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Popup

A popup or pop-up is a term with multiple meanings in various contexts. In computing, it refers to a graphical user interface element; in the arts, it describes interactive books or videos; in sports, it denotes specific plays like a baseball fly ball; in business, it includes temporary shops or restaurants; and it has other uses such as in appliances or vehicles. For detailed uses, see the relevant sections below. In computing, a pop-up is a graphical user interface (GUI) element consisting of a small window or dialog box that suddenly appears ("pops up") in the foreground of a user's screen, typically overlaying the current content in web browsers, applications, or operating systems. These elements are designed to capture immediate attention for purposes such as displaying advertisements, notifications, alerts, or additional interactive options, and they can be triggered by user actions like clicks or automatically upon loading a page. In web development, pop-ups often utilize JavaScript functions like window.open() to create new browser windows separate from the main interface. The origins of pop-up advertisements trace back to the late 1990s, when Ethan Zuckerman, a developer at Tripod.com, invented the pop-up ad in 1997 to address advertisers' concerns about their banner ads appearing alongside inappropriate content on user-generated pages. Zuckerman's innovation aimed to isolate ads in independent windows, but it quickly proliferated as a marketing tool, leading to widespread user frustration due to intrusive and deceptive implementations. In 2014, Zuckerman publicly apologized for the unintended consequences, describing it as the "original sin of the web" that contributed to the erosion of user trust in online experiences. Pop-ups encompass several variants, including pop-up ads, which promote products or services and often include calls-to-action; pop-unders, that open behind the active window and remain hidden until the main page closes; and modal pop-ups, which require user interaction to dismiss before continuing. While initially unregulated, their abusiveness prompted major browsers to implement blocking features: Microsoft introduced pop-up blocking in Internet Explorer with Windows XP Service Pack 2 in 2004, and Google Chrome followed suit by default in 2008, marking blocked instances in the address bar. As of 2025, ethical pop-up design emphasizes user consent and timing, such as exit-intent triggers, avoiding popups before users can access main content, ensuring clear and easy dismissal options, and maintaining mobile responsiveness to balance engagement without disruption, though they remain a contentious tool in digital marketing with conversion rates varying by implementation. Beyond advertising, pop-ups serve functional roles in computing, such as context menus that display options upon right-clicking or tooltips providing brief information on hover. In video games, "pop-up" can refer to a rendering artifact where distant objects suddenly appear as the player approaches, due to limited draw distance in 3D graphics—a technical limitation mitigated by modern hardware. Despite their utility, excessive or malicious pop-ups are associated with security risks, including malware distribution, underscoring the importance of built-in browser protections and user awareness.

Computing

Pop-up window

A pop-up window is a graphical user interface (GUI) element consisting of a secondary window that appears over the primary application window, typically without direct user initiation, to display information, solicit input, or perform other interactions. These windows emerged as part of early innovations in windowing systems, allowing multiple views to overlap and providing a mechanism for temporary overlays in computing environments. The historical origins of pop-up windows trace to pioneering GUI systems in the 1970s, such as the Xerox Alto developed in 1973, which introduced overlapping windows and elements like pop-up menus that influenced modern secondary window behaviors. Widespread adoption occurred with the release of Microsoft Windows 3.0 in 1990, which integrated pop-up dialog boxes as standard components for user interaction, marking a shift toward accessible personal computing interfaces. This version emphasized improved window management, including temporary overlays for alerts and prompts, solidifying their role in mainstream software. Pop-up windows are classified into two primary types: modal and modeless. Modal pop-ups, often used for critical alerts or confirmations, block interaction with the parent window until the user responds, ensuring focused attention on the secondary content. In contrast, modeless pop-ups permit continued use of the underlying application, such as floating tool palettes that remain accessible without halting workflow. In web browsers, pop-up windows are implemented primarily through the JavaScript window.open() method, which creates a new browsing context for loading content, often in a separate tab or minimal window depending on browser settings. For desktop applications on Windows platforms, developers use the Win32 API, specifically the CreateWindow or CreateWindowEx functions with the WS_POPUP style to generate these secondary windows, allowing customization of position, size, and behavior. Despite their utility, pop-up windows present user experience challenges, including interruptions during critical tasks that lead to disorientation and reduced productivity. They also introduce security risks, such as phishing schemes where malicious pop-ups mimic legitimate alerts to deceive users into installing malware or disclosing personal data. These concerns prompted the development of browser-based mitigations, with Microsoft introducing a pop-up blocker in Internet Explorer via Windows XP Service Pack 2 in 2004 to filter unsolicited windows and enhance user safety.

