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Spangenhelm

The Spangenhelm is a type of early medieval combat helmet distinguished by its segmented construction, in which multiple metal strips—typically iron—are riveted together to form a structural framework, with smaller plates fitted between the strips to create a protective, often conical dome covering the crown of the head.^[1] The term "Spangenhelm" originates from the German word Spangen, meaning "strips" or "braces," directly referencing these key structural elements that provide both rigidity and modularity to the design.^[1] This helmet type frequently included a protruding nasal guard to protect the face and, in some variants, attachments for cheek pieces or a nape guard, making it suitable for infantry and cavalry use in close-quarters battle.^[2] Emerging in Late Antiquity, the Spangenhelm saw widespread adoption across Eurasia from the 6th to the 10th centuries, influencing military headgear among the Byzantine Empire, Germanic tribes, Avar nomads, and early Islamic armies.^[2] Archaeological evidence, such as the fragmentary iron Spangenhelm discovered in a 6th-century granary at Capidava in modern-day Romania and dated to around 580–586 CE, illustrates its practical, all-iron construction using four principal strips to form a bowl approximately 19–20 cm in diameter, classified as an "Egyptian type" reflecting regional adaptations in the Lower Danube area.^[1] More elaborate examples, produced in Byzantine workshops between the mid-5th and late 6th centuries, incorporated copper alloy and gold gilding along with symbolic decorations—such as birds pecking at grapes representing Christian themes—for elite military leaders allied with the empire.^[2] These helmets often served as diplomatic gifts or grave goods, appearing in tombs of Ostrogothic and Germanic chieftains from Italy and the Balkans to France, Germany, and even Libya, with at least 44 known complete or partial specimens surviving today.^[2] The Spangenhelm's design marked a transitional evolution from rigid Late Roman helmets to the more flexible nasal helmets of the High Middle Ages, offering improved ventilation, lighter weight, and ease of repair through its riveted segments, which allowed for local fabrication using basic metalworking techniques.^[1] Its prevalence underscores the cultural exchanges along trade and migration routes during a period of empire collapse and nomadic incursions, eventually giving way to fully enclosed great helms by the 12th century as armor technology advanced.^[2]

Construction and Design

Structural Framework

The Spangenhelm is defined by its distinctive construction, utilizing a framework of interconnecting metal strips—termed spangen in German—to which smaller plates are riveted, forming the enclosed skull that protects the wearer's head.^[3] This segmented method contrasts with one-piece helmets, relying on the strips to provide primary structural support while the plates fill the interstices to create a continuous surface.^[4] The core structure generally features 4 to 6 longitudinal iron strips that radiate from a central point or crown, converging to shape a conical or rounded dome, often reinforced by a brow band at the forehead and a base band, with overlapping segments along the joins to distribute impact forces and enhance durability.^[1]^[4]^[3] In examples like the 6th-century Capidava helmet, four such strips form the primary skeleton, attached to a circular base band and topped by a small crown plate.^[1] Riveting techniques are central to assembly, employing iron rivets—often spaced about 30 mm apart—to affix the plates securely to the strips, permitting precise adjustments in curvature without the labor-intensive process of forging an integral dome.^[4]^[5] This approach, evident in the early 7th-century Temple Mount artifact, uses simple iron rivets hammered through pre-drilled holes, allowing the framework to flex slightly during fitting while resisting deformation under stress.^[4] The design's engineering yields a lightweight yet rigid form, ideal for production with rudimentary tools like hammers and anvils, as the modular components could be prefabricated and assembled on-site.^[3] It promotes natural ventilation via gaps between plates before full enclosure and conforms closely to the head's contours through its adaptable segmentation, reducing weight while maintaining protective integrity.^[3]^[4] Measurements from archaeological finds and informed replicas illustrate the scale: the total height spans 20-30 cm, and the base circumference—around 60 cm in reconstructed examples—could be fine-tuned via lacing at the rear joins for individual fit.^[6]^[1]^[7]

