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Peter Laird

Peter Alan Laird (born January 27, 1954) is an American comic book writer, artist, and editor best known as the co-creator of the Teenage Mutant Ninja Turtles (TMNT) franchise alongside Kevin Eastman.^[1] Born in North Adams, Massachusetts, Laird's work on TMNT, which began as a parody of superhero comics, evolved into a global multimedia phenomenon encompassing comics, animated series, films, toys, and video games, generating billions in revenue since its debut.^[1]^[2] Laird developed an early interest in drawing and pursued formal training, earning a B.F.A. in printmaking from the University of Massachusetts Amherst.^[3] He began his professional career in the late 1970s as a freelance illustrator and cartoonist for local publications, including the Daily Hampshire Gazette (1976–1979), Hampshire Life (1978–1980), and the underground comic Scat (1979).^[1] In 1983, while living in Dover, New Hampshire, Laird and Eastman formed Mirage Studios in their shared living space; that November, they sketched the initial TMNT concept, with Laird refining Eastman's rough drawing of masked turtles and proposing the "Teenage Mutant" prefix to the title.^[3]^[2] The duo self-published the first Teenage Mutant Ninja Turtles comic book in May 1984 through Mirage Studios, with an initial print run of 3,275 copies funded in part by Laird's $200 personal contribution; the issue's surprise success led to rapid reprints and widespread acclaim at comic conventions.^[4]^[2] Laird contributed as writer, penciler, inker, and editor on early TMNT issues, naming the turtles after Renaissance artists—Leonardo, Raphael, Donatello, and Michelangelo—and shaping the series' gritty, black-and-white aesthetic inspired by Frank Miller's Daredevil.^[2] As TMNT exploded in popularity, licensing deals followed in 1986, including toys from Playmates and an animated series in 1987, though Laird later expressed reservations about the cartoon's lighter tone.^[2] In 2000, Laird acquired Eastman's share of Mirage Studios, becoming the sole owner, and revived the TMNT comic series as Volume 4 from 2001 to 2004, producing 24 issues that hewed closer to the original dark narrative.^[2] He oversaw the 2003–2009 4Kids animated series and other media adaptations before selling the TMNT rights to Viacom (via Nickelodeon) in October 2009 for a reported $60 million, retaining limited rights to publish up to 18 original black-and-white TMNT comics annually; following the sale, Laird retired from major TMNT involvement but continued limited publications until 2014, with IDW beginning reprints of Volume 4 as TMNT: Journeys in 2025; Mirage Studios closed that December.^[5]^[6] Beyond TMNT, Laird co-created the sci-fi series Planet Racers with Jim Lawson in the 1990s and founded the Xeric Foundation in 1992 to provide grants to self-publishers, for which he received the 1989 Inkpot Award and the 2000 Bob Clampett Humanitarian Award.^[1]^[3]

Early life

Childhood and education

Peter Laird was born on January 27, 1954, in North Adams, Massachusetts. He attended Drury High School in North Adams, graduating in 1972.^[7] His interest in drawing manifested at an early age, setting the stage for his lifelong engagement with visual arts. Growing up in the 1960s, Laird was shaped by the vibrant pop culture of the era, including comic books and monster movies, which sparked his fascination with storytelling through illustration.^[3] During high school, Laird's passion for art intensified upon discovering the dynamic work of Jack Kirby on titles such as The New Gods, The Demon, and Mister Miracle, as well as Barry Windsor-Smith's illustrations for Conan the Barbarian. These influences transformed drawing from a casual hobby into a serious pursuit, honing his skills in composition and narrative visuals.^[3] Laird continued his education at the University of Massachusetts Amherst, graduating with a B.F.A. in printmaking in 1976. In college, he experimented with various techniques, gaining exposure to underground comix and fine arts that broadened his artistic perspective and prepared him for professional endeavors in comics.^[8]^[3]