Pop-up advertisement

A pop-up advertisement is an unsolicited form of online advertising that launches in a new browser window or tab, typically without user consent, often implemented using JavaScript to open additional windows or overlays on a webpage. These ads emerged as a way to separate promotional content from editorial material, addressing concerns from advertisers about contextual placement, such as a car company's objection to appearing alongside unrelated or sensitive webpage content. The technology enabling pop-up ads was pioneered in the mid-1990s by Ethan Zuckerman at Tripod.com, who wrote the initial JavaScript and Perl code in 1997 to display ads in separate windows, aiming to combat "banner blindness" where users ignored inline promotions. Their popularity surged during the late 1990s dot-com boom, with widespread adoption by fall 1997 on major platforms including GeoCities, AOL, and The New York Times, as advertisers sought more visible formats amid declining engagement with traditional banners. This proliferation was further amplified in 2001 by X10.com, which launched a massive campaign using pop-up and pop-under ads to promote wireless cameras, generating millions of visits and drawing significant user attention despite controversy. Technically, pop-up ads rely on JavaScript functions like window.open() to create new browser instances, often triggered automatically on page load, user clicks, or mouse movements; overlays use Dynamic HTML (DHTML) to superimpose ad layers directly on the active page without leaving it. Redirects occur when ads hijack navigation to load promotional content, while exit traffic methods detect user intent to leave—via cursor movement toward the browser's close or back button—and trigger ads at that moment to capture abandoning visitors. Pop-up ads exploit the underlying pop-up window mechanism, a neutral browser feature for displaying secondary content, but adapt it for intrusive marketing purposes. Early pop-up ads demonstrated higher effectiveness than banners, with click-through rates (CTR) of 3-5% in the late 1990s compared to 1-2% for static banners, due to their prominent, interruptive placement that demanded user interaction. However, these rates declined sharply after 2005 as user tolerance waned and blocking tools proliferated, shifting focus from direct clicks to broader brand awareness, though pop-ups remained a staple for high-visibility campaigns during the era. User backlash against the disruptive nature of pop-up ads prompted the development of countermeasures, including the Google Toolbar's pop-up blocker introduced in version 2.0 in June 2003, which automatically suppressed unsolicited windows and became a popular add-on for Internet Explorer users. Browsers followed suit with built-in features, such as Mozilla Firefox 1.0's integrated pop-up blocker released in November 2004, allowing users to control ad displays and prioritizing privacy over site-driven interruptions. Regulatory responses addressed deceptive practices, with the U.S. Federal Trade Commission (FTC) securing a temporary restraining order in November 2003 against D Squared Solutions and affiliates for flooding consumers with pop-up spam via Windows Messenger Service, even when offline, to sell blocking software at $25-30 per unit. The FTC's action highlighted unfair tactics causing productivity losses and data risks, leading to broader guidelines against misleading formats that mimicked system alerts or blocked user interfaces. In modern contexts, variants have evolved to evade blockers, such as pop-under ads that open hidden behind the active browser window or tab, only becoming visible when users close their primary content, reducing immediate annoyance while still delivering impressions. On mobile devices, equivalents include interstitial ads, which appear as full-screen overlays between app or webpage transitions, often during natural pauses like level completions in games, though they face similar scrutiny for user experience impacts.

