Ray Liotta
Raymond Allen Liotta (December 18, 1954 – May 26, 2022) was an American actor renowned for his intense portrayals of complex characters, particularly in crime dramas and character-driven films, with breakthrough roles including Henry Hill in Goodfellas (1990) and Shoeless Joe Jackson in Field of Dreams (1989).[1][2][3] Born in Newark, New Jersey, Liotta was adopted at six months old by Alfred Liotta, an auto parts store owner, and Mary Liotta, a township clerk, and raised alongside his sister Linda in Union, New Jersey.[1][3] He graduated from Union High School in 1973, where he excelled in basketball and soccer, before earning a Bachelor of Fine Arts in acting from the University of Miami in 1978.[1][2] Liotta began his professional career with a three-year stint on the soap opera Another World (1978–1981), followed by guest appearances on television shows like Miami Vice and Cassie & Co. before transitioning to film with smaller roles in the early 1980s.[1][2] His film breakthrough came with the role of a charming ex-convict in Something Wild (1986), earning him a Golden Globe nomination and paving the way for collaborations with directors like Martin Scorsese and Ron Shelton.[2][3] Throughout the 1990s and 2000s, Liotta delivered memorable performances in a diverse range of projects, including Unlawful Entry (1992), Cop Land (1997), Blow (2001), and the HBO miniseries The Rat Pack (1998), for which he received a Screen Actors Guild nomination.[1][2] He won a Primetime Emmy Award for Outstanding Guest Actor in a Drama Series for his role on ER in 2005 and later starred in series like Shades of Blue (2016–2018).[1][2] In his personal life, Liotta married Michelle Grace in 1997, with whom he had a daughter, Karsen, born in 1998; the couple divorced in 2004.[1] At the time of his death, he was engaged to Jacy Nittolo.[3] Liotta passed away in his sleep in a hotel room in Santo Domingo, Dominican Republic, while filming Dangerous Waters, at the age of 67.[3][2] His induction into the New Jersey Hall of Fame in 2016, along with posthumous honors including a star on the Hollywood Walk of Fame in 2023 and an Emmy nomination for Black Bird (2022), highlighted his enduring impact on performing arts.[2][4][5]Early years
Childhood and family
Ray Liotta was born Raymond Allen Liotta on December 18, 1954, in Newark, New Jersey.[6] At six months old, he was adopted by Mary Liotta, a township clerk of Scottish descent, and Alfred Liotta, an auto parts store owner of Italian descent.[6][7] Liotta was raised alongside his adopted sister Linda in a middle-class household in Union, New Jersey, where his adoptive parents provided a stable environment.[8][9] His father's involvement in local Democratic politics and the family's Roman Catholic background, though not deeply religious, contributed to a community-oriented upbringing.[10][11] During his time at Union High School, Liotta initially focused on athletics, playing basketball, but after being kicked off the team, he joined a drama class, which ignited his interest in acting.[8][12] He graduated from the school in 1973 and was later inducted into its Hall of Fame in recognition of his achievements.[13]Education
Liotta attended the University of Miami from 1974 to 1978, where he earned a Bachelor of Fine Arts degree in acting.[1] Initially unsure of his major, he selected theater arts during registration to avoid courses in math or history, following his father's advice to sample various subjects.[14] During his time in the university's theater program, Liotta became deeply involved through performances that honed his skills. Encouraged by classmates, he auditioned for the musical Cabaret by performing "Magic to Do" from Pippin, securing roles in several musicals during his freshman year.[15] Over the next four years, he took on prominent parts, including Riff in West Side Story, which helped build his stage presence and confidence.[15] A key influence was his drama coach, Robert "Buckets" Lowery, a Stanislavski-method instructor and former basketball player, who challenged Liotta intellectually and prevented him from dropping out after his first year.[16][15] Upon graduating in 1978, Liotta decided to pursue acting professionally and relocated to New York City that same year.[1] To support himself, he took odd jobs, such as bartending at the Shubert Organization, while attending numerous auditions for off-Broadway productions and other opportunities.[17] These early struggles tested his resolve but paved the way for his entry into the professional acting world.[18]Acting career
Early career
