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Patrick Garland

Patrick Garland (10 April 1935 – 19 April 2013) was a British director, actor, writer, and producer renowned for his contributions to theatre, film, and television, particularly in adapting literary works and directing acclaimed productions featuring leading performers of his era.^[1]^[2] Born in Chelsea, London, Garland was educated at St Mary's College in Southampton and St Edmund Hall, Oxford, where he studied under Lord David Cecil and appeared as Henry V for the Oxford University Dramatic Society in 1957.^[1]^[2] His early career included acting and writing, but he gained prominence as a director after joining the BBC's arts department in the 1960s, where he spent 12 years producing and directing programs such as Famous Gossips (1965) and On the Margin (1966).^[1]^[2] In theatre, Garland achieved notable success with West End productions like Brief Lives (1967), starring Roy Dotrice, and Forty Years On (1968), a collaboration with Alan Bennett that marked a significant debut for the playwright.^[1]^[3] He served twice as artistic director of the Chichester Festival Theatre (1981–1984 and 1990–1994), directing works by Chekhov, Shaw, Shakespeare, and Wilde, including revivals such as My Fair Lady on Broadway with Rex Harrison and Under the Greenwood Tree (1978) with Alan Bates.^[1]^[3]^[2] Garland was the only director to have four plays running simultaneously in London's West End and founded the literary journal Poetry International with Ted Hughes.^[3]^[1] On screen, he directed the television adaptation The Snow Goose (1971), which earned a Golden Globe and an Emmy nomination, and the film A Doll's House (1973), an adaptation of Henrik Ibsen's play starring Claire Bloom, Anthony Hopkins, and Ralph Richardson.^[1]^[3]^[2] As a writer, he adapted one-person shows like A Room of One's Own (1989) and penned the biography The Incomparable Rex (1998) about Harrison, as well as the novel The Wings of the Morning (1989).^[1]^[3]^[4] Garland married actress Alexandra Bastedo in 1980 and directed Lord Olivier's thanksgiving service in 1989; he died in Worthing, West Sussex, after a short illness.^[1]^[3]^[2]^[5]

Early life and education

Birth and family

Patrick Garland was born on 10 April 1935 in Chelsea, London, as the only child of Captain Ewart James Garland and Rosalind Beatrice Fell.^[5]^[6] His father, a decorated World War I pilot in the Royal Flying Corps, received the Distinguished Flying Cross for his service.^[1]^[5] The family belonged to the middle class, with Garland's paternal lineage including Australian roots and his mother's side tracing to a prominent London family.^[2]^[5] Rosalind Beatrice Fell came from an artistically inclined background; she was the daughter of a long-serving editor of The Connoisseur magazine and granddaughter of the Victorian portrait painter Sir James Linton.^[5] This cultural heritage likely fostered an early appreciation for the arts in the household. Garland's father, having been raised in Australia before his military career, brought stories of aviation exploits that later inspired his son's writing, including the novel The Wings of the Morning (1989), which fictionalized those wartime experiences.^[1]^[2] During his early years, the family relocated to Southampton, where Garland spent his childhood in a more provincial setting compared to his London birthplace.^[5] He attended local schools in the area before transitioning to St Mary’s College.^[1] This period shaped his formative environment, blending his parents' influences amid the post-war recovery of mid-20th-century Britain.^[7]

Education and early influences

Garland attended St Mary's College in Southampton during the 1940s, where he distinguished himself as Head Boy and showed early promise in academics, including achievements in boxing and Latin that earned him a £20 prize.^[8]^[5] He later studied English at St Edmund Hall, Oxford, matriculating in 1956 after completing National Service, and graduated around 1959.^[9]^[10] There, he was tutored by the renowned literary scholar Lord David Cecil, whose guidance shaped his deep engagement with English literature.^[1] Garland's passion for drama blossomed through his active involvement in the Oxford University Dramatic Society (OUDS), where he served as president, succeeding Ken Loach, and performed leading roles in productions such as Henry V (1957), Oedipus at Colonus (1958), and Coriolanus (1959).^[7]^[11]^[10] These experiences, combined with his exposure to poetry readings and literary circles at Oxford, fostered his multifaceted artistic sensibilities. Following graduation, Garland's early influences extended into collaborative ventures that bridged theatre and poetry. His Oxford contemporaries and the vibrant dramatic scene there laid the groundwork for lifelong connections in literary and theatrical worlds, including later ties to figures like Alan Bennett through shared Oxford roots.^[10]

