper "Über Sinn und Bedeutung," provided a foundational analysis for mathematical objects. For names of numbers, such as "4" and "the number of planets in 1892," the reference is the same abstract object (the number four), but the senses differ in their modes of presentation, resolving puzzles in identity statements like a = a versus a = b. Frege's framework, developed amid late-19th-century debates on the foundations of arithmetic, treated numbers as logical objects defined objectively rather than psychologically.

Arts, media, and culture

Literature and performing arts

In literature, objects frequently function as symbols or plot devices that propel the narrative while embodying abstract concepts such as power, desire, or moral temptation. A prominent example is the One Ring in J.R.R. Tolkien's The Lord of the Rings, which serves as the quest's central object and a metaphor for corrupting influence, repeatedly testing characters' ethical resolve and highlighting themes of free will and domination. This device underscores how inanimate objects can anthropomorphize human flaws, driving epic quests and symbolizing broader philosophical struggles. In performing arts, objects known as props play a vital semiotic role in theater, extending beyond utility to signify psychological states, social relations, or thematic undercurrents through their onstage presence and manipulation. Andrew Sofer's analysis emphasizes that props disrupt conventional dramatic expectations by foregrounding their material agency, as seen in plays where items like a skull or letter become focal points for existential reflection, altering audience perception of the performance space. In film, a related convention is the MacGuffin, a term coined by Alfred Hitchcock to describe an object that motivates action but holds little intrinsic value, serving primarily to advance the plot. Quentin Tarantino employs this in Pulp Fiction (1994), where the glowing briefcase propels interconnected storylines involving crime and redemption, its undisclosed contents amplifying mystery and narrative momentum without resolution. Certain works tie the concept of "object" to philosophical underpinnings, as in Ayn Rand's novella Anthem (1938), which briefly evokes Objectivism's emphasis on objective reality and individual rationality through symbolic artifacts like the rediscovered light bulb, representing enlightenment amid collectivist oppression. In postmodern literature, objects often symbolize fragmented human conditions, such as alienation or technological dread, critiquing modernity's commodified existence. For instance, the V-2 rocket in Thomas Pynchon's Gravity's Rainbow (1973) embodies parabolic destruction and paranoid connectivity, mirroring the disjointed psyche in a war-torn world. These representations highlight objects' role in deconstructing stable meanings, inviting readers to confront the instability of identity and reality.

Visual arts and design

In visual arts and design, objects serve as tangible or perceptual entities that embody aesthetic, functional, and conceptual intentions, ranging from crafted sculptures to engineered products that challenge perceptions of utility and beauty. This focus on objecthood has evolved historically from ancient artifacts, such as prehistoric cave carvings and Egyptian stone figures around 1100 B.C., which integrated ritualistic purpose with stylized forms to evoke cultural narratives, to medieval religious icons that used material hierarchy for symbolic elevation. By the Renaissance, objects like perspective-driven sculptures enhanced spatial illusion, laying groundwork for modern explorations of form and viewer interaction. A pivotal shift occurred in the early 20th century with Marcel Duchamp's introduction of readymades, which transformed ordinary manufactured items into art objects through the artist's deliberate choice, bypassing traditional skill and aesthetics. Duchamp's Fountain (1917), a porcelain urinal signed "R. Mutt" and displayed inverted, exemplified this by prioritizing intellectual provocation over visual appeal, thereby redefining the art object as a site of conceptual intervention rather than handmade creation. This approach influenced subsequent movements by emphasizing "visual indifference" and the absence of taste judgments in object selection. In parallel, the Bauhaus school, established by Walter Gropius in 1919, applied modernist principles to design objects, insisting that "form should follow function" to harmonize art, craft, and industry. Marcel Breuer's innovations, including the 1925 Wassily Chair with its cantilevered tubular steel frame inspired by bicycle construction, demonstrated this ethos through minimalist, mass-producible furniture that prioritized ergonomic efficiency and material honesty over decoration. Conceptual art extended these ideas by using objects to interrogate existence and mortality, as seen in Damien Hirst's Natural History series, where preserved animals suspended in formaldehyde vitrines become enduring symbols of life's fragility. Hirst's The Physical Impossibility of Death in the Mind of Someone Living (1991), featuring a tiger shark in a glass tank, draws on 19th-century scientific preservation techniques to create serial, replicable objects that emphasize thematic decay over uniqueness, prompting viewers to confront impermanence through the object's stark materiality. In art theory, this emphasis on objecthood has sparked debate, notably in Michael Fried's 1967 essay "Art and Objecthood," which criticizes minimalist works for reducing art to literal presence rather than immersive experience. Contemporary visual arts and design have digitized the object, incorporating virtual reality (VR) to reimagine historical artifacts as interactive entities that enhance accessibility and immersion. VR installations, such as those reconstructing ancient Egyptian relics or Greek pottery, allow users to manipulate 3D-rendered objects in simulated environments, bridging tactile tradition with digital innovation while preserving the artifact's aesthetic and cultural essence. This evolution underscores the object's enduring role in design as a dynamic medium for exploring human experience across eras.