Liotta began his professional acting career shortly after graduating from the University of Miami's theater program, initially focusing on off-Broadway theater productions in New York City during the late 1970s.[1] These early stage experiences provided foundational training, though details of specific roles remain limited in public records. He appeared in off-Broadway productions such as "The Proposition" and "Character Lines."[19] His television debut came in 1978 when he was cast as Joey Perrini, a troubled young man in a working-class family, on the NBC soap opera Another World, where he appeared regularly until 1981.[1] This role marked Liotta's first significant on-screen exposure, allowing him to hone his craft in a demanding daily format while earning steady work in the competitive New York acting scene.[20] Seeking opportunities in film, Liotta relocated to Los Angeles following his departure from Another World in 1981.[21] The move proved challenging, as he supported himself with odd jobs, including bartending at Broadway theaters during intermissions for shows like A Chorus Line, while auditioning extensively amid fears of being typecast from his soap opera background.[21] During this period, he landed guest spots on short-lived series, including a recurring role as the bartender Sacha on the NBC drama Casablanca in 1983.[22] Liotta's film debut arrived the same year with a minor but memorable antagonistic role as a high school bully in the drama The Lonely Lady, opposite Pia Zadora.[21] Though the film was critically panned, the part represented a crucial step into cinema, helping Liotta build credits despite the industry's early hurdles for newcomers transitioning from television.[23]Breakthrough and rise
Liotta's breakthrough came with his role as the volatile ex-convict Ray Sinclair in the 1986 comedy-thriller Something Wild, directed by Jonathan Demme, where he portrayed a menacing figure whose intense, unpredictable energy shifted the film's tone from whimsical to darkly suspenseful.[24] His performance earned him a Golden Globe nomination for Best Supporting Actor – Motion Picture, marking his first major industry recognition and highlighting his ability to command the screen with raw charisma.[25] This role, coming after years of television work, propelled Liotta into leading film opportunities by showcasing his capacity for both menace and magnetic appeal.[26] Building momentum in the late 1980s, Liotta delivered a grounded portrayal of Eugene Laciano, an ambitious medical student navigating the emotional complexities of caring for his mentally challenged twin brother, in the 1988 drama Dominick and Eugene.[27] Critics praised his nuanced depiction of familial tension and quiet intensity, which added depth to the film's exploration of brotherhood and sacrifice, further establishing him as a versatile actor capable of dramatic subtlety.[28] The performance, alongside Tom Hulce's Oscar-nominated turn, contributed to the film's positive reception as a sensitive character study.[29] In 1989, Liotta expanded his range with the role of Shoeless Joe Jackson in Field of Dreams, a sports fantasy directed by Phil Alden Robinson, where he embodied the disgraced baseball legend as a spectral figure of quiet dignity and redemption.[30] Despite lacking baseball experience and initially doubting the script's fantastical elements, Liotta's understated presence brought emotional weight to the character's scenes, allowing him to convey vulnerability and grace in contrast to his earlier intense roles.[31] The film received widespread acclaim, including an Academy Award nomination for Best Picture, and Liotta's contribution underscored his growing dramatic versatility in ensemble casts.[32] Liotta's portrayal of real-life mobster Henry Hill in Martin Scorsese's 1990 crime epic Goodfellas solidified his stardom, serving as the narrative voice and emotional core of the film based on Nicholas Pileggi's nonfiction book Wiseguy.[33] To prepare, Liotta immersed himself in the era's mob culture through research and consultations, though Scorsese instructed him not to meet the actual Hill beforehand to preserve an authentic on-screen dynamic with co-stars Robert De Niro and Joe Pesci.[34] His kinetic, charismatic performance captured Hill's rise and fall with unflinching realism, revitalizing the gangster genre by blending humor, violence, and moral ambiguity in a way that influenced subsequent mob narratives.[35] Goodfellas earned six Oscar nominations, including Best Picture, and is widely regarded as a cinematic landmark, cementing Liotta's reputation as a transformative leading man.[33]Mid-career versatility