Theatre career

Acting roles

Garland began his acting career during his time at Oxford University, where he served as president of the Oxford University Dramatic Society (OUDS).^[1] His notable student performances included the title role in Henry V in 1957, directed by Peter Dews, and Coriolanus at the Oxford Playhouse in 1958, under Anthony Page's direction.^[12]^[13] These minor roles in university productions provided his initial exposure to professional theatre environments and helped forge early connections within the British stage community.^[1] After graduating in 1959, Garland joined the Bristol Old Vic Theatre School, where he trained and acted in repertory for two years (1959–1961).^[1] During this period, he performed in various ensemble roles, honing his craft in a professional repertory setting that emphasized classical and contemporary plays.^[10] This experience at Bristol solidified his technical skills and introduced him to key figures in regional theatre.^[1] In 1960, Garland made his television debut with the BBC's landmark series An Age of Kings, a cycle of Shakespeare's history plays directed by Michael Hayes and Peter Dews.^[1] He portrayed multiple supporting characters, including Prince John (John of Lancaster) in Henry IV, Part 2 and the Duke of Clarence in Richard III.^[12] These appearances alongside established actors like Sean Connery and Judi Dench elevated his profile and expanded his network in both theatre and broadcasting.^[1] Garland continued in repertory theatre into the early 1960s, including a West End supporting role in Archibald MacLeish's J.B. opposite Donald Sinden at the Phoenix Theatre in 1961.^[12] By around 1965, however, he transitioned from acting to directing, leveraging the relationships and insights gained from these performances to pursue work behind the scenes, beginning with BBC productions like Famous Gossips.^[12]

Directing achievements

Garland achieved his directing breakthrough with the 1967 adaptation and staging of Brief Lives, a one-man play drawn from 17th-century antiquarian John Aubrey's biographical sketches, featuring Roy Dotrice in a bravura performance as the gossipy Aubrey.^[1] The production originated as a development from Garland's earlier BBC television work and quickly transferred from its initial run to the West End's Criterion Theatre, where it ran for over 400 performances, before crossing to New York in late 1967 for a successful Broadway engagement at the John Golden Theatre.^[14] Critics praised Garland's intimate, evocative direction, which highlighted Aubrey's eccentric wit and the play's blend of humor and melancholy, establishing Garland as a talent for literary adaptations.^[1] In 1968, Garland directed the premiere of Alan Bennett's Forty Years On at London's Apollo Theatre, with John Gielgud as the aging headmaster of a fading public school reflecting on post-war Britain through satirical sketches.^[1] The production, which ran for 325 performances, was lauded for its sharp wit and Gielgud's commanding presence, transferring to Broadway later that year and cementing Garland's reputation for handling ensemble comedies with nostalgic bite.^[11] This collaboration with Bennett marked the start of a fruitful partnership, showcasing Garland's skill in balancing verbal dexterity and subtle social commentary. Garland's 1980s work included the high-profile revival of Lerner and Loewe's My Fair Lady on Broadway, where he directed Rex Harrison reprising his iconic role as Henry Higgins opposite Cathryn Damon as Eliza Doolittle at the Uris Theatre in 1981. The production, following a separate successful London revival in 1979–1980, emphasized the musical's class satire and romantic tension, running for 124 performances and earning Tony Award nominations for its fresh staging. He also helmed revivals of Dylan Thomas's Under Milk Wood across various UK venues, capturing the poetic dreamscape of the Welsh village Llareggub through ensemble readings that highlighted the work's lyrical humor and melancholy.^[1] Among his other notable stage productions, Garland directed Oscar Wilde's The Importance of Being Earnest in a 1974 revival emphasizing the play's farcical elegance and verbal sparring.^[1] His collaborations extended to esteemed actors like Alec Guinness, whom he directed as Shylock in a 1984 production of Shakespeare's The Merchant of Venice, noted for its nuanced exploration of prejudice and mercy.^[11] These efforts underscored Garland's versatility in classical and modern repertoire, often prioritizing actor-driven interpretations over elaborate spectacle.