Materials and Manufacturing

The primary materials for Spangenhelms consisted of iron or low-carbon steel for the structural strips and plates, typically in thicknesses equivalent to 16-18 gauge (approximately 1.2-1.6 mm) to balance protection and weight.^[5]^[6] Elite variants occasionally incorporated bronze or copper alloy elements for bands and rivets, enhancing corrosion resistance and allowing for decorative gilding.^[5]^[8] Internal liners and suspension systems were made from leather or fabric, providing padding and fit adjustment while absorbing impacts.^[8] Manufacturing began with forging or cutting iron sheets into strips and plates using basic blacksmith techniques, followed by bending the strips into curved arcs to form the helmet's framework.^[5] Rectangular or scale-like plates were then inserted into the gaps between strips and secured with iron or bronze rivets, often spaced 30 mm apart for structural integrity.^[4] Edges were finally polished to reduce snags and improve wearability, a process feasible with simple tools like hammers, anvils, and punches, enabling production at village smithies without specialized equipment.^[5] The liner was constructed from padded leather, often sewn or tied to the interior frame with straps or additional rivets along the lower edge.^[8] This design allowed the helmet to conform to the wearer's head while distributing pressure from the rigid metal exterior. Durability was achieved through high rivet density, typically 4-6 per segment along plate edges, which evenly distributed forces during impacts and minimized weak points.^[4]^[8] Archaeological examples show repairs via additional rivets or lacing on worn sections, demonstrating the helmet's adaptability for prolonged field use.^[5]

Historical Development

Origins and Early Examples

The term Spangenhelm derives from the German words Spangen (metal braces or strips) and Helm (helmet), a designation introduced in 19th-century archaeological scholarship to describe helmets constructed from segmented metal bands forming a structural framework. This etymology highlights the helmet's defining feature: iron or steel strips riveted together to support plates, creating a conical or rounded dome.^[1]^[9] The Spangenhelm likely originated among Iranian nomadic tribes, including the Sarmatians and Alans, in the Eurasian steppes during the 2nd to 3rd centuries AD, where it emerged as a practical head protection for mobile warriors. These helmets spread westward through migrations across southern Russia and Ukraine, reflecting the dynamic interactions of steppe cultures. Early designs drew possible influences from Sasanian Persian prototypes and Parthian segmented armor traditions, which emphasized flexible, lightweight construction suited to cavalry operations in vast open terrains. Archaeological studies confirm this steppe association, with the helmet's morphology evolving from earlier pseudo-Attic and conical forms prevalent in Sarmatian burials.^[10] By the 3rd century AD, the Spangenhelm entered the Roman military sphere, appearing among auxiliary forces amid increasing barbarian influences. This adoption underscored the Roman army's integration of foreign equipment during a period of reform and crisis.^[11] Pre-medieval examples from the 4th century, primarily fragmentary, have been recovered from Crimea and the broader Black Sea region, illustrating the helmet's early form before widespread European dissemination. Notable finds include iron strip remnants from a warrior burial near the Karantinnoye Highway in Kerch, Crimea, featuring basic frameworks of four to six bands without nasal guards or elaborate fittings. These artifacts, often associated with Sarmatian or Alan contexts, demonstrate the Spangenhelm's initial simplicity and utility in nomadic warfare.^[10]

Adoption in Europe

The Spangenhelm was introduced to Western Europe during the 5th century AD via the migrations and invasions associated with Hunnic and Gothic forces, spreading through interactions with Germanic tribes such as the Ostrogoths, Heruli, and Gepids during the Migration Period.^[12] This design quickly gained traction among the Merovingian Franks, as evidenced by high-quality examples like the gilded Baldenheim helmet from Alsace, dated to the 6th century and discovered in a warrior's grave. Similarly, Anglo-Saxon warriors adopted the type, with the Shorwell helmet from the Isle of Wight representing an early 6th-century Frankish-influenced specimen, reconstructed from fragments held by the British Museum.^[13] These helmets served both infantry and cavalry in decentralized early medieval armies, valued for their modular construction that allowed field repairs using basic tools and materials during extended campaigns.^[1] In military contexts, the Spangenhelm became common in 6th- to 8th-century conflicts across Europe, including those of the Carolingian Empire under Charlemagne, where it provided essential head protection in battles against Saxon and Lombard foes.^[9] Its segmented frame of iron strips and plates offered a balance of protection and weight, making it suitable for the diverse forces of the era, from elite retinues to levied troops. Iconographic evidence, such as depictions in the early 9th-century Corbie Psalter (Amiens, Bibliothèque municipale MS 18), portrays warriors wearing these helmets in combat scenes, underscoring their prevalence in Frankish warfare.^[9] Among elites, the Spangenhelm symbolized warrior status, often customized with gilding or Christian motifs, and frequently paired with a mail coif for enhanced neck defense, as seen in high-status burials like Baldenheim.^[6] The Spangenhelm dominated European helmet designs from approximately 500 to 900 AD, representing the most common type in archaeological finds across regions from Scandinavia to the Balkans, reflecting its adaptability in post-Roman societies.^[6] By the 10th century, however, it began to decline in central Europe due to advances in metallurgy that enabled the forging of stronger, one-piece nasal helmets, which offered superior integrity without seams.^[9] The design persisted longer in peripheral areas like Scandinavia, where resource constraints and traditional craftsmanship delayed the shift to solid constructions.^[1]

