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Sananda

''Sananda'' may refer to several distinct concepts and entities:

Media

Sananda (magazine)

Sananda is a Bengali-language women's magazine published by the in , , which was launched on July 31, 1986, and quickly gained popularity as a fortnightly publication issued on the 15th and 30th of each month. The magazine primarily covers lifestyle topics tailored to women, including , , , recipes, relationships, , interiors, , workplace advice, and , aiming to provide practical guidance for balancing professional and . It features articles, interviews, and features that address contemporary issues relevant to its readership. A highlight of the publication is its annual special edition, Sananda Pujabarshiki, released during the festival, which includes festive content such as stories, recipes, and celebrity interviews celebrating Bengali culture and traditions. As of recent reports, Sananda maintains a circulation of approximately 115,000 copies per issue and a readership of 1.3 million, primarily among Bengali-speaking and the diaspora, with digital access available through platforms like (@sanandamagazine) and for back issues. Initially edited by filmmaker , the magazine saw Madhumita Chattopadhyay appointed as editor-in-chief in 2005, marking a milestone in its evolution toward broader content on self-development and empowerment. As part of the ABP Group's portfolio alongside , Sananda holds cultural significance in Bengali media for promoting and modern lifestyles, often positioned as a key resource for personal growth and societal roles.

Sananda TV

Sananda TV was a 24-hour general channel launched by the on July 25, 2011, from , . The channel targeted -speaking audiences primarily in eastern , offering content centered on family dramas, romance, and stories appealing to women, as part of ABP's expansion into television alongside its established print media like the Sananda magazine. Operations were based in studios, incorporating live events and celebrity appearances to engage viewers. Programming featured original fiction serials such as Sobinoy Nibedon, Alpo Alpo Premer Golpo, and Mrs. Sinha Ray, which aired alongside promotional segments and title songs for shows, typically from early morning to late evening. These narratives emphasized emotional family dynamics and romantic themes, aiming to resonate with the channel's core demographic of women and families in and neighboring regions. Despite initial enthusiasm, Sananda TV ceased operations on November 7, 2012, after just 15 months, primarily due to low viewership ratings and intense competition in the entertainment market. As of 2025, there has been no revival of the channel. Its legacy includes a short but notable contribution to television through women-centric , with select episodes and clips preserved in online archives on platforms like .

Spirituality

Sananda in New Age beliefs

In beliefs, Sananda refers to the ascended form of Jesus Christ, portrayed as an within the , a spiritual hierarchy dedicated to guiding humanity's evolution toward . This concept integrates with Theosophical and Eastern esoteric traditions, presenting Sananda as a being of pure divine who embodies the Christ consciousness accessible to all . The name "Sananda" derives from , literally meaning "with bliss" or "blissful," signifying the state of eternal joy and union with the divine achieved through spiritual ascension. The foundational ideas emerged in 19th-century Theosophy through Helena Blavatsky's writings, which depicted as a highly evolved initiate who demonstrated mastery over physical and spiritual laws, influencing later interpretations of him as part of an inner hierarchy of enlightened masters. These teachings were further developed by Alice A. Bailey in the early , who identified the as the Chohan—or chief—of the Sixth Ray of Devotion and Abstract Idealism, a vibrational quality focused on selfless love, faith, and idealism. Bailey described as a disciplinarian figure who channels energy to Christian institutions worldwide, aids in unifying Eastern and Western philosophies, and prepares humanity for the reappearance of the World Teacher by fostering peace and higher understanding; he is said to reside in a physical body in the while traveling extensively in etheric form. According to her account, achieved progressive initiations across incarnations, including as (son of ), Jeshua during the era of (third initiation), the (fourth initiation via crucifixion and resurrection), and (fifth initiation, attaining full mastery). Subsequent 20th-century channeled teachings, particularly those of the and the (founded by Mark and Elizabeth Clare in 1958), explicitly adopted "Sananda" as Jesus's post-ascension name, emphasizing his role in the Great White Brotherhood's ongoing mission. In these traditions, Sananda served as Chohan of the Sixth Ray until 1956 or 1959, after which he assumed the position of co-World Teacher with Kuthumi (formerly Chohan of the Second Ray), succeeding in overseeing planetary spiritual education and higher initiations from the etheric retreat at Shamballa. His purported past lives extend to ancient eras, including as King (emphasizing leadership and devotion), (military and spiritual guidance), and Atlantean emperors during the continent's around 15,000–33,000 BC, where he ruled as a priest-king promoting before cataclysmic misuse of crystal technology led to Atlantis's fall. The is framed as Sananda's fourth initiation, a deliberate act of sacrifice for humanity's karma, followed by survival in a physical body, travels to for further teaching, and eventual ascension to the higher etheric realms. Prominent figures have channeled or expounded on Sananda's messages, including Alice A. Bailey (via Djwhal Khul, focusing on ray qualities and hierarchical roles), (dictations emphasizing protection through decrees and preparation for Aquarius age shifts), and (who linked the to 's emergence as World Teacher, though distinguishing physical returns). Modern channeled platforms, such as sananda.website, present Sananda interchangeably with and , delivering messages on , collective ascension, unity with (Earth's spiritual essence), and activating personal energy fields to receive divine bliss and guidance toward awakening. These teachings stress Sananda's current role in accelerating humanity's shift to , offering direct telepathic communion for those attuned to frequencies of and . Criticisms of these beliefs often center on their esoteric foundations. Scholar Johnson argues that the Theosophical Masters, including figures like the , symbolize or are projections based on Blavatsky's real-life mentors and 19th-century networks rather than literal ascended entities, viewing them as psychological archetypes rather than historical-spiritual beings. Atlantean incarnation claims, integral to Sananda's biography in these teachings, are widely regarded by historians and archaeologists as pseudohistorical, lacking empirical evidence and drawing from speculative reinterpretations of Plato's allegorical myth.