Leadership at Chichester Festival Theatre

Patrick Garland served as Artistic Director of Chichester Festival Theatre for two terms, from 1981 to 1984 and from 1991 to 1994, during which he directed over 20 productions and shaped the venue's artistic direction.^[2] In these roles, he oversaw ambitious seasons that balanced commercial appeal with innovative programming, including the introduction of musicals to the theatre for the first time through premieres like The Mitford Girls (1981) and Underneath the Arches (1982), both of which transferred successfully to the West End.^[15] Other notable seasons featured literary adaptations and new works, such as the 1989 promenade production of Victory!, adapted by Garland from Thomas Hardy's The Dynasts, and the 1992 premiere of Vita and Virginia at the Minerva Theatre.^[1] A key aspect of Garland's leadership was his commitment to infrastructure development, particularly in commissioning and fundraising for the Minerva Studio Theatre, a 300-seat intimate space that opened in May 1989 to support experimental and smaller-scale productions.^[3] This addition expanded the theatre's capacity for diverse programming, allowing for closer audience engagement and enabling transfers like Vita and Virginia, starring Eileen Atkins and Vanessa Redgrave, to the West End.^[2] Garland's efforts in securing funding from the Arts Council and private donors underscored his vision for a multifaceted regional theatre capable of nurturing emerging talent alongside established stars. Garland's programming philosophy prioritized classical revivals—such as Noël Coward and Shakespeare works—interwoven with contemporary British plays and adaptations, reflecting his belief in reviving "buried spoken words" through strong acting ensembles.^[1] He cultivated extensive collaborations with designers like Peter Rice and actors including Donald Sinden, Rex Harrison, and Alan Bates, fostering a collaborative environment that elevated Chichester's profile as a launchpad for London successes.^[2] This approach not only sustained the theatre's financial health but also reinforced its role in British theatre innovation during a period of funding challenges.

Television and film work

BBC productions

Patrick Garland joined the BBC's Music and Arts Department as a director and producer in 1962, remaining in the role until 1974 and contributing significantly to its arts programming and literary adaptations.^[9] His early work included directing episodes of the influential arts series Monitor, where he captured profiles of prominent cultural figures. A notable example is the 1964 episode "Down Cemetery Road," in which he directed poet Philip Larkin in a rare television appearance, interviewed by John Betjeman about his life, work, and time in Hull. Garland's approach on Monitor emphasized intimate, thoughtful explorations of artistic personalities, reflecting his background in theatre and poetry.^[1] During his tenure, Garland produced and directed several literary adaptations and specials that highlighted his affinity for dramatic and poetic narratives. In 1966, he produced Alan Bennett's satirical sketch series On the Margin for BBC Two, directed by Sydney Lotterby, blending humor with cultural commentary in a style that echoed his stage work.^[10] He also helmed poetry-focused interviews, such as the 1973 edition of Poets on Poetry featuring Seamus Heaney discussing his craft and commitment to the art form.^[16] These programs showcased Garland's skill in adapting literary content for television, often drawing on his own poetic sensibilities to create engaging, introspective broadcasts.^[17] One of Garland's most acclaimed BBC contributions was the 1971 television film The Snow Goose, an adaptation of Paul Gallico's novella set against the backdrop of the Dunkirk evacuation. Directed and produced by Garland, the drama starred Richard Harris as the reclusive artist Rhayader and Jenny Agutter as the young Fritha, earning widespread praise for its poignant storytelling and visual lyricism.^[3] The production won the Golden Globe Award for Best Television Film in 1972 and was nominated for a BAFTA Television Award for Best Drama Production, underscoring Garland's ability to elevate literary works through sensitive direction.^[1] Other adaptations under his guidance included The Highland Jaunt (1968), a dramatization of James Boswell and Samuel Johnson's Scottish travels, and I Spy a Stranger (1972), which he dramatised from Jean Rhys's short story, both exemplifying his focus on historical and modernist literature.^[18]^[19] Throughout his BBC years, Garland's output prioritized high-quality arts and drama, leaving a lasting impact on British television's cultural landscape.^[11]