Society, law, and other fields

In legal contexts, particularly within civil law traditions, the term "object" refers to the subject matter or purpose of a contract, which must be lawful and certain for the agreement to be valid. Under Article 1128 of the French Civil Code, a contract requires, among other elements, content that is lawful and determined or determinable, ensuring that the object—such as goods, services, or obligations—does not violate public policy or moral standards. This principle underscores that unlawful objects, like those involving illegal activities, render the contract null and void, protecting societal interests in contractual enforcement. In social and ethical frameworks, objectification describes the treatment of individuals as mere objects, often devoid of agency, a concept central to feminist theory. Philosopher Martha Nussbaum delineates seven key notions of objectification: instrumentality (using a person as a tool), denial of autonomy, inertness (treating someone as lacking agency), fungibility (interchangeability), violability (regarding as permissible to break), ownership (treating as property), and denial of subjectivity (ignoring inner experiences). These features highlight how objectification dehumanizes, particularly in contexts like gender dynamics, where women are reduced to objects for male gratification, perpetuating inequality. Property law distinguishes objects as chattels or personal property, which are movable items owned by individuals, separate from real property encompassing land and immovable fixtures. Chattels include tangible assets like vehicles, furniture, and jewelry, transferable without affecting land ownership, and are governed by rules of possession and sale distinct from those for real estate. This categorization facilitates legal transactions, such as inheritance or commerce, by clarifying ownership rights over portable goods. Ethical concerns arise in international law regarding cultural objects, where disputes over repatriation highlight tensions between national heritage and global stewardship. The Elgin Marbles, ancient sculptures from the Parthenon removed by Lord Elgin in the early 19th century and now held by the British Museum, exemplify this, with Greece invoking principles of restitution under the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property. Although the Convention applies prospectively and does not retroactively cover pre-1970 removals, it has influenced ongoing negotiations, emphasizing the moral imperative to return artifacts to their originating cultures to preserve historical integrity. As of November 2025, negotiations remain ongoing, with recent discussions exploring a possible permanent loan to Greece, though no final agreement has been reached.

Religion and psychology

In religious traditions, objects often serve as conduits for the divine, embodying spiritual power and facilitating human connection to the sacred. Sacred objects, such as relics—remnants of holy figures or their possessions—and idols, which represent deities, are venerated across various faiths for their perceived holiness derived from association with the transcendent. In Christianity, the Eucharist exemplifies this through the doctrine of transubstantiation, where bread and wine become the actual body and blood of Christ during the Mass, transforming ordinary matter into a sacred vessel of grace and communion with God. In Buddhism, objects are viewed through the lens of impermanence (anicca), one of the three marks of existence, emphasizing that all material forms are transient and subject to change, contrasting with the pursuit of enlightenment, which transcends attachment to such ephemera. This doctrine teaches that clinging to impermanent objects leads to suffering (dukkha), urging practitioners to recognize their lack of inherent essence to achieve liberation. Similarly, animistic belief systems attribute spirits or life forces to objects, animals, and natural elements, positing that these entities possess agency and relational qualities akin to persons, fostering rituals that honor and interact with the animated world. Turning to psychology, the concept of "object" extends to internalized mental representations that shape emotional and relational development. In object relations theory, pioneered by Melanie Klein, objects refer to psychic images of early caregivers or their parts—such as the mother's breast as a "part-object"—which infants internalize to form the basis of self and interpersonal dynamics, influencing defenses like splitting into good and bad representations. These internal objects persist into adulthood, guiding unconscious relational patterns and therapeutic interventions aimed at integrating fragmented experiences. In cognitive psychology, object permanence denotes the understanding that entities continue to exist even when not perceived, a milestone in infant development outlined by Jean Piaget in his sensorimotor stage (birth to about 2 years). During substage 4 (8-12 months), infants begin searching for hidden toys, indicating emerging awareness that unseen objects endure, though full mastery, including invisible displacements, develops later around 18 months. This cognitive achievement underpins later skills like symbolic thought and spatial reasoning.

