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Sandy Wexler

Sandy Wexler is a 2017 American comedy film directed by Steven Brill and written by Dan Bulla, Paul Sado, and Adam Sandler. The story centers on the title character, a hapless but dedicated talent manager navigating the entertainment industry in 1990s Los Angeles while representing a roster of eccentric clients on the fringes of show business. Produced by Happy Madison Productions, the film stars Adam Sandler in the lead role alongside Jennifer Hudson as the talented singer Courtney Clarke, whom Wexler discovers at an amusement park and subsequently falls in love with, testing his professional and personal loyalties. Supporting cast includes Terry Crews, Rob Schneider, and Kevin James, with the runtime clocking in at 130 minutes. It premiered directly on Netflix on April 14, 2017, fulfilling one of Sandler's four-film commitment to the streaming service under a broader deal that began in 2014. The character of Sandy Wexler draws inspiration from Sandler's real-life manager, Sandy Wernick, who discovered him during his early career and is portrayed with exaggerated quirks reflective of their long-standing professional relationship. Critically, the movie garnered mixed to negative reception, earning a 27% approval rating from critics on Rotten Tomatoes based on 22 reviews, often critiqued for its uneven pacing and reliance on familiar comedic tropes despite moments of charm from its ensemble.

Content and characters

Plot

In the 1990s, Sandy Wexler (Adam Sandler) works as a low-rent talent manager in Los Angeles, tirelessly advocating for a roster of oddball clients on the periphery of show business, including a ventriloquist named Ted Rafferty (Kevin James), a human cannonball performer named Gary Rodgers (Nick Swardson), a contortionist, a mediocre stand-up comedian (Colin Quinn), and even the actor who had his heart ripped out in Indiana Jones and the Temple of Doom. Sandy's unorthodox methods and unwavering loyalty often lead to chaotic situations, such as negotiating bizarre gigs or dealing with his faulty hearing aid that causes frequent misunderstandings during pitches. His career is framed through retrospective anecdotes shared by celebrities like Vanilla Ice, Pauly Shore, and Jewel at a modern-day tribute event honoring his dedication. Sandy's life changes when he discovers aspiring R&B singer Courtney Clarke (Jennifer Hudson) performing at a Six Flags theme park during a family outing; impressed by her raw talent, he signs her as his first promising client despite her father's skepticism. Over the next decade, Sandy nurtures Courtney's career, helping her record a breakout single "Mr. DJ" (produced in a style reminiscent of Whitney Houston) and securing high-profile opportunities, such as a meeting with producer Babyface, though his bumbling interventions nearly derail her progress. As Courtney rises to superstardom, performing at major venues and earning acclaim, Sandy develops deep romantic feelings for her, but their relationship remains platonic amid her growing independence and his self-sabotaging quirks, like poor financial advice that pulls investments from emerging tech stocks like Apple. Comedic set pieces highlight Sandy's obsessive client devotion, including a disastrous rollercoaster pitch while reading Variety and frantic efforts to reclaim a defected client from a rival manager, a wealthy entertainment executive who lures away talent with lavish promises. These rivalries escalate professional tensions, forcing Sandy to confront his limitations as Courtney's fame outpaces his abilities, leading to personal sacrifices where he prioritizes her success over his own stability and romantic fulfillment. Ultimately, the narrative resolves Sandy's conflicts through themes of loyalty and redemption, as his persistent, if flawed, support for Courtney culminates in mutual recognition of their bond, allowing him to find balance between his eccentric world and newfound personal growth, all underscored by the tribute attendees' affirming stories.

Cast

Adam Sandler stars as the titular Sandy Wexler, a bumbling yet heartfelt talent manager in 1990s Los Angeles who represents a roster of eccentric clients on the fringes of show business, serving as a satirical homage to his real-life manager Sandy Wernick. Sandler's portrayal emphasizes the character's relentless loyalty and selflessness toward his clients, often conveyed through a distinctive nasal voice, quirky mannerisms, and a penchant for exaggeration that adds to the film's comedic ensemble dynamic. Jennifer Hudson portrays Courtney Clarke, one of Sandy's clients who transforms from an unknown carnival singer into a rising pop sensation, with the role highlighting Hudson's powerful vocal performances in several musical sequences that underscore her character's journey within the show's business satire. The supporting cast features a mix of Happy Madison regulars playing Sandy's oddball clients, contributing to the film's ensemble of quirky personalities that satirize Hollywood's underbelly. Kevin James appears as Ted Rafferty, a ventriloquist under Sandy's management whose earnest but hapless demeanor adds humor to the group interactions. Terry Crews plays "Bedtime" Bobby Barnes, a flamboyant wrestler known for his signature move that "puts opponents to sleep," bringing physical comedy and bombast to the ensemble. Rob Schneider is cast as Firuz, an Iranian ventriloquist landlord whose deadpan delivery and puppet routines provide recurring eccentric support. Colin Quinn plays Kevin Connors, a mediocre stand-up comedian adding to the satirical ensemble. The film is enriched by numerous cameos from real-life celebrities, often portraying themselves or heightened versions in cameo appearances that poke fun at 1990s entertainment culture and integrate seamlessly into the ensemble's chaotic showbiz world, including Jimmy Kimmel as a talk show host.