Following the breakthrough success of his role as Henry Hill in Goodfellas (1990), Ray Liotta showcased his range in the 1990s and early 2000s by embracing antagonistic and dramatic parts across action, thriller, and ensemble genres, moving beyond mobster archetypes.[36] In the action-thriller Unlawful Entry (1992), Liotta played Pete Davis, a psychopathic police officer who ingratiates himself into a couple's life before revealing his obsessive and violent nature as the primary antagonist.[37] His performance effectively balanced charm and menace, making the character's descent into stalking all the more unsettling.[38] Liotta's dramatic depth shone in Cop Land (1997), where he portrayed Jack Rucker, a corrupt New Jersey cop entangled in a web of police misconduct and cover-ups, adding intensity to the film's ensemble exploration of moral ambiguity.[39] Critics noted his commanding presence alongside co-stars Sylvester Stallone and Harvey Keitel, highlighting how he infused the role with restrained volatility.[40] He further diversified into horror-thriller territory as Paul Krendler in Hannibal (2001), playing a smug U.S. Justice Department official whose arrogance leads to a gruesome fate at the hands of Hannibal Lecter, expanding Liotta's repertoire into psychological terror.[41] In ensemble dramas, Liotta supported lead performances while carving out memorable supporting roles. He appeared as Fred Jung, the working-class father of drug smuggler George Jung, in Blow (2001), collaborating with Johnny Depp and Penelope Cruz in this biopic of cocaine trafficking, where his portrayal underscored themes of familial disappointment and the American Dream's corruption.[42] Similarly, in John Q (2002), Liotta played Chief Gus Monroe, the police chief, who leads the law enforcement response and clashes with John Q Archibald (Denzel Washington) during the hostage crisis at the hospital.[43] This contributed to the film's advocacy-driven narrative on healthcare inequities.[44] Liotta ventured into voice acting with the video game Grand Theft Auto: Vice City (2002), lending his distinctive intensity to protagonist Tommy Vercetti, a released convict building a criminal empire in a 1980s-inspired Miami; his performance elevated the game's narrative, making the character's ambition and ruthlessness central to its satirical storytelling.[45] This role marked a significant step into interactive media, influencing how actors approached video game narratives for emotional depth.[46]Later career and television
In the later stages of his career, Ray Liotta expanded his presence on television, building on his established versatility in dramatic roles to take on compelling guest appearances and series leads. His notable television work began to gain renewed attention with a powerful guest role on the medical drama ER in 2004, where he portrayed Charlie Metcalf, a terminally ill ex-convict seeking reconciliation with his son in the episode "Time of Death."[47] For this performance, Liotta earned the Primetime Emmy Award for Outstanding Guest Actor in a Drama Series in 2005, marking a significant accolade that highlighted his ability to deliver emotionally raw portrayals in limited screen time.[5] Liotta's television commitments intensified in the 2010s, showcasing his command of complex authority figures. He starred as Lieutenant Matt Wozniak, a morally ambiguous NYPD detective, in the NBC crime drama Shades of Blue from 2016 to 2018, co-leading the series alongside Jennifer Lopez as Harlee Santos, a corrupt cop turned FBI informant.[48] The show explored themes of loyalty and betrayal within a precinct, with Liotta's portrayal of Wozniak earning praise for its intensity and nuance, contributing to the series' three-season run despite mixed critical reception. One of his final television projects, the 2022 Apple TV+ miniseries Black Bird, featured Liotta as Big Jim Keene, the father of real-life convict Jimmy Keene (played by Taron Egerton), in a true-crime story about an inmate infiltrating a maximum-security prison to elicit a confession from a suspected serial killer.[49] Adapted from James Keene's memoir In with the Devil, the limited series received acclaim for its tense storytelling, and Liotta's performance garnered a posthumous nomination for the Primetime Emmy Award for Outstanding Supporting Actor in a Limited or Anthology Series or Movie in 2023.[50] Parallel to his television resurgence, Liotta continued to appear in feature films during the 2010s, often in supporting roles that leveraged his signature intensity. In the 2012 crime drama The Place Beyond the Pines, directed by Derek Cianfrance, he played Detective Peter Deluca, a corrupt cop entangled in a multi-generational story of crime and consequence starring Ryan Gosling and Bradley Cooper.