Pop-up menu

A pop-up menu, also known as a context menu or shortcut menu, is a graphical user interface (GUI) element that displays a list of selectable options near the cursor position in response to user input, such as a right-click on a mouse or a long-press on a touch interface. It provides context-specific actions relevant to the selected item or area, enhancing user efficiency by offering quick access to common commands without navigating persistent interface elements. Pop-up menus originated in early windowing systems during the 1980s, with Sun Microsystems' SunView (launched in 1985) incorporating them as part of its GUI toolkit for Unix workstations, allowing users to invoke temporary option lists via mouse interactions. Standardization followed in major operating system APIs; for instance, Microsoft's Windows API introduced the TrackPopupMenu function in the early 1990s to display and track selections from shortcut menus at specified screen coordinates. These menus typically feature a hierarchical structure, consisting of vertical lists of items that may include submenus for nested options, graphical icons for visual identification, and keyboard shortcuts for accelerated navigation. Common items often encompass editing functions like copy, paste, and delete, as well as file operations such as properties or rename, tailored to the application's context. For accessibility, pop-up menus in web applications support screen readers through WAI-ARIA roles, such as the "menu" role for the container and "menuitem" for individual options, ensuring keyboard focus management and announcement of active items. In desktop software like Adobe Photoshop, users can customize pop-up menus by editing panel options or assigning shortcuts via the application's menu configuration tools, allowing personalization of context-specific actions. Unlike persistent toolbars, which remain visible and docked in the interface for ongoing access to tools, pop-up menus are transient, automatically dismissing upon item selection, loss of focus, or an outside click to minimize visual clutter and maintain workflow focus.

Arts and entertainment

Pop-up book

A pop-up book is a form of illustrated literature that incorporates mechanical paper elements designed to create three-dimensional structures when pages are turned, transforming flat narratives into interactive, spatial experiences through specialized paper engineering. These books typically feature intricate folds and mechanisms that "pop" into view, enhancing storytelling by adding depth and motion to illustrations, often used to depict fantastical scenes, educational concepts, or historical events. Unlike traditional flat books, pop-up designs demand precise craftsmanship to ensure the elements deploy smoothly without damaging the binding or pages. The history of pop-up books dates to the 13th century, when early movable mechanisms like volvelles—rotating paper discs—appeared in astronomical and medical manuscripts to illustrate complex diagrams interactively. By the 15th century, printed examples emerged, such as Johannes de Ketham's Fasciculus Medicinae (1491), which included liftable anatomical flaps that served as precursors to modern pop-up techniques by allowing readers to reveal layered views of the human body. These early forms were primarily educational tools for scholars and physicians, evolving from medieval philosophical devices into more accessible printed works during the Renaissance. The 18th and 19th centuries saw further development with toy books and harlequinades featuring simple flaps and pull-tabs, but pop-up books as elaborate 3D volumes gained prominence in the 20th century. A significant modern revival occurred in the 1990s and 2000s, driven by innovative paper engineers Robert Sabuda and Matthew Reinhart, who elevated pop-up books from novelty items to sophisticated art forms through collaborations on titles like the Encyclopedia Prehistorica series. Sabuda's works, such as The Wonderful Wizard of Oz (2000), and Reinhart's Encyclopedia Mythologica (2007–2009), showcased multilayered, self-assembling structures that revived interest among both children and adults, blending classic tales with cutting-edge mechanics. This period marked a shift toward high-production-value editions, with publishers investing in durable cardstock and precise die-cutting to support complex designs. Construction of pop-up books relies on fundamental paper engineering methods, including V-folds for basic angled pop-outs, levers for sliding elements, and cranks for rotational motion, all assembled from layered cardstock glued and scored for folding. These techniques allow scenes to expand vertically or horizontally upon page opening, creating illusions of movement and scale; for instance, V-folds form the backbone of simple mountain or building pop-ups, while levers enable pull-activated reveals. Assembly involves prototyping with tools like cutting mats and rulers, followed by mass production via die-cutting and hand-finishing for alignment. An early influential example is S. Louis Giraud's Bookano Stories series in the 1930s, which demonstrated these methods in narrative-driven children's books, though modern iterations by Sabuda and Reinhart have refined them for greater intricacy and durability. Pop-up books have had a notable cultural impact, particularly in children's education, where interactive formats like pop-up encyclopedias foster engagement with subjects such as history, science, and nature by making abstract concepts tangible. Titles like the Encyclopedia Prehistorica: Dinosaurs and Other Prehistoric Creatures (2005) by Sabuda and Reinhart exemplify this, using 3D models to illustrate prehistoric life and encourage exploratory learning. In the art world, installations by Colette Fu, such as her We series (2010s), repurpose pop-up mechanics into large-scale, photographic books depicting ethnic minority cultures in China, blending education with cultural preservation to highlight underrepresented narratives. These works extend pop-up's legacy beyond books into sculptural exhibits, promoting visual literacy and empathy. The market for pop-up books grew steadily in the 2010s, with holiday editions—often themed around classics or seasonal stories—driving peak sales as popular gift items, contributing to the broader children's book segment's expansion amid rising interest in interactive media. Publishers reported strong holiday performance for specialty formats, with pop-up titles benefiting from their novelty appeal during the winter shopping season. However, challenges persist, including higher production costs due to specialized printing (often $40–$50 per unit for minimum runs of 500) and durability concerns, as intricate mechanisms can tear or misalign with repeated use, limiting accessibility compared to standard flat books. Despite these hurdles, advancements in materials have helped sustain their niche appeal.

