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Sadak 2


Sadak 2 is a 2020 Indian Hindi-language action drama film written and directed by Mahesh Bhatt, produced by Mukesh Bhatt under Vishesh Films and Star Studios, serving as a sequel to the 1991 film Sadak.
The film stars Sanjay Dutt reprising his role as taxi driver Ravi Verma from the original, Alia Bhatt as Aarya Desai, Aditya Roy Kapur as Vishal, and Pooja Bhatt returning as Lily, with supporting roles by Jisshu Sengupta and others.
It follows Ravi's involvement in rescuing Aarya from a manipulative cult led by a fraudulent godman, continuing themes of conspiracy and redemption from the predecessor.
Originally slated for theatrical release, the film premiered directly on Disney+ Hotstar on 28 August 2020 due to cinema closures from the COVID-19 pandemic, marking Mahesh Bhatt's directorial return after two decades.
Prior to release, its trailer garnered over 10 million dislikes on YouTube—one of the platform's highest—amid widespread boycott calls driven by accusations of nepotism against the Bhatt family and Alia Bhatt, intensified by public anger over industry favoritism following actor Sushant Singh Rajput's death.
Critically, it was near-universally condemned for weak scripting, clichéd dialogues, poor performances, and outdated elements, earning an IMDb user rating of 1.2 out of 10 from nearly 100,000 votes, cementing its status as a commercial and artistic failure without traditional box office metrics due to the OTT format.

Predecessor film

Sadak (1991)

Sadak is a 1991 Indian Hindi-language romantic action directed by , starring as Ravi, a taxi driver haunted by the suicide of his sister following her molestation, who encounters Pooja (), a young woman forced into by the ruthless Maharani (). The narrative follows Ravi's path to redemption as he falls in love with Pooja and aids her escape from Maharani's clutches, leading to violent confrontations with the underworld figure and his syndicate, underscoring themes of personal trauma, love, and battling systemic exploitation. Released on December 20, 1991, with a budget of approximately ₹3 , the film achieved commercial success, grossing ₹10.8 at the Indian and earning a super-hit , placing it among the top-grossing Hindi films of the year. Bhatt's direction drew from gritty realism, influenced by real underbelly stories, marking a shift toward raw, socially edged narratives in 1990s Bollywood, with Dutt's portrayal of the brooding, vengeful Ravi solidifying his action-hero image amid the era's trends. The film garnered a for its unpolished depiction of redemption and underworld grit, though some critiques noted melodramatic elements over nuanced depth. A , Sadak 2, materialized nearly three decades later in 2020, delayed by Bhatt's pivot to production and television ventures post-Sadak, alongside Dutt's extensive filmography and intervening personal legal battles stemming from the 1993 Mumbai bombings case. This reflected evolving industry dynamics, with the original's core elements—Ravi's and anti-gangster motifs—retained to capitalize on nostalgic appeal.

Synopsis and cast

Plot summary

Ravi (), a taxi driver grieving the death of his wife Pooja (), attempts but is interrupted by Aarya (), the daughter of industrialist Yogesh Desai (). Aarya, who runs an online campaign called "India Fights Fake Gurus" to expose fraudulent spiritual leaders, blames the self-proclaimed godman Gyaan Prakash () for her mother Shakuntala's mysterious death two years prior and for manipulating her father and stepmother Nandini () into a cult-like devotion. To fulfill her late mother's wish of visiting by her 21st birthday and to confront the godman, Aarya hires the reluctant Ravi as her driver for the perilous road trip. En route to the godman's ashram, the duo picks up Aarya's boyfriend Vishal (Aditya Roy Kapur), a musician entangled in the unfolding conspiracy. The group encounters attacks from the godman's henchmen, hallucinatory visions for Ravi (including hearing Pooja's voice), and revelations about the cult's exploitative practices, such as ritualistic scams preying on devotees' faith. In the climax at the ashram, they infiltrate the inner sanctum, expose Gyaan Prakash's deceptions—including fabricated divine communications and financial fraud—and engage in action sequences leading to the godman's downfall and the trio's survival. The narrative spans approximately 134 minutes, transitioning from Ravi's personal despair to a broader confrontation with societal gullibility toward false messiahs.

