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R. D. Call

R. D. Call (February 16, 1950 – February 27, 2020) was an character actor renowned for his tough-guy portrayals in , appearing in over two dozen major films and numerous TV series across a career spanning four decades. Born Roy Dana Call in , and raised in nearby Layton as the oldest of four children, he graduated from Davis High School in 1968 before studying acting at and , leaving the latter one semester short of a degree in 1975 to pursue his career in . There, he trained at Lee Strasberg's acting school and made his screen debut in a 1979 episode of the television series . Call's filmography featured collaborations with acclaimed directors and actors, including seven projects with Sean Penn—such as At Close Range (1986), Colors (1988), State of Grace (1990), The Weight of Water (2000), I Am Sam (2001), Babel (2006), and Into the Wild (2007)—and multiple films with Walter Hill, notably 48 Hrs. (1982, as a police sergeant), Brewster's Millions (1985), and Last Man Standing (1996). Other standout roles included the chaplain in Oliver Stone's Born on the Fourth of July (1989), a survivor in Waterworld (1995), and appearances in Young Guns II (1990), Murder by Numbers (2002), and The X-Files. On television, he earned recurring roles in Stephen King's Golden Years (1991) and EZ Streets (1996–1997), alongside guest spots in series like Walker, Texas Ranger, Supernatural, Burn Notice, Castle, and Little House on the Prairie. He also maintained a passion for live theater, performing in productions such as Blackout and Speed of Darkness. In his personal life, Call married Nita Nickerson in 1972; the couple later divorced but remained close friends. He openly discussed his battle with , achieving 26 years of sobriety by the time of his death. Call retired from acting in 2017 and returned to , where he passed away on February 27, 2020, in Layton from complications following back surgery, survived by his brother Rick, sisters Quay Burbank and Cindy Thomas, uncle , and aunt .

Early life and education

Upbringing in Utah

R. D. Call, born Roy Dana Call, entered the world on February 16, 1950, in , as the firstborn of four children to parents Jedd L. Call and Edith L. Coker Call. The family relocated to , where Call spent his childhood in a modest home on Fort Lane alongside siblings Rick, Quay, and Cindy, fostering a tight-knit environment centered on shared experiences and familial bonds. His initial spark for performing arts ignited during high school at Davis High, through involvement in theater productions; he notably won a statewide competition with his portrayal of in a scene from , an achievement that highlighted his natural affinity for dramatic expression and foreshadowed his future path. Call attended E. M. Whitesides Elementary School and Central Davis Junior High School before graduating from Davis High School in 1968.

Acting training

Call pursued his initial acting education in his home state of Utah, studying theater at Utah State University before transferring to Weber State University, where he immersed himself in the performing arts program during the early 1970s. At Weber State, Call gained practical experience through participation in main stage productions, including roles in Shakespeare's Richard II and the musical West Side Story. These university performances provided him with foundational skills in classical drama and ensemble work, bridging his high school theater involvement to more advanced training. In 1975, Call relocated to Los Angeles, leaving college one semester short of graduation, to advance his career. He was promptly accepted into the Lee Strasberg Theatre Institute, a renowned institution emphasizing techniques such as emotional recall and sensory exercises. Additionally, he joined the Los Angeles Repertory Theater Group, further refining his craft through intensive scene study and improvisation in a professional environment.

Acting career

Early roles and breakthrough

R. D. Call began his professional acting career in 1979 with a minor role in the episode "" of the detective series , marking his on-screen debut after years of training. Over the next few years, he took on small parts in television, building experience in supporting roles that showcased his rugged presence. Call's breakthrough came in 1982 with his first major film appearance in Walter Hill's 48 Hrs., where he portrayed the duty sergeant, a no-nonsense police officer enforcing protocol amid the chaos of a convict's temporary release. The film, starring and in his feature debut, became a commercial hit, grossing $78.9 million domestically against a $12 million budget and helping to establish the buddy-cop genre. This role significantly raised Call's visibility in , transitioning him from television obscurity to feature films as a reliable . In the mid-1980s, Call continued his momentum with another supporting part in Hill's (1985), playing a courtroom guard in the Richard Pryor-led comedy about a man forced to spend a fortune to inherit more. His brief but authoritative appearance contributed to the ensemble dynamic, and the film performed solidly at the , earning $40.8 million domestically on a $15 million budget. These early opportunities, bolstered by his training, solidified his niche in and authority figures. As a burgeoning , Call encountered challenges typical of the profession, including in tough-guy supporting roles that limited leading-man prospects but allowed consistent work in high-profile projects.

