Stray Kids is an eight-member South Korean boy band formed by JYP Entertainment through a 2017 reality survival show of the same name, officially debuting on March 25, 2018, with the extended play I Am Not.[1][2]The group consists of leader and producer Bang Chan (born October 3, 1997), Lee Know (born October 25, 1998), rapper and producer Changbin (born August 11, 1999), Hyunjin (born March 20, 2000), rapper and producer Han (born September 14, 2000), Felix (born September 15, 2000), Seungmin (born September 22, 2000), and maknae I.N (born February 8, 2001).[3][4]Renowned for their self-produced music—primarily driven by the in-house production trio 3RACHA (Bang Chan, Changbin, and Han)—Stray Kids blend hip-hop, EDM, rock, and traditional Korean elements into an experimental sound that emphasizes raw energy and thematic depth, often exploring youth struggles and resilience.[1]Since their debut, the group has released numerous chart-topping albums and EPs, including Go (2020), their first album certified platinum by the Circle Chart; Oddinary (2022), their first Billboard 200 No. 1; and ATE (2024), marking their fifth consecutive No. 1 debut on the chart.[1][3][5]In 2025, Stray Kids made history as the first music act to debut their first seven albums at No. 1 on the Billboard 200 with KARMA, released on August 22, surpassing BTS's record of six and solidifying their status as one of K-pop's most influential acts. They won five awards, including the Grand Record and a Daesang, at the 2025 Korea Grand Music Awards in November.[6][1][7]They have headlined major festivals like Lollapalooza Chicago and BST Hyde Park in 2024, embarked on sold-out world tours such as the dominATE and celebrATE tour concluding in October 2025, and served as global ambassadors for luxury brands including Versace, Tommy Hilfiger, and Louis Vuitton.[1][8][9]
History
Formation and name origin (2017)
In 2016, JYP Entertainment initiated the formation of a new boy group, entrusting Bang Chan, a long-time trainee, with the role of leader and primary producer to guide the project.[10] Bang Chan, who had joined JYP as a trainee in 2010, selected the members from the company's pool of trainees through internal auditions and evaluations focused on musical talent, performance skills, and creative potential.[10] This process resulted in an initial lineup of nine members, emphasizing collaboration and self-reliance from the outset under the supervision of JYP founder J.Y. Park.[11]The group's name, "Stray Kids," was chosen by Bang Chan and the members in consultation with JYP to encapsulate their underdog identity and mission. "Stray" symbolizes children who stray from conventional paths, representing those who feel lost or marginalized but are determined to carve their own way, while "Kids" highlights their youthful energy and rebellious spirit.[10] As Bang Chan explained, the name reflects their goal "to reach as many ‘stray kids’ as possible" by delivering music that provides strength and encouragement to listeners facing hardships.[10]From inception, Stray Kids was conceptualized as a self-producing, hip-hop-oriented group that prioritizes raw talent and authentic expression over polished idol tropes. The core production unit, 3Racha—comprising Bang Chan, Changbin, and Han—began developing original tracks as early as 2016, blending intense hip-hop rhythms with introspective lyrics on survival and identity.[12] This approach, supported by JYP, set the foundation for their emphasis on member-driven creativity and thematic depth.[10]
Pre-debut and survival show (2017)
In August 2017, JYP Entertainment began documenting the formation and training of its prospective boy group through behind-the-scenes content on its official YouTube channel, setting the stage for the official survival program. The reality show, titled Stray Kids and co-produced with Mnet, premiered on October 17, 2017, airing weekly on Tuesdays at 11:00 p.m. KST, with the goal of showcasing nine trainees' journey to debut as a cohesive unit focused on self-produced music and teamwork. Unlike traditional survival formats with public voting, the program emphasized internal evaluations by JYP founder Park Jin-young, testing the group's resilience through missions that highlighted their creative process and performance skills. A teaser for their original track "Hellevator" was released on JYP's YouTube channel on September 26, 2017, introducing the underdog narrative of the trainees "descending" into challenges to rise as artists.[13][14]The lineup consisted of nine members—Bang Chan, Woojin, Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin, and I.N.—with individual profiles revealed progressively leading up to the premiere; Woojin was introduced as the ninth and final member on October 11, 2017, bringing strong vocal stability to the group. Throughout the ten-episode series, the trainees tackled key challenges, including composing and performing original songs like "Grrr (Beast Mode)," a high-energy hip-hop track demonstrating their aggressive stage presence, and public busking sessions to gauge real-world appeal. Other missions involved collaborative evaluations, such as a dance and vocal battle against YG Entertainment trainees, which underscored their adaptability and growth under pressure. The show captured raw moments of trainee life, from intense practice sessions to interactions with JYP seniors like TWICE and GOT7, who offered encouragement during pivotal showcases.[15][16][17][18]Despite the initial intent to avoid eliminations and debut intact, Park Jin-young implemented surprise removals during evaluations to simulate real industry pressures and foster group unity; the first occurred in episode 5 on November 14, 2017, eliciting tearful reactions from the remaining members, followed by a second in episode 8 on December 5, 2017. Notably, eliminated trainees Lee Minho and Felix were reinstated in episode 9 after a special review on December 12, 2017, where Park Jin-young acknowledged their improvement and the group's collective plea for their return, emphasizing the importance of perseverance. These events highlighted the trainees' emotional bonds and determination, with leader Bang Chan often mediating to maintain morale. The program also featured support from three generations of JYP male idols during a November 2017 busking event, reinforcing the label's familial environment.[19][20][21]The series concluded on December 19, 2017, with a live broadcast finale where the full group performed for an audience, culminating in Park Jin-young's announcement that all nine members would debut unchanged, commending their synergy, original content creation, and unyielding spirit as key to their survival. This decision solidified the group's public image as self-reliant creators rather than passive trainees. In the wake of the show's success, Stray Kids released their pre-debut extended play Mixtape on January 8, 2018, compiling seven tracks from the program—including the title track "Hellevator" and "Grrr (Beast Mode)"—to further showcase their artistic identity before official debut.[22][23]
