Rhys Darby
Rhys Montague Darby (born 21 March 1974) is a New Zealand actor, comedian, writer, and podcaster recognized for his energetic physical comedy style and portrayals of quirky, inept characters.[1] Prior to his entertainment career, he served three years in the New Zealand Army after attending Edgewater College.[2] Darby first achieved widespread acclaim in the United States as Murray Hewitt, the band's hapless manager, in the HBO television series Flight of the Conchords (2007–2009), a role originating from the BBC radio series.[3] He has since starred in notable supporting roles, including Anton the dim-witted werewolf in the mockumentary horror-comedy film What We Do in the Shadows (2014) and the titular lead as Stede Bonnet, an affluent amateur pirate, in the HBO Max series Our Flag Means Death (2022–2023).[4] Additionally, Darby maintains an active stand-up comedy career, with tours and specials emphasizing storytelling and improvisation, and co-hosts the podcast The Rhys Darby Podcast.[3]
Early life
Upbringing and family background
Rhys Darby was born on 21 March 1974 in Auckland, New Zealand.[5] He grew up in the Auckland suburb of Pakuranga as the youngest of five children.[6] His father was largely absent from his early life, leaving his mother to raise the family primarily on her own.[7][8] During his childhood, Darby was exposed to British television comedies broadcast in New Zealand, which he often watched alongside his mother. Shows such as The Goodies and Monty Python's Flying Circus profoundly influenced him, fostering an early appreciation for sketch-based absurdity and physical humor.[9] He described developing a particular affinity for the Pythons, viewing their ensemble dynamic as a surrogate form of paternal guidance amid his father's absence.[7] Darby exhibited outgoing tendencies from a young age, earning a reputation as the class clown in school settings, where he honed informal skills in mimicry and performance through peer interactions rather than structured training.[8] These experiences, combined with familial storytelling dynamics, laid the groundwork for his later creative pursuits up to his late teens.[10]Military service and transition to civilian life
At age 17, Rhys Darby enlisted in the New Zealand Army in 1991, initially aspiring to become an officer.[11][12] He underwent signals training, including Morse code instruction, and served for three years, primarily at Burnham Camp near Christchurch.[13][14] During this period, Darby developed improvisational skills through informal army sketches and impersonations of officers, though these antics often led to disciplinary issues.[12] Darby later reflected that the regimented structure of military life instilled discipline beneficial to his future career but ultimately constrained his creative impulses, prompting his discharge around 1994.[15][12] He expressed no regrets about the service, crediting it with practical skills like self-reliance and performance under pressure, yet recognized it was not suited to his long-term aspirations in the arts.[13][16] Following his discharge, Darby transitioned to civilian life by enrolling at the University of Canterbury in 1995 to study art theory, marking a deliberate shift from hierarchical routine to the unpredictability of creative pursuits.[14][15] This period allowed initial explorations in performance, building on army-honed improvisation without the constraints of command, though he avoided framing the experience as either profoundly heroic or damaging.[17][12]Professional career
Stand-up comedy beginnings and New Zealand recognition
Darby transitioned to stand-up comedy after leaving the New Zealand Army in the mid-1990s, initially developing material in Christchurch with collaborator Grant Lobban as the duo Rhysently Granted, performing in small venues for minimal compensation such as free beer.[18] He gained early local traction by winning an open mic contest at the Southern Blues Bar in Christchurch, which led to increased performances in the city's comedy circuit around 1996 to 2000.[19] His solo work earned nominations for the Billy T Award, an honor for promising New Zealand comedians, in both 2001 and 2002 at the New Zealand International Comedy Festival.[20] Darby's early routines featured physical comedy, character voices, mime, and absurd, fantastical narratives delivered in small theaters, establishing his quirky style within New Zealand's live scene prior to broader opportunities.[21][22] Local validation continued with his win of the 2012 Fred Dagg Award for the best New Zealand show at the New Zealand International Comedy Festival, recognizing his show's effective blend of storytelling and physicality.[23] This accolade underscored his sustained appeal in domestic circuits despite international commitments.[24]Breakthrough with Flight of the Conchords (2007)
