Ruby Turner
Francella Ruby Turner MBE (born 22 June 1958) is a Jamaican-born British R&B and soul singer, songwriter, and actress known for her powerful gospel-infused vocals and a career spanning over four decades.[1][2][3] Born in Montego Bay, Jamaica, Turner grew up in a musical family—her grandfather was the lead singer in a local gospel group—and relocated to Birmingham, England, at the age of nine, where she immersed herself in soul, R&B, and gospel traditions.[4] Her professional breakthrough came in the mid-1980s as a backing vocalist for Culture Club, after which she signed with Jive Records and released her debut solo album, Women Hold Up Half the Sky, in 1986.[4][3] Turner achieved significant chart success with singles like "I'd Rather Go Blind," which peaked at number 24 on the UK Singles Chart in 1987, and "It's Gonna Be Alright," which topped the US Billboard R&B chart in 1990.[5][6] Over her career, she has released 17 albums, including Paradise (1989) and the recent Love Was Here (2020), while collaborating with prominent artists such as Jools Holland, Steve Winwood, Bryan Ferry, UB40, and Mick Jagger.[4][3] Notable performances include her appearance at the Queen's Diamond Jubilee Concert in 2012, and in recognition of her contributions to music, she was appointed Member of the Order of the British Empire (MBE) in 2016.[4] In addition to music, Turner has pursued acting, with roles in British television series such as EastEnders (2000).[1] Her versatile style, blending soul, reggae, and jazz elements, has established her as one of the UK's premier soul performers.[4][3]Early life
Childhood in Jamaica
Francella Ruby Turner was born on 22 June 1958 in Montego Bay, Jamaica. She spent her early childhood in this coastal town, immersed in the vibrant cultural environment of the island. Growing up in a family with deep musical roots, Turner was surrounded by the sounds of gospel music from a young age. Her grandfather was the lead singer in one of Jamaica's local gospel groups, instilling in her an appreciation for spiritual and soulful performances that echoed through family gatherings and community events.[4] The religious atmosphere of her household further shaped her initial encounters with music, as gospel traditions were a cornerstone of daily life in Montego Bay during the late 1950s and early 1960s. Turner has recalled how these early influences, rooted in her family's devotion to church and song, laid the foundation for her vocal style and passion for soulful expression. This exposure to gospel harmonies and rhythms in Jamaica would later inform her distinctive blend of R&B and soul in her professional work.[7] Although her parents separated during her childhood, Turner remained connected to her Jamaican heritage through these familial bonds until the age of nine. The dynamics of her family life, marked by this separation, added layers to her upbringing in a close-knit yet evolving household.[8]Immigration to the United Kingdom
In 1967, at the age of nine, Ruby Turner relocated from Montego Bay, Jamaica, to Handsworth, Birmingham, England, to join her mother, who had already settled there as part of the Windrush generation's migration wave.[9][10] This move bridged her Jamaican roots, steeped in gospel influences from her grandfather's church singing, to a new life in a multicultural, working-class neighborhood characterized by post-war immigrant communities.[4] The transition presented cultural and social challenges, including adapting to the colder climate, urban environment, and racial tensions prevalent in 1960s Britain, though Turner later reflected that children are resilient in such adjustments.[11] Handsworth's vibrant Caribbean diaspora provided some familiarity, but the family faced the realities of economic hardship as a single-parent household raising six children, fostering Turner's early sense of independence.[12] In Birmingham, Turner maintained her connection to gospel through involvement in local Pentecostal church communities, where singing remained a cornerstone of her spiritual and social life, echoing her Jamaican heritage.[11] She also engaged with the area's burgeoning music scene, participating in school choirs and youth theatre groups like the Crescent Theatre by her mid-teens, which exposed her to diverse genres including blues and soul.[11] Formal education offered basic music and drama classes, but Turner's skills developed largely through self-directed exploration, mentored informally by local figures and her own immersion in records and performances during her teenage years.[10]Music career