Pop-up card

A pop-up card is a foldable greeting item that, upon opening, reveals three-dimensional elements through paper engineering, setting it apart from traditional flat cards by incorporating slits, folds, and tabs to form interactive, sculptural designs. These mechanisms allow layers to rise, pivot, or transform, creating a dynamic visual experience that enhances emotional expression in personal correspondence. The origins of pop-up cards trace to 18th-century paper engineering innovations, building on medieval traditions from the 13th century where movable elements like volvelles were used in European manuscripts for religious calendars and astronomical calculations. These early forms evolved into entertainment-focused designs during the 19th century, popularized by German illustrator Lothar Meggendorfer (1847–1925), who created over 100 movable books with sophisticated pop-up features, such as pulling levers to animate scenes. Meggendorfer's work laid foundational techniques shared with pop-up books as an extended format. Design techniques in pop-up cards emphasize precision and interactivity; parallel folds, for instance, involve cutting and creasing paper to produce layered structures that gain depth and angle as the card unfolds, suitable for both 90-degree and 180-degree spreads. Pull-tabs add motion by sliding strips that reveal hidden elements or alter configurations, often combining with pivots for swinging actions. Contemporary examples include those from Lovepop, founded in 2014 by naval architects Wombi Rose and John Wise, who apply laser-cutting technology—rooted in shipbuilding software—to craft intricate, mass-producible 3D designs from high-quality cardstock. Pop-up cards serve diverse applications, including holiday greetings like Christmas or Valentine's Day messages, elegant invitations for weddings and events, and corporate marketing tools featuring branded motifs to boost client engagement. In business contexts, they function as memorable promotional items, such as thank-you notes or product launches, capitalizing on their tactile surprise to strengthen relationships. Customization trends highlight DIY pop-up card kits sold on platforms like Etsy, which provide pre-cut templates and instructions for users to assemble personalized designs at home. This hands-on approach emphasizes therapeutic crafting, where the process of folding and assembling reduces stress, enhances mood, and builds self-esteem through creative expression.

Pop-up video

Pop-up videos are an entertainment format that enhances standard music videos by overlaying them with floating text bubbles, officially termed "info nuggets," which provide trivia, lyrics, behind-the-scenes details, and witty commentary synchronized to the audio and visuals. Pioneered by VH1, this approach transformed passive viewing into an interactive educational experience, blending humor with factual insights about artists, production, and cultural context. The series debuted on VH1 on October 27, 1996, and aired regularly until August 8, 2002, featuring hundreds of episodes that covered classic and contemporary hits across genres. In October 2011, VH1 revived the format with a 60-episode order, updating it for modern videos from artists like Britney Spears and Kesha, though the reboot concluded after one season in 2012. Production involved extensive research by writers to compile accurate and entertaining facts, followed by precise timing of the bubbles to align with song beats, lyrics, and key video moments, often using multi-layer video editing techniques to ensure seamless integration. A notable example is the pop-up treatment of Britney Spears' 2001 video "I'm a Slave 4 U," where bubbles revealed production anecdotes, such as the choreography's influences and Spears' creative input, appearing in themed episodes like "Sexiest Videos." The format's innovative overlay style influenced subsequent digital media by popularizing synchronized text annotations in online video platforms, paving the way for features like YouTube's interactive cards and end screens, introduced in 2015 and 2016, respectively. Its decline stemmed from VH1's broader shift away from music programming toward reality television in the early 2000s, leading to the original series' cancellation amid changing network priorities. Today, equivalents include apps like Musixmatch, which overlay real-time, floating lyrics and trivia on streaming music videos for enhanced user engagement.