Rhys Darby's portrayal of Murray Hewitt, the inept and deadpan band manager for the fictional folk duo Flight of the Conchords, marked his international breakthrough in the HBO comedy series that premiered in 2007.[25] The role, which he originated in a prior BBC radio production, blended Darby's established stand-up persona of awkward physical comedy and verbal inefficiency with the musical sketches created by Jemaine Clement and Bret McKenzie.[26] This character archetype, depicting a well-meaning but comically obstructive authority figure, contributed to the series' appeal by providing a foil to the protagonists' deadpan folk parodies.[7] The HBO broadcast offered Darby immediate exposure to U.S. audiences, a stark contrast to his more localized fame in New Zealand from earlier stand-up and television work.[27] Despite initial low television ratings, the series rapidly built cult status through online video clips and word-of-mouth, with fans amplifying its quirky humor via platforms like YouTube.[28] [29] This digital dissemination helped sustain interest beyond traditional viewership metrics, leading to a second season in 2009 and subsequent live tours by Clement and McKenzie that further cemented the production's legacy.[30] The role's demands, including improvisational elements and integration with the duo's original songs, showcased Darby's versatility and propelled him into global recognition as a character actor capable of anchoring surreal comedic narratives.[31] This breakthrough positioned him for expanded opportunities in film and television, distinct from the Conchords' musical focus.Expansion into film roles (2008–2010s)
Darby's entry into feature films came with a supporting role in the 2008 comedy Yes Man, directed by Peyton Reed, where he portrayed Norman, the eccentric boss of protagonist Carl Allen (played by Jim Carrey).[32] In this Warner Bros. production, adapted from Danny Wallace's memoir, Darby's character embodied awkward authority through physical mannerisms and his distinctive New Zealand accent, contributing to the film's blend of slapstick and motivational humor. The movie grossed $97.7 million domestically and $223.2 million worldwide against a $70 million budget, marking a commercial success that opened doors for further Hollywood opportunities.[33] In 2009, Darby appeared as Angus "The Nut" Nutsford, a bumbling DJ on a pirate radio ship, in Richard Curtis's The Boat That Rocked (released as Pirate Radio in the U.S.).[34] His role in the ensemble cast, which included Bill Nighy and Philip Seymour Hoffman, highlighted Darby's knack for hapless, accent-driven comedy amid the film's chaotic depiction of 1960s British offshore broadcasting. Despite positive reviews for its energy, the $50 million production earned only $36.4 million globally, underperforming at the box office due to mixed critical reception and competition. Darby continued diversifying with the 2014 mockumentary What We Do in the Shadows, co-directed by Taika Waititi and Jemaine Clement, playing Anton, the alpha werewolf in a rival pack to the vampire protagonists.[35] This low-budget New Zealand horror-comedy leveraged his physical comedy in scenes of lycanthropic absurdity, reinforcing ties to Kiwi filmmaking while showcasing versatility beyond straight ensemble roles. By 2016, Darby took on the memorable part of Psycho Sam in Waititi's Hunt for the Wilderpeople, a survival adventure where his unhinged survivalist character aids fugitives Ricky Baker (Julian Dennison) and Hec (Sam Neill) in the bush.[36] Darby's portrayal drew on exaggerated mannerisms and local humor, earning praise for injecting manic energy into the film's road-trip dynamics. Produced on a $2.5 million budget, it achieved breakout success, grossing $23.2 million worldwide, including strong New Zealand earnings that set records for local cinema.[37] These roles across U.S. blockbusters and independent Kiwi projects demonstrated steady progression, with Darby's physicality and vocal tics providing consistent appeal in supporting capacities, though without leading billing.[38]Television series and recurring roles (2007–2020s)