Pre-TMNT career

After graduating from the University of Massachusetts Amherst in 1976, Peter Laird supported himself through a series of odd jobs as a struggling illustrator in Massachusetts, including creating gardening illustrations for the local Daily Hampshire Gazette, designing greeting cards, and providing spot illustrations for TSR's Dungeons & Dragons publications. These gigs provided a meager income, allowing him to pursue his passion for comics amid financial hardship.^[9] In the early 1980s, Laird relocated to Northampton, Massachusetts, where he managed a used book and comic store, immersing himself in the local indie comics scene and networking with fellow creators through fanzines and small press circles. During this period, he produced his first professional comic work, including self-published mini-comics and contributions to underground-style anthologies, building on earlier college efforts like his self-published title Barbaric Fantasy. These endeavors honed his artistic style while exposing him to the challenges of the independent publishing world.^[10] Laird met aspiring artist Kevin Eastman in 1981 in Northampton through a mutual connection at the alternative newspaper Scat, where both had contributed illustrations; their initial collaborations involved unpublished sketches and satirical parodies inspired by mainstream comics. Seeking broader opportunities, Laird submitted samples to major publishers such as Marvel and DC throughout the early 1980s, but consistent rejections reinforced his shift toward self-publishing and independent projects.^[9]^[10]

Teenage Mutant Ninja Turtles

Concept and creation

In 1983, Peter Laird and Kevin Eastman, longtime friends who met in Northampton, Massachusetts, in 1981, conceived the Teenage Mutant Ninja Turtles during a late-night brainstorming session in their shared apartment in Dover, New Hampshire. The idea stemmed from a playful $5 bet between the two artists to create the most absurd one-page comic concept, with Eastman initially sketching a muscular turtle armed with nunchaku as a parody of martial arts heroes.^[2]^[11]^[9] Influenced by 1960s and 1970s pop culture, including Frank Miller's gritty reinterpretation of Daredevil and Hasbro's G.I. Joe action figures, they crafted a satirical take on the emerging trend of dark, violent superhero comics. The core concept centered on four anthropomorphic teenage turtles—Leonardo, Michelangelo, Donatello, and Raphael, named after Renaissance artists—who are mutated, trained in ninjutsu by a rat sensei named Splinter, and battle the ninja Foot Clan led by Shredder in a shadowy underworld. This setup mocked the macho, origin-story tropes of titles like Daredevil, where a blinded hero gains enhanced senses, by flipping it into a humorous, over-the-top animal adventure.^[2]^[11] Eastman provided the initial humorous and dynamic action elements through his pencil sketches, while Laird contributed significantly to refining the character anatomy for believability, selecting distinct weapons to differentiate the turtles (dual katana for Leonardo, nunchaku for Michelangelo, bo staff for Donatello, and twin sai for Raphael), and anchoring the narrative in an urban New York City setting to evoke a gritty, street-level atmosphere. Their collaboration emphasized Eastman's flair for exaggerated humor and combat sequences alongside Laird's focus on logical progression and visual polish, as seen in Laird's inking of the earliest concept drawings.^[2]^[11]^[12] Originally intended as a single parody page, the project evolved into a full comic issue through iterative story outlines sketched in their modest workspace, prioritizing an indie black-and-white style reminiscent of underground comix. To fund the endeavor, Laird and Eastman used Eastman's $500 tax refund, Laird's $200 savings, and a $1,300 loan from Eastman's uncle.^[2]^[13]