[51] Liotta's character added a layer of menace to the film's exploration of legacy and moral decay, with the ensemble piece earning recognition for its ambitious narrative structure.[52] He followed this with a role as the ruthless businessman Joey Canelli in the 2014 neo-noir anthology Sin City: A Dame to Kill For, a sequel to the 2005 graphic novel adaptation, where his brief but memorable appearance contributed to the film's stylized violence and star-studded cast including Josh Brolin and Eva Green.[53] Following Liotta's death in May 2022, several of his projects were released posthumously, underscoring his prolific output in his final years. In the 2023 horror-comedy Cocaine Bear, directed by Elizabeth Banks, Liotta portrayed Syd, a vicious drug kingpin whose cocaine shipment sparks the film's chaotic events inspired by a real 1985 incident; producers toned down the graphic nature of his character's death scene out of respect after his passing.[54] The film achieved commercial success with over $90 million in global box office earnings and mixed reviews that praised its dark humor.[55] Fool's Paradise (2023), a satirical comedy written and directed by Charlie Day, featured Liotta as a slick Hollywood producer manipulating the rise of a mute everyman (Day) to stardom; the ensemble cast included Adrien Brody and Kate Beckinsale, but the film received poor critical reception, holding a 20% approval rating on Rotten Tomatoes for its uneven execution.[56][57] Liotta's involvement in Dangerous Waters (2023), a thriller directed by John Barr, occurred during filming in the Dominican Republic, where he died unexpectedly; he played a key supporting role as the manipulative husband of a woman (Odeya Rush) ensnared in a sailing trip gone wrong with her new partner (Eric Dane).[58] The low-budget production wrapped principal photography shortly before his death, and his "powerful" final scene—a tense confrontation—drew specific praise from the director for its emotional depth, though the film as a whole garnered mixed reviews with an IMDb score of 5.3/10 for its formulaic thriller tropes.[59][60] His last released film, the 2024 heist thriller 1992, directed by Ariel Vromen and set against the backdrop of the Los Angeles riots, cast Liotta as a hardened criminal alongside Tyrese Gibson and Scott Eastwood in a story of robbery and family reconciliation.[61] Produced with input from Snoop Dogg as an executive producer, the film received divided responses—critics noted its rote plotting (33% on Rotten Tomatoes) but audiences appreciated the action and Liotta's commanding presence, reflected in a 76% audience score.[62][63]Personal life
Relationships and family
Liotta married actress and producer Michelle Grace in February 1997 after meeting her at a baseball game, where Grace's then-husband, Mark Grace, was playing for the Chicago Cubs. The couple's relationship developed after her divorce from Mark Grace, and they wed in Las Vegas officiated by an Elvis Presley impersonator.[64] Their marriage lasted until 2004, when they divorced amicably without public details on the reasons, though they maintained a cooperative co-parenting arrangement thereafter.[65][66] Liotta and Grace welcomed their only child, daughter Karsen Liotta, on December 21, 1998.[67] Fatherhood profoundly shaped Liotta, providing him with a deeper sense of purpose beyond his career; in interviews, he described making a deliberate effort to stay connected to Karsen's daily life, such as discussing her school experiences and activities to understand her world better.[68] This role influenced his personal priorities, emphasizing family involvement amid his professional demands.[69] In later years, Liotta found love again with Jacy Nittolo, a business owner and mother of two; the pair were introduced in 2019 through Karsen, who met Nittolo's son at a party and encouraged the connection.[70] They became engaged on December 25, 2020, with Liotta announcing the news on Instagram, describing Nittolo as the "love of my life."[71] Their relationship, marked by blended family harmony, continued until Liotta's death in May 2022.[72] Throughout his fame, Liotta actively shielded his family from public scrutiny, rarely discussing personal matters in interviews and limiting media exposure for Karsen and his partners to preserve their privacy.[69] This discretion allowed him to balance his high-profile career with a protected home life.[6]Public image and interests