Darby expanded his television presence with guest appearances on U.S. series, including the role of Bill, a paranoid security guard, in the How I Met Your Mother episode "46 Minutes" aired on March 29, 2010. These early spots, building on his Flight of the Conchords visibility, showcased his ability to inject quirky physicality into supporting parts amid established sitcom formats.[38] In 2014, he created and starred in the New Zealand mockumentary miniseries Short Poppies, a satirical six-episode production parodying national icons through roles like a bumbling Prime Minister and a hapless adventurer, airing on TV3 from August 12. The series, directed by Simon Heath and Jemaine Clement, extended Darby's mockumentary expertise from prior work but concluded after one season due to niche appeal and production constraints.[39] Similarly, he reprised Anton, the earnest werewolf pack leader, in the spin-off series Wellington Paranormal starting in 2018, appearing across multiple episodes in its three initial seasons through 2021, within the What We Do in the Shadows film universe.[40] From 2016 to 2018, Darby voiced Coran, the flamboyant royal advisor, in Netflix's animated reboot Voltron: Legendary Defender, contributing to all 52 episodes over six seasons and earning praise for his energetic delivery in ensemble voice casts.[39] This recurring role highlighted his versatility in animation, contrasting live-action constraints while sustaining visibility amid Hollywood's shift toward streaming content. Darby's most prominent television lead came as Stede Bonnet in HBO Max's Our Flag Means Death (2022–2023), portraying the real-life 18th-century "Gentleman Pirate" in a comedy series created by David Jenkins and executive produced by Taika Waititi, with season 1 premiering March 24, 2022 (10 episodes) and season 2 on October 5, 2023 (8 episodes). The show pivoted from mockumentary roots to period pirate adventure, emphasizing Darby's naive enthusiasm and relational dynamics, which drew 8 million global households in its debut week per Warner Bros. Discovery metrics.[41] Despite this viewership and critical scores above 95% on Rotten Tomatoes, it was canceled in January 2024 after two seasons amid HBO Max's cost-cutting under Warner Bros. Discovery, overriding fan petitions that amassed over 100,000 signatures.[42] By 2025, Darby has noted in interviews the empirical evidence of audience loyalty—via streaming data and organized campaigns—often yielding to network priorities like budget efficiency over sustained cultural impact, as seen in Our Flag Means Death's abrupt end despite its role in elevating his profile for lead dramatic-comedic turns.[43]Return to stand-up and recent tours (2020s)
Following a hiatus from extensive stand-up touring due to the COVID-19 pandemic and commitments to scripted television and film projects, Rhys Darby revived his live comedy career in the mid-2020s. On November 14, 2024, he announced "The Legend Returns," a new stand-up show marking his first major tour in nearly a decade, with initial dates in New Zealand and Australia followed by UK and Ireland legs from May 30 to June 29, 2025.[44][22] The tour's structure reflects a strategic balance between the financial predictability of recurring TV roles—such as his work on series with stable production schedules—and the higher per-show earnings potential of live performances, where ticket prices often range from $50 to $100 USD equivalent, drawing on direct fan engagement amid post-pandemic demand for in-person entertainment.[45][46] Darby's performances emphasize improvised physical comedy over pre-scripted narratives, incorporating audience interaction and character-driven sketches that highlight his signature style of exaggerated gestures and storytelling. This approach allows for adaptability in live settings, contrasting the rigidity of television production, and has sustained audience interest evidenced by multi-venue bookings across continents, including additional U.S. club dates in late 2025.[47][48] A notable highlight occurred on July 24, 2025, at the Just For Laughs festival in Montreal, where Darby's set critiqued artificial intelligence's encroachment on creative fields, urging machines to "stay the fuck away from art" and underscoring the irreplaceable value of human ingenuity in comedy and performance. This thematic focus aligns with broader industry debates on AI's role in content generation, positioning Darby's return as a defense of artisanal craft amid technological disruption.[49][50]Other endeavors