Debut and I Am series (2018)
Stray Kids officially debuted as a nine-member group under JYP Entertainment on March 25, 2018, holding their debut showcase titled "Stray Kids Unveil [Op. 01: I am NOT]" at the Yes24 Live Hall in Seoul. The event featured performances from their self-produced debut extended play (EP), I Am Not, released digitally the same day and physically on March 26, with the hip-hop track "District 9" as the lead single.[24] The EP's themes of breaking free from societal constraints resonated with their survival show origins, marking the start of the "I Am" trilogy focused on self-identity and growth. Early promotions included appearances on music programs like M Countdown and Music Bank, building domestic buzz through intense choreography and member-driven production.[25]The group followed up with their second EP, I Am Who, on August 6, 2018, led by the upbeat "My Pace," which emphasized embracing one's unique rhythm amid external pressures.[26] The release topped the Gaon Album Chart for the week of August 5–11, selling over 72,000 copies in its first week and showcasing their rising popularity through strong digital streams and physical sales. Although they had not yet secured a music show win, "My Pace" gained traction internationally, peaking at No. 3 on the Billboard World Digital Song Sales chart and contributing to I Am Who's entry on the World Albums chart.[27] Promotions extended to fan signs and V Lives, fostering deeper connections with supporters.Completing the trilogy, I Am You arrived on October 22, 2018, with the title track "I Am You" exploring empathy and unity, narrated through a story of self-acceptance and connection to others. The EP debuted at No. 1 on the Gaon Album Chart, selling approximately 110,000 copies in its debut week and solidifying their commercial breakthrough. During this period, the group announced their official fanbase name, STAY, on August 1, 2018, via a special video message symbolizing fans as the anchor keeping the "stray" group grounded. The "I Am" series' cohesive narrative of personal discovery propelled fanbase growth, with STAY communities expanding globally, while early Billboard charting—building on their pre-debut "Hellevator" at No. 6 on World Digital Song Sales—drew international media attention to their raw, self-produced sound.[27]
Clé series and Woojin's departure (2019)
In March 2019, Stray Kids released their fourth mini album, Clé 1: Miroh, marking the beginning of the Clé series, which continued the group's narrative storytelling from their prior I Am releases by "unlocking" deeper layers of their artistic concept through cryptic teaser clues and puzzle-like promotions. The album, distributed by JYP Entertainment and Iriver, debuted on March 25 and featured the high-energy title track "Miroh," a hip-hop anthem symbolizing the group's bold navigation through challenges like a maze. Innovative marketing included sequential "Unveil" teaser videos released by JYP, building anticipation with visual enigmas that encouraged fans to piece together the storyline, enhancing engagement ahead of their first-anniversary milestone. The EP achieved commercial success, topping South Korean charts and garnering over 300,000 first-week sales, solidifying Stray Kids' rising domestic presence.The Clé series progressed with Clé 2: Yellow Wood on June 19, 2019, a special album that compiled previous mixtape tracks alongside new material, further exploring the group's introspective journey at a metaphorical crossroads, inspired by Robert Frost's poem "The Road Not Taken." The title track "Side Effects" delved into themes of mental health struggles, depicting the anxiety, regret, and emotional turmoil from personal growth and trust issues, with lyrics like "I threw myself with trust in me / But why am I just being hurt?" reflecting the psychological "side effects" of change. Released digitally and physically via Dreamus, the album emphasized vulnerability, contrasting the high-octane energy of Miroh while maintaining the series' cohesive narrative arc; it sold over 120,000 copies in its debut week and peaked at number two on the Gaon Album Chart.On October 28, 2019, JYP Entertainment announced that member Kim Woojin had departed Stray Kids due to personal circumstances amid allegations of sexual misconduct, terminating his exclusive contract and reducing the group to eight members effective immediately.[28] The statement emphasized Woojin's contributions up to that point but confirmed the lineup change, prompting a two-week delay for the final Clé installment, Clé: Levanter, originally slated for November, to allow for necessary adjustments. In response, the group re-recorded vocal parts for the album to exclude Woojin's contributions and reorganized choreography for performances, ensuring seamless continuation of promotions as an octet. Fan reactions were marked by widespread shock and sadness, with many expressing support through social media trends like #ThankYouWoojin, while leader Bang Chan addressed the community in a heartfelt letter, reassuring supporters of the remaining members' commitment and unity during the transition. This pivotal shift tested the group's resilience but paved the way for Levanter's December 9 release, which focused on themes of liberation and forward momentum.
