Steven Conrad
Steven Conrad (born 1968) is an American screenwriter, film producer, and director.[web:50] Best known for his work on heartfelt dramas and action thrillers, Conrad has penned screenplays for major films including The Pursuit of Happyness (2006), starring Will Smith, Unstoppable (2010), directed by Tony Scott, and The Secret Life of Walter Mitty (2013).[web:32] He also created and wrote the critically acclaimed Amazon Prime series Patriot (2015–2018), a dark comedy about intelligence operatives, and adapted R.J. Palacio's novel for the family film Wonder (2017).[web:29] Born in Fort Lauderdale, Florida, Conrad briefly attended Florida State University before transferring to Northwestern University, where he majored in English.[web:50] At age 19, he sold his first screenplay, Wrestling Ernest Hemingway (1993), which marked the beginning of his Hollywood career and featured his brother, actor Chris Conrad, in a supporting role.[web:50] Conrad's early successes include writing and producing The Weather Man (2005), a dramedy starring Nicolas Cage, and directing his own script for The Promotion (2008), a comedy about corporate rivalry.[web:33] Based in Chicago as of 2019, Conrad has balanced feature films with television, contributing to projects that often explore themes of personal struggle, family, and redemption, including the animated series Ultra City Smiths (2021) and the upcoming HBO limited series DTF St. Louis (2025).[web:50] His brother Chris Conrad has frequently appeared in his productions, including Patriot and Perpetual Grace, LTD. (2019), another series Conrad created for Epix.[web:55] Conrad's writing style, characterized by sharp dialogue and emotional depth, has earned him nominations and praise within the industry, though he remains relatively private about his personal life.[web:32]Early life and education
Childhood and family
Steven Conrad was born in 1968 in Fort Lauderdale, Florida, where he was raised alongside his three brothers: Tim, Chris, and Mike.[1] The family resided in the area, with his parents remaining in Fort Lauderdale into adulthood.[1] His mother, Bernice Conrad, worked as a seventh-grade teacher at St. Gregory the Great Catholic School in nearby Plantation, Florida, instilling a Catholic upbringing in her sons.[1] Family dynamics shifted during Conrad's teenage years when his parents divorced, prompting his older brother Tim to assume greater responsibilities as the "man of the house" while Conrad pursued his creative interests.[2] His father played a role in broadening Conrad's perspectives by introducing him to comedy, such as George Carlin's album FM & AM, which helped expand his worldview beyond the Catholic framework shaped by his mother.[2] This environment fostered an appreciation for humor and storytelling, influenced by family-supported exposure to television shows like Miami Vice and music from artists such as Uncle Tupelo. Conrad's younger brother, Chris Conrad, showed early interest in the arts through acting, studying at the Piven Theatre Workshop after high school and later moving to Los Angeles with Steven to pursue opportunities, reflecting the family's encouragement of creative endeavors.[3] Growing up in Florida's local scene provided additional outlets for artistic expression, including theater and performance, which aligned with the brothers' shared interests in entertainment.[4]Higher education
After briefly attending Florida State University, Steven Conrad transferred to Northwestern University in Evanston, Illinois.[5][6] At Northwestern, Conrad majored in English, with a focus on creative writing coursework that shaped his approach to narrative development.[1][6] He became involved in the local filmmaking community through organizations like Chicago Filmmakers, gaining practical experience beyond formal classes that influenced his storytelling techniques.[6] Conrad graduated from Northwestern in the early 1990s and chose to remain in Chicago afterward, drawn to the city's vibrant creative environment as a foundation for his writing pursuits.[7][6]Career
Early writing and breakthrough
Steven Conrad entered the world of screenwriting as a teenager. In 1988, at the age of 19, he achieved an early milestone by selling his debut screenplay, Wrestling Ernest Hemingway.[8] This sale marked a rare breakthrough for such a young writer, establishing initial credibility in Hollywood despite his lack of formal industry connections at the time.[9] The screenplay's production, culminating in the film's 1993 release under director Randa Haines, brought Conrad brief recognition but also highlighted the precarious nature of early success in screenwriting.[8] Following its modest box office performance, he encountered significant challenges, including a prolonged dry spell that lasted approximately a decade with few viable opportunities.[8] During this period, Conrad supported himself with a day job while dedicating evenings and weekends to crafting multiple unproduced scripts, emphasizing the need to generate work in batches—often in sets of three or four—to offset the low odds of any single project advancing to production.[8] Rather than relocating to Los Angeles, a common path for aspiring screenwriters seeking proximity to studios and agents, Conrad remained based in Chicago, where he lived frugally in a modest studio apartment.[9] This decision allowed him to build his portfolio through persistent development of original material, including lesser-known works that remained unproduced but refined his voice in character-driven dramas.[7] He networked sporadically by traveling for meetings, balancing the isolation of Midwestern life with targeted industry engagements that gradually expanded his professional circle.[7] This phase of trial and refinement underscored the resilience required in Hollywood's competitive landscape, setting the foundation for Conrad's later achievements.[9]Film projects