Sports

Baseball pop-up

In baseball, a pop-up is a type of fly ball hit high into the air, typically over the infield, with a trajectory that makes it an easy catch for fielders and almost always results in an out. This occurs due to weak contact between the bat and ball, often when the batter hits the underside of the ball with the lower part of the bat barrel, such as during an uppercut swing or when the hands lead the knob too aggressively through the zone. Statcast data classifies pop-ups as batted balls with a launch angle greater than 50 degrees and relatively low exit velocity, usually below 80 mph, leading to a short, steep arc that limits distance and predictability. Pop-ups have been a consistent element of baseball since its early days, particularly during the dead-ball era (roughly 1900–1919), when softer, less lively baseballs and contact-oriented hitting styles contributed to lower power output and more routine airborne outs like pop-ups. These instances highlighted the risks of aggressive power approaches, which prioritized home runs over consistent contact and influenced the transition to the live-ball era. Strategically, pop-ups prompt infielders to call priorities and position quickly to avoid collisions, as the ball's predictable descent allows for routine fielding. To prevent exploitative plays, Major League Baseball's Official Rule 6.05(c) invokes the infield fly rule, established in 1895, which declares an automatic out on fair-territory pop-ups that can be caught with ordinary effort when there are fewer than two outs and runners on first and second (or bases loaded), protecting baserunners from deliberate drops for double plays. In modern sabermetrics, pop-ups are tracked as a key batted-ball outcome, with pop-up rate (PO%) measuring them as a percentage of balls in play, typically around 7–8%, equating to roughly 5% of all plate appearances league-wide. This metric, popularized since the early 2000s through sources like FanGraphs' infield fly balls percentage (IFFB%), helps evaluate hitters' contact quality, as high pop-up rates correlate with poor offensive production due to their near-certain out status.

Pickleball pop-up

In pickleball, a pop-up refers to a high-arcing defensive lob shot that sends the ball deep over the net, primarily used to reset the rally and regain optimal positioning when opponents are positioned at the kitchen line (non-volley zone). This tactical maneuver contrasts with more aggressive drives or drops by prioritizing height and depth to force opponents backward, buying time for the hitting team to advance to the net. Unlike the pop-up in baseball, which serves as an easy out for fielders, the pickleball pop-up aims to disrupt offensive pressure in a doubles paddle sport. The pop-up emerged alongside pickleball's invention in 1965 on Bainbridge Island, Washington, by Joel Pritchard, Bill Bell, and Barney McCallum, who adapted elements from badminton, tennis, and table tennis using a lowered badminton net and improvised wooden paddles. It was formalized as a legal shot in the inaugural rulebook published by the United States Amateur Pickleball Association (USAPA, now USA Pickleball) in 1984, which established the sport's core guidelines including permissible lobs, though noted as risky due to the potential for opponents to counter with overhead smashes. Early play emphasized such defensive shots to counter the game's small court (20x44 feet) and double-bounce rule, where the ball must bounce once on each side before volleys are allowed. Executing a pop-up requires contacting the ball with an open paddle face angled skyward, often from a low body position below waist height for a soft, controlled arc, while aiming for depth beyond the baseline to minimize return options. Defensive pop-ups, hit from the baseline or mid-court, demand a vertical follow-through and precise wrist action to generate loft without excessive power, targeting the opponent's non-paddle side for added difficulty. A common error among amateurs is insufficient height or depth, leading to the ball clipping the net or landing short. Strategically, the pop-up serves to neutralize net-dominant opponents by creating space for repositioning, though it invites aggressive overhead returns if not executed deeply, making it a high-risk, high-reward option best used sparingly in transitions. In professional play, such as on the Professional Pickleball Association (PPA) Tour established in 2021 with events dating to 2019 US Open competitions, players like Anna Bright have employed it effectively, lobbing 24 times in a single 2025 PPA semifinal to disrupt the world No. 1 team and secure victory. Similarly, Ben Johns has demonstrated defensive mastery by retrieving and countering lobs in PPA matches, turning potential weaknesses into offensive opportunities. Equipment advancements have enhanced its precision; early wooden paddles exceeding 12 ounces limited control, whereas lighter composite models (7-8 ounces) introduced in the 2010s via honeycomb cores allow for finer touch and reduced fatigue during arcing shots.