Early career and breakthrough
Turner began her music career in the early 1980s as a session backing vocalist in London's vibrant music scene, leveraging her gospel influences from childhood in Jamaica to establish herself among reggae and soul artists. She provided backing vocals for Steel Pulse during this period, contributing to their reggae sound amid the UK's growing interest in the genre.[13] In 1983, Turner collaborated with UB40 on their breakthrough album Labour of Love, delivering prominent backing vocals on the hit single "Red Red Wine" and other tracks, which helped propel the album to commercial success in the UK and beyond.[14] This session work solidified her role in the reggae and pop crossover landscape. By the mid-1980s, Turner joined Culture Club as a backing vocalist during the band's height of popularity, appearing on their 1986 album From Luxury to Heartache and supporting their tours.[15] This high-profile exposure led directly to her signing with Jive Records in 1986, marking her transition to a solo artist.[4] Her debut album, Women Hold Up Half the Sky, released the same year, featured production by Jonathan Butler and showcased her soulful R&B style.[16] The album's lead singles introduced Turner to UK audiences, with "I'm in Love" peaking at No. 61 on the UK Singles Chart in early 1986 and the duet "If You're Ready (Come Go With Me)" with Jonathan Butler reaching No. 30 later that year.[17][18] These modest chart entries, combined with her session credits, built her reputation as a versatile and sought-after vocalist in London's recording studios.[19]Solo recordings and commercial success
Turner's transition from session work to solo artistry culminated in her signing with Jive Records, leading to a series of independent releases that marked her commercial breakthrough in the late 1980s and early 1990s. Her third studio album, Paradise (1989), featured a blend of original soul tracks and showcased her vocal range. The album itself reached number 74 on the UK Albums Chart, establishing her presence in the R&B market.[20] The standout single from Paradise, "It's Gonna Be Alright," propelled Turner to international acclaim, topping the US Billboard Hot R&B/Hip-Hop Songs chart for one week in February 1990 and reaching number 57 on the UK Singles Chart, marking a rare achievement for a British artist in the American market.[6][18] This success highlighted her ability to craft uplifting, gospel-infused R&B that resonated across audiences, contributing to the album's peak at number 39 on the Billboard Top R&B/Hip-Hop Albums chart. Prior to Paradise, Turner released The Motown Song Book (1988), a collection of covers reinterpreting classic Motown hits such as "Nowhere to Run" and "Baby I've Got It," which peaked at number 22 on the UK Albums Chart and demonstrated her interpretive skills on soul standards. Following this, The Other Side (1991) incorporated both original compositions like "Me Time" and select covers, reflecting her evolving songwriting while maintaining a focus on contemporary R&B themes. From 1986 to 1995, Turner secured eight entries on the UK Singles Chart with her solo releases, including peaks at number 24 for "I'd Rather Go Blind" (1987), number 30 for "If You're Ready (Come Go With Me)" (1986), and number 39 for "Stay With Me Baby" (1987), underscoring her sustained chart impact in the UK soul scene during this period.[18]Collaborations and live performances
Turner has maintained a long-term collaboration with pianist and bandleader Jools Holland since the late 1980s, beginning when she provided backing vocals for his Rhythm & Blues Orchestra and evolving into joint recordings and tours.[21] Their partnership includes the 2015 album Jools & Ruby, featuring tracks like "Nobody but You" and "Get Away Jordan," which highlight their shared affinity for rhythm and blues and gospel influences.[22] This collaboration has also encompassed annual appearances on Holland's BBC television programs Later... with Jools Holland and the New Year's Eve special Jools' Annual Hootenanny from 2007 through 2024, where Turner has performed songs such as "Jumpin' at the Jubilee" in 2007, "This Train" in 2009, "Blueberry Hill" in 2023, and "Blow Top Blues" in 2024.