Cast and characters

Sanjay Dutt reprises his role as Ravi Verma, the cab driver from the original , serving as a central protective figure in the narrative. plays Aarya Desai, a young woman entangled in the story's events, also appearing as in a dual capacity. portrays Vishal Thakur, alternatively known as Munna Chauhan, depicted as Aarya's associate and ally. appears in a cameo as Priya Verma, Ravi's wife from the predecessor , marking the only other returning character from the 1991 cast. Supporting roles include as Yogesh Desai, Aarya's father; as Gyaan Prakash; in an unspecified supporting part; and as a villainous . No other actors from the original ensemble return, with the cast emphasizing new leads alongside the Bhatt family connections— as actress and as lead, under their father Mahesh Bhatt's direction.
ActorCharacter
Ravi Verma
Aarya Desai / Misha
Vishal Thakur / Munna Chauhan
Priya Verma (cameo)
Yogesh Desai
Gyaan Prakash
Antagonist

Production

Development

Mahesh Bhatt conceived as a to his 1991 directorial , aiming to resolve lingering narrative threads from the original while marking his return to direction after a 20-year absence focused on production and mentorship roles. The project stemmed from discussions initiated by and , who persuaded Bhatt to revive the story, with early reports of script emerging by February 2018. Official announcement came on September 20, 2018, timed with Bhatt's 70th birthday, positioning the film as a family endeavor under . The screenplay, penned by alongside Suhrita Sengupta, was completed by early 2019 and adapted the original's themes of redemption and loss to contemporary contexts, including critiques of exploitative spiritual gurus and struggles like . Casting emphasized familial ties, with selected for the lead role of Arya, her debut collaboration with her father as director, intended to leverage her star power for the project's viability. Pre-production activities, such as location , commenced in November 2018, setting the stage for . The film carried an estimated budget of 40 INR, covering costs exclusive of prints and , which were minimized due to its direct-to-digital pivot. Facing theatrical uncertainties from the , producer secured a pre-release deal with in mid-2020, ensuring cost recovery through OTT rights acquisition as part of a broader slate of films bypassing cinemas. This financing strategy aligned with industry shifts toward streaming amid lockdowns, allowing completion of elements like despite scheduling pressures.

Filming

Principal photography for Sadak 2 commenced in early 2019, with the initial schedule primarily conducted in to accommodate the production's requirements. The first phase wrapped on May 23, 2019, as announced by producer . Subsequent schedules shifted to outdoor locations in southern , including for sequences focusing on character dynamics and for key scenes involving the . These hilly terrains facilitated elements central to the narrative's journey motif, supplemented by studio work in for action sequences and visual effects integration. Cinematography was overseen by Jay I. Patel, who captured the film's visuals, while was managed by Sandeep Kurup to maintain pacing across the footage. The production faced logistical disruptions in March 2020 when the final schedule was canceled amid the escalating , aligning with industry-wide shutdowns ordered by the Indian Cine Association effective March 19. Co-producer indicated plans to resume shooting by early July 2020, allowing completion of despite the delays, with minimal reshoots required to finalize the film ahead of its August digital release.