Business and temporary events

Pop-up shop

A pop-up shop is a temporary retail establishment designed to operate for a limited duration, typically ranging from a few days to several months, often utilizing vacant urban spaces to create immersive brand experiences. These short-term storefronts enable brands to test new markets, launch products, and foster direct consumer engagement without the commitments of permanent leases. Unlike traditional retail, pop-up shops prioritize experiential marketing, blending merchandise sales with interactive elements to generate buzz and collect real-time customer feedback. The origins of modern pop-up shops trace back to the early 2000s, with Japanese fashion brand Comme des Garçons pioneering the concept through its "Guerilla" store in Berlin in 2004, which occupied a derelict building to showcase avant-garde designs in an unconventional setting. This innovative approach gained traction during the 2008 financial crisis, as economic downturns left numerous commercial spaces vacant and brands sought cost-effective ways to maintain visibility amid reduced consumer spending. Early adopters like Target further popularized the model in the U.S., opening one of the first notable pop-ups with its 2002 holiday boat store at Chelsea Piers in New York City, which served as a festive activation to draw crowds and highlight seasonal merchandise. From a business perspective, pop-up shops appeal due to their low-overhead structure, with short-term leases in major cities often costing between $5,000 and $20,000 per month, a fraction of the expenses for long-term retail commitments that can exceed $50,000 monthly in prime locations. This model drives higher engagement metrics, including up to a 42% increase in nearby foot traffic for hosting venues and elevated social media shares through shareable, event-like experiences that encourage user-generated content. Retailers report conversion rates as high as 18% in pop-up formats, compared to 11% in conventional stores, underscoring their efficiency in building brand loyalty and testing viability. Prominent examples include Nike's experiential pop-ups in the 2020s, such as AR-integrated installations where customers use QR codes to access in-store games and virtual try-ons, enhancing interactivity and product discovery. The COVID-19 pandemic from 2020 to 2022 accelerated adaptations, with brands shifting to virtual pop-ups—online simulations of physical spaces—to sustain engagement during lockdowns, as seen in Dior's digital storefronts that replicated immersive environments. Emerging trends focus on sustainability, incorporating reusable modular designs and eco-friendly materials to reduce waste, aligning with consumer demands for responsible retail practices. The global pop-up retail market reached $95 billion in 2025, reflecting its enduring growth.

Pop-up restaurant

A pop-up restaurant is a temporary dining establishment that operates for a short duration, typically ranging from one night to 30 days, in non-traditional venues such as warehouses, parks, abandoned buildings, or even private homes, often requiring advance ticket purchases to manage limited seating and build anticipation. These events emphasize novelty, exclusivity, and immersive experiences, distinguishing them from permanent restaurants by their transient nature and focus on experiential dining rather than routine service. The concept gained traction in the early 2000s through underground supper clubs in the UK, where secretive, home-hosted dinners in unconventional spaces fostered a sense of community and culinary discovery among food enthusiasts. In the United States, pop-up restaurants boomed after 2010, exemplified by Dinner Lab, a membership-based organization founded in 2012 that hosted semi-weekly events in remote or unexpected locations until its closure in 2016, attracting over 150,000 members and raising more than $10 million in funding. Operationally, pop-up restaurants are often chef-driven initiatives featuring rotating, limited menus that highlight creativity and seasonality, such as four-course prix-fixe offerings priced between $50 and $150 per person to streamline service and control costs. Chefs frequently source local, fresh ingredients to align with farm-to-table principles, enhancing the appeal through sustainable practices and hyper-regional flavors that reflect the venue's locale. These events require meticulous planning for logistics like temporary kitchen setups and vendor coordination, but their low overhead—avoiding long-term leases—allows for experimentation without financial ruin. Pop-up restaurants play a vital cultural role by providing emerging chefs a platform to showcase innovative concepts and build audiences without the burden of high commercial rents, serving as a low-risk pathway to potential permanent ventures. During the COVID-19 pandemic in 2020, pop-ups adapted by shifting to outdoor formats like tents, igloos, and domes to comply with restrictions while sustaining operations and community connections. Key challenges include navigating varying health code compliance across jurisdictions, which demands temporary permits and inspections for food safety in non-standard spaces. Scalability poses another hurdle, as the event-based model limits consistent revenue and expansion without transitioning to permanence, though successes can generate buzz for future opportunities. The industry has seen robust growth, with the global pop-up restaurant market projected to reach $1.2 billion by 2025 at a compound annual growth rate of 8.5%, reflecting their increasing integration into fine dining experimentation.