References

  1. [1]
    [PDF] Bunge and Harman on the General Theory of Objects - CONICET
    By contrast, in modern philosophy “object” (objec- tum, Gegenstand) stands for whatever can be thought about: it applies to concrete things and abstract ones, ...
  2. [2]
    [PDF] Kant and the concept of an object - PhilPapers
    Abstract. “Object” is one of the most important concepts in Kant's philosophy. I argue that Kant's concept of an object involves.
  3. [3]
    Object - Stanford Encyclopedia of Philosophy
    Oct 26, 2017 · Unsurprisingly, then, some philosophers suppose that there is a fully general category and simply define 'object' as picking it out.Ordinary Objects · Abstract Objects · Nonexistent Objects · Possible Objects
  4. [4]
    Plato's Middle Period Metaphysics and Epistemology
    Jun 9, 2003 · The best guide to the separation of Forms is the claim that each Form is what it is in its own right, each is an auto kath auto being. In asking ...
  5. [5]
    Form vs. Matter - Stanford Encyclopedia of Philosophy
    Feb 8, 2016 · ... Plato's theory of Forms, which exist quite apart from the material world. He does so in part by insisting that his own forms are somehow ...
  6. [6]
    Nominalism in Metaphysics - Stanford Encyclopedia of Philosophy
    Apr 21, 2025 · Nominalism is an exclusionary thesis in ontology, asserting that there are no universals or abstract entities, only particulars or concrete ...
  7. [7]
    The Medieval Problem of Universals
    Sep 10, 2000 · The realists are supposed to be those who assert the existence of real universals in and/or before particular things, the conceptualists those ...
  8. [8]
    The Critique of Pure Reason | Project Gutenberg
    They learned that reason only perceives that which it produces after its own design; that it must not be content to follow, as it were, in the leading-strings ...
  9. [9]
    Primary and Secondary Qualities in Early Modern Philosophy
    Jun 1, 2022 · Many philosophers maintain there is a significant difference between primary and secondary qualities but disagree about its foundation.Galileo Galilei · René Descartes · Robert Boyle · John Locke
  10. [10]
    An Essay Concerning Human Understanding - Project Gutenberg
    bulk, figure, texture, and motion of parts and therefore I call them SECONDARY QUALITIES. 15. Ideas of primary Qualities are Resemblances; of secondary, not.
  11. [11]
    Martin Heidegger - Stanford Encyclopedia of Philosophy
    Jan 31, 2025 · In Being and Time, Heidegger pursued the question of being by means of a phenomenological exploration of the way that time structures our ...Heidegger's Aesthetics · Heidegger and the Other... · Heidegger on Language · 108
  12. [12]
  13. [13]
    Direct Object: Explanation and Examples - Grammar Monster
    A direct object is the noun or pronoun being acted upon by a verb (i.e., it receives the verb's action). For example: Lee eats cakes. (The verb is "eats.
  14. [14]
    What Is a Direct Object? | Definition & Examples - QuillBot
    Jun 25, 2024 · A direct object is a noun or pronoun that receives the action of a verb. The direct object often answers the question “what?” or “whom?”What is a direct object? · Direct objects vs indirect objects · Direct object pronouns
  15. [15]
    6.5: Direct Objects - Social Sci LibreTexts
    Nov 17, 2020 · Like the subject, the direct object is thought to be a universal role, something that all languages have, though the way in which the direct ...
  16. [16]
    Gestalt Principles of Perception | Introduction to Psychology
    According to this principle, we tend to segment our visual world into figure and ground. Figure is the object or person that is the focus of the visual field, ...
  17. [17]
    What is Gestalt Psychology? Theory, Principles, & Examples
    The principle of closure states that we organise our perceptions into complete objects rather than as a series of segments or parts. The visual system tends ...
  18. [18]
    A Century of Gestalt Psychology in Visual Perception I. Perceptual ...
    Grouping principles pervade virtually all perceptual experiences because they determine the objects and parts we perceive in the environment. Gestalt ...