Sananda samadhi in yoga

Sananda samadhi represents the third stage in the progression of samprajñāta samādhi, a form of cognitive outlined in Patañjali's Yoga Sūtras 1.17. This verse describes samprajñāta samādhi as accompanied by gross and subtle elements of reasoning (vitarka), reflection (vicāra), (ānanda), and ego-identification (asmitā), with sananda corresponding to the ānanda phase that follows the initial stages of mental deliberation and precedes pure . In this state, the shifts from analytical engagement with the object of to an immersive experience of inner , marking a deepening of where external conceptual frameworks dissolve. The term "sananda" derives from the Sanskrit roots "sa" (with or accompanied by) and "ānanda" (bliss or joy), signifying a meditative state infused with profound ecstasy and rapture. Here, the mind transcends ordinary distractions, becoming filled with a wordless sense of "I am" awareness that arises from the essential purity of consciousness, free from the fluctuations of sensory input or intellectual analysis. Vyāsa's classical commentary (bhāṣya) on the sūtra elaborates this as a joyous union of the perceiver and the perceived, where the vital energy (prāṇa) flows evenly throughout the , illuminating the (quality of clarity and harmony) and engendering a balanced equilibrium in thought processes. This bliss is not fleeting sensory pleasure but a stable, internal revelation of the divine essence, allowing the to experience profound delight without attachment to transient phenomena. During sananda samādhi, the practitioner attains thoughts in perfect harmony, uncovering layers of inner bliss that reflect the unchanging nature of pure being, often accompanied by subtle siddhis ( powers) such as heightened or bodily lightness, though the emphasis remains on detached immersion in joy rather than exploitation of these abilities. Modern interpreters, such as Swami Krishnananda, describe it as a transformative expansion of , where spiritual joy emerges directly from the core of , fostering a sense of unity that overcomes the limitations of individual and integrates the meditator with the object of focus in a comprehensive, non-exclusive manner. This state reveals the inherent permanence of bliss, contrasting with worldly happiness that depends on external conditions and can be disrupted by desires. Attainment of sananda samādhi occurs through prolonged and sustained dhyāna () on a focal point, such as the heart center or a divine form, building upon the preparatory limbs of aṣṭāṅga yoga—specifically (concentration) and the initial phases of dhyāna—leading into full samādhi. The process requires disciplined practice to stabilize the internal , enabling voluntary entry and exit from the state without disturbance from residual cravings for other experiences. Unlike nirvikalpa samādhi, which is a formless, seedless (nirbīja) devoid of any cognitive residue, sananda samādhi retains a subtle awareness of bliss as its object, preserving a trace of discernment that serves as a bridge to higher, objectless realizations.