Other uses

Pop-up toaster

A pop-up toaster is a countertop electric appliance designed to toast slices of bread using exposed nichrome heating elements on both sides of the slots, combined with a spring-loaded carriage that holds the bread in place during the cycle and ejects it upward upon completion. The mechanism relies on an electromagnet to keep the carriage depressed against the spring tension until a timer or bimetallic strip interrupts the power, releasing the toast and deactivating the heating elements. The pop-up toaster was invented by Charles Strite in 1919 while working at a Minnesota factory cafeteria, where he sought to prevent burnt toast by developing an automatic timing system. Strite received U.S. Patent 1,394,450 for his design in 1921, which featured simultaneous dual-sided toasting and an automatic shutoff timer. He co-founded the Waters-Genter Company to commercialize the invention, releasing the first consumer model, the Toastmaster, in 1926 as a two-slice unit for household use. Early models included basic thermostat controls, typically offering 2 to 5 browning levels to adjust toasting time and achieve desired lightness. By the 1980s, advancements introduced specialized modes such as defrost, which extends the cycle at lower heat to thaw and toast frozen bread evenly, and bagel, which activates primarily the inner heating elements to brown the cut side while gently warming the exterior. Safety features have evolved, with Underwriters Laboratories (UL) proposing automatic shutoff mechanisms in the late 1990s and updating standard UL 499 in 2018 to enhance fire prevention in household electric toasters. Modern pop-up toasters typically consume 800 to 1,500 watts during a toasting cycle, depending on the number of slots and model power rating. Pop-up toasters dominate the U.S. market, accounting for over 50% of all toaster sales due to their convenience and compact design. Common variants include the standard 2-slice model, priced between $20 and $50 for basic units, and larger 4-slice versions for families, often ranging from $40 to $100.

Pop-up camper

A pop-up camper, also known as a tent trailer or folding camper, is a lightweight, towable recreational vehicle featuring a hard roof that expands upward via a manual winch or electric lift system, creating additional headroom and enclosing fabric sides for sleeping and living space. These campers collapse into a compact form for storage and transport, typically measuring 10 to 20 feet in length when folded, making them suitable for towing by sedans, SUVs, or small trucks with capacities as low as 1,500 pounds. The concept of pop-up campers traces back to the early 20th century, evolving from auto touring tents and trailers as automobile ownership grew in the United States. The first known patent for a folding camping trailer was granted in 1916 to Archibald D. Campbell and Lawrence S. Campbell, with mass production beginning that year by companies like the Detroit Trailer Company and Shattuck Auto Camp Trailer. Popularization occurred in the post-World War II era amid the rise of family road trips, with Coleman establishing its folding trailer division in 1966 and becoming the leading manufacturer by 1979, producing durable models that emphasized affordability and ease of use. Fleetwood Enterprises acquired Coleman's trailer rights in 1989, further expanding the market until production ceased in 2011. In design, pop-up campers feature canvas or vinyl sides that fold out from the central box-like base to form convertible beds, typically accommodating 4 to 8 people depending on the model and layout, such as queen-sized end beds and dinettes that transform into additional sleeping areas. Dry weights range from 1,000 to 3,000 pounds, allowing for straightforward towing without requiring heavy-duty vehicles, and setups often take 10 to 30 minutes using crank mechanisms or modern electric systems. Basic amenities include compact kitchenettes with sinks, two-burner stoves, and small refrigerators, while storage compartments and fresh water tanks (usually 10-20 gallons) support short-term camping. Contemporary models incorporate upgrades like roof-mounted solar panels introduced prominently after 2010 to support off-grid power for lights and appliances, as well as optional air conditioning units for enhanced comfort in warmer climates. These features align with the camper's core appeal: affordability, with new units priced from $5,000 to $20,000 compared to $30,000-plus for hard-sided RVs, and superior fuel efficiency due to low weight. U.S. sales experienced a surge in 2020-2021 amid the COVID-19 pandemic and off-grid travel trends but have since declined significantly, with shipments down 49% in 2023 and continuing to normalize below pre-pandemic levels as of 2025. As of 2025, the pop-up camper segment faces challenges from higher interest rates and inventory overhang, leading to used models dominating sales at discounted prices.

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    Article from the Nielsen Norman Group discussing problematic trends in popups and recommending alternatives like avoiding interruptions before content access, easy dismissal, and mobile-friendly designs.