Feature films and adaptations

Patrick Garland's directorial debut in adaptations came with The Snow Goose (1971), a poignant rendering of Paul Gallico's novella set against the backdrop of World War II and the Dunkirk evacuation. Starring Richard Harris as the reclusive artist Philip Rhayader and Jenny Agutter as the young Fritha, the film follows their tender bond formed through nursing an injured bird back to health. Originally produced for television as part of the Hallmark Hall of Fame series, it aired on NBC in the United States and BBC2 in the UK, earning widespread acclaim for its emotional depth and visual lyricism; it won the Golden Globe for Best Television Film and received Emmy and BAFTA nominations.^[7]^[1] Garland's sole feature film, A Doll's House (1973), adapted Henrik Ibsen's seminal play about marital disillusionment and female emancipation. Featuring Claire Bloom as Nora Helmer, Anthony Hopkins as her husband Torvald, and Ralph Richardson as Dr. Rank, the screenplay by Christopher Hampton expanded the stage-bound narrative with period authenticity and subtle psychological tension. Released theatrically by Paramount Pictures, it garnered mixed critical reviews—praised for the stellar ensemble performances and Bloom's nuanced portrayal of Nora's awakening, but critiqued for a somewhat restrained pace compared to the concurrent Joseph Losey version—while achieving modest box office success in art-house circuits.^[12]^[1]^[20] Throughout these works, Garland's style privileged literary fidelity and actor-centric storytelling, infusing adaptations with poetic imagery—such as the evocative coastal landscapes in The Snow Goose—to underscore themes of isolation and redemption, drawing from his earlier BBC productions that honed his skill in translating dramatic texts to screen.^[12] Although he pursued additional film projects, Garland's cinematic output remained limited, reflecting his primary allegiance to theatre while demonstrating a refined approach to visual narrative in literary works.^[21]

Literary contributions

Poetry and short stories

Garland's engagement with poetry began during his undergraduate years at Oxford University, where his literary interests were nurtured through contributions to student publications. In 1957, he had poems featured in Oxford Poetry, edited by Peter Ferguson and Dennis Keene and published by Fantasy Press.^[22] His early work also appeared in The London Magazine in 1954 and in New Poems in 1956, marking his initial foray into established literary journals.^[23] Throughout the 1960s and beyond, Garland continued to publish poetry in prominent periodicals, reflecting a sustained commitment to the form amid his burgeoning career in theatre and television. Notable appearances include later poems in The London Magazine, Encounter (February 1986), and Poetry West.^[5] In 1963, he co-founded Poetry International, the influential festival and associated publications that showcased international poets, though his own verse found outlets in similar high-profile venues.^[17] Additionally, selections of his poetry appeared in Sussex Seams in 1996.^[23] Garland's short stories, often concise explorations of personal and rural themes, were published in various anthologies and journals during the mid-20th century. These included contributions to Gemini, Light Blue, Dark Blue (MacDonald, 1960), Transatlantic Review (1976), and England Erzählt.^[23] His prose output evolved alongside his professional life at the BBC, transitioning from youthful experiments to more polished pieces in literary compilations.^[1]