[23][24][25] Throughout her career, Turner has contributed backing vocals to prominent artists, including features on Bryan Ferry's albums and live recordings, as well as Mick Jagger's 2001 solo album Goddess in the Doorway.[8][26] She has also appeared on Rolling Stones-related tracks, providing vocals for covers like "Blue Monday" in collaborative sessions documented in the band's performance archives.[27] Turner has performed at major royal events, joining Holland for a rendition of "You Are So Beautiful" at the Queen's Diamond Jubilee Concert outside Buckingham Palace on 4 June 2012, broadcast live on BBC.[28] In 2022, she took part in the Platinum Jubilee celebrations, performing alongside Mica Paris and Nicola Roberts at the Platinum Party at the Palace on 4 June, contributing to the event's diverse lineup honoring Queen Elizabeth II's 70-year reign.[29][30] Following recovery from knee surgery earlier in the year, Turner resumed touring with Jools Holland's Rhythm & Blues Orchestra in July 2025, marking her return to live performances with the ensemble.[31] The 2025 itinerary includes dates such as Sheffield City Hall on 28 November and O2 City Hall Newcastle on 3 December, where she joins special guests like Imelda May for high-energy sets blending boogie-woogie, soul, and R&B.[32][33]Acting and other pursuits
Film and television roles
Turner's entry into screen acting was facilitated by her established music career, which often intersected with performance-based roles. She made her film debut as a club singer in the 1985 action-adventure comedy The Jewel of the Nile, directed by Lewis Teague and starring Michael Douglas and Kathleen Turner, where she performed the song "I'm In Love" as part of the storyline.[34] After a period focused primarily on music, Turner returned to film in 2003 with a supporting role as Mrs. Jean Anderson in the holiday ensemble romantic comedy Love Actually, directed by Richard Curtis and featuring an all-star cast including Hugh Grant and Emma Thompson; her character appears in a brief but memorable scene highlighting community performances.[35][36] On television, Turner ventured into guest roles during the 2000s, including Anita Goodall in the BBC soap opera EastEnders (2000) and a guest appearance as herself in the BBC One soap opera Doctors (2007). In the 2006 special Little Britain Abroad, a spin-off of the popular BBC sketch comedy series, she portrayed the authoritative Sheriff Judy in sketches set in a pirate-themed environment, bringing her charismatic presence to the satirical humor.[37][38][39][40] She later appeared in the BBC One drama series Hotel Babylon in 2009, playing the elegant singer Olivia Nightingale in the episode "Episode #4.3" (season 4), where her character performs live music within the luxurious hotel setting, echoing her real-life vocal talents.[41]Stage and voice work
Ruby Turner has made notable contributions to British theatre, particularly in musicals and dramatic roles that highlight her vocal talents and dramatic presence. In 2003, she portrayed Miss Mamie in the London revival of Simply Heavenly, a musical by Langston Hughes and David Martin, first at the Young Vic and later transferring to the Trafalgar Studios (then known as the Whitehall Theatre) where it ran until February 2005.[42][43] Her performance as the sassy, wise bar owner was praised for its show-stopping energy and soulful delivery, earning nominations at the 2004 Whatsonstage Awards alongside co-star Clive Rowe.[44] In 2004, Turner took on the role of Tituba, the enslaved Barbadian woman accused of witchcraft, in a production of Arthur Miller's The Crucible at Sheffield Theatres' Crucible Theatre, directed by Anna Mackmin.[45][46] This intense portrayal contributed to the production's exploration of power dynamics and hysteria, running from February 4 to 28, 2004.[47] Earlier, in the 2000–2001 season at Bristol Old Vic's Theatre Royal, she appeared in Kwame Dawes's One Love, a play infused with reggae and soul elements depicting a Rastafarian community, and as Eunice Hubbel in Tennessee Williams's A Streetcar Named Desire.[45][48] These roles marked her transition from screen acting—beginning with her film debut in The Jewel of the Nile (1985)—to live theatre, where her background in soul and gospel music enhanced her character interpretations.