Conrad's entry into major film projects began shortly after his early screenplay sale, marking a transition to high-profile Hollywood productions. His first significant feature credit came with The Weather Man (2005), for which he wrote the screenplay and served as a co-producer. The film, directed by Gore Verbinski and starring Nicolas Cage as a Chicago weatherman navigating personal and professional turmoil, drew from Conrad's own observations of Midwestern life and family dynamics.[10][11] In 2006, Conrad adapted Chris Gardner's autobiography into the screenplay for The Pursuit of Happyness, directed by Gabriele Muccino and starring Will Smith as the real-life stockbroker who endured homelessness while raising his son. The film emphasized themes of perseverance amid adversity, grossing over $307 million worldwide and generating significant awards buzz for its emotional depth and performances.[12][13] Conrad's script captured the human drama of striving for stability in the face of systemic barriers, a motif that would recur in his later work.[14] By the mid-2000s, Conrad expanded into thrillers with screenplays for Untraceable (2008), a cybercrime story directed by Gregory Hoblit, and Eagle Eye (2008), a high-stakes surveillance thriller helmed by D.J. Caruso. That same year marked his directorial debut with The Promotion, a comedy-drama he also wrote, starring Seann William Scott and John C. Reilly as rival grocery store managers vying for advancement. The film explored workplace rivalries and personal insecurities, blending humor with poignant insights into ambition's toll.[15][16] Conrad's later films continued to blend human drama with tales of resilience. He penned the screenplay for The Secret Life of Walter Mitty (2013), a remake directed by and starring Ben Stiller, which followed a daydreamer embarking on real-world adventures, highlighting themes of self-discovery and breaking routine. In 2014, he co-wrote Draft Day, directed by Ivan Reitman and starring Kevin Costner as a Cleveland Browns general manager making high-pressure decisions during the NFL draft, underscoring perseverance under institutional pressure. Conrad co-wrote the screenplay adaptation of R.J. Palacio's novel for Wonder (2017), directed by Stephen Chbosky, the family drama about a boy with facial differences facing social challenges, which reinforced motifs of empathy and endurance.[17][18] Across these projects, Conrad's work consistently portrayed ordinary individuals confronting life's complexities, prioritizing emotional authenticity over spectacle.[19]Television projects
Conrad transitioned from feature films to television in the mid-2010s, leveraging his experience in crafting character-driven narratives to explore serialized storytelling in long-form series. His debut TV project, the Amazon Prime Video comedy-drama Patriot (2015–2018), marked a significant evolution, allowing him to blend espionage intrigue with deeply personal family dynamics across two seasons of 18 episodes. As creator, writer, and director of multiple episodes, Conrad centered the story on intelligence officer John Tavner, whose covert mission to thwart Iran's nuclear ambitions forces him to navigate corporate cover-ups and strained familial bonds in a tone that mixes dark humor with poignant emotional depth.[20] Building on Patriot's cult following, Conrad co-created and served as showrunner for the Epix neo-noir series Perpetual Grace, LTD (2019), a 10-episode limited series produced by MGM Television and FX Productions. Co-written with Bruce Terris, the show follows a young pastor's elaborate con against a blind ex-sheriff, unfolding in a dusty New Mexico town rife with moral ambiguity and revenge-fueled schemes. Conrad's involvement extended to directing key episodes, emphasizing his shift toward intricate plotting and ensemble casts that highlight human frailty in serialized formats. In 2021, Conrad ventured into animation with Ultra City Smiths, a stop-motion neo-noir musical he created for Adult Swim and AMC+, comprising six episodes. The series investigates the disappearance of a corrupt magnate in a dystopian metropolis, featuring puppet-animated characters voiced by a star-studded cast including Kristen Bell and John C. Reilly, and incorporating original songs to underscore themes of corruption and absurdity. This project exemplified Conrad's post-2021 expansion into experimental TV formats, broadening his influence beyond live-action drama while maintaining his signature blend of whimsy and cynicism.[21][22] Conrad's television oeuvre continued to grow with the announcement of DTF St. Louis in November 2024, a seven-episode HBO limited dark comedy series he is writing, directing, and executive producing, slated for release in 2026. Evolving from his earlier development project My Dentist's Murder Trial, the premise revolves around a love triangle involving a dentist entangled in personal and professional turmoil in St. Louis. Starring Jason Bateman and David Harbour as leads, with supporting roles by Linda Cardellini, Richard Jenkins, Joy Sunday, Chris Perfetti, Arlan Ruf, and others, the series underscores Conrad's ongoing adaptation of film-honed intimacy to TV's expansive narrative potential.[23][24][25][26]Filmography
Films
- 1993: Wrestling Ernest Hemingway – Writer.[27]
- 2005: The Weather Man – Writer, producer.