Books and memoirs

Garland's first significant literary contribution in book form was his adaptation of John Aubrey's 17th-century collection of biographical sketches, published as Brief Lives: A Play in Two Acts for One Player in 1967 by Faber and Faber.^[24] This work transformed Aubrey's anecdotal accounts of notable figures like William Shakespeare and Thomas Hobbes into a one-man stage script, which premiered successfully and became a staple of British theatre, emphasizing the wit and intimacy of Aubrey's original prose.^[14] In 1989, Garland published the novel The Wings of the Morning, based on the diaries of his father, a World War I fighter pilot in the Royal Flying Corps. The book follows the story of an Australian pilot's experiences during the war.^[25] Garland also adapted Virginia Woolf's essay into the one-woman stage play A Room of One's Own in 1989, starring Eileen Atkins, which was later adapted for television in 1991. In 1995, he edited and published Angels in the Sussex Air, an anthology of poems about Sussex.^[5] In 1998, Garland published The Incomparable Rex: A Memoir of Rex Harrison in the 1980s through Macmillan, drawing on his personal experiences directing the actor in the Broadway revival of My Fair Lady.^[26] The book offers an affectionate yet candid portrait of Harrison's charisma, professional demands, and private vulnerabilities during their collaboration, blending theatrical anecdotes with insights into the performer's later career.^[27] Garland also authored Four Steps in the Clouds: A Village in Corsica in 2001, a reflective memoir chronicling his decades-long affinity with the island's remote village of Sant'Antonino, where he maintained a home since the 1960s. Through vivid descriptions of local customs, landscapes, and personal travels, the book captures the cultural essence of Corsica's interior, highlighting its timeless rural life amid encroaching modernity.^[28] Garland had been working on his memoirs at the time of his death in 2013, which chronicled his extensive career in theatre and personal reflections but remained incomplete.

Essays and introductions

Garland contributed essays and articles on theatre, literature, and British cultural heritage to various periodicals.^[17] These pieces often reflected his experiences in the arts world, emphasizing the enduring legacy of English literary traditions and the intersections between stage and page. Garland also authored introductions and forewords for books and anthologies, providing contextual insights into literary works. He co-wrote the introduction to 15 Poems for William Shakespeare (1964), edited by Eric W. White to commemorate the 400th anniversary of Shakespeare's birth, alongside John Lehmann and William Plomer; the essay framed the collection as a tribute to the playwright's influence on contemporary poets.^[29] Such contributions underscored his commitment to preserving and interpreting Britain's poetic and dramatic heritage through thoughtful, concise prose.

Personal life and legacy

Marriage and relationships

Patrick Garland entered a long-term relationship with actress Alexandra Bastedo, whom he had known previously, culminating in their marriage in 1980 at Chichester Cathedral.^[1]^[3] The couple shared a contented life in West Sussex, residing at Poplars Farmhouse, a 17th-century property near Chichester that reflected Bastedo's passion for animal welfare, housing numerous rescued animals.^[30]^[1] He also nurtured enduring friendships with prominent figures in the arts, including playwright Alan Bennett, with whom he shared a close professional and personal association, and poet Ted Hughes, co-founding the Poetry International festival with him in 1967.^[1]^[31]^[32] Garland and Bastedo maintained a notably private personal life, avoiding extensive public disclosure of their domestic affairs, and they had no children. Bastedo died on 12 January 2014.^[33]^[1]^[34]

Death and honors

Patrick Garland died on 19 April 2013 at the age of 78 after a long illness, at Worthing Hospital in West Sussex, England.^[3] He was buried in the churchyard of Saint Mary's Church in Sullington, West Sussex.^[35] Throughout his career, Garland received several notable honors. In 1994, he was awarded an honorary Doctor of Letters (D.Litt.) by the University of Southampton, recognizing his contributions to the arts.^[9] Three years later, in 1997, he became an Honorary Fellow of St Edmund Hall, Oxford, his alma mater.^[9] For his 1971 television adaptation of The Snow Goose, Garland won a Golden Globe Award for Best Television Film, with the production also earning Bafta and Emmy nominations.^[3] His work at Chichester Festival Theatre garnered further acclaim, including an Olivier Award nomination for Best New Musical in 1982 for Underneath the Arches.^[36] Garland's legacy endures as a versatile figure who bridged theatre, television, and literature, collaborating with luminaries like Alan Bennett, Rex Harrison, and Ted Hughes.^[1] Following his death, obituaries in The Guardian and on the BBC praised his multifaceted career, from directing West End hits to founding Poetry International and authoring influential books like The Incomparable Rex.^[1]^[3]