Music contributions and band work
Darby's primary non-solo musical contributions stem from his collaboration with the New Zealand comedy duo Flight of the Conchords, consisting of Bret McKenzie and Jemaine Clement. Beginning with their BBC Radio 2 series in 2005, Darby portrayed the band's fictional manager Brian Nesbitt (later Murray Hewitt in other contexts), participating in comedic musical sketches that blended folk parody with performance elements.[51] In the duo's HBO television series Flight of the Conchords (2007–2009), Darby reprised the role of Murray Hewitt, contributing to episode-specific musical numbers through character-driven vocals and antics integrated into the band's performances. Notably, he provided lead vocals on the track "Leggy Blonde," featured on the series' 2008 soundtrack album, where his delivery as the lovesick manager advances the comedic narrative of unrequited attraction.[52][53] Beyond this, Darby has no credited involvement in dedicated musical bands or groups, with his output limited to incidental collaborative sketches rather than compositional or instrumental roles in ensemble recordings. His ties to the New Zealand music scene derive from early Wellington performances alongside Flight of the Conchords, reflecting the city's overlapping comedy and indie folk circuits without extending to formal band membership or discographic credits outside the aforementioned feature.[51]Podcasting, writing, and miscellaneous projects
Darby co-hosts The Cryptid Factor, a podcast examining cryptids, UFOs, and unexplained phenomena through discussions blending skepticism, humor, and guest interviews, alongside Dan Schreiber and Leon 'Buttons' Kirkbeck.[54] The series emphasizes empirical gaps in scientific explanations for reported sightings, often incorporating hosts' personal stories and field reports.[55] He separately hosts Aliens Like Us, which analyzes extraterrestrial encounters and UFO disclosures with co-hosts, drawing on declassified documents and witness accounts.[56] In 2014, Darby wrote and created the six-episode mockumentary series Short Poppies for TVNZ, portraying multiple eccentric characters in a satirical take on rural New Zealand prompted by a journalist's visit.[57] Netflix secured exclusive streaming rights for the United States, United Kingdom, and Canada later that year.[58] Earlier, in July 2009, he performed and released the original poem Global Warning on YouTube as a Greenpeace ambassador, urging New Zealand to cut emissions 40% below 1990 levels by 2020 through verses critiquing environmental inaction.[59][60] Darby has contributed voice acting to animated features, including the role of the Master of Games in Teen Titans Go! vs. Teen Titans (2019), Foxwell in 100% Wolf (2020), and additional parts in Trolls (2016) and Mosley (2024).[3][61] He hosted the 51st International Emmy Awards ceremony on November 20, 2023, at the New York Hilton Midtown, delivering comedic monologues and segment introductions.[62] Additionally, he has appeared in television commercials and provided on-the-spot voice impressions at live events.[63]Personal life
Marriage and children
Darby married Rosie Carnahan on January 25, 2004.[64] The couple has resided primarily in Los Angeles, California, since around 2014, where they have raised their family.[65] They have two sons: Finn, born circa 2006, and Theo, born shortly before Christmas 2009.[66][65] In a 2018 interview, Darby discussed the challenges of parenting in the United States, including concerns over gun culture, as his sons approached their teenage years.[65] He has occasionally incorporated elements of married life into his comedy material, though he has historically avoided using his family as primary fodder for his routines.[67]Interests, beliefs, and public persona
Darby has expressed environmental concerns through public advocacy, including serving as a climate ambassador for Greenpeace's Sign On campaign. In July 2009, he released an original poem on YouTube urging New Zealand to reduce its greenhouse gas emissions by 40 percent, framing the appeal in a lighthearted yet insistent tone to support broader action on climate change.[68][59] In a comedic vein, Darby participated in a 2018 Tourism New Zealand campaign addressing the frequent omission of the country from world maps, collaborating with then-Prime Minister Jacinda Ardern to portray it as a "global conspiracy" requiring intervention, which highlighted national identity through humor rather than grievance.