Key collaborations

R. D. Call's professional relationship with director spanned three films across more than a , beginning with his early career breakthrough and evolving into more substantial supporting roles that highlighted his ability to portray gritty, authoritative figures in action-oriented narratives. In 48 Hrs. (1982), Call played the Duty Sergeant, a minor but pivotal law enforcement role in the buddy-cop comedy that marked his entry into major studio productions under Hill's taut, character-driven style emphasizing moral ambiguity and high-stakes tension. This partnership continued with (1985), where he appeared as a Courtroom Guard in the comedy, providing a brief but memorable presence amid the film's satirical take on and . Their final collaboration, (1996), saw Call in a larger role as Jack McCool, a in the Bruce Willis-led Western-noir , allowing him to showcase a more nuanced that aligned with Hill's signature blend of violence and , solidifying Call's reputation as a dependable ensemble player in the director's oeuvre. Call's most extensive collaboration came with Sean Penn, appearing in seven films from 1986 to 2007, initially as a co-star in intense crime dramas and later under Penn's direction, often embodying paternal or lawman archetypes that complemented Penn's exploration of fractured masculinity and redemption. The partnership began with At Close Range (1986), where Call portrayed Dickie, a member of a rural crime family opposite Penn's lead, contributing to the film's raw depiction of generational conflict. Subsequent roles included Rusty Baines, a gang member in Colors (1988), and Nicholson, a mob enforcer in State of Grace (1990), both showcasing Call's skill in understated menace within ensemble casts tackling urban decay and loyalty. Call also appeared in Judgment in Berlin (1988), a TV movie starring Penn as a pilot involved in a hijacking case; The Weight of Water (2000), as a Coast Guard officer in the historical mystery; and Cop at Park in I Am Sam (2001). Their collaborations culminated with Bull, a trucker offering guidance in Penn-directed Into the Wild (2007), where his fatherly demeanor echoed thematic consistencies of isolation and moral reckoning across the projects. These repeated pairings not only boosted Call's visibility in prestige projects but also allowed him to evolve from peripheral tough guys to integral emotional anchors, reflecting Penn's preference for actors who could convey quiet intensity. A notable one-off collaboration with occurred in Born on the Fourth of July (1989), where Call played the Chaplain in a poignant sequence, delivering a solemn performance during a burial scene that underscored the film's anti-war themes of loss and faith; the movie's critical acclaim, including eight Academy Award nominations, elevated Call's profile as a versatile capable of emotional depth in historical dramas. Similarly, his work with Kevin Reynolds in Waterworld (1995) as the Enforcer, a in the post-apocalyptic , reinforced his reliability in high-profile action spectacles, where his no-nonsense demeanor added grit to the ensemble amid the film's ambitious production challenges. These partnerships, spanning the to , collectively shaped Call's career trajectory, establishing him as a go-to for directors seeking authentic portrayals of authority and resilience in genre-defining films.

Television and stage work

R. D. Call maintained a steady presence in throughout his career, often portraying authoritative or antagonistic figures in episodic and miniseries formats. His early television breakthrough came with the 1991 CBS miniseries Golden Years, created by , where he played the recurring role of Jude Andrews, a ruthless dispatched to capture an elderly who begins de-aging after a lab explosion. Andrews appeared across multiple episodes, serving as a key in the thriller's narrative of and pursuit. In 1994, Call guest-starred in the first season of The X-Files as Sheriff Maurice Daniels in the episode "Miracle Man," depicting a skeptical lawman investigating deaths linked to a faith healer's ministry in . His involvement with Walker, Texas Ranger spanned several seasons, including a recurring capacity as tough antagonists; notable appearances include Crime Wave Dave (1993), where he played a criminal disrupting a family, and The Soul of Winter (1998), as Stan Gorman, a targeting a church community. Later, in 2012, Call portrayed Brian Quinn, a mob enforcer, in the Burn Notice episode "Unchained," assisting in an FBI against a Boston crime boss. These television roles provided Call with consistent work during periods when film opportunities were scarcer, allowing him to showcase his versatility in and villainous characters while building on the rugged persona honed in earlier collaborations. On stage, Call returned to theater intermittently, drawing from his formative training in to perform in regional and professional productions that bridged gaps in his screen career. During his university years at Utah State and Weber State, he appeared in mainstage shows such as Richard II and took the lead role of John Proctor in , alongside work at the Salt Lake Acting Company and Babcock Theater in . In Los Angeles, he performed at the in plays including Speed of Darkness and , contributing to ensemble casts in dramatic works. A highlight of his later stage work was the 2003 Off-Broadway production of Blackout at the Kirk Theatre, where Call played , a taciturn ex-convict haunted by past crimes despite a decade of sobriety amid a group of strangers trapped during a citywide . The play, written by Michael I. Walker and inspired by the 2003 Northeast blackout, explored interpersonal tensions in crisis; praised Call's portrayal as one of the production's "more riveting" elements for its understated intensity. These theater engagements, often in intimate venues, sustained Call's craft and offered creative outlets complementary to his television commitments.