Archive and collections

Personal papers

Patrick Garland's personal papers form a substantial collection documenting his professional and creative endeavors across decades, particularly from the 1960s through the 2010s. These materials include numerous scripts, letters, and detailed production notes related to his theatre productions and television projects, offering glimpses into the development of works like adaptations of literary classics and original dramas.^[37] A significant portion of the papers consists of correspondence with notable literary figures, including Alan Bennett and Ted Hughes, where Garland exchanged ideas on potential collaborations, shared insights on directing poetry readings, and discussed mutual interests in British theatre and literature.^[37] These letters highlight his role in fostering artistic partnerships, such as those tied to Poetry International and BBC arts programming. The collection also preserves career-related documents, including papers on his biography The Incomparable Rex. Garland had been working on unfinished memoirs reflecting on his early career and personal influences, as well as preliminary manuscripts for an intended book on Corsica drawn from his travels and observations there.^[38] These unpublished writings reveal his introspective style and thematic preoccupations with place, memory, and cultural heritage. Complementing the textual documents are documents related to his artistic directorship at Chichester Festival Theatre and his extensive BBC contributions.^[37] These items collectively underscore key career highlights, including acclaimed stage revivals and television adaptations.

Institutional holdings

The principal collection of Patrick Garland's papers is held at the University of Sussex Library's Special Collections (now known as Heritage Collections), which acquired the materials in 2019. This archive encompasses playscripts, production notes, personal and professional correspondence, and career-related documents spanning his work as a theatre and television director, actor, and writer.^[37] Production records from Garland's tenure as artistic director of Chichester Festival Theatre (1981–1984 and 1991–1994) are maintained in the theatre's dedicated archive, administered by West Sussex Record Office. These holdings include documentation of key stagings such as The Cherry Orchard and As You Like It, with portions digitized and accessible via the theatre's online Pass It On platform to support research and public engagement.^[39]^[40] Further items are preserved at the BBC Written Archives Centre, consisting of additional papers tied to Garland's contributions to television arts programming during his 12-year tenure in the BBC's arts department.^[41] These institutional repositories operate under standard research access policies: the University of Sussex collection requires an advance appointment for in-person consultation at The Keep reading room in Brighton, open to bona fide researchers including the public; the BBC archives similarly permit access by application for qualified scholars; and Chichester's digital resources are freely available online, while physical materials follow West Sussex Record Office protocols.^[42]^[39]