Production

Development

The development of Sandy Wexler originated from Adam Sandler's personal experiences in the entertainment industry, particularly his impressions of 1990s Hollywood talent managers. The screenplay was co-written by Sandler, Dan Bulla, and Paul Sado, drawing heavily from Sandler's anecdotes about his longtime manager, Sandy Wernick, whom the titular character is loosely based on to satirize the eccentric world of talent representation. Steve Brill was chosen as director due to his longstanding collaboration with Sandler, having helmed previous Happy Madison projects like Little Nicky (2000) and The Do-Over (2016), which allowed for a comedic tone emphasizing satire on the agency business. Happy Madison Productions, Sandler's company, played a pivotal role in securing the film's place as a Netflix original under their 2014 four-picture deal, with production emphasizing comedy and musical elements on a budget of approximately $24 million. Early casting announcements in 2016 confirmed Sandler in the lead role, with Jennifer Hudson attached as the female lead to leverage her vocal talents in supporting the film's musical sequences.

Filming

Principal photography for Sandy Wexler commenced on August 2, 2016, in Los Angeles, California, as part of Adam Sandler's ongoing deal with Netflix. The production spanned several months in 2016, utilizing the city's diverse urban and coastal landscapes to evoke the 1990s Hollywood setting. Filming occurred at key locations throughout Los Angeles, including Griffith Observatory for exterior scenes, Six Flags Magic Mountain in Valencia for amusement park sequences, Muscle Beach in Venice for beachside antics, and the Whisky a Go Go on Sunset Boulevard to recreate iconic music venues. These sites allowed the crew to capture authentic recreations of 1990s-era Hollywood studios, beaches, and entertainment hubs like the Hollywood Walk of Fame, emphasizing practical location shooting over extensive set builds. Comedic stunts, such as physical gags involving ensemble cast interactions, relied on practical effects to maintain the film's lighthearted, nostalgic tone. The production encountered challenges in achieving period accuracy for its 1990s backdrop, including sourcing appropriate props, costumes, and vehicles, which led to noted anachronisms in the final film, such as the appearance of 1995 music releases and magazines in scenes set in 1994. Adam Sandler's improvisational comedy style, a hallmark of his Happy Madison productions, contributed to extended shooting times for ensemble scenes featuring recurring cast members like Kevin James and Colin Quinn. Cinematographer Dean Semler handled the visuals, employing techniques to highlight the vibrant, sun-drenched Los Angeles aesthetic that underscores the film's nostalgic portrayal of the era, with minimal reliance on computer-generated imagery in favor of on-location authenticity.

Music and soundtrack

Score

The original musical score for Sandy Wexler was composed by Rupert Gregson-Williams, a British composer renowned for his contributions to comedic films such as I Now Pronounce You Chuck and Larry (2007) and That's My Boy (2012). His work on the film features a whimsical, orchestral soundtrack designed to capture the lighthearted, nostalgic essence of 1990s Hollywood comedy. Gregson-Williams employed upbeat brass and string sections to underscore the chaotic energy of Sandy's talent management antics, while incorporating tender, melodic motifs to heighten the emotional depth of the central romance. These elements blend seamlessly with the film's period setting, providing rhythmic propulsion during comedic sequences and subtle swells for heartfelt moments without dominating the vocal performances. The score was mixed to enhance the narrative's blend of humor and sentiment. Notable instrumental cues include energetic tracks for chase and discovery scenes. While not released as a full commercial album, select score tracks are available on digital platforms such as Spotify. The score occasionally transitions into diegetic songs to support the story's musical performances.

Songs

The songs in Sandy Wexler blend original compositions tailored to the film's 1990s Hollywood setting with licensed tracks from the era, serving to propel the narrative through character performances and montage sequences that highlight the protagonist's eccentric talent management style. Jennifer Hudson, portraying aspiring singer Courtney Clarke, delivers several original songs written specifically for the movie, which underscore her character's rise to stardom and demonstrate Hudson's versatile vocal abilities in R&B and pop styles. These tracks, primarily penned by producers like Babyface, include "Butterfly," where Courtney auditions and captivates audiences with soulful lyrics about transformation; "Mr. DJ" (featuring Ma$e), a upbeat hip-hop-infused hit that becomes her breakthrough single during a club performance; "Sister," a heartfelt ballad reflecting familial bonds that advances Courtney's emotional arc; "Where Does That Leave Me?," a poignant theme accompanying emotional arcs; and "I Know What Love Is," a romantic anthem performed in key scenes to emphasize her relationship with Sandy. Hudson recorded these vocals in studio sessions but performed select pieces live on set to capture authentic energy, particularly during dynamic scenes like her Ugly Duckling dance number, enhancing the film's comedic and musical authenticity. Comedic elements are woven in through parody performances by Sandy's quirky clients, such as Clay Aiken's rendition of "The Ugly Duckling," a whimsical show tune that pokes fun at talent show tropes, and Adam Sandler's off-key take on "There's No Business Like Show Business," used to satirize Sandy's misguided showbiz ambitions. The ventriloquist act involving a foul-mouthed dummy adds humorous musical interludes with improvised lyrics during client pitches. Licensed tracks provide period flavor and drive montage sequences, such as the Red Hot Chili Peppers' "Give It Away," which energizes a wild party scene illustrating Sandy's chaotic lifestyle, and Ella Fitzgerald's classic "Things Are Looking Up," featured in optimistic transitions to evoke 1990s optimism blended with vintage swing. Other notable 1990s hits include Jamiroquai's "Virtual Insanity" for a stylish montage of Hollywood glamour, MC Hammer's "U Can't Touch This" during a hype client showcase, and Naughty by Nature's "Hip Hop Hooray" in celebratory moments, all selected to mirror the era's pop culture while advancing plot momentum without overpowering the dialogue. The film's soundtrack was compiled into an album released by Warner Bros. Records on March 6, 2017, mixing these originals, covers, and licensed cuts to encapsulate the movie's blend of humor and melody; it highlighted Hudson's contributions as a centerpiece.