  19. [19]
    object of desire | Meaning, Grammar Guide & Usage Examples
    "object of desire" is correct and usable in written English. You can use it to refer to something that someone wants or is trying to achieve.Missing: idiomatic | Show results with:idiomatic<|control11|><|separator|>
  20. [20]
    meaning of sex object in Longman Dictionary of Contemporary English
    ... SEX/HAVE SEX WITHsomeone who is thought about only as a way of satisfying another person's sexual desire, rather than as a whole person. Exercises. Exercises.
  21. [21]
    [PDF] Existence in Physics - University of Michigan Library
    Jan 24, 2019 · A physical object exists in spacetime if and only if it is characterized by a timelike spacetime interval. Since the spacetime interval is ...
  22. [22]
  23. [23]
    Newton's Laws of Motion | Glenn Research Center - NASA
    Jun 27, 2024 · Newton's laws state: an object at rest stays at rest, acceleration depends on mass and force, and equal and opposite forces occur.
  24. [24]
    Glossary term: Celestial Body - IAU Office of Astronomy for Education
    Celestial bodies, also called astronomical objects, are physical bodies in space studied by astronomers, including stars, planets, and galaxies.
  25. [25]
    Solar System Exploration - NASA Science
    Our solar system includes the Sun, eight planets, five officially named dwarf planets, hundreds of moons, and thousands of asteroids and comets.About the Planets · Our Solar System · Solar System Resources · Planetary Analogs
  26. [26]
    DOE Explains...Quantum Mechanics - Department of Energy
    Quantum mechanics is the field of physics that explains how extremely small objects simultaneously have the characteristics of both particles (tiny pieces ...Missing: elementary | Show results with:elementary
  27. [27]
    100 Years of General Relativity | NASA Blueshift
    Nov 25, 2015 · General relativity describes gravity as the curvature of space-time caused by massive bodies, which stretch space-time.
  28. [28]
    3.1. What are the characteristics of life? - NASA Astrobiology
    All living things have a body of some kind. Some things have body parts that allow them to walk or fly or swim. These are things like legs and wings and fins.
  29. [29]
    2.6: Atoms and Molecules- Real and Relevant - Chemistry LibreTexts
    Dec 16, 2021 · A molecule is an electrically neutral group of two or more atoms held together by chemical bonds. Molecules are distinguished from ions by their ...
  30. [30]
    A Conversation with Alan Kay - ACM Queue
    Dec 27, 2004 · It has things that aren't objects, and it has things that it calls objects. It has real difficulty in being dynamic. It has a garbage collector.Missing: definition | Show results with:definition
  31. [31]
    What Is an Object? (The Java™ Tutorials > Learning the Java ...
    An object has state and behavior. Software objects store state in fields and expose behavior through methods, like real-world objects.
  32. [32]
    3. Data model — Python 3.14.0 documentation
    Objects are Python's abstraction for data. All data in a Python program is represented by objects or by relations between objects.
  33. [33]
    Interfaces for strongly-typed object-oriented programming
    Interfaces are interpreted as polymorphic types to make the system sufficiently powerful. We use interfaces to analyze the properties of inheritance, and ...
  34. [34]
    Databases in software engineering - ACM Digital Library
    software repositories, the object-oriented and more recently the object-relational data model have been suc- cessfully used for this purpose. Special ...<|separator|>
  35. [35]
    What is Object Storage? - Amazon AWS
    Object storage is a technology that stores and manages data in an unstructured format called objects. Modern organizations create and analyze large volumes ...What is object storage? · What are the use cases for...
  36. [36]
    Amazon S3 objects overview - Amazon Simple Storage Service
    Amazon S3 is an object store that uses unique key-values to store as many objects as you want. You store these objects in one or more buckets, and each object ...Missing: cloud | Show results with:cloud