Japanese debut and Go series (2020)
Stray Kids expanded into the Japanese market with their debut compilation album SKZ2020 on March 18, 2020, featuring Japanese versions of their earlier hits such as "Double Knot," "My Pace," and "Levanter," alongside Korean tracks from their pre-debut and debut eras.[29] The album marked their official entry into Japan under Epic Records Japan, a subsidiary of Sony Music, and debuted at number one on the Oricon Weekly Album Chart, selling over 137,000 copies in its first week.[30] This release came amid the early stages of the COVID-19 pandemic, which limited physical promotions but allowed the group to build a fanbase through digital platforms and Japanese media appearances.Building on this momentum, Stray Kids released their first Japanese single album TOP (Japanese ver.) on June 3, 2020, with the title track serving as an energetic anthem of ambition and the B-side "Slump (Japanese ver.)" adding introspective depth.[31] The single topped the Oricon Daily Singles Chart on its release day and reached number two on the weekly chart, selling more than 92,000 copies in its debut week, showcasing their growing popularity in Japan despite pandemic-related restrictions on live events.[32] Later that year, on November 4, 2020, they issued their first Japanese mini-album All In, featuring the high-stakes title track produced by J.Y. Park alongside Japanese versions of "God's Menu" and "Back Door," as well as original tracks like "FAM" and "One Day."[33] The EP debuted at number one on the Oricon Weekly Album Chart, with over 150,000 copies sold in the first week, solidifying their presence in the market.[34]Concurrently, Stray Kids navigated global challenges with their Korean releases under the "Go" series, starting with their debut full-length album Go Live on June 17, 2020, led by the intense, genre-blending title track "God's Menu."[35] The album, comprising 14 tracks including upbeat numbers like "Easy" and reflective pieces like "Blueprint," debuted at number one on the Gaon Album Chart and sold over 243,000 copies in its first month, marking their highest sales record at the time amid COVID-19 lockdowns that shifted focus to online engagement.[36] The repackage In Life followed on September 14, 2020, introducing the bold title track "Back Door" and eight new songs such as "The View" and "Astrophilia," while retaining fan favorites from Go Live; it also topped the Gaon Chart, with first-month sales exceeding 420,000 copies, further demonstrating their adaptability through virtual fan meetings and content series like SKZ-TALKER.[37]To connect with fans during the pandemic, Stray Kids adapted by hosting their first online concert, Beyond LIVE – Stray Kids 'Unlock: Go Live In Life', on December 6, 2020, which drew over 180,000 viewers worldwide and featured performances from the "Go" series alongside interactive elements.[38] Operating as an eight-member group following Woojin's departure in late 2019, these efforts highlighted their resilience, blending innovative music with digital innovation to maintain momentum internationally.
Kingdom: Legendary War and Noeasy (2021)
In April 2021, Stray Kids participated in Mnet's competitive survival program Kingdom: Legendary War, which featured six prominent boy groups performing reinterpreted versions of their hits and original stages to compete for the top spot.[39] The group delivered standout performances, including a reimagined "Miroh (Kingdom ver.)" in the first episode's 100-second challenge, blending intense choreography with orchestral elements to showcase their dynamic stage presence.[40] Building on the stylistic experimentation from their prior Go series, their appearances highlighted innovative concepts like martial arts-inspired routines and narrative-driven sets.[41]The competition culminated in the finale on June 3, 2021, where Stray Kids clinched the victory with 38,873 points, the highest score among participants, thanks to their original track "Wolfgang," a high-energy hip-hop performance featuring wolf pack imagery and synchronized formations that earned second place in the judges' ranking.[39][41] This win not only granted them the title but also led to a commemorative special show, KINGDOM WEEK: NO+, amplifying their exposure to a broader audience.[42]Following their Kingdom triumph, Stray Kids surprise-released the digital single "Mixtape: OH" on June 26, 2021, as the third installment in their fan-engagement Mixtape project, featuring an emotional mid-tempo track with nostalgic lyrics reflecting on their journey and a cinematic music video directed toward supporters.[43] The release served as a heartfelt bridge to their next major project, emphasizing self-produced elements true to their 3RACHA subunit's creative ethos.On August 23, 2021, Stray Kids issued their second studio album Noeasy, a bold exploration of "noise music" with pungsan traditional rhythms fused into hip-hop and EDM, led by the title track "Thunderous," which critiqued societal pressures through rapid-fire rapping and thunderous beats.