Personal life and death

Marriage and family

R. D. Call married Nita Nickerson in 1972, and the couple shared a close that supported his early aspirations in . In 1975, driven by his passion for the craft, Call and Nickerson relocated from to to pursue opportunities in the entertainment industry, just one semester before he would have completed his degree. The marriage lasted nearly a decade before ending in , though the two remained lifelong friends and soulmates, with their bond enduring beyond the . The couple had no children together, and Call made no public statements regarding choices during or after the marriage. Post-divorce, details about Call's personal relationships remained largely private, with no other marriages or significant partnerships documented in public records. He maintained residences in both , where he based his professional life for decades, and , reflecting his deep ties to his home state and its emphasis on family values from his upbringing. This balance of personal stability allowed Call to focus intently on his career as a without the demands of raising a .

Final years and passing

After his final credited role as Sergeant Fitzgerald in the film Not a Stranger (2018), R. D. Call retired from and returned to his hometown area in , settling in Layton where he had grown up. He cared for his ailing mother until her death in November 2018. He focused on family life during these years, reconnecting with siblings and local community ties after decades based in . In his later years, Call contended with chronic that had plagued him for several years, alongside maintaining long-term sobriety from —he marked 26 years sober in 2020. He underwent in 2019 to address the issue, followed by another procedure on February 24, 2020. Call died three days later, on February 27, 2020, at the age of 70 in , due to complications from the recent back surgery. His family announced the passing through local obituaries, including in the , noting his enduring spirit amid health battles.

Legacy

Awards and honors

Throughout his career, R. D. Call received recognition primarily from festivals for his work as a in supporting roles. In 2010, he was awarded the Legends Award at the Action On Film International (AOF), held annually in to honor contributions to action, , and genre filmmaking. This lifetime achievement accolade specifically celebrated veteran s like Call for their enduring impact on the , acknowledging his decades of memorable performances in films by directors such as and . Call also earned a for Best in a for his portrayal of Sergeant Fitzgerald in the 2018 film Not a Stranger at the 2016 Golden Door International of Jersey City, highlighting his ability to bring depth to authoritative figures in dramatic narratives. Despite his prolific output in over 100 film and television projects, Call did not garner major mainstream accolades such as Academy Award nominations, a circumstance typical for who predominantly excelled in supporting capacities rather than lead roles.

Cultural impact

R. D. Call earned a as a quintessential specializing in craggy, tough-guy roles throughout and , often portraying lawmen, villains, or grizzled supporting figures that embodied rugged American archetypes. His distinctive weathered features and gravelly voice made him a go-to presence in and films, influencing the portrayal of similar no-nonsense, hard-edged characters in subsequent productions. As a native Utahn born in Ogden and raised in the state's rural landscapes, Call's heritage infused his career with a sense of regional authenticity, particularly in roles evoking Midwestern or resilience. Local tributes underscored this connection, with his obituary in highlighting his pride in roots and his return to Layton in retirement, where he was remembered as a "" yet gentlemanly figure who never forgot his origins. A celebration of life held in Layton in March 2020 further celebrated his ties to the community, reflecting the enduring impact of his story on fellow Utahns. Following his death in 2020, major industry obituaries praised Call's collaborative legacy, particularly his seven films with Sean Penn—including At Close Range (1986), Colors (1988), and Into the Wild (2007)—and three with director Walter Hill, such as 48 Hrs. (1982) and Last Man Standing (1996). Publications like Deadline and Variety lauded his versatility in these partnerships, noting how his understated intensity elevated ensemble casts in critically acclaimed works. While no major retrospectives emerged between 2021 and 2025, his films have seen renewed visibility through streaming platforms, introducing his tough-guy persona to new audiences. Call's contributions extended beyond film to substantial stage and television work, areas that highlight the breadth of his influence as a multifaceted performer. On stage, he appeared in productions like and Speed of Darkness, showcasing a passion for live theater that added depth to his screen persona. In television, he amassed dozens of guest and recurring roles across four decades, including appearances on , , V, Trapper John, M.D., and a notable arc in Stephen King's Golden Years (1991), as well as episodes of and EZ Streets, where his commanding presence grounded ensemble narratives.

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