[69][70] Darby has articulated a personal belief in reincarnation, as discussed in a 2017 interview where he reflected on its implications alongside his military background and creative pursuits.[8] In 2025 interviews promoting his stand-up tour, he described comedy as a tool for navigating worldly chaos by emphasizing levity over division, stating that maintaining a light approach remains essential amid turmoil, implicitly steering clear of partisan entanglements.[71] He has voiced skepticism toward artificial intelligence's encroachment on creative fields, particularly asserting in multiple 2025 outlets that AI lacks the capacity to replicate the spontaneity of live stand-up performance or authentic artistic expression, positioning his work as a human counterpoint to technological mimicry.[72][9][73] Darby's public persona is characterized by an affable eccentricity, often conveyed through whimsical storytelling and physical expressiveness in interviews, while he maintains limited engagement on social media platforms, preferring indirect interaction via tours and projects over frequent personal postings.[74][75]Comedy style and influences
Core elements of humor and character archetypes
Rhys Darby's comedic portrayals frequently feature archetypes of inept authority figures who wield nominal power through bureaucratic or managerial roles but falter due to incompetence and obliviousness. In Flight of the Conchords, his character Murray serves as the band's manager, embodying a lovable yet ultimately ineffective overseer whose earnest attempts at control devolve into hapless mishaps.[4] Similarly, as Stede Bonnet in Our Flag Means Death, Darby depicts a gentleman pirate whose leadership mirrors the bumbling dynamics of an office boss like Michael Scott, prioritizing naive enthusiasm over practical command.[76] These figures derive humor from their causal disconnect between self-perceived competence and evident failure, observable across roles without reliance on overt malice. A hallmark of Darby's physical comedy involves exaggerated gestures and leg-centric motifs, amplifying awkwardness through bodily exaggeration rather than verbal precision. Stand-up routines and sketches often incorporate "leg model" personas, such as the lifeguard Terry in Short Poppies, where he insures his legs in absurd scenarios, highlighting vulnerability and disproportion in human form.[77] This extends to broader gestural flair, as in dressage parodies or everyday mimicry, where limb movements underscore the futility of poised intent against chaotic reality.[78] Darby's narratives favor absurd, whimsical constructions that evade direct confrontation, constructing non-satirical worlds of escalating oddity sustained by character persistence. His awkward humor style prioritizes gentle escalation over critique, as routines build from mundane premises into fantastical detours without aggressive edge.[79] This whimsy manifests in optimistic absurdities, like cryptozoological quests or temporal mishaps, where causal chains of illogic propel delight through unforced escalation.[80] In stand-up evolution, Darby transitioned from mimicry-heavy bits incorporating sound effects to integrated storytelling, evident in specials blending physicality with narrative arcs. Early performances leaned on impressionistic effects for immediate laughs, progressing to cohesive tales by works like This Way to Spaceship (2012), where gestures and absurdity form sequential whimsy.[3] This shift reflects a refinement toward sustained causal progression in humor, verifiable in routine patterns prioritizing viewer immersion over isolated gags.[81]Inspirations and evolution of approach
Darby's early comedic inspirations drew heavily from British television, particularly the BBC's emphasis on absurdity and sketch-based humor. He cited an obsession with shows like The Goodies, which featured rapid-fire silliness, physical antics, and boundary-pushing comedy that shaped his appreciation for unscripted chaos and ensemble dynamics.[9] Similarly, Monty Python's influence fostered his interest in surreal narratives and vocal mimicry, elements he later incorporated into solo performances.[9] His time in the New Zealand Army from the early 1990s until his discharge in 1994 further honed these tendencies through improvised routines and enforced discipline. Army training instilled self-reliance and adaptability—"adapt and overcome" became a recurring motif in his material—while barracks storytelling evolved into structured stand-up bits, such as exaggerated depictions of military drills and equipment malfunctions.