[44] The album debuted at number one on South Korea's Circle Album Chart and peaked at number five on the Billboard World Albums chart, while "Thunderous" reached number three on the Billboard World Digital Song Sales chart and topped iTunes Top Songs in 52 countries.[45][44][46]Noeasy shattered records by selling over 1.1 million copies in its first month, earning the Korea Music Content Association's million certification as Stray Kids' first such achievement and solidifying their commercial breakthrough.[47]Capping the year, Stray Kids released the digital compilation album SKZ2021 on December 23, 2021, compiling re-recorded Korean versions of their 2021 Japanese tracks, Kingdom highlights, and fan-favorite demos like "Scars" and "Awaken," presented as a year-end gift to fans chronicling their growth.[48] This project underscored their rising global profile, evidenced by Noeasy's international chart success and their debut major U.S. festival appearance at Lollapalooza Chicago on July 31, 2021, where they performed hits like "God's Menu" to an enthusiastic crowd, marking a pivotal step in Western market penetration.[49]
Oddinary, Maxident, and Circus (2022)
In March 2022, Stray Kids released their sixth mini-album, Oddinary, through JYP Entertainment and Republic Records.[50] The EP featured the lead single "Maniac," a high-energy track blending rock and electronic elements that showcased the group's signature intense production and dynamic vocals.[51] Building on the momentum from their previous full-length album Noeasy, Oddinary debuted at No. 1 on the Billboard 200 chart, marking the group's first entry and top position on the all-genre ranking, with 110,000 equivalent album units earned in its first week, including 103,000 pure sales—the largest sales week for any album that year up to that point.[50]The album's success highlighted Stray Kids' growing international appeal, as it also topped the Billboard World Albums chart and entered the top 10 on several global charts.[50] Tracks like "Venom" and "Lonely St." further demonstrated the group's experimental approach, incorporating unconventional sounds while maintaining their thematic focus on individuality and resilience.[51] This release solidified their position as a leading K-pop act, with "Maniac" achieving strong streaming performance and promoting their upcoming world tour.In October 2022, Stray Kids followed with their seventh mini-album, Maxident, again via JYP Entertainment and Republic Records.[52] The title track "Case 143" introduced a playful exploration of love themes, framing romantic confusion as a mysterious "case" through upbeat pop-rock production and multilingual lyrics that equated affection to an emergency signal (143 signaling "I love you").[53] The album delved into quirky interpretations of connection and emotion across its eight tracks, blending genres like hip-hop and synth-pop while retaining the group's bold, self-produced style.[53]Maxident debuted at No. 1 on the Billboard 200, securing Stray Kids' second consecutive chart-topper that year.[52] It achieved remarkable commercial success, selling over 3 million copies on South Korea's Circle Chart by November 2022, making it a triple million-seller and the second such album for the group after Noeasy.[54] Songs such as "Can't Stop" and "Give Me Your Ttt" exemplified the EP's energetic vibe, contributing to its dominance on global music platforms and reinforcing Stray Kids' chart prowess.Later that year, Stray Kids expanded their Japanese market presence with the release of their second Japanese mini-album, Circus, on June 22, 2022, under Epic Records Japan.[55] The title track "Circus" featured a theatrical, circus-inspired concept with funky rhythms and acrobatic choreography, accompanied by Japanese versions of recent hits like "Maniac" and "Venom," alongside original tracks such as "Your Eyes."[55]This EP tied directly into promotions for the group's Maniac World Tour, debuting during their Japan leg in June and July 2022, where "Circus" was performed live to enhance fan engagement in the region. The release boosted their visibility in Japan, peaking at No. 2 on the Oricon Albums Chart and supporting their growing discography tailored for international audiences.[55]
5-Star, Rock-Star, and The Sound (2023)
In February 2023, Stray Kids released their debut Japanese-language studio album, The Sound, marking their third overall album and expanding their presence in the Japanese market. The album, comprising ten tracks including original songs and Japanese versions of prior hits like "Case 143" and "CHILL," debuted at number one on Japan's Oricon Daily Albums Chart and peaked at number three on the Billboard Japan Hot Albums chart.[56][57] The title track, "The Sound," a high-energy hip-hop number with electronic elements, reached number 34 on the Billboard Japan Hot 100 and number 12 on Hungary's Single Top 40 chart, showcasing the group's adaptability to J-pop influences while maintaining their signature intense production.[56]Building on their international momentum, Stray Kids issued their third Korean full-length album, 5-Star, on June 2, 2023, embracing a star-themed concept that celebrated confidence and aspiration. Featuring 12 tracks with self-produced elements from the group, the album's lead single "S-Class" highlighted boastful lyrics over a trap-infused beat, earning four music show wins on programs including Show Champion, M! Countdown, Music Bank, and Inkigayo.