Soundtrack

Composition and tracks

The soundtrack for Sadak 2 was composed by , , Samidh Mukherjee and Urvi, and Suniljeet, with primary lyrics penned by and Shabbir Ahmed for select tracks. The album, consisting of eight songs, was released digitally on 22 August 2020 by Entertainment India Pvt. Ltd., six days prior to the film's premiere on .
No.TitleComposer(s)Singer(s)Duration
1Tum Se Hi, Leena Bose4:20
2Shukriya4:15
3Ishq KamaalSuniljeet, 4:05
4Dil Ki Purani SadakSamidh Mukherjee, UrviSamidh Mukherjee, Urvi4:30
5Chal Tera Shukriya4:10
6Tum Se Hi (Reprise), 4:05
7Ghar Aaja (Parinde)4:25
8Shukriya (Rendition)3:56
The tracks were recorded in studios, incorporating acoustic elements and contemporary arrangements to suit the film's narrative tone, though specific session details remain undocumented in public records. "Tum Se Hi" served as a , released earlier in 2020, emphasizing romantic motifs through its and vocals.

Promotion and pre-release events

Trailer release and initial backlash

The official trailer for Sadak 2 was released on August 12, 2020, by Fox Star Studios on , presenting a roughly two-minute teaser that emphasized sequences, interpersonal drama, and a central plotline involving protagonists seeking to expose a fraudulent . Initial reception metrics indicated intense negativity, with the trailer accumulating over 5 million dislikes within 24 hours and exceeding 9 million shortly thereafter, yielding a dislike-to-like ratio approaching 95% in early tallies and positioning it as one of YouTube's most-disliked videos globally at the time, outpacing trailers for several major blockbusters. The backlash manifested rapidly on , where the #BoycottSadak2 trended amid widespread user trolling and coordinated efforts to amplify dislikes, reflecting heightened public scrutiny of Bollywood dynamics in the preceding weeks. Fox Star Studios issued no substantial alterations to the trailer in response and advanced with the film's scheduled digital premiere on on August 28, 2020, undeterred by the early metrics.

Marketing efforts

Promotional efforts for Sadak 2 emphasized digital platforms, particularly , to engage audiences during the lockdown period. On August 10, 2020, the production team released character posters featuring , , and , which the actors shared on to generate buzz and highlight their roles. These posters aimed to leverage the established fanbases of Bhatt and Dutt, drawing on Dutt's legacy from the original film while showcasing Bhatt's prominence in contemporary Bollywood. Behind-the-scenes content was disseminated via and media outlets to provide glimpses of on-set camaraderie among the cast, including Bhatt, Dutt, , and , fostering a of team spirit amid production challenges. Such clips and photos, shared in late August 2020, aligned with the film's direct-to-OTT strategy on , capitalizing on heightened home viewing during lockdowns. Facing boycott calls that diminished traditional media engagement, marketing pivoted toward subscription-driven hype for the streaming platform, with intensified activity in July and August 2020 to sustain visibility despite brand hesitancy in associating publicly. This approach reflected broader industry adaptations to constraints, prioritizing outreach over physical events like press meets.

Controversies

Nepotism allegations

The release of the Sadak 2 trailer on August 12, 2020, occurred shortly after the suicide of actor Sushant Singh Rajput on June 14, 2020, which intensified public scrutiny of Bollywood's alleged favoritism toward industry insiders, often termed "camps." The trailer amassed over 5 million dislikes within 24 hours and eventually exceeded 9 million, surpassing many videos to rank among YouTube's most disliked, with social media users explicitly linking the backlash to anti-nepotism sentiment and calls to boycott films involving star children like Alia Bhatt. Critics highlighted the Bhatt family's involvement—director Mahesh Bhatt helming his daughter Alia Bhatt alongside producer-brother Mukesh Bhatt and sister Pooja Bhatt—as emblematic of entrenched nepotism, contrasting Alia's privileged debut in Student of the Year (2012), launched by her father's connections, with the struggles faced by outsiders like Rajput, who debuted via television before breaking into films without familial backing. Advocates for outsiders amplified boycott campaigns on platforms like Twitter, arguing that such family-led projects perpetuated barriers for merit-based entrants, with data indicating that while only about 4% of debutants from 2015–2019 were insiders (40 out of 1,000), they disproportionately secured lead roles in high-profile productions. Defenders, including Pooja Bhatt, dismissed the accusations as "laughable," emphasizing that family collaborations are standard in global cinema and that Alia Bhatt's track record demonstrated talent over mere privilege, as evidenced by her lead in (2018), which grossed ₹123.74 crore net in despite a modest , yielding strong returns through critical acclaim and draw. While facilitates initial access—insiders comprising roughly 6% of Bollywood's acting pool but often dominating top-tier opportunities—sustained success, as in Bhatt's case with multiple hits, hinges on performance metrics rather than connections alone, underscoring that entry advantages do not guarantee viability without validation. The controversy thus spotlighted broader industry dynamics, fueling debates on reforming audition processes to balance insider legacies with outsider potential.

