Samuel Labarthe
Samuel Labarthe (born 16 May 1962) is a French-Swiss actor renowned for his versatile performances across film, television, theater, and voice work.[1] Trained at the prestigious Conservatoire national supérieur d’art dramatique in Paris, Labarthe began his career in 1985 with a role in the television series Les Amours des années cinquante.[1] His early film appearances included Mangeclous (1988) and Lacenaire (1990), marking the start of a prolific output exceeding fifty films.[1] Labarthe achieved widespread recognition for portraying Commissaire Laurence, a sharp-witted and cynical detective, in the enduring French series Les Petits Meurtres d'Agatha Christie, which he has starred in since 2013.[2] The character, known for his analytical mind and disdain for human folly, often clashes entertainingly with his colleague Alice Avril.[2] Among his other prominent roles, Labarthe embodied French Prime Minister Dominique de Villepin in the political drama La Conquête (2011) and General Charles de Gaulle in the biographical miniseries De Gaulle, l'éclat et le secret (2020), exploring the leader's life from 1940 to 1969.[1] In theater, he served as a pensionnaire at the Comédie-Française from 2012 to 2015, contributing to classical and contemporary productions.[1] Additionally, Labarthe is a sought-after voice actor, providing French dubs for international stars including George Clooney, Robert Redford, and Liam Neeson.[1]Early life and education
Childhood and family
Samuel Labarthe was born on May 16, 1962, in Geneva, Switzerland, where he holds dual French-Swiss citizenship due to his mixed heritage.[3][4] He spent his childhood and early years in Geneva, completing his schooling in the city and immersing himself in its cultural environment, which he has described as a foundational refuge shaping his identity.[5] The Swiss setting, with its emphasis on discretion and community, influenced his early worldview, as Labarthe has noted the tendency among Swiss people to avoid self-promotion.[5] Labarthe's family background reflects his Franco-Swiss roots, with his mother being French and his father Swiss; he grew up with siblings and an uncle who worked as a watchmaker, embedding him in Geneva's traditional craftsmanship culture.[5] He is the father of four children from two unions, including a son, Alexandre Labarthe (born 1994), who has pursued a career in acting, appearing in French television series such as Les petits meurtres d'Agatha Christie.[5][6] During his schooling in Geneva, Labarthe discovered theater at the Cycle d'orientation de la Florence, where his French teacher, Roland-François Aebi, encouraged him to take on early stage roles, including in Claude Magnier's Oscar.[7][5] This exposure, alongside inspirations from Geneva's Théâtre de Carouge and figures like Georges Wod and François Simon, sparked his passion for the performing arts. At age 20, around 1982, he moved to Paris to pursue professional training, marking the transition from his Swiss upbringing to a career in France.[5]Dramatic training
Born in Geneva, Switzerland, Samuel Labarthe developed an early interest in theater during his schooling there, receiving initial training at the Conservatoire de Genève alongside contemporaries like Jean-Philippe Écoffey.[5] At age 21, he relocated to Paris to pursue professional acting education, entering the prestigious Conservatoire national supérieur d'art dramatique (CNSAD) in 1983.[8][9] During his four years at CNSAD, Labarthe studied under renowned instructors, including Michel Bouquet, Viviane Théophilides, and Daniel Mesguich, who emphasized classical techniques, stage presence, and textual interpretation central to French dramatic tradition.[8][9] This rigorous curriculum honed his skills in verse recitation, physical expressiveness, and ensemble work, bridging his Swiss background with the demands of the French theatrical canon. Labarthe graduated from CNSAD in 1987, marking the completion of his formal dramatic training and paving the way for his entry into the professional theater world.[9] Transitioning from the more intimate Swiss scene to the competitive French theater environment presented inherent cultural and linguistic adjustments, though specific accounts of these challenges remain limited in public records. Immediately following graduation, he secured opportunities in stage productions, establishing a foundation for his career in classical and contemporary repertoire.[8]Career
Theatre career
Samuel Labarthe began his theatre career in the mid-1980s, following his training at the Conservatoire national supérieur d'art dramatique (CNSAD). His debut came in 1987 with the Comédie-Française production of Jean Racine's Esther, directed by Françoise Seigner at the Odéon-Théâtre de l'Europe, where he portrayed Asaph.[10] This marked his entry into classical French theatre, emphasizing his early affinity for 17th-century repertoire. The following year, he took on the lead role of Don Rodrigue in Pierre Corneille's Le Cid, staged by Gérard Desarthe at MC93 Bobigny and other venues, showcasing his command of heroic tragedy during the 1988-1989 season.