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Paul Linke

Paul Linke (born May 6, 1948) is an American actor, writer, and director, best known for his recurring role as the affable Officer Arthur "Artie" Grossman on the television series from 1977 to 1983. Born in to entertainment industry veteran Richard O. Linke, a producer and personal manager who partnered with , Linke grew up immersed in and began his acting career in the early 1970s with supporting roles in films such as (1970) and (1974). Throughout the 1970s and 1980s, Linke built a steady presence in both television and film, appearing in action comedies like (1977), where he played a key supporting role, and the horror satire (1980), in which he portrayed Sheriff Bruce Smith. His television work expanded with guest spots on series including (1972–1983) and a regular role as T.J. on the ABC detective comedy (1987–1989). In the 1990s, he earned acclaim for his dramatic turn as George Bowman in Ron Howard's family comedy Parenthood (1989), alongside and , and continued with roles in TV movies like Fire! Trapped on the 37th Floor (1991) and episodes of (1990–2000). Beyond acting, Linke has made significant contributions as a and performer of one-man shows, notably creating and starring in Time Flies When You're Alive (, 1990), a poignant autobiographical piece stemming from a for his first wife, Francesca Draper, who died in 1986. He later co-wrote and directed Save It for the Stage: (2001), and created, co-wrote, and starred in It's Only a Show! (premiered 2024 at the Ruskin Group Theatre), both tributes to entertainer , showcasing his skills in capturing the essence of luminaries through solo performance. Linke married actress Christine Healy in 1991 and has four children from his marriages; as of 2025, he remains active in theater and personalized video content creation.

Early life

Family background

Paul Linke was born on May 6, 1948, in New York City, New York. He was the son of Richard O. Linke, a notable figure in the entertainment industry who worked as a producer, personal manager, and associate producer on The Andy Griffith Show. Richard O. Linke managed Andy Griffith for 37 years, from 1954 to 1991, and also represented other performers such as Jim Nabors and Ken Berry, establishing a prominent career in television and music management. Linke's upbringing was deeply influenced by his father's profession, providing early exposure to the show business world; the family relocated to California in 1960 to support the production of The Andy Griffith Show, immersing young Linke in the entertainment environment from an early age.

Entry into acting

Paul Linke was exposed to the entertainment industry from an early age through his father, Richard O. Linke, a prominent talent manager and producer best known for his long association with , including as a personal manager and partner in production ventures. This family connection provided informal exposure to figures and operations, though Linke initially showed little interest in pursuing himself. Despite this background, Linke's motivations for entering acting stemmed from personal aspirations outside the industry; he had dreamed of becoming a professional baseball player or a rock star akin to during his youth. His professional initiation occurred while studying at the () in the late , when a friend named Monday Dooley persuaded him to enroll in an acting class—a decision he nearly abandoned but followed on impulse. The class proved transformative, revealing his aptitude for performance amid the cultural shifts of the era and earning praise from instructors and peers. Encouraged by this validation, Linke pursued formal training by completing a degree in acting at , blending academic study with practical immersion in theater. His entry into professional acting was cemented in 1970 with his film debut in , directed by , where he portrayed Sam the Hippie—a minor but pivotal role that secured his membership in the early that year.

Career

Early television and film roles

Linke's entry into film came in 1970 with a small role as Sam in the drama The Baby Maker, directed by James Bridges. In 1974, he appeared as a bank teller in the crime drama Big Bad Mama, directed by Steve Carver and produced by New World Pictures, where he appeared alongside Angie Dickinson in a story of bootlegging and bank robberies during the Great Depression. This supporting part contributed to a narrative focused on a mother-daughter crime spree. Transitioning to television, Linke secured a guest appearance in 1975 on the family drama series , playing the character Pete in the episode "The Estrangement" (Season 4, Episode 12), which aired on December 4 and explored themes of domestic abuse and refuge within the Walton household. The role highlighted his versatility in dramatic storytelling, aligning with the show's emphasis on rural American life during . In 1976, Linke diversified into comedy with a guest spot on Laverne & Shirley, portraying Milo in the episode "The Bachelor Party" (Season 1, Episode 2), broadcast on February 3, where his character participated in a humorous plot involving a surprise party gone awry. This appearance on the popular sitcom, a spin-off of Happy Days, showcased his ability to handle lighthearted ensemble dynamics in a Milwaukee-set narrative. Linke's early film career continued in 1977 with the role of Collins Hedgeworth in , Ron 's directorial debut produced by , a comedic road-trip adventure featuring car chases and a runaway bride storyline. As the jilted fiancé, Linke brought comedic timing to the , including Howard and , helping to build his profile in genre-blending projects before his breakthrough in television. These mid-1970s roles across drama, , and films demonstrated a steady progression, allowing Linke to accumulate credits in both mediums while honing his craft in varied character types.