[58][59]5-Star achieved unprecedented commercial success, surpassing 5.13 million pre-orders—the first K-pop album to reach that milestone—and selling over 2 million copies on its debut day, later certified for five million units by the Korea Music Content Association.[60][61] It debuted at number one on the Billboard 200 with 249,500 equivalent units, including 235,000 pure sales, and topped the Top Album Sales chart for three weeks.In September 2023, Stray Kids collaborated with Japanese singer-songwriter LiSA on the single "Social Path," released as part of their first Japanese EP of the same name alongside "Super Bowl (Japanese ver.)." The track, a rock-tinged anthem addressing perseverance amid isolation, blended English, Korean, and Japanese lyrics, and debuted at number 57 on the Billboard Global 200 while topping Japan's Oricon Combined Singles Chart. This partnership extended the group's star motif, with LiSA's verses adding emotional depth to themes of rising above adversity.[62]Stray Kids concluded their prolific 2023 with the mini album Rock-Star on November 10, incorporating rock elements into their hip-hop foundation across eight tracks. The lead single "Lalalala," a genre-blending rock-rap fusion with playful yet defiant lyrics, debuted at number 79 on the Billboard Hot 100 and propelled the album to number one on the Billboard 200 for a second time that year, with 224,000 equivalent units including 213,000 pure sales.[63]Rock-Star also included the Korean version of "Social Path" featuring LiSA, reinforcing the album's energetic, rebellious aesthetic and contributing to over 1.66 million first-week sales in South Korea.[64]
Ate, Giant, and Hop (2024)
In 2024, Stray Kids continued their aggressive release strategy with the mini-album Ate, their ninth Korean EP, released on July 19 through JYP Entertainment and Republic Records. The album featured eight tracks, including the high-energy title track "Chk Chk Boom," which blended hip-hop, trap, and pop elements with explosive production. All tracks were composed and produced primarily by the group's in-house production unit 3Racha—comprising Bang Chan, Changbin, and Han—emphasizing their self-reliant creative process that has defined the band's sound since debut. "Chk Chk Boom" showcased bold, confident lyrics about dominating the stage, marking a thematic extension of the raw intensity from their prior release Rock-Star. The EP's vibrant artwork and music video for the title track depicted the members in surreal, larger-than-life scenarios, reinforcing Stray Kids' reputation for visually striking concepts.Ate achieved significant commercial success, earning gold certification from the Recording Industry Association of America (RIAA) on October 23 for surpassing 500,000 equivalent units in the United States, making it the group's third consecutive album to receive this honor following 5-Star and Rock-Star. This milestone underscored Stray Kids' growing dominance in the American market, with the album debuting at No. 1 on the Billboard 200, marking their fifth consecutive No. 1 debut. To promote Ate, the group headlined Lollapalooza Chicago on August 2 as one of the festival's top acts, delivering a 90-minute set that included "Chk Chk Boom" alongside fan favorites like "Maniac" and "Thunderous." Their performance, marked by intricate choreography and audience interaction, drew widespread acclaim for blending K-pop precision with rock-infused energy, further solidifying their crossover appeal at major Western festivals.Expanding their presence in Japan, Stray Kids released their second Japanese studio album Giant on November 13 via Sony Music Japan, targeting deeper penetration into the Oricon charts. The 12-track album, led by the title track "Giant"—a dystopian-themed anthem produced with 3Racha's input—incorporated anime-inspired visuals in its music video, aligning with the group's multimedia storytelling approach. Supported by pre-release singles "Night" and "Falling Up" (both tied to the anime Kami no Tō: Tower of God Season 2), Giant debuted at number one on the Oricon Weekly Album Ranking, selling over 300,000 copies in its first week and marking Stray Kids' fifth consecutive Japanese release to top the chart. Later in the year, on December 13, the group issued Hop, their first official mixtape under the "SKZ HOP HIP TAPE" project, featuring solo and unit tracks performed during fan meetings, with 3Racha handling key production duties to highlight individual member talents. Hop debuted at number one on the Billboard 200, becoming Stray Kids' sixth chart-topping album in the US and emphasizing their versatility beyond full-group efforts. Throughout these releases, 3Racha maintained their pivotal role, contributing songwriting and production credits to every track across Ate, Giant, and Hop, enabling the band to maintain creative control while collaborating selectively with external producers for refined polish.