[11][12] Throughout the 1990s and early 2000s, Labarthe built a reputation for versatile performances in both classical and modern works, often exploring themes of human frailty and interpersonal tension. In 1997-1998, he played the doctor Mikhail Lvovich Astrov in Anton Chekhov's Uncle Vanya, under Patrice Kerbrat's direction at Théâtre Hébertot, delivering a nuanced portrayal of intellectual disillusionment.[13] By 2002, he starred as the romantic lead Kralik in Jean-Jacques Zilbermann's adaptation of Miklós László's The Shop Around the Corner (titled La Boutique au coin de la rue), blending humor and melancholy in a tale of anonymous correspondence.[14] His engagement with contemporary drama continued in 2007 with Harold Pinter's The Caretaker (Le Gardien), directed by Didier Long at Théâtre de l'Œuvre and Théâtre de Paris, where he contributed to the ensemble's exploration of isolation and power dynamics alongside Robert Hirsch.[15] Labarthe maintained a significant association with the Comédie-Française, participating in its productions sporadically before becoming a pensionnaire from 2012 to 2015, during which he appeared in works like Denis Podalydès's Cyrano de Bergerac.[16] After departing the troupe in May 2015 to pursue television commitments, he shifted toward independent theatre, focusing on adaptations of French and Swiss literature.[17] In 2016, he portrayed the deluded patriarch Orgon in Luc Bondy's staging of Molière's Tartuffe at Odéon-Théâtre de l'Europe, highlighting themes of hypocrisy in a modern-inflected production.[18] More recently, in 2023-2024, Labarthe performed a solo adaptation of Nicolas Bouvier's travelogue L'Usage du monde, directed by Catherine Schaub at Théâtre de Poche-Montparnasse and Théâtre de Carouge, embodying the author's reflective journey through Asia with a mix of wonder and introspection.[19] His career trajectory underscores a commitment to repertory theatre, bridging classical French playwrights like Racine, Corneille, and Molière with 20th-century authors such as Chekhov and Pinter, often in Swiss-French collaborations.[11]Film career
Samuel Labarthe's film career began with his debut in the 1988 French-Israeli comedy-drama Mangeclous, directed by Moshé Mizrahi, where he portrayed the character Solal, a young man entangled in family mysteries in pre-World War II Greece.[20] This early role marked his entry into cinema, drawing on his theatrical background to infuse the performance with nuanced emotional depth.[21] In the early 2000s, Labarthe appeared in supporting roles that showcased his versatility in both French and international productions. In André Téchiné's Strayed (2003), he played Robert, a key figure in a wartime survival story involving a widowed teacher and her children fleeing occupied Paris.[22] That same year, he collaborated with acclaimed director James Ivory in the romantic comedy-drama The Divorce, taking on the role of Antoine de Persand, the philandering French brother-in-law in a transatlantic family conflict set in Paris.[23] These parts established him as a reliable presence in ensemble casts, often portraying sophisticated or introspective French men.[24] Labarthe's career evolved toward more prominent roles in the 2010s, transitioning from supporting characters to leads in character-driven narratives. In Xavier Durringer's political drama The Conquest (2011), he portrayed Dominique de Villepin, the eloquent former Prime Minister, in a tense depiction of Nicolas Sarkozy's rise to power, highlighting Labarthe's ability to capture intellectual gravitas and subtle intrigue.[25] This marked a breakthrough, earning praise for his commanding screen presence amid a star-studded ensemble.[26] Further solidifying his lead status, Labarthe starred as Simon, the estranged husband, in Frédéric Mermoud's thriller Moka (2016), a tense adaptation of Tatiana de Rosnay's novel about a woman's obsessive quest for justice after her son's hit-and-run death.[27] His performance as the emotionally distant yet pivotal family member added layers of psychological complexity to the film's exploration of grief and revenge.[28] In this role, Labarthe demonstrated a shift toward contemporary dramas, blending restraint with underlying intensity. More recently, Labarthe took on a central authoritative role in Jean-Jacques Annaud's disaster epic Notre-Dame on Fire (2022), portraying Général Jean-Marie Gontier, the fire service commander leading the response to the 2019 blaze at Paris's Notre-Dame Cathedral.[29] This high-stakes collaboration underscored his evolution into versatile leads in both intimate and large-scale productions, often emphasizing moral resolve and leadership in crisis.Television career
Labarthe made his television debut in 1985 with a role in the series Les Amours des années cinquante. His early television appearances included a guest role as Gill in the 1987 episode "Un panier de crabes" of the French series Les enquêtes Caméléon.[30] His breakthrough in television came with the role of Commissaire Swan Laurence in the long-running crime drama Les petits meurtres d'Agatha Christie, which aired from 2009 to 2024 and adapted Agatha Christie's mysteries in a French 1950s-1960s setting.[31] Labarthe appeared in 27 episodes as the sophisticated, chain-smoking detective solving intricate murders alongside journalist Alice Avril and secretary Marlène Leroy.[32] The series, produced by France 2, garnered strong viewership in France and was praised for its stylish period aesthetic and faithful yet localized take on Christie's works.