Artifacts and Evidence

A significant archaeological find illustrating the Spangenhelm's construction is a 6th-century iron example discovered at Capidava in Romania, consisting of 23 fragments that form a four-panel bowl riveted together with iron strips, though no nasal guard was preserved in this instance.^[5] This helmet, dated to around AD 580-586 based on its context in a destroyed granary complex, represents a utilitarian military piece typical of late Roman frontier defenses. Recent 2024 analysis using X-ray imaging and 3D modeling has confirmed details such as 16-gauge iron strips and riveting patterns, revealing non-invasive insights into its manufacture.^[5] In England, a 7th-century helmet from the Sutton Hoo ship burial provides evidence of Anglo-Saxon adoption, recovered as part of hundreds of rusted iron pieces that were reconstructed to reveal a segmented design with copper alloy fittings.^[14] Buried around AD 620-625, this artifact highlights the helmet's role in elite burials, with its iron construction suggesting combat functionality despite ceremonial elements.^[14] A well-preserved 6th-century Byzantine Spangenhelm in the Metropolitan Museum of Art features iron panels with copper alloy and gold gilding across the surface, including symbolic motifs like birds and human figures.^[2] This helmet, originally equipped with cheekpieces and a nape guard, exemplifies high-status production for regional leaders, with the gilding indicating imperial craftsmanship.^[2] Scandinavian evidence from the 9th century includes Viking-era helmet remnants excavated at Birka in Sweden, where fragments of two potential helmets suggest variants adapted for local use.^[15] Artistic depictions in the Oseberg tapestry, from an early 9th-century Norwegian ship burial, further illustrate helmeted figures, likely representing warriors in headgear during processional scenes.^[16] Modern analysis of these artifacts employs X-ray imaging and metallurgical techniques to verify construction details, such as the riveting patterns and material thickness without invasive damage.^[5] Dating often relies on associated grave goods, like pottery or weapons, to contextualize finds within broader chronological frameworks.^[5] Over 50 Spangenhelm fragments have been identified across Europe, with notable concentrations in the Rhine Valley and along the Danube frontiers, underscoring extensive trade networks that distributed these helmets from Byzantine production centers to barbarian elites.^[17] For instance, approximately 30 complete or partial examples from a mid-6th-century context at Novae on the Danube highlight the density of finds in frontier zones.^[18]

Variants and Regional Adaptations

Nasal and Face Protection Variants

Spangenhelms were frequently adapted with nasal bars to enhance facial protection, typically consisting of a flat or rounded iron strip riveted to the forehead band and projecting downward over the nose. These nasals, often integral to the helmet's construction, measured approximately 5 to 10 cm in length and were designed to shield the nose and upper face from direct blows while maintaining clear visibility for the wearer.^[6] The evolution of face coverage in Spangenhelms progressed from simple nasals in early 5th-century examples, which provided basic central facial defense, to more comprehensive protections in the 7th through 9th centuries. Later variants incorporated cheek flaps, such as D-shaped metal plates laced or hinged to the sides of the helmet, offering additional safeguarding for the jaw and lower face against slashing attacks. These additions were compatible with chainmail aventails that draped over the neck and shoulders, creating a layered defensive system.^[6]^[19] Such nasal and face protection variants were particularly prevalent in Frankish and Lombard armies during the early Middle Ages, reflecting influences from Byzantine and Germanic military traditions. A notable example is the 6th-7th century Spangenhelm recovered from the Saône River near Trévoux, France, featuring an integral nasal, metal cheek pieces, and decorative punched patterns on the straps, indicative of high-status craftsmanship. These enhancements provided functional benefits by deflecting frontal strikes and reducing vulnerability to facial injuries in close combat.^[6] Despite these improvements, nasal variants retained limitations inherent to their design, lacking full visors and thus leaving the mouth and lower chin exposed to thrusts or hooks. The addition of cheek flaps and nasals typically increased the helmet's overall weight by about 0.5 to 1 kg, though this was offset by the segmented construction's balance and ventilation.^[6]