Hollow, Karma, and recent activities (2025–present)
In June 2025, Stray Kids released their third Japanese mini-album, Hollow, through Epic Records Japan on June 18, marking their first Japanese comeback in nearly three years since Circus in 2022.[65] The EP features five tracks, including the title track "Hollow," "Parade," "Never Alone," "just a little," and "宿命 (Fate)," blending high-energy pop with introspective elements to explore themes of inner voids and resilience.[66] The album achieved strong commercial performance, debuting at No. 1 on Japan's Oricon Weekly Album Chart and topping Billboard Japan's Hot Albums chart, underscoring the group's enduring popularity in the market.[65]Following Hollow, Stray Kids issued their fourth studio album, Karma, on August 22, 2025, via Republic Records, with "Ceremony" serving as the lead single.[67] The 11-track project delves into themes of fate, personal growth, rivalry, redemption, and the unbreakable bond between the group and their fans, presented through a futuristic sonic landscape of intense beats and layered vocals.[67]Karma debuted at No. 1 on the Billboard 200, marking Stray Kids' seventh consecutive No. 1 debut—the first act to achieve this with their initial seven charting albums—and highlighting their global dominance with over 2 million first-week units sold worldwide.[6]Throughout 2025, Stray Kids maintained momentum with high-profile collaborations and touring. On November 7, they released "In the Dark," a dynamic electronic track featuring French producer DJ Snake, as part of his album NOMAD, representing the group's first major collaboration with a prominent Western artist and fusing K-pop energy with EDM production.[68] The single quickly climbed global charts, debuting in the top 10 on Spotify's Global Viral 50.[68] Concurrently, the group launched the North America leg of their dominATE World Tour on May 24 in Seattle at T-Mobile Park, spanning stadiums across the U.S. and Canada through June, where they set records for the highest K-pop attendance in North American history with sold-out shows totaling over 500,000 fans.[69]In September, Stray Kids announced the dominATE : celebrATE encore tour dates for Korea, performing two sold-out shows at Incheon Asiad Main Stadium on October 18 and 19, concluding their 11-month global tour with 56 dates across 34 cities and drawing 1.2 million attendees worldwide.[70] During the encore finale, they teased upcoming projects, including the release of SKZ IT TAPE "DO IT" on November 21, a promotional tape featuring raw, unpolished tracks emphasizing their creative process and fan connection, accompanied by music show appearances and digital content rollouts.[71] The tape debuted at No. 1 on the Billboard 200, marking Stray Kids as the first act in history to debut their first eight charting albums at No. 1 on the chart.[72]To celebrate five years since their Japanese debut, Stray Kids announced their first exhibition, We STAY, together, set to open on December 1, 2025, at Daimaru Umeda in Osaka, showcasing memorabilia, interactive displays, and behind-the-scenes artifacts from their career to honor their bond with Japanese fans, with plans to tour additional cities through 2026.[73]In November 2025, Stray Kids were announced as headliners for the Rock in Rio festival's Main Stage on September 11, 2026, in Rio de Janeiro, Brazil.[74]
Members
Current members
Stray Kids' current lineup consists of eight members who have been active together since 2019, contributing to the group's self-produced music, dynamic performances, and global success.[3]Bang Chan, born Christopher Bang on October 3, 1997, in Seoul, South Korea, but raised in Sydney, Australia, serves as the group's leader, main vocalist, rapper, and primary producer.[4][75] He is a foundational member of the production subunit 3RACHA, alongside Changbin and Han, where he handles composition, arrangement, and overall creative direction for much of the group's discography.[76]Lee Know, born Lee Min-ho on October 25, 1998, in Gimpo, South Korea, is the main dancer and sub-vocalist, also leading the group's dance team.[4] His precise and powerful dance skills have been central to Stray Kids' high-energy stage presence, emphasizing synchronization and intensity.[77]Changbin, born Seo Chang-bin on August 11, 1999, in Yongin, South Korea, functions as the main rapper and vocalist, with significant involvement in songwriting, particularly rap verses.[4] As part of 3RACHA, he contributes to lyricism and production, bringing aggressive flows and thematic depth to tracks that explore youth struggles and resilience.[76]Hyunjin, born Hwang Hyun-jin on March 20, 2000, in Seoul, South Korea, is a main dancer, rapper, and visual, renowned for his expressive and fluid performances that add emotional layers to the group's concepts.[4] His versatility in dance and occasional rap parts enhances Stray Kids' visual storytelling in music videos and live shows.[77]Han, born Han Ji-sung on September 14, 2000, in Incheon, South Korea, is the main rapper and vocalist, excelling as 3RACHA's primary lyricist and composer.[4] His introspective and versatile rapping style, combined with vocal contributions, has shaped the group's narrative-driven songs addressing mental health and self-discovery.[76]Felix, born Lee Felix on September 15, 2000, in Sydney, Australia, serves as a lead dancer, rapper, and visual, noted for his deep voice and charismatic presence.[4] Of Australian-Korean heritage, he adds unique vocal texture to rap sections and supports the group's international appeal through his dance skills and multilingual abilities.[77]Seungmin, born Kim Seung-min on September 22, 2000, in Seoul, South Korea, is the main vocalist, recognized for his stable high notes and clear tone that anchor the group's harmonies.[4] His vocal prowess provides balance in both ballad-like bridges and upbeat choruses, contributing to Stray Kids' polished sound.[77]I.N, born Yang Jeong-in on February 8, 2001, in Ilsan, South Korea, is the lead vocalist and maknae (youngest member), having evolved from a trainee during the group's formation into a confident performer.[4] His youthful timbre and growing vocal range support the ensemble's layered vocals, symbolizing the group's theme of growth and perseverance.[77]