Breakthrough with CHiPs

Paul Linke achieved his breakthrough in television through his recurring role as Officer Arthur "Artie" Grossman, also known as "Grossie," on the NBC action-comedy series , where he appeared from 1977 to 1983 across 116 episodes. The character served as among the officers, often providing humorous support during high-stakes chases and investigations. Grossman was depicted as an earnest, somewhat bumbling motor patrol officer, with traits including a passion for chess, roller expertise, and aspirations as a stand-up , which were highlighted in various episodes to add levity to the show's procedural format. Several episodes showcased Grossman prominently, emphasizing his vulnerability and camaraderie with the team. In "Crack-Up" (1978), Grossman is hospitalized after a attack during a pursuit, underscoring his dedication despite the dangers of patrol work. Similarly, in "A Simple Operation" (1981), he assists in protecting Sgt. Getraer while hospitalized, blending action with the character's supportive nature. Another key appearance came in "Forty Tons of Trouble" (1981), where Grossman aids in managing a hazardous incident, highlighting his role in . This role established Linke as a reliable in action-comedy , leveraging his natural comedic timing to become a fan favorite alongside leads and . His portrayal of the affable Grossman contributed to the series' blend of drama and humor, elevating his visibility in during the late and early 1980s. , Linke shared a prior connection with Wilcox from commercial work, where Wilcox affectionately nicknamed him "Grossy," fostering an easy rapport on set. Estrada was notably supportive, later honoring Linke by naming his daughter after Linke's late wife, reflecting the positive relationships amid the show's production. Linke joined the after 11 episodes without auditioning, brought in for his humor from prior projects like , and noted his strongest scenes came in the final season following Wilcox's departure.

Later film and television work

Following the conclusion of in 1983, Paul Linke leveraged his established screen presence to secure a series of supporting roles in both film and television, often portraying characters in comedic and dramatic contexts. His work during this period reflected a shift from lead ensemble action roles to character-driven parts that highlighted his affable, relatable demeanor, appearing in projects spanning family comedies, sci-fi dramas, and ensemble TV series. In film, Linke notably played George Bowman, the beleaguered brother-in-law in Ron Howard's ensemble comedy-drama Parenthood (1989), where he collaborated with and delivered scenes emphasizing familial dysfunction and support. Earlier, during the tail end of his era, he appeared as Detective Bruce Smith in the cult horror-comedy (1980), marking an early foray into genre-blending fare with satirical undertones about rural Americana. By the early 2000s, Linke took on the role of Stuart Hessler in Iain Softley's sci-fi drama (2001), supporting in a thoughtful exploration of and identity, showcasing his versatility in more introspective dramatic territory. On television, Linke's post-CHiPs career included a recurring role as T.J., the streetwise partner to John Ritter's titular detective in the ABC dramedy series (1988–1989), which blended police procedural elements with quirky humor and allowed him to reprise a archetype in a lighter vein. He made guest appearances across a range of shows, such as the family-oriented in the 1990s and the time-travel adventure (1992), contributing to episodic stories in teen drama and sci-fi genres. Later, in 2016, Linke portrayed the warm-hearted Grandpop in the holiday special An Story: Maryellen 1955 - Extraordinary , a family drama emphasizing themes of empathy and holiday spirit, demonstrating his enduring appeal in wholesome, intergenerational narratives. Throughout the 1980s and 2000s, Linke's roles evolved toward reliable supporting positions in both mediums, often in comedies like Parenthood and or dramas such as , with occasional genre dips into horror-comedy () and family TV movies, underscoring his adaptability without pursuing leading status.