Decorative and Crested Forms

Inlays and engravings provided aesthetic enhancement, with silver, gold, or niello applied to the metal strips forming the helmet's frame. Motifs such as crosses, animal heads, or symbolic figures were engraved and filled with these materials to create high-contrast designs, as evidenced in 6th-7th century Germanic examples possibly linked to Lombard craftsmanship. These decorations not only beautified the helmet but also incorporated religious or cultural iconography, reflecting the wearer's affiliations.^[6]^[20] Elite variants of the Spangenhelm were crafted for nobility, featuring polished bronze or gilt iron surfaces that elevated their status beyond mere protection. These versions, weighing approximately 2.1 kg, were often reserved for ceremonial parades rather than frontline combat, emphasizing display over durability. A well-preserved 6th-century Byzantine example, gilded with depictions of human figures, animals, and Christian symbols like birds pecking grapes, underscores their role among regional military leaders allied with the empire.^[2] Crests on Spangenhelms, when present, carried significant cultural symbolism, particularly in denoting rank, drawing from late Roman traditions where plumes denoted officers. Evidence from Carolingian art illustrates hierarchical distinctions in elite contexts through decorative elements.^[21] The preservation of organic crest materials poses substantial challenges, as horsehair and feathers rarely survive archaeological contexts due to decomposition. Knowledge of these elements is thus primarily inferred from contemporary illustrations in late Roman and Byzantine art.^[21]

Regional Adaptations

Spangenhelms were adapted regionally across Eurasia. In the Avar Khaganate (6th-8th centuries), helmets often featured reinforced brow bands and integrated mail coifs, reflecting nomadic cavalry needs, as seen in finds from the Carpathian Basin.^[1] Early Islamic armies adopted spangenhelm variants, particularly ridge-helm types with taller domes and decorated nasals, influenced by Sasanian designs, evident in 7th-8th century artifacts from Syria and Iraq. These adaptations emphasized lighter construction for desert warfare.^[20]

Similar Contemporary Designs

Ridge helmets, prevalent in late Roman and early medieval contexts, shared a segmented construction with the Spangenhelm but featured fewer, broader plates aligned along a prominent central fore-and-aft ridge, rather than the radial strips typical of Spangenhelms.^[11] This design provided a more streamlined profile suited to infantry use, as seen in examples from the 4th to 7th centuries.^[11] Among Anglo-Saxons, the Northampton Pioneer helmet from the late 7th century exemplifies this type, constructed with iron plates riveted to form a ridge crest and boar motifs, emphasizing status and protection with less emphasis on the conical segmentation of Spangenhelms.^[13] Scale helmets, common in Roman and Parthian cavalry from the 1st to 4th centuries, consisted of overlapping metal scales sewn onto a leather or fabric cap, offering flexibility but inferior overhead rigidity compared to the Spangenhelm's fixed metal strips.^[22] This construction, analogous to the lorica squamata body armor, allowed for lighter weight and mobility, though it was prone to gaps under direct blows, contrasting the Spangenhelm's frame-supported plates that enhanced structural integrity for equestrian combat.^[22] Lamellar helmets, originating in Eastern Asian and Sasanian traditions during the 3rd to 7th centuries, utilized small rectangular plates laced together with cords or leather, paralleling Spangenhelm influences from Sasanian Persia but differing in assembly method—lacing for adjustability versus rivets for rapid, durable construction.^[23] Sasanian examples often featured band-like arrangements without a basal ring, providing scalable protection that was more labor-intensive to repair than the Spangenhelm's riveted framework.^[23] Key distinctions across these designs include the Spangenhelm's hybrid approach of riveted metal spangen to a foundational frame, which balanced cost and efficacy for auxiliary forces, unlike the fully riveted casques of core Roman infantry helmets or the tied plates of lamellar types.^[11] Overlaps appear in shared nasal guards, as with late Roman Intercisa ridge helmets from the 4th century, and the Spangenhelm's conical form, which accommodated nomadic riding postures akin to Sasanian cavalry practices.^[24]