Ray Liotta cultivated a public image that contrasted sharply with the intense, often menacing characters he portrayed on screen, frequently describing himself in interviews as far removed from the tough-guy personas that defined much of his career. In a 1997 profile, he insisted he was a "softy" who had only been in one fight in his life, emphasizing his aversion to real violence and preference for a low-key, approachable demeanor despite assumptions fueled by roles in films like Goodfellas.[73] His daughter later echoed this sentiment posthumously, portraying him as "like a big teddy bear" who prioritized family and kindness off-camera.[74] Liotta's personal interests extended beyond acting, particularly into sports and music, where he engaged as both a participant and enthusiast. A self-described sports fan, he developed a notable affinity for baseball, influenced by his role as Shoeless Joe Jackson in Field of Dreams (1989), which he revisited fondly in later interviews and expressed interest in MLB's annual games at the film's Iowa site.[75] In music, Liotta made occasional forays into video productions, notably starring as a washed-up rock star in Ed Sheeran's 2015 "Bloodstream" clip, showcasing his willingness to blend his acting talents with contemporary music scenes.[76] His philanthropic efforts were understated, focusing on causes like film preservation through support for the Film Foundation and cancer research via Stand Up to Cancer, reflecting a commitment to cultural and health initiatives without seeking publicity.[77] Liotta also maintained low-key ties to his New Jersey roots, participating in local community events, culminating in his 2016 induction into the New Jersey Hall of Fame, where he was honored alongside other state luminaries at the Asbury Park Convention Center.[78]Death and legacy
Death
Ray Liotta died on May 26, 2022, at the age of 67 while filming the movie Dangerous Waters in the Dominican Republic.[79][80] He passed away in his sleep at a resort in Santo Domingo.[81][80] An autopsy conducted by Dominican authorities, with results released in May 2023, determined that Liotta's cause of death was acute heart failure, respiratory failure, and pulmonary edema, attributed to underlying atherosclerotic disease.[81][80][82] Liotta was discovered deceased by his fiancée, Jacy Nittolo, who was with him at the time; authorities reported no suspicion of foul play.[83] Nittolo issued a public statement expressing profound grief, describing Liotta as her "best friend and soulmate" and noting that the previous six years had been the best of her life, emphasizing his generosity and kind heart.[83][84] His publicist confirmed the death to media outlets, stating that Liotta had passed in his sleep and requesting privacy for the family during this difficult time.[79][85] Following the death, Liotta's body was held at the Funeraria Blandino in Santo Domingo before being transported back to Los Angeles via private jet at the family's request, with funeral arrangements kept private to honor his memory.[86][87] His fiancée Jacy Nittolo and daughter Karsen Liotta shared tributes on what would have been his 68th birthday, affirming that his legacy would endure in their hearts.[88]Legacy and honors
Ray Liotta's enduring legacy in film and television is marked by his posthumous induction into the Hollywood Walk of Fame, where he received the 2,749th star on February 24, 2023, in the category of motion pictures.[89] The ceremony, held nine months after his death, was attended by industry figures including Elizabeth Banks and Taron Egerton, with Liotta's daughter, Karsen Liotta, accepting the honor on his behalf, highlighting his lasting impact as a versatile performer.[90] Following his passing, Liotta received widespread tributes from peers who praised his intensity and range. Martin Scorsese, who directed him in Goodfellas, described Liotta as "uniquely gifted, so adventurous, so courageous as an actor," expressing shock at his sudden death and noting his irreplaceable presence in the industry.[91] Robert De Niro, Liotta's co-star in the film, echoed this sentiment, stating he was "very saddened" by the loss and that Liotta was "way too young to have left us."[92] These reflections underscored Liotta's ability to bring authenticity to complex characters across genres, as media outlets revisited his career spanning over 120 acting credits in film and television.[93] Liotta's influence on portrayals of complex anti-heroes, particularly in mob and crime narratives, remains profound, with his work establishing a benchmark for intensity and realism that inspired subsequent actors in the genre.[94] His role as Henry Hill in Goodfellas (1990) has undergone critical reevaluation for its raw depiction of moral ambiguity and vulnerability within the criminal underworld, often cited for elevating the film's authenticity and emotional depth.[36] Scorsese himself later recalled Liotta's instinctive handling of tense situations during casting as evidence of his natural fit for such demanding roles, cementing his status as a pivotal figure in crime cinema.[34]Filmography