Theater and writing contributions

In addition to his screen acting career, Paul Linke founded the Powerhouse Theatre in , in 1982 by converting an abandoned into a performance space. There, he premiered several of his original works, showcasing his versatility as a performer, writer, and director in live settings. He later became associated with the Pacific Resident Theatre. Linke's most notable stage contributions include his autobiographical "Time Trilogy" of one-man shows, which highlighted his skills in and storytelling. The first, Time Flies When You're Alive, written and performed by Linke, debuted in 1986 and explored themes of love and resilience through personal narrative; it later transferred to in 1992 at the . The trilogy continued with in 1999 at Pacific Resident Theatre, completing the series with reflections on family and growth. In 2016, Linke presented the final installment, It's Time, at the Ruskin Group Theatre and later at Pacific Resident Theatre, where he delivered a witty, introspective monologue on life's opportunities and forward momentum, emphasizing his enduring commitment to intimate, character-driven live theater. Beyond his solo works, Linke expanded into writing and directing collaborative projects. In 2001, he co-wrote and directed Save It for the Stage: The Life of Reilly, an off-Broadway one-man show starring Charles Nelson Reilly that chronicled the actor's career through humorous anecdotes and theatrical flair; the production ran at venues like the Irish Repertory Theatre and was later adapted into the 2006 film The Life of Reilly. He also directed other stage productions, such as Jessica Manuel's The Antarctic Chronicles in 2009, further demonstrating his range in guiding ensemble narratives and experimental works. In 2024, Linke co-wrote and directed It's Only a Show!, another tribute to Charles Nelson Reilly, which premiered at the Ruskin Group Theatre. These endeavors underscored Linke's evolution from performer to multifaceted theater artist, prioritizing authentic, engaging live experiences over scripted television formats.

Personal life

First marriage and family

Paul Linke married Francesca Draper in 1978. The couple, both working in the acting profession, shared a collaborative professional life during their , with Draper pursuing roles as an alongside Linke's established career in television and film. They had three children together: Jasper, born around 1980; Ryan, born around 1982; and Rose, born around 1985. Draper, also known as Chex Draper, was a multifaceted who worked as an , singer, and . The family resided in , where Linke balanced his acting commitments with family responsibilities. Tragically, Draper died of cancer in 1986 at the age of 35, leaving Linke to raise their three young children as a single father.

Second marriage and family

In 1991, Paul Linke married actress Christine Healy. The couple welcomed one daughter, Lily, from their marriage. Linke and Healy have maintained a stable family life since their union, with the marriage ongoing as of recent records. Lily, their together, has grown up within this family dynamic alongside Linke's children from his previous marriage.

Memoir and reflections on loss

Paul Linke's memoir Time Flies When You're Alive: A Real-Life Love Story, published in 1993 by Birch Lane Press, chronicles his experiences as a during his first wife Francesca "Chex" Draper's battle with , which she was diagnosed with while their second child, and her subsequent death in 1986. The narrative draws from his personal journals and letters, emphasizing the intimate details of their 10-year , the birth of their three children amid the illness, and the holistic approaches they adopted, such as avoiding conventional in favor of natural remedies and emotional support. Central themes in the memoir include profound grief over the loss of a partner, the strains and bonds of life under , and a resilient spirit in confronting mortality, portrayed through a blend of raw anguish, humor, and affirmation of 's fleeting joys. Linke reflects on the emotional toll of watching Draper's decline, including vivid recollections of her final moments—a single tear as her "last gift"—while contrasting them with earlier moments of vitality, like the of their first child, to underscore human endurance. The work positions loss not merely as devastation but as a catalyst for renewal, highlighting how shared suffering strengthened ties and prompted Linke to reevaluate priorities. Originally conceived as a one-man stage show premiered in 1987 at the Powerhouse Theatre in Santa Monica, the piece evolved into an special in 1989, where Linke performed a 90-minute confessional monologue that garnered critical acclaim for its unflinching honesty and balance of levity and sorrow. In public performances and related interviews, Linke has described channeling his into this therapeutic outlet, noting how recounting the story helped him process the "intense, wrenching" personal tragedy and connect with audiences facing similar losses. This reflective work intersects with Linke's later one-man show It's Time, which premiered in 2016 at the and later appeared at , extending his exploration of time's passage, mortality, and rejuvenation by reframing elements of the original narrative to encompass life after loss, including his experiences as a single father and finding new love. The production, directed by , meditates on grief's long-term echoes within family dynamics, portraying how personal tragedy fosters ongoing resilience and a fuller appreciation of life's cycles.

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