- 2006: The Pursuit of Happyness – Writer.[27]
- 2008: The Promotion – Director, writer.[27]
- 2013: The Secret Life of Walter Mitty – Writer.[27]
- 2015: Unfinished Business – Writer, executive producer.[27]
- 2017: Wonder – Writer (with Stephen Chbosky and Jack Thorne).[27]
Television
Conrad's television contributions include several series he created, wrote, and directed, often featuring unconventional narratives. Some projects, such as the unaired pilot Timms Valley and the series Ultra City Smiths, incorporate stop-motion animation.- Connie Banks the Actor (2011, unaired pilot, FX): Creator and writer.[28]
- Timms Valley (2013, unaired pilot, IFC): Creator, writer, and director.[29]
- Patriot (2015–2018, Amazon Prime Video): Creator, writer (14 episodes), and director (14 episodes).[30]
- Perpetual Grace, LTD (2019, Epix): Co-creator, writer (10 episodes), and director (6 episodes).[31]
- Ultra City Smiths (2021, AMC+): Creator, writer (6 episodes), and co-director (6 episodes).[22]
- DTF St. Louis (upcoming limited series, HBO/Max): Creator, writer, director, and showrunner (7 episodes).[23]
Personal life
Family relationships
Steven Conrad maintains a close professional and personal relationship with his younger brother, Chris Conrad, an actor who has collaborated on several of his projects. Chris portrayed Dennis McClaren, a key ally to the protagonist in the Amazon series Patriot, appearing across both seasons from 2015 to 2018. Their partnership extends to Perpetual Grace, LTD., where Chris played the role of New Leaf in the 2019 Epix series, showcasing a recurring family dynamic in Conrad's work. This collaboration stems from shared family experiences, including their upbringing, which has influenced their creative synergy.[32] In interviews and public discussions, Conrad has occasionally highlighted the supportive role his family played in his career pursuits, though details remain limited to avoid personal exposure. For instance, he has credited early familial encouragement for his path into writing.[2] Conrad is married to Samantha, with whom he purchased a home in 2004. As of 2016, he resided with his two teenage children, though he keeps details about his immediate family private, with limited public information available beyond that.[33][34]Later residences and interests
After establishing his career in screenwriting, Steven Conrad maintained strong ties to Chicago, where he had attended Northwestern University. In 2004, he and his wife purchased a home in the city's Lakeview neighborhood, which they sold in 2014 for $1.68 million.[33] By 2016, Conrad resided in Lincoln Park, continuing to base his personal life there amid professional commitments that occasionally took him to Los Angeles for film and television work.[34] Conrad has expressed a deep appreciation for his Midwestern roots, crediting them with shaping his perspective on storytelling and everyday human experiences. In a 2017 interview, he highlighted influences from diverse sources, including the novel Independence Day by Richard Ford for its narrative drive and George Saunders' short stories for their empathetic portrayal of ordinary people.[2] His interests extend to comedy and performance, drawing from George Carlin's album FM & AM, Lucille Ball's physical humor, the sketch comedy of The Kids in the Hall, and Charlie Chaplin's multifaceted films.[2] Additionally, he has cited childhood favorites like Rankin/Bass's Rudolph the Red-Nosed Reindeer and the music of the Midwestern band Uncle Tupelo as formative in his creative worldview.[2] Conrad maintains a private personal life, with limited public details on hobbies or community involvement beyond his professional circle. As of 2025, updates continue to focus primarily on his ongoing projects without disclosing changes in residence or lifestyle. His family remains a key support network in his daily routine.[2][35]Awards and nominations
Film awards
Steven Conrad's screenwriting for films has earned him critical recognition through both nominations and a win, underscoring his contributions to heartfelt, character-driven narratives. His most notable honors came for the 2017 adaptation Wonder, co-written with Jack Thorne and Stephen Chbosky, which received widespread praise for its emotional depth and fidelity to R.J. Palacio's novel, including a shared win for the Christopher Award for Feature Films.[36] In 2018, Conrad shared a nomination for the Critics' Choice Movie Award for Best Adapted Screenplay for Wonder, highlighting the film's resonant storytelling amid competition from high-profile releases like Call Me by Your Name and The Post. This recognition from the Broadcast Film Critics Association affirmed the screenplay's impact on audiences, contributing to the film's commercial success with over $300 million in global box office earnings.[37][38] Additionally, Wonder garnered a nomination at the 70th Writers Guild of America Awards in the Adapted Screenplay category, selected from guild-jurisdiction productions for its effective adaptation of source material into a compelling family drama. Despite these nods, Conrad did not win in major awards circuits beyond the Christopher Award. Earlier films like The Pursuit of Happyness (2006) and The Secret Life of Walter Mitty (2013) achieved significant box office performance—grossing $163 million and $188 million worldwide, respectively—but did not yield screenplay-specific guild or critics' awards for Conrad.[39]| Year | Award | Category | Work | Result | Notes |
|---|---|---|---|---|---|
| 2018 | Christopher Awards | Feature Films | Wonder (shared with Jack Thorne and Stephen Chbosky) | Won | Recognized for affirming the highest values of the human spirit.[40] |
| 2018 | Critics' Choice Movie Awards | Best Adapted Screenplay | Wonder (shared with Jack Thorne and Stephen Chbosky) | Nominated | Recognized for emotional adaptation of novel.[37] |
| 2018 | Writers Guild of America Awards | Adapted Screenplay | Wonder (shared with Stephen Chbosky and Jack Thorne) | Nominated | Guild acknowledgment of source material fidelity.[38] |