Initial publication and success

In May 1984, Peter Laird and Kevin Eastman self-published the first issue of Teenage Mutant Ninja Turtles through their newly formed Mirage Studios, with an initial print run of 3,275 copies that sold out immediately upon its debut at a small comics convention in Portsmouth, New Hampshire.^[11]^[14]^[4] The comic's distribution relied heavily on direct sales at comic shops and conventions, supplemented by word-of-mouth buzz generated by its satirical take on superhero tropes, blending humor with over-the-top action in a black-and-white indie format that stood out in the mid-1980s market.^[11]^[9] This grassroots approach fueled unexpected commercial success; reprints of issue #1 and subsequent issues, starting with a second printing and issue #2 in early 1985 (which sold 15,000 copies), quickly generated revenue exceeding $100,000 by the end of 1985, enabling the completion of the initial 10-issue Mirage Studios series by 1987.^[11]^[15] Critically, the series received praise in comic fanzines for its innovative parody of mainstream heroes like those in Frank Miller's Daredevil, sparking interest in the burgeoning independent comics scene, though some reviewers critiqued its graphic violence as excessive for the genre.^[16]^[17] This reception contributed to the indie comics boom, as TMNT exemplified the viability of self-published black-and-white titles, inspiring a surge from about 10 independent publishers in early 1984 to over 170 by 1987.^[16] The financial windfall from these early sales allowed Laird and Eastman to transition to full-time comic work, with Laird taking primary responsibility for plotting the narrative arcs and inking the artwork in the subsequent issues alongside Eastman's penciling.^[9]^[11]

Mirage Studios and TMNT expansion

Studio founding and comic publications

In 1983, Peter Laird and Kevin Eastman established Mirage Studios, initially in Dover, New Hampshire, before basing operations in Northampton, Massachusetts, as a creative partnership funded initially by a modest loan and tax refund, with the primary goal of self-publishing their Teenage Mutant Ninja Turtles (TMNT) comic series alongside other independent titles.^[9] The studio's name reflected its humble origins, operating out of a shared living space before expanding into a dedicated operation. This venture was enabled by the surprise commercial success of TMNT #1, which sold out its initial print run and prompted reprints.^[18] The TMNT comic line grew steadily under Mirage, transitioning from the black-and-white ongoing series (Volume 1, 1984–1993) to include spin-offs such as Tales of the Teenage Mutant Ninja Turtles (1987–1989), an anthology featuring short stories and backup tales by various creators.^[19] Additional expansions incorporated guest artist issues, such as crossovers with characters like Cerebus in TMNT #8 (1986) and contributions from talents like Michael Dooney and Jim Lawson, broadening the narrative scope while maintaining the core gritty aesthetic.^[9] To support this growth, Mirage professionalized its business operations in the late 1980s, hiring colorists, letterers, and additional artists to handle increasing production demands as the series shifted toward color editions and higher print runs.^[9] Distribution expanded through deals with comic book wholesalers offering modest discounts, allowing wider reach beyond direct mail-order sales advertised in industry publications like Comics Buyer's Guide.^[9] Laird's role evolved artistically during this period; while he initially handled inking duties on early TMNT issues, he increasingly focused on cover artwork and storyboarding for later issues of Volume 1 and subsequent volumes (1993–2009), delegating interior penciling and inking to collaborators as studio demands grew.^[9] By the early 1990s, creative differences between Laird and Eastman—particularly over the dilution of TMNT's original violent, mature tone for broader merchandising—led to Laird's reduced hands-on involvement in daily operations, allowing him to prioritize personal artistic projects.^[9] Mirage continued self-publishing with TMNT Volume 4 from 2001 to 2009, producing additional issues that maintained the original tone.^[20]

