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Signe Toly Anderson

Signe Toly Anderson (September 15, 1941 – January 28, 2016) was an American folk, jazz, and rock singer best known as the original lead vocalist of the psychedelic rock band Jefferson Airplane, contributing to their debut album Jefferson Airplane Takes Off (1966) before leaving the group shortly after its release. Born Signe Toly in Seattle, Washington, and raised in Portland, Oregon, following her parents' divorce, Anderson began performing in folk and jazz groups during high school and moved to San Francisco in her early twenties, where she sang at local clubs like the Drinking Gourd. In the summer of 1965, she was invited by band founder Marty Balin to join Jefferson Airplane as their female vocalist, forming a signature three-part harmony with Balin and guitarist Paul Kantner; she sang lead on tracks like "Chauffeur Blues" and helped shape the band's early sound during their residency at the Matrix club. Anderson departed the band in October 1966 after giving birth to her daughter and her final performance at the Fillmore Auditorium—later released as a live album in 2010—amid the group's rising fame, and was replaced by Grace Slick, who propelled Jefferson Airplane to greater stardom with hits like "Somebody to Love" and "White Rabbit." After leaving, she returned to Oregon, where she continued performing locally with acts such as Carl Smith and the Natural Gas Company, survived cancer in her thirties, and occasionally reunited with former bandmates for special events. In 2014, Anderson was inducted into the Oregon Music Hall of Fame, recognizing her contributions to the state's musical heritage and her role in the scene of the 1960s. She passed away on January 28, 2016, in , from at the age of 74—the same day as her former bandmate —survived by two children and three grandchildren.

Early life and education

Birth and family background

Signe Toly Anderson was born on September 15, 1941, in Seattle, Washington. When she was three years old, her parents divorced, and she was subsequently raised by her mother in Portland, Oregon. Anderson attended Lincoln High School in , where she was named a Princess in 1959.

Musical beginnings

Signe Toly Anderson's musical journey commenced during her high school years in , where she began performing as a and singer in local groups. Raised in the city following her parents' divorce, she immersed herself in the vibrant music scene, which featured a mix of traditions and prevalent in the late . Her early experiences included amateur performances at community events, honing a vocal style that seamlessly blended the emotive storytelling of with the improvisational flair of . These formative years laid the groundwork for Anderson's distinctive approach to , characterized by a warm, versatile suited to both intimate ballads and swinging standards. Local ensembles provided opportunities to experiment and build confidence, as Portland's coffeehouses and small venues fostered a supportive environment for emerging talents amid the region's growing interest in acoustic and vocal-driven music. By the early , her participation in these informal settings had solidified her reputation within Portland's and communities, setting the stage for her transition to more structured musical pursuits.

Career

Pre-Jefferson Airplane

Signe Toly Anderson began her professional career as a vocalist in , during the early , performing and standards in local nightclubs. Building on her high school musical experiences, she established herself in the city's vibrant scene, singing with a soulful that drew audiences to venues where she honed her stage presence through regular gigs. In 1965, Anderson relocated to , immersing herself in the burgeoning and rock music community amid the city's emerging . She quickly connected with the local scene by performing at key spots like the Drinking Gourd, a popular club that served as a hub for aspiring musicians transitioning from traditional genres to the psychedelic sounds taking shape. Her sets there showcased her versatility, blending with , which caught the attention of influential figures in the Bay Area. During one of her appearances at the Drinking Gourd, , who was assembling a new folk-rock band, heard Anderson and invited her to audition as co-lead vocalist. Impressed by her powerful delivery and harmonic potential, Balin saw her as an ideal counterpart to his own style, leading to her recruitment into what would become . This opportunity marked the culmination of her pre-Airplane path, shifting her from regional performer to a foundational voice in San Francisco's .