[12] This period marked an initial shift from casual mimicry to performative precision, informed by real-world constraints rather than formal theater training. Collaborations with New Zealand contemporaries, including Bret McKenzie and Jemaine Clement during the mid-2000s Edinburgh Fringe circuits, refined his approach toward collaborative absurdity without diluting individual flair. These peers, sharing a Kiwi penchant for deadpan exaggeration, encouraged Darby's integration of sound effects and character voices into narrative-driven sets, as seen in early joint sketches that prioritized audience responsiveness over polished scripts.[82] By the 2010s, Darby adapted his method to broader, less niche audiences, sustaining a physical, uplifting style amid rising industry emphases on shock value, while incorporating family-oriented themes reflective of his own life changes. In a 2025 interview, he articulated comedy's role as a practical tool for "navigating a chaotic world," emphasizing its capacity to impose order on disorder through silliness and human imperfection, particularly in response to technological disruptions like AI-generated content.[71] This evolution underscores a commitment to empirical audience feedback—refining routines via live testing—over transient trends, culminating in specials that weaponize humor against existential uncertainties.[9]Reception
Achievements and critical praise
Darby earned consecutive nominations for the Billy T Award at the New Zealand International Comedy Festival in 2001 and 2002, an honor recognizing promising comedic performers through standout solo shows like The Neon Outlaw.[83][84] In 2012, he received the Fred Award—named after comedian Fred Dagg—for Best New Zealand Show at the same festival, awarded for his one-man performance This Way to Spaceship, which featured elaborate storytelling and physical comedy.[85][23] His supporting role as the werewolf leader Anton in the 2014 mockumentary film What We Do in the Shadows drew specific acclaim for injecting chaotic energy into ensemble scenes, contributing to the movie's overall critical success and cult following.[86] Darby's lead performance as the hapless pirate Stede Bonnet in the 2022 HBO Max series Our Flag Means Death garnered praise from reviewers for its nuanced blend of vulnerability and whimsy, with outlets highlighting it as a career highlight that showcased his character-driven humor. In voice acting, he secured multiple Behind the Voice Actors Awards, including the 2018 People's Choice for Best Vocal Ensemble in a Television Series for Voltron: Legendary Defender.[87] The announcement of his 2025 "The Legend Returns" stand-up tour—his first major comedic outing in nearly a decade, spanning New Zealand, Australia, the UK, Ireland, and U.S. dates—prompted rapid ticket sales, signaling renewed interest in his live performance style.[22]Criticisms, mixed reviews, and professional challenges
In May 2009, Darby criticized New Zealand comedy reviewers for revealing punchlines in their critiques, labeling them "lazy" in an interview with the NZ Herald, which prompted backlash from local media and the comedy press for dismissing critical feedback.[88] Live performances have drawn mixed responses, with some reviewers pointing to excessive audience enthusiasm as detracting from the material. A 2014 concert review by critic Simon Sweetman described Darby's show as "the worst live comedy show I've been to - ever," citing the crowd's overreactions to what he deemed "stupid, awful, terrible, not-funny bullshit" as creating an unbearable atmosphere. Similarly, a Guardian assessment of a July 2014 London performance noted that while Darby's "loser act" elicited smiles, his "silly psychedelic storytelling" required trimming to elevate the set from adequate to exceptional.[89] Darby's 2025 stand-up tour, The Legend Returns, incorporated rants against artificial intelligence's encroachment on creative fields, asserting that AI should "stay away from art" and that live stand-up would resist automation as "the last artform AI can't do."[9][90] Professional hurdles include the abrupt cancellation of Our Flag Means Death after its second season aired in October 2023, with HBO Max confirming the decision on January 9, 2024, halting further development despite Darby's central role as Stede Bonnet.[91] The COVID-19 pandemic forced widespread tour disruptions in 2020, compelling Darby to adapt by producing short online sketches featuring recurring characters rather than pursuing live dates.[92] Earlier projects like the 2016 show Rhysently Granted received critiques for lacking spontaneity, with outdated musical segments and video interludes perceived as filler.[93]Cultural impact and fanbase dynamics