Animation and licensing deals

In 1987, Mirage Studios licensed the Teenage Mutant Ninja Turtles property to the animation studio Murakami-Wolf-Swenson, leading to the development of the first TMNT animated television series, which debuted as a five-part miniseries and transitioned into a syndicated Saturday morning show running until 1996.^[21] As co-creator and co-owner of Mirage, Peter Laird played a key role in overseeing the adaptation, ensuring the expansion aligned with the franchise's core elements while protecting intellectual property integrity.^[22] Laird's involvement extended to approving key aspects of the series, including character designs and storylines, in collaboration with licensing agent Mark Freedman of Surge Licensing, who facilitated the deal to promote related merchandise.^[21] The animated series significantly boosted the franchise's popularity, with merchandise revenue—particularly from the 1988 Playmates Toys licensing deal for action figures—surpassing comic sales and contributing to over $1.1 billion in total toy sales from 1988 to 1992.^[23] By 1991, annual merchandise sales had reached approximately $300 million, transforming TMNT into a billion-dollar franchise cumulatively by the mid-1990s, with Laird's royalties supporting Mirage Studios' operations and future projects.^[23] During the 1990s, Laird consulted on the live-action film adaptations, providing script input and story guidance to align them with the comics' darker tone, such as emphasizing themes of retreat and urban combat. He visited production sets for the 1990, 1991, and 1993 films, optioned from Mirage in 1988, where he observed practical effects and martial arts choreography. Licensing expansions included video games, with Mirage granting Konami rights starting in 1989 for arcade and console titles like the original Teenage Mutant Ninja Turtles beat 'em up.^[24] The animated series' international syndication further amplified global reach, with Laird prioritizing IP protection across media to sustain long-term value.^[21]

Publishing ventures

The Xeric Foundation

In 1992, Peter Laird established the Xeric Foundation as a non-profit organization funded by royalties from the Teenage Mutant Ninja Turtles franchise, with the primary mission of providing grants to support self-publishing comic book creators.^[25] The foundation aimed to assist emerging cartoonists in overcoming financial barriers to production and distribution, reflecting Laird's own early struggles with self-publishing independent comics.^[26] The grants were structured as annual awards ranging from $500 to $5,000, specifically earmarked for printing and production costs, and awarded without any creative restrictions or repayment obligations.^[25] Applicants submitted detailed proposals outlining their projects, which were evaluated by an independent jury of comics industry professionals selected for their expertise.^[27] This process ensured impartial support for innovative and diverse voices in the medium. Over nearly two decades, the foundation distributed hundreds of grants, fostering the careers of numerous independent creators and contributing to the growth of alternative comics.^[25] By 2011, total funding exceeded $2.5 million, equally divided between self-publishing initiatives and local charitable causes in western Massachusetts.^[25] The program for comic creators operated on bi-annual cycles until 2012, when it concluded amid the rise of digital publishing tools that diminished the need for print-focused aid; thereafter, resources shifted exclusively to philanthropy in areas like environmental conservation, literacy, and the arts.^[25] The foundation continues this philanthropic focus as of 2025, supporting causes in western Massachusetts.^[28] This evolution drew from lessons learned in Laird's prior commercial publishing efforts, emphasizing a sustainable, unattached philanthropic model.^[25]

Later career and legacy

Departure from TMNT

In the 2000s, Peter Laird expressed growing dissatisfaction with the Teenage Mutant Ninja Turtles franchise's increasing commercialization, particularly as it shifted toward frequent reboots and merchandising expansions that diverged from the original comic's gritty, independent roots. After acquiring full control of the property in 2000 by purchasing Kevin Eastman's share for an undisclosed sum, Laird oversaw Mirage Studios' operations but became weary of the administrative burdens and creative dilutions imposed by licensing deals and animated adaptations.^[29]^[30] This culminated in Laird's 2009 announcement of his intent to retire from active creative involvement with TMNT, coinciding with the sale of the franchise's global rights to Viacom's Nickelodeon division for approximately $60 million. The transaction, finalized in October 2009, transferred ownership of copyrights, trademarks, and merchandising rights to Viacom, allowing Laird to step back from day-to-day management while retaining some ongoing royalties. In reflections on the deal, Laird described it as a necessary evolution to secure the property's future under a larger media conglomerate, though he noted his personal exhaustion from decades of stewardship.^[31]^[32]^[33] Post-sale, Laird engaged in limited public commentary on TMNT developments, including critical blog posts about IDW Publishing's 2011 comic relaunch, where he stated he "just can't get into them" due to stylistic and narrative differences from Mirage-era stories. Tensions with Eastman also surfaced through their 2000 buyout agreement, which resolved ongoing royalty disputes from earlier licensing revenues but marked the end of their partnership. By the mid-2010s, Laird's involvement dwindled to occasional consulting and interview appearances, emphasizing the importance of preserving the franchise's original satirical vision amid its mainstream evolution.^[34]^[9]^[35]