Release and reception

Distribution

Sandy Wexler had its world premiere as a Netflix original film on April 14, 2017, with no theatrical release and bypassing traditional distribution channels entirely. The film's marketing campaign featured official trailers released in February 2017 that highlighted Adam Sandler's comedic performance as the titular talent manager and Jennifer Hudson's musical role as his client, a rising singer, alongside cameos from various celebrities. Promotional efforts included tie-ins with Netflix's broader Happy Madison Productions slate, such as a user-generated content global audition contest encouraging fans to submit talent videos in the style of the film's 1990s Hollywood setting, targeting family-oriented audiences familiar with Sandler's work. The movie launched simultaneously for streaming worldwide in over 190 countries, supported by subtitles and dubbed versions in multiple languages to accommodate international viewers. Physical releases were limited, with availability primarily through digital downloads rather than widespread DVD or Blu-ray distribution. Initial viewership reports indicated strong performance in the first week following release, contributing to Netflix's announcement that subscribers had collectively watched over 500 million hours of Sandler films across its originals, though specific metrics for Sandy Wexler remained undisclosed due to the streaming platform's model.

Critical response

Sandy Wexler received mixed reviews from critics, holding a 27% approval rating on Rotten Tomatoes based on 22 reviews, with the consensus stating: "Sandy Wexler marks a mild improvement from the Adam Sandler vehicles immediately preceding it -- which in no way serves as an endorsement for non-hardcore fans." On Metacritic, the film scored 40 out of 100 from eight critics, indicating "mixed or average" reception. Reviewers often criticized its reliance on formulaic Sandler humor while acknowledging occasional heartfelt moments and standout elements like Jennifer Hudson's singing. Critics praised Hudson's performance as aspiring singer Courtney Clarke, noting her radiant candor and powerful vocals, particularly in the Whitney Houston-inspired track "Mr. DJ," which emerged as one of the film's strongest assets. The nostalgic satire of 1990s Hollywood, including meta references to Sandler's own career roots and orchestral scoring evoking the era, added a layer of charm for some, making the film disarmingly sweet despite its flaws. Ensemble moments among Sandler regulars, such as duets with Rachel Dratch, highlighted playful chemistry in select raunchy sequences. Major criticisms centered on the film's overlong 130-minute runtime, uneven pacing, and repetitive gags that stretched sketches beyond their natural end, resulting in a lurching momentum lacking structure. Many found the comedy rarely funny, with wacky interludes falling flat and humor misfiring through overused 1990s tropes. Some reviewers noted insensitivity in portraying Sandy's oblivious quirks and an uncomfortable love subplot, alongside an off-color cameo by Rob Schneider in brownface, rendering the film oddly cruel despite its affectionate intent. In a 1.5 out of 4-star review, RogerEbert.com's Brian Tallerico called it "lazy," observing that a decent 90-minute dramedy is buried in underdeveloped ideas and poor timing. The Guardian's Peter Bradshaw described it as "strange yet strangely likable," praising its unique authenticity but lamenting the "annoyingly unfunny" side characters and excessive length.

Accolades

Sandy Wexler received limited recognition following its release, primarily in the form of nominations for acting and a win for its production team. At the 2017 Teen Choice Awards, Jennifer Hudson was nominated for Choice Movie Actress: Comedy for her portrayal of singer Courtney Clarke, marking one of the film's few performance-based honors. The film earned a win at the 2017 California on Location Awards for Location Team of the Year in the Independent Feature Films category, acknowledging the contributions of location managers Rob Frank, Gregory Alpert, Peter Costelli, and their team for facilitating filming across Los Angeles sites. This accolade highlighted the logistical efforts in capturing the 1990s Hollywood setting, though the awards also included two related nominations for individual team members. Despite some positive notes on Hudson's comedic performance amid mixed reviews, Sandy Wexler did not secure major awards such as Golden Globes or significant nods at comedy festivals. The role provided Hudson an opportunity to showcase her comedic timing post her Academy Award-winning dramatic work, contributing to her versatility in blending music and humor on screen. Adam Sandler and the production received no notable individual awards for the film.

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