References

[1]
Patrick Garland obituary | Theatre | The Guardian
Apr 22, 2013 · An actor, producer, director, writer and anthologist, he was a leading light of the BBC TV arts department for 12 years, twice artistic director ...
[2]
Patrick Garland: Lauded director for stage, screen and television
Apr 24, 2013 · Patrick Garland was first and foremost a man of the theatre, and among the most successful of his generation.<|control11|><|separator|>
[3]
Patrick Garland, theatre producer and director, dies aged 78 - BBC
Apr 20, 2013 · One of British theatre's most distinguished producers and directors, Patrick Garland, has died at the age of 78, it has been announced.
[4]
Patrick Garland - The Times
Apr 22, 2013 · In the course of his career he directed Chekhov, Shaw, Shakespeare and Wilde, helped to revive Claire Bloom's career with Broadway productions ...Missing: biography | Show results with:biography
[5]
Patrick Ewart Garland (1935–2013) - Ancestors Family Search
When Patrick Ewart Garland was born on 10 April 1935, his father, Ewart James Garland, was 38 and his mother, Rosalind Beatrice Fell, was 28.
[6]
Obituary: Patrick Garland, theatre and television director
Apr 29, 2013 · Patrick Ewart Garland was educated at St Mary's College, Southampton, and read English at St Edmund Hall, Oxford, where he was president of the ...Missing: family | Show results with:family
[7]
Sotonopedia
No readable text found in the HTML.<|control11|><|separator|>
[8]
Patrick Garland | Actor - St Edmund Hall
Patrick Garland (1935-2013; matriculated 1956) was an actor, writer, and director. He founded Poetry International in 1963 with Ted Hughes and Charles Osborne.Missing: family | Show results with:family
[9]
Remembering Patrick Garland - The Oxford Student
May 16, 2013 · Garland's light-hearted but dedicated approach to Oxford drama proved an excellent start to a strikingly brilliant career. The OUDS, St Edmund ...Missing: Mary's Southampton Society
[10]
Patrick Garland - The Telegraph
Apr 21, 2013 · Patrick Garland, who has died aged 78, was a director and producer who first came to prominence with two highly successful West End shows in 1968.Missing: biography | Show results with:biography
[11]
Patrick Garland: Lauded director for stage, screen and television
### Summary of Patrick Garland's Acting Roles (1950s-1960s) and Transition to Directing
[12]
Current Theatre Notes, 1958-1959 - jstor
Patrick Garland as Coriolanus, Roger Croucher as Aufidius, Susan Engels ... Victor Lucas as Armado. March 5-I4. Saint Mary's College, Notre Dame, Indiana.
[13]
Theater: Gossip of Genius; Aubrey's 'Brief Lives' at the John Golden ...
BRIEF LIVES, one-character play, adapt- ed by Patrick Garland from the works of John Aubrey. Staged by Mr. Garland; setting by Julia Trevelyan Oman; lighting by ...
[14]
Memory: Patrick Garland (Artistic Director 1981-84 & 1991-94)
A much loved director, constantly fighting with the Arts Council, and first to introduce musicals The Mitford Girls and Underneath the Arches to Chichester, ...
[15]
Seamus Heaney - Poets on Poetry - BBC
Seamus Heaney talks to Patrick Garland on the craft of poetry. Heaney expresses his devotion to the art form describing it as "...the perfect love match ...Missing: TV specials
[16]
Anthony Thwaite on Patrick Garland, 'an excellent reader of poetry'
Apr 23, 2013 · He published poems in John Lehmann's London Magazine and in one of those annual PEN poetry anthologies while he was still in his teens; and when ...
[17]
The Highland Jaunt - Broadcast - BBC Programme Index
Adapted and directed by Patrick Garland. The eventful journey undertaken by Dr. Johnson and Mr. James Boswell to the Western Islands and Highlands of ...
[18]
I Spy a Stranger - Broadcast - BBC Programme Index
by JEAN RHYS dramatised by PATRICK GARLAND ' Unless you get rid of that crazy old foreigner, steps will be taken which you will not like.'
[19]
A Doll's House (1973) - Rotten Tomatoes
Rating 44% (43) I recently saw A Doll's House, directed by Patrick Garland, and I highly recommend it. This movie will leave you heart-broken and begging for more. A Doll's ...
[20]
https://www.rottentomatoes.com/m/a_dolls_house_1973
[21]