  37. [37]
    You Only Look Once: Unified, Real-Time Object Detection - arXiv
    Jun 8, 2015 · We present YOLO, a new approach to object detection. Prior work on object detection repurposes classifiers to perform detection.
  38. [38]
    [2405.14458] YOLOv10: Real-Time End-to-End Object Detection
    May 23, 2024 · A new generation of YOLO series for real-time end-to-end object detection, dubbed YOLOv10. Extensive experiments show that YOLOv10 achieves state-of-the-art ...
  39. [39]
    mathematical object in nLab
    Feb 1, 2021 · A mathematical object is an object studied by mathematics. This notion gets involved as soon as one asks the question what mathematical objects consist of.
  40. [40]
    Category Theory - Stanford Encyclopedia of Philosophy
    Dec 6, 1996 · First, objects are always given in a category. An object exists in and depends upon an ambient category. Furthermore, an object is characterized ...General Definitions, Examples... · Philosophical Significance · Bibliography
  41. [41]
    Gottlob Frege - Stanford Encyclopedia of Philosophy
    Sep 14, 1995 · He published three of his most well-known papers, 'Function and Concept' (1891), 'On Sense and Reference' (1892a), and 'On Concept and Object' ( ...Frege's Logic · Frege's Theorem · 1. Kreiser 1984 reproduces the...
  42. [42]
    One metaphor to rule them all? 'Objects' as tests of character in The ...
    Mar 8, 2013 · This article suggests that the One Ring, and other powers conceptualized as objects, repeatedly test the mettle and morality of characters throughout the LotR ...
  43. [43]
    (PDF) Evil and Power. The symbolism of the One Ring in " The Lord ...
    The One Ring symbolizes the corrupting desire for power, reflecting Augustinian themes of free will and sin. Paul Ricoeur's three functions of myth—cosmic, ...
  44. [44]
    The Macguffin - Hitchcock's Motifs
    To Truffaut, Hitchcock defines it as the secret or documents the spies are after, distinguishing between his own point of view and that of the characters in the ...
  45. [45]
    Infinity Stones: the MacGuffin at the Heart of the MCU | In Media Res
    Apr 16, 2019 · As Tarantino understood so well in Pulp Fiction, that famous briefcase is much more interesting when we don't even know what's in it. In the ...
  46. [46]
    Ayn Rand's Anthem: An Appreciation - The Atlas Society
    Jul 7, 2010 · Rand poetically personifies natural forces. Electricity, the "power of the sky," is like a friend who will "grant us anything if we but choose to ask."
  47. [47]
    Evocative Objects in Pynchon's Fiction (Through GR) - Academia.edu
    Evocative objects, then, comprise an aspect of material culture, as objects which bridge the boundary between Inside and Outside; as such, they become media ...<|separator|>
  48. [48]
    [PDF] The Evolution of Visual Art: From Painting to Interaction Design
    Jun 22, 2018 · The evolution of visual art is from primitive art, to interaction design and wearable art, with early art like cave paintings and early ...
  49. [49]
    Readymade - Tate
    In 1917 in New York, Duchamp made his most notorious readymade, Fountain, a men's urinal signed by the artist with a false name and exhibited placed on its back ...
  50. [50]
    Marcel Duchamp and the Readymade - MoMA
    Marcel Duchamp was a pioneer of Dada, a movement that questioned long-held assumptions about what art should be, and how it should be made.
  51. [51]
    [PDF] Bauhaus, 1919-1928 - MoMA
    insist that "form should follow function." Their work was a great ... read Walter Gropius and Adolf Meyer. P 33. Caption for second plate, line 4: for ...
  52. [52]
    The Bauhaus: Marcel Breuer - Smarthistory
    Breuer had used cantilevers in his furniture design as early as 1922: notice that the arms of his wooden armchair are cantilevered and not supported in front.
  53. [53]
    Replication and Decay in Damien Hirst's Natural History – Tate Papers
    This paper focuses on unstable organic materials and artistic strategies relating to conservation and replication. In 2004 Damien Hirst's The Physical ...