Successors and Influences

The Spangenhelm's segmented construction, relying on riveted metal frames to join plates, directly influenced the development of the great helm in the 11th and 12th centuries, where early barrel-shaped variants incorporated similar riveting techniques to reinforce the skull against impacts. These transitional designs, often seen in Norman crusader gear during the Crusades, evolved from the Spangenhelm's modularity to provide fuller head enclosure while maintaining structural integrity through multiple riveted plates, as evidenced by artifacts like the Dargen helm (ca. 1250–1300) featuring five riveted segments weighing approximately 2.25 kg.^[25]^[26] By the 13th century, the Spangenhelm's legacy persisted in the bascinet, a pointed helmet that retained segmented or ridged panels to distribute weight and enhance lightness, allowing greater mobility for knights compared to fully enclosed predecessors. This evolution is apparent in surviving examples from the Churburg armory, such as the 14th-century Churburg #13 bascinet, which weighs 5.7 kg including its visor and aventail, demonstrating how segmented elements from earlier Spangenhelms contributed to balanced protection without excessive bulk.^[27] In Eastern traditions, the Spangenhelm endured into the 14th century among Ottoman and Mongol forces, adapting into taller, sometimes fluted variants that built on its frame-based design for use in nomadic and imperial armies. These evolutions reflected the helmet's Central Asian roots, with Islamic adaptations maintaining the spangen (strip) construction for two or four plates, as documented in Persian and Turkish military contexts. Advancements in forging techniques during the High Middle Ages reduced the need for multiple segments, enabling smoother, one-piece skulls in successor helmets while the Spangenhelm's modular riveting inspired repairable field armor that could be disassembled and fixed on campaign. By the late 14th century, such innovations allowed for streamlined designs like the bascinet with detachable mail camails, prioritizing durability and ease of maintenance in prolonged warfare.^[28]^[25] Since the 20th century, historical reenactment groups have produced replicas of the Spangenhelm using original riveting and plate-joining methods to evaluate its performance in simulated combat, confirming the design's effectiveness in resisting cuts and pierces through practical testing. These reconstructions, often crafted from mild steel, underscore the helmet's role in understanding medieval armor dynamics without modern reinforcements.^[29]