Oxford Poetry (Paperback) - Peter Ferguson - AbeBooks
... Patrick Garland, Roger Lonsdale, Dom Moraes, Gabriel Pearson, Kenneth ... Oxford Poetry.
[22]
Patrick Garland Biography (1935-) - Film Reference
Credits; FILM DIRECTOR; A Doll's House, Paramount, 1973. Credits; TELEVISION DIRECTOR; MOVIES; "The Snow Goose," Hallmark Hall of Fame, NBC, 1971. "A Room of ...
[23]
Brief Lives, by John Aubrey: A Play in Two Acts for One Player ...
Brief Lives, by John Aubrey: A Play in Two Acts for One Player. Front Cover. Faber, 1967 - Diarists - 56 pages. A play based on John Aubrey's Elizabethan ...
[24]
The Incomparable Rex - The New York Times Web Archive
May 28, 2000 · By ANDREA HIGBIE. THE INCOMPARABLE REX A Memoir of Rex Harrison in the 1980s. By Patrick Garland. Fromm International, $27. R ex Harrison was no ...
[25]
THE INCOMPARABLE REX by Patrick Garland | Audiobook Review
Theatrical veteran Patrick Garland directed Rex Harrison in the ill-fated 1980-1981 revival of MY FAIR LADY. This experience, and Garland's uneasy six.
[26]
Four Steps in the Clouds - Patrick Garland - Google Books
When Patrick Garland first encountered the Corsican shepherd village of Sant'Antonino in the 1960s, he felt he had stepped back into the nineteenth century.
[27]
Lives remembered: Sir Colin Davis - The Times
Apr 23, 2013 · Patrick Garland. Stephen Finer writes: To Patrick Garland's obituary ... It is therefore a shame that his own memoirs remain unfinished.
[28]
Alan Bennett · Diary: Finding My Métier - London Review of Books
Jan 4, 2018 · I first met him in 1968 when Patrick Garland brought him backstage with Princess Margaret after Forty Years On. A friend of Patrick's, he ...Missing: early influences
[29]
15 Poems for William Shakespeare [Special Numbered Edition] by ...
... Introduction by Patrick Garland, John Lehmann & William Plomer. Designed and printed by the John Roberts Press of London. - 15 Poems for William Shakespeare ...
[30]
17th-century farmhouse in Almodington with links to James Bond ...
Sep 21, 2018 · Beautiful Bond girl and actress Alexandra Bastedo lived at Poplars Farmhouse for 22 years with her equally successful husband, long-term ...Missing: Chantry | Show results with:Chantry
[31]
Theatre director Patrick Garland dies - The Telegraph
Apr 20, 2013 · Patrick Garland, who worked with Rex Harrison and Alan Bennett, and who founded Poetry International with Ted Hughes, has died aged 78.
[32]
Alexandra Bastedo - The Times
Jan 14, 2014 · Having tired of her nomadic lifestyle she settled again in England and married the writer and theatre director Patrick Garland, an old boyfriend ...<|control11|><|separator|>
[33]
Alexandra Bastedo's Funeral
The burial took place in the churchyard of St.Mary's Church, Sullington, where Alexandra was laid to rest beside her beloved husband, Patrick Garland, who ...
[34]
1981: Underneath the Arches | Chichester Festival Theatre
... Olivier Award nomination for Musical of the Year in 1982. CFT's Artistic Director Patrick Garland said in 1983: "I, for one, shall never forget the summer ...
[35]
Major accessions to repositories in 2019 relating to Film, Media and ...
... personal papers including research papers for the 1985 Women in BBC ... Patrick Garland, (1935-2013) theatre and television director, actor and writer ...
[36]
Sussex University Library Special Collections: 2019 Accessions
Patrick Garland, (1935-2013) theatre and television director, actor and writer: playscripts, notes, personal and professional correspondence, documents rel ...
[37]
West Sussex Unwrapped III: Summer – Chichester Festival Theatre ...
Jun 16, 2022 · The Chichester Festival Theatre (CFT) archive, held here at West Sussex Record Office, documents the history of the theatre. This blog will ...
[38]
Digital Archive – Pass It On - Chichester Festival Theatre
Welcome to Chichester Festival Theatre's online archive. The full contents of this archive will appear automatically; use the various filters below to narrow ...
[39]
How can I access the Library's Special Collections? - LibAnswers
Sep 20, 2025 · Answer. The University of Sussex's Special Collections are now known as Heritage Collections. Our Heritage Collections consist of archives, ...