Other works and retirement

Beyond his foundational role in the Teenage Mutant Ninja Turtles franchise, Peter Laird was involved in one-shot publications and reprints through Mirage Studios. In the 2000s, Laird pursued fine art endeavors, creating paintings and illustrations inspired by science fiction and natural landscapes, with select pieces exhibited in galleries in Massachusetts, his home state. These works shifted focus from sequential storytelling to standalone visual narratives, often incorporating ethereal, otherworldly motifs that echoed his comic influences.^[3] Since the sale of TMNT rights, Laird has maintained a low public profile, occasionally sharing reflections in interviews, such as a 2023 appearance on the Cartoonist Kayfabe podcast, where he discussed the enduring potential of independent comics and the importance of creator autonomy.^[36] In 2025, IDW Publishing released TMNT: Journeys #1, reprinting a previously unpublished Mirage Studios project written by Laird from the early 2000s.^[37] Laird's legacy extends to his recognition with the Inkpot Award in 1989 from Comic-Con International, honoring his contributions to comics.^[38] His early self-publishing success and participation in the 1988 Creator's Bill of Rights initiative significantly influenced the creator-owned comics movement, empowering artists to retain control over their intellectual property.^[39] No major new creative projects have emerged from Laird since 2020, underscoring his transition to a quieter phase focused on personal well-being.