  54. [54]
    [PDF] art and objecthood - Monoskop
    Fried, Michael. Art and objecthood : essays and reviews I Michael Fried. p. em. Mainly reprints of the art criticism written by the author between. 1961 and ...
  55. [55]
    Virtual and augmented reality bring historical objects to life
    Jun 25, 2023 · VR enables people to be in the places where these ancient artifacts were used and safely “handle” the original books without risk of damage.
  56. [56]
    From 3D Artifacts to Immersive Exhibits: How Virtual Reality is ...
    With VR headsets, visitors can view artifacts and art pieces in 3D, allowing for a much more detailed examination than what's possible with traditional exhibits ...
  57. [57]
    [PDF] the law of contract, the general regime of obligations, and
    - A framework contract is an agreement by which the parties agree the general characteristics of their future contractual relations. Implementation contracts ...
  58. [58]
    Article 1128 of the French Civil Code
    The following are necessary for the validity of a contract: 1° The consent of the parties; 2° Their capacity to contract; 3° A lawful and certain content.
  59. [59]
    [PDF] Objectification - MIT
    Objectification. Nussbaum, Martha C. Philosophy and Public Affairs; Fall 1995; 24, 4; Research Library Core pg. 249. Page 2. Reproduced with permission of ...Missing: notions original
  60. [60]
    Objectification - NUSSBAUM - 1995 - Philosophy & Public Affairs
    MARTHA NUSSBAUM is Professor of Law and Ethics at the University of Chicago. ... Download PDF. back. Additional links. About Wiley Online Library. Privacy ...
  61. [61]
    Chattel - FindLaw Dictionary of Legal Terms
    : an interest (as a leasehold or profit a prendre) in an item of immovable property (as land or a building) that is less than a freehold estate compare fixture ...
  62. [62]
    Definition, How It Works, Chattel Mortgages, & Examples
    Chattel is personal property that is movable between locations, as opposed to real property, which has a fixed location.What Is Chattel? · Understanding Chattel · What Is a Chattel Mortgage?
  63. [63]
    Should They Go Back? Problems of International Law and the Elgin ...
    By failing to address the repatriation of cultural heritage that was looted prior to 1995, the treaty fails to address a large unanswered question in the field.
  64. [64]
    [PDF] An Inquiry into Divine Materiality in the Christian Middle Ages
    This article argues that the most important material manifestation of the holy in the western European. Middle Ages was the Eucharist and suggests both that ...
  65. [65]
    (PDF) The Eucharist: Symbol, Sacrament, and Mystery - ResearchGate
    Sep 15, 2024 · This paper explores the Eucharist as symbol, sacrament, and mystery, tracing its historical origins, theological developments, and diverse expressions across ...
  66. [66]
    [PDF] The Three Basic Facts of Existence I: Impermanence (Anicca)
    “Impermanent, subject to change, are component things. Strive on with heedfulness!” This was the final admonition of the Buddha Gotama to his disciples. And ...
  67. [67]
    Animism | Internet Encyclopedia of Philosophy
    The animist is committed to a superstitious belief in anthropomorphic spirits, which reside within non-human animals or altogether inanimate objects. It is ...Concepts of Animism · The Neglect of Animism · Public Arguments for Animism
  68. [68]
    Internal objects - Melanie Klein Trust
    'Internal object' means a mental and emotional image of an external object that has been taken inside the self.
  69. [69]
    5.3: Object Relations Theory - Social Sci LibreTexts
    Dec 1, 2022 · Melanie Klein is generally recognized as the first object relations theorist, and her change in emphasis from Sigmund Freud's view was rather ...<|separator|>
  70. [70]
    New findings on object permanence: A developmental difference ...
    Infants responded to two types of total hiding in different ways, supporting the inference that object permanence is not a once-and-for-all attainment.Missing: recognition | Show results with:recognition