[49] Turner's voice work extends to radio and documentary projects centered on musical heritage. In 2007, she presented the BBC Radio 2 documentary Shout Sister Shout, which examined the life and influence of pioneering gospel and rock guitarist Sister Rosetta Tharpe.[50] Four years later, in 2011, she narrated the BBC Four television documentary [Reggae Britannia](/page/Reggae Britannia), tracing the impact of Jamaican music on British culture and featuring interviews with artists like Aswad and Big Youth.[51] These contributions underscore her expertise in genres blending gospel, soul, and reggae, though specific audiobook narrations or animated cameos remain undocumented in major productions.Personal life
Family and relationships
Ruby Turner was born in Montego Bay, Jamaica, where her parents separated during her early childhood. She immigrated to the United Kingdom at the age of nine with her mother, Violetta Douglas, who took on the primary role of raising her in Handsworth, Birmingham.[52][10] Turner's mother, a talented singer who performed in Pentecostal churches, profoundly influenced her daughter's musical development by humming soul standards like Aretha Franklin's "Don’t Play That Song (You Lied)" while sewing dresses for Turner and her sisters.[8] Her father, Jocelyn, who enjoyed dancing to ska and blue beat music, also contributed to her early rhythmic exposure before the family split.[10] Additionally, her grandfather, a lead singer in a Jamaican gospel group, passed down a strong tradition of gospel singing that shaped Turner's vocal style and spiritual connection to music.[8] Turner maintains close family bonds, with her mother residing nearby in Handsworth and even joining her for a duet on the 2009 album I'm Travelling On.[52] Her father lives in New York, and she visits him periodically, reflecting her ongoing commitment to family despite the geographical distance.[53] In her personal relationships, Turner has never married, stating that it has never been a priority for her: "Many women I know, must have a man in their life. They seem programmed to find a man and must get married. Marriage is a priority for them. Not for me."[54]Health and residence
Turner has resided on the south side of Birmingham since the 1980s, owning a modern three-bedroom semi-detached home in a quiet neighborhood that she purchased with proceeds from a previous property sale.[12] In early 2025, Turner underwent knee replacement surgery, which she described as extremely painful and disruptive to her sleep during recovery; an official update in June 2025 confirmed her successful recuperation, enabling her return to live performances with Jools Holland's Rhythm and Blues Orchestra starting July 4.[55] No other significant health issues have been publicly disclosed by Turner as of November 2025, underscoring her continued professional activity, including tours and recordings.[4]Awards and honors
Music industry awards
In 2009, Ruby Turner received the BASCA Gold Badge Award, presented by the British Academy of Songwriters, Composers and Authors (now the Ivors Academy), in recognition of her outstanding contributions to the British music industry over more than two decades.[56] The honor, awarded on 28 October at a ceremony in London, highlighted her songwriting and vocal talents, placing her alongside recipients such as Hank Marvin and Robert Wyatt.[57][58] Turner's breakthrough single "It's Gonna Be Alright," released in 1989, earned significant industry recognition when it topped the US Billboard R&B/Hip-Hop Songs chart for one week in February 1990, marking a rare achievement for a British artist in the American market.[59] This No. 1 position underscored her crossover appeal in soul and R&B, as noted in contemporary Billboard listings, and contributed to the album Paradise charting on the Billboard 200.[60][61]Official recognitions