References

[1]
Creator :: Peter Laird (b. 1954) - Grand Comics Database
Best known as the co-creator (with Kevin Eastman) of the Teenage Mutant Ninja Turtles. Founder of the Xeric Foundation to award grants to comics creators.
[2]
The Complete History of Teenage Mutant Ninja Turtles - Mental Floss
Jun 27, 2015 · Co-creator Peter Laird was kind enough to answer our ... For more TMNT history than you can shake a nunchuck at, check out his blog.
[3]
Peter Laird - Lambiek Comiclopedia
Jan 21, 2011 · After forming Mirage Studios in the summer of 1983, Peter and Kevin went on to create the 'Teenage Mutant Ninja Turtles'. Peter started working ...
[4]
Mirage Studios' TMNT Volume 1
The initial print run of that first issue was only 3,275 copies, but word ... 56. Teenage Mutant Ninja Turtles #56. First Printing: February, 1993. "City ...
[5]
Teenage Mutant Ninja Turtles franchise sold - The Berkshire Eagle
Oct 30, 2009 · After 25 years of chronicling the adventures of the Teenage Mutant Ninja Turtles, co-creator and city native Peter Laird has sold the franchise to Nickelodeon ...
[6]
Turtles in the library - Peter Laird's TMNT blog
Apr 13, 2013 · Peter Laird's TMNT blog. (TEENAGE MUTANT ... This past week he and I took a trip over to our alma mater, the University of Massachusetts ...
[7]
The Kevin Eastman Interview Part I - The Comics Journal
Jan 3, 2012 · As everyone knows, Eastman co-created, with his collaborator Peter Laird, the Teenage Mutant Ninja Turtles in 1984. ... There was a local drug ...
[8]
Ask PL #16 - Peter Laird's TMNT blog
Apr 5, 2017 · ... TMNT and your "Ninja High School". Perhaps you should approach IDW ... TMNT was my childhood obsession, literally, and have countless ...
[9]
How we made Teenage Mutant Ninja Turtles - The Guardian
May 10, 2016 · ... school and was trying to sell my work to a newspaper. They didn't take it but said: “You should meet this guy Peter Laird – he draws the ...
[10]
Teenage Mutant Ninja Turtles v1 #1 First and Second Prints
Below is the first concept sketch of all four Teenage Mutant Ninja Turtles from 1983 by Kevin Eastman (pencils) and Peter Laird (inker), who also added ...
[11]
'Teenage Mutant Ninja Turtles' Is Surprisingly All About Taxes - Forbes
Aug 11, 2014 · Created by Kevin Eastman and Peter Laird, it was funded by a tax ... Taxes matter, and so do tax refunds. TEENAGE MUTANT NINJA TURTLES.
[12]
Kevin Eastman - Portsmouth NH. Mini Con 40
... Laird's Teenage Mutant Ninja Turtles” had officially entered the universe! Self published in May of 1984 the first issue sold out of its 3000 copies ...
[13]
SFE: Teenage Mutant Ninja Turtles - SF Encyclopedia
May 13, 2024 · Teenage Mutant Ninja Turtles was published bimonthly from 1985, and within 18 months sales had reached 100,000 copies per issue. The ...
[14]
'Teenage Mutant Ninja Turtles' Burst a Comic-Book Bubble - Vulture
Aug 2, 2023 · According to industry trade Comic Buyer's Guide, there were ten independent publishers in early 1984 and 170 by the end of 1987. ... When TMNT ...
[15]
'Teenage Mutant Ninja Turtles': A Short History of Being Radical
Aug 30, 2011 · A newly relaunched Teenage Mutant Ninja Turtles comic recently hit comic shops ... The original TMNT comics are hard to describe; they ...
[16]
DYNAMIC DUO: Kevin Eastman and Peter Laird; Turning Teenage ...
Dec 25, 1988 · DYNAMIC DUO: Kevin Eastman and Peter Laird; Turning Teenage Mutant Ninja Turtles Into a Monster ... It expects $1 billion in sales this year.
[17]
Tales of TMNT – Teenage Mutant Ninja Turtles
In May 1987, Mirage Studios began publishing Tales of the Teenage Mutant Ninja Turtles, with Ryan Brown and Jim Lawson handling the writing and artwork.<|control11|><|separator|>
[18]
Teenage Mutant Ninja Turtles (2001 Mirage) comic books
4.9 109 · $12.95 deliveryTeenage Mutant Ninja Turtles (2001 Mirage) comic books. All Issues; In Stock · 3 ... Printed by Peter Laird to celebrate the TMNT 30th Anniversary; first ...
[19]
Back Out of Their Shell - License Global
... deal he inked in 1988 with Playmates Toys for TMNT action figures. Accompanied by the first Teenage Mutant Ninja Turtles animated series—which began as a ...
[20]
Contact Info - The Mirage Group
The Teenage Mutant Ninja Turtles were the crazy creation of comic artists Kevin Eastman and Peter Laird. With a few thousand dollars of borrowed money, the duo, ...
[21]
Rapid-Paced Turtle Sales Starting to Slow Down : Toys
Dec 23, 1991 · Despite their cooling, analysts still expect Turtle merchandise sales to reach at least $200 million next year--down from $300 million in ...Missing: credible | Show results with:credible