With Jefferson Airplane

In the summer of 1965, Signe Toly Anderson joined as the band's original female vocalist, recruited by founder after he heard her performing and in venues. She shared lead vocal duties with Balin, contributing to the group's folk-rock sound alongside guitarist , lead guitarist , bassist , and drummer . The band made its public debut as Jefferson Airplane on August 13, 1965, at the Matrix club in San Francisco, co-owned by Balin, where Anderson's harmonies and blues-inflected style helped establish their early chemistry. Throughout 1965 and 1966, they built a following with live shows at key Bay Area spots, including the Fillmore Auditorium, blending original material with covers that showcased Anderson's versatile phrasing. Anderson's studio contributions culminated in the band's debut album, , recorded in early 1966 and released on August 15 by RCA Victor. She provided lead vocals on tracks like "Chauffeur Blues," a that highlighted her raw, emotive delivery, and shared leads or prominent harmonies on "Chimes of Freedom" (a cover) and "Runnin' Round This World," helping define the album's blend of , , and emerging psychedelic elements. Her tenure ended after the band's performance on October 15, 1966, at Auditorium, marking her final show with the group. This performance was later released as the live Live at the Fillmore Auditorium 10/15/66 (Late Show – Signe's Farewell) in 2010. Anderson departed to focus on family following the birth of her first child earlier that summer, a decision driven by her priorities as a new mother. She was soon replaced by , shifting the band's dynamic as they gained national prominence.

Post-Airplane musical activities

After leaving in 1966 to focus on her family, Anderson returned to , where she performed sporadically with local ensembles. In the late 1970s and early 1980s, she sang with the jazz-influenced group Carl Smith and the Natural Gas Company, contributing vocals to their performances in the regional scene. In the early 1990s, Anderson rejoined former bandmates for guest appearances, including several shows with as part of . Notable performances included an unplugged set in on March 26, 1993, featuring songs like "Get Together," and another in on August 13, 1993, where she delivered "High Flyin' Bird." These collaborations highlighted her enduring vocal harmonies alongside Kantner and bassist . Later in her career, Anderson participated in reunion and solo outings tied to commemorative events. She appeared at the Music Hall of Fame induction ceremony on October 4, 2014, at the Theater in , performing select tracks from her era as part of the celebration honoring her contributions. These intermittent engagements underscored her selective return to the stage, prioritizing personal life over a full-time musical pursuit.

Personal life

Marriages and children

Signe Toly Anderson married Jerry Anderson, a member of the , in 1965 shortly after joining . Their marriage lasted until their divorce in 1974. During this period, in 1966, she gave birth to their daughter, . Following her divorce, Anderson married building contractor Michael Alois Ettlin in 1977. From this marriage, she had a second daughter, Onateska. Ettlin died in 2011 at the age of 62. After leaving , Anderson returned to , to raise her family.

Health issues

In her thirties, during the mid-1970s, Anderson was diagnosed with cancer and successfully recovered following treatment. Anderson endured a series of health problems beginning in the mid-1970s that continued into her later years, most notably a long-term battle with (COPD). These challenges profoundly affected her life, prompting her withdrawal from full-time musical pursuits in favor of stable employment to maintain financial security amid ongoing medical needs.

Death and legacy

Death

Signe Toly Anderson died on January 28, 2016, at the age of 74, in her home in , from complications of (COPD), a condition she had battled for years. Her death occurred on the same day as that of her former bandmate , who was also aged 74. Anderson's daughter, Onateska Ladybug Sherwood, confirmed the passing and stated that her mother died peacefully at home. The news was first reported by media outlets including on January 31, 2016, and on February 2, 2016, highlighting Anderson's role as an original member of . Surviving founding members of the band issued tributes shortly after. Guitarist wrote on his , "Signe was one of the strongest people I have ever met. She was our den mother in the early days of the Airplane...a voice of reason on more occasions than one...an important member of our dysfunctional little family." Co-founder described her as "one sweet lady who sang with us in the early days. We will miss her."

Legacy

Anderson served as a pioneering female vocalist in the nascent movement, contributing to the distinctive through her role as the original lead singer of on their debut album (1966). Her performances helped establish the band's folk-blues-inflected style that evolved into the hallucinatory emblematic of the scene, influencing subsequent acts in the genre. In recognition of her foundational contributions to music, Anderson was inducted into the Oregon Music Hall of Fame in 2014 as part of the artists category, honoring her roots and early career in and before joining the . Following her death in 2016, Anderson received posthumous appreciation in major music publications and historical accounts of 1960s , where she is noted for embodying the era's free-spirited ethos as an original member. She appears in retrospectives on the band, such as Joel Selvin's Got a Revolution!: The Turbulent History of the (2007), which chronicles her brief but impactful tenure amid the 's rise, and documentaries like Fly (2004), which features archival footage and interviews highlighting her early contributions to the group's sound.

References

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