References

[1]
A 6th Century Iron Spangenhelm from Capidava - Academia.edu
The Capidava Spangenhelm, dated to the 580s AD, comprises 23 fragmented iron pieces. Virtual restoration techniques were employed to reconstruct the helmet ...
[2]
Helmet (Spangenhelm) - Byzantine - The Metropolitan Museum of Art
This 6th-century Byzantine helmet, made of iron, copper alloy, and gold, was for military leaders and features rich imagery and Christian symbolism. It was ...Missing: medieval | Show results with:medieval
[3]
Deir El-Medina Helmet - Magister Militum
“Spangenhelm” is a term of German origin used to refer to a helmet constructed of metal strips ... riveted at the “peak” over the junction of the six strips.
[4]
(PDF) 'A spangenhelm-type helmet' - Academia.edu
The Spangenhelm-type helmet was excavated near the Temple Mount, dating to the early seventh century CE. · The helmet's construction features four triangular ...
[5]
A 6th Century Iron Spangenhelm from Capidava - ResearchGate
Nov 28, 2024 · ... Spangenhelm are the Spangen, which are typically made. from iron or cooper alloy. These metal strips are riveted together to form the ...
[6]
Helmet (Spangenhelm) - Byzantine or Germanic
The quality of the helmets and their diverse find sites suggest that they were made as diplomatic gifts to foreign rulers, perhaps sent from the Byzantine court ...
[7]
Finally an English Spangenhelm (Shorwell) - Thegns of Mercia
Dec 6, 2012 · The helm is composed of a simple 6cm wide brow-band to which is fixed two bands crossing at right-angles. The spaces between the spangen are ...Missing: strip width thickness
[8]
helmet | British Museum
A single helmet from Dura suggests that in the 3rd century helmets were made by combining two iron half-shells. Rounded-conical spangenhelm type helmets ...Missing: origin | Show results with:origin
[9]
Carolingian Arms and Armor in the Ninth Century - De Re Militari
Feb 23, 2014 · One conical helmet type which probably was worn by the Carolingians is the Spangenhelm. The name derives from the six or more metal Spangen ...
[10]
(PDF) Sarmatian age helmets from Eastern Europe - ResearchGate
Their morphology and origins, chronology of types and finds, ethnic belonging of sites with helmets, contacts and historical context of finds are studied.
[11]
'Late Roman military equipment culture', in Sarantis, A. and Christie ...
The paper explores the cultural components of Late Roman military equipment through the examination of specific categories: waist belts, helmets, ...
[12]
an archaeological assemblage with a spangenhelm from south-west ...
According to Macedonian is visible on the helmet from Krefeld-Gellep upon scholars, this helmet could have been produced the Rhine. The T-shaped ridges of the ...
[13]
There are FIVE Anglo-Saxon Helmets (and the Staffordshire Helm ...
Feb 7, 2021 · The helmet itself comprised of a framework of thin iron strips riveted together, surmounted by a boar-figure which further analysis showed was ...Missing: definition | Show results with:definition
[14]
helmet | British Museum
Iron helmet with copper alloy fittings, consisting of many individual fragments now built into a reconstruction made using jute textile and plaster. The ...Missing: Spangenhelm | Show results with:Spangenhelm
[15]
The Fragment of a Viking Age Helmet from Mindegård, Denmark
Jun 23, 2024 · The fragment is usually dated to the period 950 – 975, based on the presence of sheets decorated in the Jelling and Mammen styles in the same hoard.Missing: peak 500-900
[16]
Oseberg tapestry: Viking Age artwork from a boat burial that may ...
May 19, 2025 · One reason the Oseberg tapestry is famous is its unique depiction of a horned helmet. Horned Viking helmets have long captured the ...
[17]
a case study of segmental helmets and lamellar weapons
The Empire's influence on the barbarian elites from the Pontic region to the Rhine (5th-7th centuries) : a case study of segmental helmets and lamellar weapons.
[18]
https://www.romanarmytalk.com/rat/showthread.php?tid=23995
[19]
Evidence from Dura Europos for the origins of late roman Helmets
It seems most likely that the true Spangenhelm came to the Roman world across the lower Danubian frontier during the late first century AD if not earlier, and ...<|control11|><|separator|>
[20]
The Decoration of European Armor - The Metropolitan Museum of Art
Oct 1, 2003 · The majority of armor used during the six or seven centuries between the fall of Rome and the early medieval period consisted of helmets, shirts ...
[21]
[PDF] Arms and Armor: From the Permanent Collection
The Metropolitan Museum's arms and armor collection includes pieces from the 5th-19th centuries, including Japanese, European, and Islamic objects, and recent ...Missing: evidence | Show results with:evidence
[22]
HELMET ii. In the Islamic Period - Encyclopaedia Iranica
They were composed of two (Bandhelm) or four (Spangenhelm) iron plates. The joints were covered with metal bands that, together with the rim and the cap on top ...Missing: origin | Show results with:origin
[23]
Carolingian Armor -- myArmoury.com
Mar 21, 2022 · Whether the two red-crested helmets with the prominent brow reinforcement represent an actual sub-type we don't currently have an archaeological ...
[24]
In Normandy, discover the Bayeux Tapestry scene by scene
The Bayeux Tapestry is an embroidery telling the story of the 1066 conquest of England by William, Duke of Normandy, and is nearly 70 meters long.Online - Bayeux Museum · Visiting Bayeux · Tapestry or embroidery? · Find out moreMissing: Spangenhelm organic crests
[25]
The Bayeux Tapestry - Smarthistory
The Bayeux Tapestry, made around 1070, is a 230-foot long embroidered wool on linen work depicting the Norman conquest of England, with 75 scenes.Missing: Spangenhelm organic crests
[26]
Roman Cavalry Equipment - Bryn Mawr Classical Review
Jun 26, 2003 · For example, one of the three helmets found at Heddernheim represents a splendidly ostentatious example of cavalry showmanship.
[27]
(PDF) Sasanian lamellar helmets - Academia.edu
Sasanian lamellar helmets exhibit distinct typologies, notably cross-band and band helmet forms. · The study focuses on unexplored variations of Iranian lamellar ...
[28]
https://www.metmuseum.org/essays/arms-and-armor-in-medieval-europe
[29]
[PDF] GREAT HELMS AND THEIR DEVELOPMENT INTO HELMETS
This article shows the results from the analysis made on a group of helmets dated from late 12th century to early. 15th century.<|separator|>
[30]
None
Summary of each segment:
[31]
The 14th Century Bascinet -- myArmoury.com
The Churburg #13 bascinet with its visor and aventail weighs 5.7kg (12.56lb). The weight of the German bascinet in The Royal Armouries (iv 467) is 1420g (3lb ...
[32]
Arms and Armor in Medieval Europe - The Metropolitan Museum of Art
Oct 1, 2001 · Helmet (<i>Spangenhelm</i>), Steel, copper alloy. Helmet (Spangenhelm). Byzantine or Germanic. 6th–7th century. Two Shield Bosses (Umbos), Iron ...
[33]
Vendelperiod Clothing and armour -- myArmoury.com
May 15, 2008 · Sheet metal has very good resistance to cuts from swords, even thin metal. It is piercing and mass impact that defeats sheet metal.<|control11|><|separator|>