Darby's role as the hapless manager Murray in the HBO series Flight of the Conchords (2007–2009) amplified New Zealand's visibility in global comedy, showcasing Kiwi absurdist humor to international audiences and fostering a cult following that persists through online memes and references to the show's quirky musical sketches. The series' enduring appeal, as noted by Darby himself in a 2025 interview, stemmed from its unassuming origins without anticipation of widespread resonance, yet it exported elements of New Zealand's understated, character-driven wit beyond domestic circuits.[9][94] This exposure positioned Darby as a key figure in New Zealand's comedic diaspora, with his physical comedy and eccentric personas—such as the bumbling authority figures he often embodies—exemplifying archetypes that echo in subsequent media portrayals of inept yet endearing oddballs, rooted in influences like Monty Python but adapted to a distinctly Kiwi sensibility of self-deprecating chaos. His contributions have been recognized as formative to the nation's humorous identity, aiding the transition of local talents from insular scenes to Hollywood viability over two decades.[95][83] Darby's fanbase exhibits strong online engagement, particularly on Reddit, where subreddits and threads dedicated to his work feature appreciation posts linking his Conchords role to broader fandoms, such as drawing viewers to projects like Our Flag Means Death. In October 2022, amid cast-related tensions following the latter show's renewal debates, Darby publicly tweeted against harassing co-stars, underscoring dynamics where enthusiastic support can veer into toxicity within niche communities.[96][97] At the 2025 Just For Laughs festival in Montreal, Darby emphasized preserving human-driven artistry amid AI proliferation, declaring robots should "stay the fuck away from art" while constructing immersive comedic universes onstage, a stance aligning with fan valorization of his irreplaceable, tactile performance style over algorithmic alternatives. This intervention highlights his cultural positioning as an advocate for authentic, performer-centric creativity in an era of technological disruption.[49][9]Filmography
Films
Darby's film roles have largely consisted of supporting comedic characters, often leveraging his distinctive New Zealand accent and physical humor in ensemble casts. He debuted in feature films with a small but memorable part in the Jim Carrey-led comedy Yes Man (2008), playing the protagonist's boss Norman.[32] This was followed by the role of Angus "Ang" Nutsford, a quirky disc jockey, in The Boat That Rocked (2009, also released as Pirate Radio in some markets), directed by Richard Curtis.[34]| Year | Film | Role |
|---|---|---|
| 2014 | What We Do in the Shadows | Anton (werewolf pack leader) |
| 2016 | Hunt for the Wilderpeople | Psycho Sam |
| 2016 | Trolls | Bibbly (voice) |
| 2017 | Jumanji: Welcome to the Jungle | Nigel Billingsley (game guide) |
| 2019 | Guns Akimbo | Glenjamin (homeless advisor)[98] |
| 2019 | Jumanji: The Next Level | Nigel Billingsley (game guide) |
| 2020 | 100% Wolf | Foxwell Cripp (voice) |
Television roles
Darby gained prominence for his role as Murray Hewitt in the HBO comedy series Flight of the Conchords, which aired from July 17, 2007, to October 22, 2009, across two seasons. Hewitt is depicted as the band's dim-witted and overly enthusiastic New Zealand-born manager at a small agency called Band Management, often providing comic relief through his bungled attempts to promote the duo.[99] In 2022, Darby starred as Stede Bonnet in the HBO Max pirate comedy Our Flag Means Death, with the series running from March 3, 2022, to October 26, 2023, over two seasons totaling 18 episodes. Bonnet is portrayed as an affluent 18th-century landowner undergoing a midlife crisis, who commissions a pirate ship and embarks on amateurish seafaring adventures, clashing with historical figures like Blackbeard.[100][101] Darby has appeared in various guest capacities on American television, including as Teddy in two episodes of CBS's Life in Pieces in 2015 and as Guy Mann, a weremonster, in the 2016 The X-Files episode "Mulder and Scully Meet the Were-Monster."[38]