Claims of offending religious sentiments

The trailer for Sadak 2, released on August 12, 2020, depicted scenes involving a fraudulent spiritual leader, or "baba," portrayed as an antagonist who exploits devotees through deceptive cult rituals and promises of miracles, prompting accusations from Hindu organizations of offending religious sentiments. The Vishva Hindu Parishad (VHP), a Hindu nationalist group, claimed the portrayal insulted Hindu faith by generalizing fraudulent godmen as representative of broader spiritual traditions, with VHP leader Vijay Shankar Tiwari stating on social media that the film "once again insulted the Hindu faith" through its depiction of the ascetic figure clad in black robes. This backlash echoed concerns of anti-Hindu bias in Bollywood narratives, as articulated by critics who viewed the scenes as linking legitimate religious practices to exploitation without nuance. Separately, the film's promotional poster, unveiled in early July 2020, featured an image of the sacred Kailash Mansarovar overlaid with the actors' names and title in prominent lettering, leading to a police complaint filed in by local activist , who argued it disrespected the site's holiness by prioritizing commercial elements over its spiritual significance. The complaint targeted director , producer , and lead actress , alleging violation of sentiments tied to , though no formal charges resulted. Such criticisms framed the film's critique of godmen as potentially harmful stereotyping, yet the narrative centered on exposing verifiable frauds akin to real-world cases, including the 2018 conviction of self-proclaimed godman Bapu for rape and exploitation of followers under false spiritual pretexts, highlighting causal links between unchecked superstition and societal harm. Supporters argued the plot advanced rational scrutiny of unverified claims rather than targeting itself, paralleling films like (2014), which similarly critiqued godmen and faced initial outrage but proceeded to commercial success without legal prohibition. No court bans or certifications were blocked for Sadak 2 on these grounds, with the controversy underscoring ongoing debates over artistic depictions of cultural fraud versus protections for collective sensitivities, amid empirical evidence of persistent godman scams in .

Release

Distribution and premiere

Sadak 2 was distributed directly to the over-the-top (OTT) streaming platform on August 28, 2020, forgoing a traditional theatrical release due to the ongoing , which had led to cinema hall closures across since March. Producer described the shift as a necessity amid uncertainty over theater reopenings and rising cases. The film premiered exclusively on Disney+ Hotstar's premium VIP subscription tier, requiring a paid plan for access, which primarily catered to urban subscribers in while also enabling viewing for the global Hindi-speaking through the platform's international availability. The digital launch featured virtual promotional activities, including cast announcements and interviews integrated into the streaming service's rollout, aligning with the industry's pivot to online events during lockdowns. The release occurred shortly after India's Independence Day on , though no explicit causal link to the film's narrative elements was detailed by producers; the streaming deal served as the primary distribution avenue, with subsequent ancillary rights for television and additional digital windows handled separately.