Films
Ray Liotta appeared in numerous feature films throughout his career, spanning from his debut in 1983 to several posthumous releases after his death in 2022. The following table lists his film roles chronologically by release year, including the character name and director for each.[93]| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 1983 | The Lonely Lady | Joe | Peter Sasdy | |
| 1986 | Something Wild | Ray Sinclair | Jonathan Demme | |
| 1988 | Dominick and Eugene | Rocco | Robert M. Young | |
| 1989 | Field of Dreams | Shoeless Joe Jackson | Phil Alden Robinson | |
| 1990 | Goodfellas | Henry Hill | Martin Scorsese | |
| 1992 | Article 99 | Dr. Richard Sturgess | Howard Deutch | |
| 1992 | Unlawful Entry | Pete Davis | Jonathan Kaplan | |
| 1993 | No Escape | Casey | Martin Campbell | |
| 1994 | Corrina, Corrina | Manny Singer | Jessie Nelson | |
| 1995 | Operation Dumbo Drop | Capt. Sam Cahill | Simon Wincer | |
| 1996 | Unforgettable | David Krane | John Dahl | |
| 1997 | Turbulence | Ryan Weaver | Robert Townsend | |
| 1997 | Cop Land | Gary Figgis | James Mangold | |
| 1998 | Phoenix | Jack Marcario | Danny Cannon | |
| 1999 | Magnets and Scissors | Det. Joe Boffano | Andrew J. Kuehn | |
| 2000 | Reindeer Games | Jack Bangs | John Frankenheimer | |
| 2000 | A Rumor of Angels | Uncle Charlie | Peter O'Fallon | |
| 2001 | Hannibal | Paul Krendler | Ridley Scott | |
| 2001 | Blow | Fred Jung | Ted Demme | |
| 2001 | Heartbreakers | Dean Cumanno | David Mirkin | |
| 2002 | John Q. | Frank Grimes | Nick Cassavetes | |
| 2002 | Narc | Lt. Henry Oak | Joe Carnahan | |
| 2003 | Identity | Rhodes | James Mangold | |
| 2004 | Control | Lee Ray Oliver | Tim Hunter | |
| 2004 | The Last Shot | Joe Devine | Jeff Nathanson | |
| 2005 | Revolver | Dorothy Macha | Guy Ritchie | |
| 2006 | Comeback Season | Walter Pearce | Bruce McCulloch | |
| 2006 | Local Color | John Talia Sr. | George Gallo | |
| 2006 | Smokin' Aces | Donald Carruthers | Joe Carnahan | |
| 2007 | Wild Hogs | Jack | Walt Becker | |
| 2007 | Bee Movie | Himself (voice) | Simon J. Smith, Steve Hickner | Voice role |
| 2007 | In the Name of the King: A Dungeon Siege Tale | Lord Gallian | Uwe Boll | |
| 2008 | Hero Wanted | Detective Hank Robinson | Brian Goodman | |
| 2008 | Powder Blue | Jack Doheny | Timothy Linh Bùi | |
| 2009 | Observe and Report | Detective Harrison | Jorma Taccone | |
| 2009 | Chasing 3000 | Tommy | John Dahl | |
| 2010 | Charlie St. Cloud | Florio Ferrente | Burr Steers | |
| 2011 | The Son of No One | Detective Stanford | Dito Montiel | |
| 2011 | All Things Fall Apart | Agent Parker | Mario Van Peebles | |
| 2012 | Killing Them Softly | Johnny Amato | Andrew Dominik | |
| 2012 | The Place Beyond the Pines | Deluca | Derek Cianfrance | |
| 2013 | The Iceman | Roy DeMeo | Ariel Vromen | |
| 2013 | The Devil's in the Details | Bruce | Waymon Boone | |
| 2013 | Pawn | The Man | David M. Rosenthal | |
| 2013 | Suddenly | Todd Shaw | Uwe Boll | |
| 2014 | Better Living Through Chemistry | Jack St. Cloud | Geoff McLean | |
| 2014 | Muppets Most Wanted | Big Papa | James Bobin | |
| 2014 | Sin City: A Dame to Kill For | Joey Canelli | Robert Rodriguez, Frank Miller | |
| 2014 | The Identical | Reece Wade | Dustin Marcellino | |
| 2014 | Stretch | Himself | Ben Lewin | Cameo |
| 2015 | Blackway | Blackway | Daniel Alfredson | |
| 2015 | Campus Code | Bartender | Cathy Scorsese, Kenneth M. Waddell | |
| 2016 | Sticky Notes | Jack | Amy Heller | |
| 2016 | Flock of Dudes | Uncle Reed | Bob Castrone | |
| 2019 | Marriage Story | Jay | Noah Baumbach | |
| 2019 | The Poison Rose | Doc Graves | Francesco Cinquemani | |
| 2020 | The Burnt Orange Heresy | Joseph Scortese | Giuseppe Capotondi | |
| 2021 | No Sudden Move | Frank Capelli | Steven Soderbergh | |
| 2021 | The Many Saints of Newark | "Hollywood Dick" Moltisanti | Alan Taylor | |
| 2022 | Every Last Secret | Clay | Tom Paton | Posthumous |
| 2023 | Cocaine Bear | Syd | Elizabeth Banks | Posthumous |
| 2023 | Fool's Paradise | Tony Russo | Charlie Day | Posthumous |
| 2023 | Dangerous Waters | Coast Guard Executive Officer | John Barr | Posthumous |
| 2024 | 1992 | Vincent Mancuso | Ariel Vromen | Posthumous |