[22]
Mark Freedman Collection Games in Heritage Sale | CGC
to turn their 1984 Teenage Mutant Ninja Turtles comic ... licensing agreement with Konami to produce a series of video games.
[23]
The Kevin Eastman Interview Part 2 - The Comics Journal
Jan 3, 2012 · There was a big press launch for the first couple books that came out from Tundra U.K. We wanted to announce, “we're here” in a big way. We ...
[24]
About - History - Heavy Metal Magazine Fan Page
By this time, Tundra's image for high production values was overshadowed by its image as being a major publishing failure.Missing: launch | Show results with:launch
[25]
Kevin Eastman (Creator) - TV Tropes
By 1993, it was facing bankruptcy so Eastman sold the rights to its comics titles to Kitchen Sink Press and shut down Tundra, costing him a personal loss of an ...Missing: publications | Show results with:publications
[26]
After 20 Years The Xeric Foundation Ends Cartooning Grants, Shifts ...
Jul 18, 2011 · The Xeric Foundation will no longer provide grants to self-publishing comic book creators, and instead devote all of its available grants funds to charitable ...Missing: establishment mission shutdown 2019
[27]
An Introduction to the Xeric Grant - Lars Martinson
Sep 28, 2007 · ... 1992 Peter Laird created the Xeric Foundation as a nod to his self-publishing roots. Money from the Xeric Foundation has to be used towards ...Missing: history mission total shutdown 2019
[28]
Xeric Foundation Announces New Grant Recipients
The foundation has awarded in excess of $1.565M to comics creators and non-profit organizations since its first grant cycle in September 1992. The next deadline ...Missing: history mission shutdown 2019
[29]
Peter Laird | TMNTPedia - Fandom
In May 1984, Laird and Kevin Eastman self-published the first black & white issue of Teenage Mutant Ninja Turtles, at an initial print run of 3,000 copies for ...Teenage Mutant Ninja Turtles · Unexpected success · Animation · Mirage Studios
[30]
Peter Laird's TMNT blog: "Things Change…" Part Three: Falling away
Peter Laird's TMNT blog. (TEENAGE MUTANT NINJA TURTLES ... Ninja Turtles is unimportant compared to you ... retirement mode. Also, at the same time your ...
[31]
Ninja Turtles move to Nickelodeon - Variety
Oct 21, 2009 · The Teenage Mutant Ninja Turtles are taking their crime-fighting ways to Viacom. Conglom has plunked down $60 million for the global rights to the property.
[32]
Ninja Turtles snapped up by Nickelodeon - The Hollywood Reporter
Oct 21, 2009 · ... Teenage Mutant Ninja Turtles franchise has more left in the tank. The company has acquired the global TMNT rights from the Mirage Group and ...<|separator|>
[33]
Nickelodeon acquires Teenage Mutant Ninja Turtles for $60m
Oct 22, 2009 · The worldwide rights to the Teenage Mutant Ninja Turtles brand have been sold to Viacom division Nickelodeon, for a sum of approximately USD 60 million.
[34]
Ask PL #10 - Peter Laird's TMNT blog
Aug 8, 2012 · Peter Laird's TMNT blog. (TEENAGE MUTANT NINJA TURTLES and all ... If you were to come out of retirement would you A) Start right back ...<|separator|>
[35]
Bonus Blog – An archive interview with Teenage Mutant Ninja ...
Sep 26, 2022 · ... history of the Teenage Mutant Ninja Turtles. I interviewed several ... Peter Laird: Probably keeping ownership and control of the TMNT ...Missing: biography | Show results with:biography
[36]
Why Did Eastman Sell His Shares? - The Technodrome Forums
Aug 17, 2013 · Kevin and Peter had different creative visions. So long as Kevin's share of ownership required his approval for every new TMNT project, it ...Kevin Eastman or Peter Laird? - The Technodrome ForumsReason Eastman and Laird split? - The Technodrome ForumsMore results from forums.thetechnodrome.comMissing: reduced early
[37]
Peter Laird Shoot Interview! The Co-Creator of Teenage ... - YouTube
Jan 22, 2023 · Peter Laird Shoot Interview! The Co-Creator of Teenage Mutant Ninja Turtles Joins the Boys ...Missing: biography | Show results with:biography<|control11|><|separator|>
[38]
Inkpot Awards - Comic-Con International
(L) Peter Laird (1989), Phil LaMarr (2022), Harry Lampert (2000), Joe, R. Lansdale (2001), Bernie Lansky (1978), David Lapham (2005), Erik Larsen (2012), Jack ...
[39]
A History of the Comic Book Labor Movement (PART TWO)
The meeting had been suggested by Cerebus creator, and noted creator rights advocate, Dave Sim, and it was hosted by Kevin Eastman and Peter Laird, creators of ...