Reception

Critical response

Sadak 2 received overwhelmingly negative reviews from critics, who lambasted its script, direction, and reliance on outdated cinematic tropes. The Times of India awarded it 2 out of 5 stars, criticizing the film's clichéd narrative and illogical plotting that failed to evolve beyond superficial emotional appeals. Hindustan Times deemed it "one of 2020's worst films," faulting its ponderous pacing, jaded storytelling, and immersion in 1990s-style melodrama ill-suited to contemporary audiences. NDTV gave it 1.5 out of 5 stars, describing the script as a disjointed ride marked by uncontrolled character arcs and thematic inconsistencies. Critics specifically targeted Mahesh Bhatt's direction for resurrecting 1990s conventions—such as overwrought dialogues and contrived coincidences—in a 2020 release, rendering the film a lazy relic rather than a fresh . The screenplay was derided for shoddy construction, with noting its inane progression and failure to connect narrative dots coherently. Visual effects were called amateurish and pacing sluggish, contributing to an overall sense of tedium in the 133-minute runtime. A few reviewers acknowledged the film's underlying intent to critique godmen and exploitative spiritual figures, but universally panned the execution as pulpy and unconvincing, undermined by melodramatic excess. In contrast to the original 1991 , which benefited from era-specific novelty, the sequel was viewed as a derivative cash-grab lacking innovation. In 2024, Bhatt himself reflected on the project, admitting he felt "outdated" and ruling out future directing endeavors after its release.

Audience and public reaction

The trailer for Sadak 2, released on August 12, 2020, faced immediate and unprecedented backlash from online audiences, amassing over 4.5 million dislikes within two days and eventually surpassing 10 million, making it one of the most disliked videos on YouTube at the time. This reaction was driven by public frustration over perceived nepotism in Bollywood, amplified by the recent death of actor Sushant Singh Rajput on June 14, 2020, which had ignited broader debates on industry favoritism toward star families like the Bhatts. Social media platforms reflected near-universal negativity, with hashtags such as #BoycottSadak2 and #BoycottBollywood trending prominently on , where users coordinated mass disliking campaigns and review-bombing efforts to protest insider privilege. On , discussions in Bollywood-related subreddits highlighted a like-to-dislike ratio approaching 95%, with commenters viewing the trailer's poor reception as a symbolic rejection of "" projects amid the anti-nepotism wave. While a minority of fans defended the cast's talent and urged against boycotts, the dominant sentiment framed the film as emblematic of Bollywood's exclusionary practices, with calls for audiences to prioritize outsider talent. Post-release on on August 28, 2020, user-generated metrics underscored persistent disdain, including an audience rating of 1.2 out of 10 based on over 97,000 votes, where reviews frequently labeled the film a "" citing weak scripting and lack of rewatch appeal. feedback on platforms like and echoed pre-release critiques, with low engagement indicators such as minimal shares and discussions pointing to avoidance rather than endorsement. Over time, Sadak 2 left scant cultural imprint, quickly eclipsed by ongoing 2020 events including the and investigations into Rajput's death, resulting in negligible long-term discourse or fan revival efforts.

Commercial performance

Sadak 2 incurred a of approximately ₹40 , with no additional print and advertising costs due to its direct-to-OTT release. The film secured through a pre-sale deal with , but specific revenue figures from the platform have not been publicly disclosed. Industry analyses indicate that the deal covered only a portion of the , resulting in an overall financial loss, exacerbated by minimal ancillary income from sources like or satellite rights. Released on August 28, 2020, amid the COVID-19 pandemic, Sadak 2 generated no theatrical earnings, relying entirely on streaming performance. Widespread boycott calls and trailer backlash—garnering over 10 million dislikes on YouTube, the highest for any Indian film trailer—likely diminished viewership and subscription boosts for Hotstar, contributing to underperformance relative to expectations for a high-profile Bhatt family production. Media reports have labeled it Bollywood's "biggest disaster" of the year, contrasting with other controversial 2020 OTT releases like Laxmii, which achieved stronger platform engagement despite similar pre-release criticism. This outcome is evidenced by director Mahesh Bhatt's subsequent retirement from filmmaking, interpreted as an acknowledgment of the project's commercial and reputational fallout.

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