People

Sananda Maitreya

Sananda Francesco Maitreya, born Terence Trent Howard on March 15, 1962, in New York City, is an American singer-songwriter, multi-instrumentalist, and record producer. He rose to international prominence in the late 1980s under the stage name Terence Trent D'Arby, adopting his current name in 2001 following a profound personal and spiritual transformation. The name "Sananda," derived from Sanskrit, signifies "possessed of happiness" or bliss, while "Maitreya" denotes loving-kindness and benevolence, reflecting influences from New Age spiritual concepts. Maitreya's early career gained explosive momentum with his debut album, Introducing the Hardline According to Terence Trent D'Arby, released in 1987. The record blended , rock, and pop elements, featuring chart-topping singles such as "Wishing Well," which reached number one on the US Billboard Hot R&B/Hip-Hop Songs chart, and "," a inspired by a dream that peaked at number four on the . The album's bold, confident sound and Maitreya's charismatic persona propelled it to commercial success, selling over 12 million copies worldwide and earning him the Grammy Award for Best Male R&B Vocal Performance in 1989. This breakthrough established him as a versatile artist drawing from , , and traditions, though his follow-up releases in the early 1990s, including (1989) and TTD's Vibrations (1996), received mixed critical reception amid shifting musical landscapes. In October 2001, Maitreya legally changed his name, marking a deliberate departure from his previous identity, which he described as a "spiritual death" at age 27, akin to a walk-in experience where a new assumed control to pursue a repurposed life vision. This shift, inspired by a series of dreams beginning in 1995, allowed him to transition toward independent artistry, self-releasing music through his Treehouse Publishing label and official website, sanandamaitreya.com. His post-name change discography emphasizes experimental fusion of , rock, and , with notable albums including Angels & Vampires: Volume I (2005), The Sphinx (2011), and Return to Zooathalon (2013), the latter exploring thematic depths through multi-layered instrumentation he performs himself as a proficient , , and . By 2025, he had released his 13th studio album, The Pegasus Project: Pegasus & The Swan, alongside the live recording The Pegasus Project Live, and singles such as "Bondage" and "," which highlight his evolving style of introspective, genre-blending compositions. Maitreya's personal philosophy intertwines with broader existential themes, often articulated in interviews as a rejection of cultural constraints and an embrace of mythic narratives, including legends and critiques of societal "culture wars." He views his career as a continuous reinvention, emphasizing artistic over commercial pressures. In 2025, after a 23-year hiatus from stages, he embarked on a headline tour with his band The Sugar Plum Pharaohs, performing a spanning his 1987 debut to recent works, receiving acclaim for his enduring vocal prowess and dynamic presence. Throughout his four-decade career, has sold tens of millions of records globally, transitioning from mainstream pop stardom to a as an independent innovator whose work prioritizes conceptual depth and personal expression over conventional success metrics. His legacy endures as a symbol of artistic resilience, influencing subsequent generations of soul-rock fusion artists through his boundary-pushing discography and unapologetic self-reinvention.

Sananda Fru

Sananda Fru is a professional basketball player born on August 28, 2003, in , where he grew up and developed his skills with a primary focus on the sport. Standing at 6 feet 11 inches (211 cm) and weighing 245 pounds (111 kg), he plays as a known for his physical presence in the post. Fru's early career was spent in with of the (BBL), where he played for four seasons starting in 2020-21, progressing from limited minutes to a starting role. In the 2024-25 season, he started 35 of 39 games, contributing significantly to the team's playoff run with averages of 10.2 points, 7.0 rebounds, and 1.2 blocks per game in the quarterfinals. Internationally, he represented the national team at the U20 Championships, averaging 7.9 points and 6.1 rebounds in 2022, and 8.3 points and 5.7 rebounds in 2023. During the 2024-25 with , Fru averaged 15.5 points and 5.5 rebounds across six games, highlighted by a 23-point, 8-rebound performance with three blocks against AEK Athens. As a highly regarded recruit, Fru was rated a four-star prospect and ranked in the top 25 nationally by , leading to his commitment to the Cardinals in the (ACC) in February 2025, with official signing in June. In his debut 2025-26 college season, he has averaged 11.3 points, 6.3 rebounds, and 1.5 assists per game as of November 2025, establishing himself as a key frontcourt contributor. A breakout moment came in Louisville's 96-88 upset victory over No. 9 on November 11, 2025, where Fru scored 10 points on 4-of-5 shooting, grabbed 7 rebounds, and added 3 assists in a crucial supporting role. Fru's playing style features versatility as a big man, excelling in rebounding, interior scoring, and defensive hustle with an agile frame and high motor that allows him to thrive in up-tempo systems. His professional experience and athleticism position him as an emerging prospect for the 2026 class, noted for his potential impact in transition and rim protection.

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