In 2016, Ruby Turner was appointed Member of the Order of the British Empire (MBE) in the Queen's Birthday Honours for her services to music.[62] This recognition highlighted her enduring contributions to British music as an R&B, gospel, and soul singer.[63] Turner has been invited to perform at significant national events celebrating British monarchy milestones. In 2012, she joined Jools Holland to perform "You Are So Beautiful" at the Queen's Diamond Jubilee Concert outside Buckingham Palace.[28] Similarly, in 2022, she performed "Climb Ev'ry Mountain" alongside Mica Paris and Nicola Roberts at the Platinum Party at the Palace for Queen Elizabeth II's Platinum Jubilee.[64] These appearances underscore her status as a prominent figure in British cultural celebrations.[30] Her performances and legacy have been featured in United Kingdom Black History Month event schedules for 2024 across regions such as Salford and Manchester.[65][66]Discography
Albums
Ruby Turner's discography includes 17 studio albums released across more than four decades, encompassing studio recordings, live performances, and compilations that showcase her versatile soul, R&B, and gospel influences. Her work often features collaborations with notable producers and artists, blending original material with covers of classic songs. Early releases established her as a prominent voice in British soul, while later projects explored spiritual themes and partnerships. Her debut studio album, Women Hold Up Half the Sky, was released in 1986 by Jive Records, featuring tracks like "If You're Ready (Come Go With Me)" that highlighted her powerful vocals and R&B style. This album marked Turner's breakthrough as a solo artist following her backing vocal work with acts like UB40.[67] The Motown Song Book, released in 1988 by Jive Records, was a tribute to Motown classics, with Turner reinterpreting songs like "Nowhere to Run". The album demonstrated her interpretive skills on iconic soul material.[68][69] In 1989, Turner issued her third studio album, Paradise, also on Jive Records, which included soulful tracks emphasizing themes of love and resilience, solidifying her presence in the UK and US markets. The album was certified gold in the UK.[70] A 1995 compilation, The Best of Ruby Turner, collected key tracks from her Jive era, including hits from previous albums, providing an overview of her early commercial successes.[71] Turner's 2009 release, I'm Travelling On, shifted toward gospel influences on RTR Productions, featuring spiritual songs like "This Train" and "Old Ship of Zion," reflecting her deepening faith.[72] In 2015, she collaborated with Jools Holland on Jools & Ruby, a joint album under Rhino Records that combined their rhythm and blues styles, including new recordings and reworks of standards like "Peace in the Valley."[73] Other notable studio albums include The Other Side (1991, Jive), Restless Moods (1994, M&G), So Amazing (2006, RTR), Responsible (2011, RTR), All That I Am (2014, RTR), and Love Was Here (2020, RTR).[4] Among her live recordings, Live at Ronnie Scott's (2007, RTR) captures performances of her catalog. Recent live releases include This Is Ruby Turner (Live At BBC) (2023) and Live in Switzerland '88 (Remastered 2023).[74]Singles
Ruby Turner's singles career began in the mid-1980s, with several releases achieving moderate success on the UK Singles Chart between 1986 and 1995, totaling eight chart entries during that period.[75] Her breakthrough in the US came with "It's Gonna Be Alright," which topped the Billboard R&B chart at No. 1 in February 1990, marking a rare achievement for a British artist in that genre.[6] In the UK, the single peaked at No. 57.[76] Other notable UK charting singles include "I'd Rather Go Blind," her highest-peaking release at No. 24 in 1987, a cover of the Etta James classic that showcased her soulful vocals.[5] "Stay with Me Baby," released in 1994 from her album Restless Moods, reached No. 39 on the UK chart.[77] Earlier efforts like "If You're Ready (Come Go With Me)" featuring Jonathan Butler debuted at No. 30 in 1986, highlighting her collaborative style in R&B and soul.[78] Post-2000, Turner focused more on album-oriented releases and collaborations, including digital tracks from her 2015 joint project Jools & Ruby with Jools Holland, such as "Peace in the Valley" and "Roll Out of This Hole," available as standalone digital singles on platforms like Spotify, though they did not achieve significant chart positions.[22] The following table summarizes key singles and their peak chart performances:| Single Title | Year | UK Peak | US R&B Peak |
|---|---|---|---|
| If You're Ready (Come Go With Me) (ft. Jonathan Butler) | 1986 | 30 | - |
| I'd Rather Go Blind | 1987 | 24 | - |
| It's Gonna Be Alright | 1990 | 57 | 1 |
| Stay with Me Baby | 1994 | 39 | - |