Former members
Kim Woojin (born April 8, 1997) served as the main vocalist of Stray Kids, with additional recognition for his dancing and visual appeal within the group.[77] He joined the group through JYP Entertainment's 2017 survival show Stray Kids, where he was selected as one of the nine debut members after competing in performance evaluations and team missions. Woojin featured prominently in the group's early promotions, including the 2018 debut single "District 9" from their debut extended play I Am Not, where he contributed vocals and participated in choreography.[2]On October 28, 2019, JYP Entertainment announced Woojin's departure from Stray Kids, stating that he had left the group due to personal circumstances and that his exclusive contract with the agency had been terminated.[78] The announcement came shortly before the scheduled release of the group's mini-album Clé: Levanter, which was subsequently delayed to December 9, 2019, to adjust promotions as an eight-member group.[79]Following his exit, Woojin signed with 10x Entertainment and debuted as a solo artist under the mononym Woojin in 2021, releasing his first extended play The Moment: A Minor on August 5, which included the lead single "Ready Now." In September 2020, he faced anonymous allegations of sexual misconduct on social media, which he and his agency denied; a police investigation cleared him of any wrongdoing in 2021.[80][81] He continued his solo career with subsequent releases before enlisting for mandatory military service on January 20, 2025, as an active-duty soldier in the army band, with an expected discharge on July 19, 2026.[82]
Timeline
Stray Kids' timeline highlights key milestones in the group's formation, lineup changes, subunit developments, and contract status, reflecting their evolution from trainees to a stable eight-member act.
Year
Event
Description
2016
Formation of 3RACHA
The production and rap subunit 3RACHA, consisting of Bang Chan, Changbin, and Han, was formed by JYP Entertainment trainees, releasing their first mixtape in January 2017.[83]
2017
Survival show and group formation
In August, JYP announced the reality survival program Stray Kids, which aired from October to December on Mnet, culminating in the selection of a nine-member group: Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin, I.N., and Woojin.[84]
2018
Official debut
The group debuted on March 25 with the EP I Am Not, maintaining the nine-member lineup; shortly after, the dance subunit DanceRacha (Lee Know, Hyunjin, Felix) and vocal subunit VocalRacha (Seungmin, I.N., initially including Woojin) were established through promotional videos in August and September.[85][86][87]
2019
Woojin's departure
On October 28, Woojin left the group due to personal circumstances, reducing the lineup to eight members with no subsequent changes.[78]
2024
Contract renewal
All eight members renewed their exclusive contracts with JYP Entertainment early, securing the group's future through at least 2031.[88]
The lineup has remained unchanged since 2019, with subunits continuing to support the group's self-produced activities across album eras like Clé, Go, and Ate.[88]
Artistry
Musical style
Stray Kids' music is characterized by a fusion of hip-hop, rap, rock, electronica, trap, and industrial elements, creating an edgy and angular sound that distinguishes them within K-pop.[10] Their tracks often feature intense, explosive energy, described as a "mala taste" style with dynamic builds and heavy beats that emphasize raw power and experimentation.[89] This genre-blending approach draws from Korean hip-hop roots, incorporating frenetic bass lines, EDM drops, and punk influences to produce a sound that feels both aggressive and innovative.[90]Central to their production style is the in-house unit 3RACHA, consisting of Bang Chan, Changbin, and Han, who handle the majority of songwriting and beat creation for the group.[10] This self-produced method allows for authentic expression through custom beats, multilingual vocal layers, and intricate sound design, often starting from scratch in collaborative sessions that blend hip-hop foundations with electronic and rock infusions.[89] For instance, their work incorporates G-funk rhythms and industrial textures to add depth, enabling a versatile output that evolves beyond traditional pop structures.[10]The group's sound has evolved from a raw, hip-hop-centric debut emphasizing introspective intensity to a more genre-fluid palette in later releases, reflecting maturation through global exposure and creative freedom.[91] Early works leaned heavily on aggressive trap and EDM hybrids, while subsequent albums like Oddinary (2022) introduced melodic pop elements alongside their signature edge, showcasing broader experimentation.[10] By 2024, tracks such as "Lose My Breath" highlighted R&B-infused versatility with smooth harmonies, signaling an intent to "break the pop genre" and further diversify their sonic identity.[89] In 2025, albums like the Japanese EP Hollow and KARMA continued this progression, incorporating deeper electronic and hip-hop layers to explore themes of success and identity, maintaining their experimental edge.)) This progression maintains their hip-hop core while incorporating pop and rock infusions for wider appeal, as seen in their pursuit of an "own genre" in projects like HOP.[92]
Songwriting and lyrical themes