[33] Other notable television roles include Pierre Valenski, a police commissioner, in the 2006 pilot episode of the police procedural Les Bleus: Premiers pas dans la police. In 2020, Labarthe portrayed Charles de Gaulle in the six-episode historical miniseries De Gaulle, l'éclat et le secret, which chronicled the French leader's life from 1940 to 1969, earning acclaim for his commanding depiction of the general's stoic demeanor and oratory style.[34] He later appeared as Christian Haas in two episodes of the crime series César Wagner between 2020 and 2023, playing a recurring character in the Strasbourg-based procedural.[35] In 2023, he played François Mitterrand in the political miniseries Class Act and Bernard Duvack in the thriller miniseries L'abîme. Since 2023, Labarthe has starred as Commissaire François Flament in the investigative series Flair de famille on France 2.[36][37] Labarthe's television work, particularly his extended run in Les petits meurtres d'Agatha Christie, significantly elevated his profile, transforming him from a respected theater and film actor into a household name in France with a growing international following through streaming platforms like MHz Choice and Apple TV.[33] The series' success, with episodes often drawing over 5 million viewers per airing, amplified his visibility and led to increased demand for his presence in biographical and mystery genres.[38]Personal life
Marriages and relationships
Samuel Labarthe married Russian actress Elena Safonova in 1992, a union that highlighted cross-cultural dynamics given his Swiss-French heritage and her Soviet-era background.[5][39] The couple separated in 1997 after five years together.[40] Following the separation, Labarthe entered a long-term relationship with French actress Hélène Médigue, known for her role in the television series Plus belle la vie. They met in 1998 while performing in a production of Anton Chekhov's work, which drew them into shared professional environments within France's theater and film circles.[5][39] The pair married in 1999, and their acting careers often intersected through mutual collaborations and social networks in the French entertainment industry, fostering a partnership rooted in common artistic pursuits.[41][42] However, they separated in 2016.[40][43] As of 2025, Labarthe maintains a high degree of privacy regarding his current romantic status, with no public details emerging about new partnerships.[40]Children and family legacy
Samuel Labarthe is the father of four children. His eldest son, Alexandre Labarthe, born in 1994 from his first marriage, has pursued a career as an actor, appearing in French television series such as Speakerine (2018) and Falco (2013). Alexandre also shared the screen with his father in an episode of Les petits meurtres d'Agatha Christie in 2018, where Labarthe noted the unique perspective of directing a family member on set.[44] Labarthe's three daughters—twins Louise and Jeanne, born in 2001, and Mathilde, born in 2009—were born during his subsequent long-term relationship.[45] While the daughters have not publicly entered the acting profession, Labarthe has emphasized the profound influence of his own upbringing on his parenting approach, particularly in fostering a love for the arts amid his demanding schedule of theater and film commitments. He raised Alexandre primarily as a single parent following his separation in 1997, balancing professional travels with family responsibilities in Paris.[46] In recent reflections, Labarthe has highlighted the "inheritance" he imparts to his children as an enduring passion for literature and the French language, a value passed down from his father and shared through bedtime readings during their childhood.[47] This cultural legacy mirrors the artistic environment of his home life, where Alexandre's entry into acting exemplifies the family's continuity in the performing arts. As a Franco-Swiss native born in Geneva, Labarthe has rooted his family in Paris, the epicenter of his career at institutions like the Comédie-Française, while maintaining ties to his Swiss heritage through occasional returns and thematic works inspired by Swiss authors.[48][49]Awards and nominations
Molière Award nominations
Samuel Labarthe has received multiple nominations for the Molière Awards, France's most prestigious theater honors, recognizing his versatile performances across classic and contemporary plays. Although he has not secured a win, these nominations span over a decade and highlight his sustained impact on the French stage, from emerging talent to leading roles in major productions.| Year | Category | Nominated Work | Result |
|---|---|---|---|
| 1994 | Best Newcomer (Révélation théâtrale) | Ce qui arrive et ce qu'on attend by Jean-Marie Besset | Nominated[50] |
| 1998 | Best Supporting Actor (Comédien dans un second rôle) | Uncle Vanya by Anton Chekhov | Nominated[51] |
| 2002 | Best Actor (Comédien) | The Shop Around the Corner (La boutique au coin de la rue) by Miklós László | Nominated[52] |
| 2007 | Best Supporting Actor (Comédien dans un second rôle) | The Caretaker (Le Gardien) by Harold Pinter | Nominated[53][54][55] |
| 2009 | Best Actor (Comédien) | My Old Lady (Très chère Mathilde) by Israel Horovitz | Nominated[56][57][58] |