Stray Kids' songwriting is predominantly handled by the in-house production and writing unit 3RACHA, consisting of members Bang Chan, Changbin, and Han, who serve as the primary songwriters and producers for the majority of the group's discography. This trio, formed during the group's pre-debut survival show, has been instrumental in crafting authentic, youth-oriented narratives that reflect personal growth and resilience, often drawing from their own experiences as trainees. All eight members contribute to the creative process to varying degrees, but 3RACHA's involvement ensures a cohesive vision, with the unit credited on nearly every track across albums like I Am Not and Noeasy.[10][93]The group's lyrics frequently explore themes of self-empowerment and overcoming societal pressures, as seen in "My Pace" from the 2018 EP I Am Not, where verses encourage listeners to progress at their own rhythm despite criticism, embodying a message of individuality and perseverance. Mental health struggles and the internal conflicts of ambition are also prominent, particularly in "Side Effects" from the 2019 album Clé 2: Yellow Wood, which uses pharmaceutical side effect metaphors to depict anxiety, insomnia, and emotional turmoil following bold decisions.[94][26]Romantic love and personal identity form another core motif, innovatively presented in "Case 143" from the 2022 mini-album Maxident, Stray Kids' first explicit exploration of infatuation, framing first love as an "emergency case" (with "143" symbolizing "I love you") to convey confusion and excitement in self-discovery. Themes of fate and destiny appear in later works like the title track "CEREMONY" from their 2025 studio album KARMA, which celebrates the journey of success achieved through perseverance and hard work, overcoming countless hardships along the way.[95][96][97]To enhance global accessibility, Stray Kids incorporate multilingual elements into their lyrics, blending Korean with English phrases and producing full Japanese versions for releases like The Sound (2023), allowing fans worldwide to connect with the themes without translation barriers. While collaborations with external producers occur—such as Bang Chan's work with Nickko Young on select tracks—the group maintains creative control through 3RACHA's oversight, ensuring lyrics align with their raw, introspective style.[10][98]
Stage, performance, and concept aesthetics
Stray Kids' stage performances are defined by high-energy choreography that emphasizes synchronized precision and dynamic formations, largely influenced by their dance sub-unit DanceRacha, comprising Lee Know, Hyunjin, and Felix. This trio, renowned for their exceptional dance skills, has contributed to self-choreographed content since their 2018 sub-unit debut and frequently leads the group's intricate routines.[99] Tracks like "Maniac" and "Thunderous" showcase their ability to blend sharp, explosive movements with fluid transitions, creating visually captivating displays that amplify the songs' intensity during live shows and music video executions.[99] Their choreography often draws from the lyrical themes of rebellion and self-empowerment, transforming abstract concepts into physical narratives through powerful group synchronization and individual flair.The group's concept aesthetics in music videos and stage visuals have evolved from dark, rebellious motifs to brighter, more playful expressions, reflecting their artistic maturation. Early works like "Hellevator" employ a hellish motif, with shadowy palettes and infernal imagery symbolizing the struggles of aspiring artists rising from adversity, as the title combines "hell" and "elevator" to represent an arduous ascent.[100] This gritty, intense aesthetic has shifted in later releases such as "S-Class," which bursts with colorful, vibrant visuals including glitter accents, velour tracksuits, and distressed denim, evoking a sense of elite confidence and fun through explosive, high-gloss production.[101][102] These evolving themes underscore Stray Kids' versatility, using visual storytelling to mirror their music's progression from raw defiance to celebratory uniqueness.On stage, Stray Kids cultivate an immersive presence through direct fan interactions and elaborate production elements, fostering a chaotic yet intimate atmosphere during tours. Members engage audiences with playful gestures like water fights during high-energy segments and hugs across barricades, building emotional connections that extend beyond the music.[103] Outfit changes are a staple, transitioning from custom black suits adorned with shimmering gems to themed ensembles like red floral-motif attire or luxury brand pieces from Louis Vuitton and Fendi, enhancing the visual spectacle under stadium lights.[103] Immersive sets, including ornate embellishments and venue-specific adaptations, amplify this energy, allowing the group to adapt their signature intensity to massive arenas while maintaining personal rapport with fans.Music videos further highlight Stray Kids' commitment to narrative-driven production with cinematic flair, often parodying scenarios to convey deeper messages. In "God's Menu," the group adopts roles as chefs, race car drivers, and scientists in a metaphorical restaurant setting, satirizing the creation of "unforgettable" music as a bespoke menu that sets them apart.[104] This high-production visual weaves a story of innovation and victory, blending hip-hop aesthetics with quick-cut editing and thematic role-playing to emphasize their self-produced originality.[104]
Other ventures
Endorsements
Stray Kids have secured several high-profile commercial partnerships as a group, enhancing their presence in the global market. In September 2023, the group was appointed as Asia Ambassadors for Tommy Hilfiger, starring in the brand's "Always Together" fall campaign and subsequent spring 2024 and fall 2024 collections, which featured them against iconic New York City backdrops to promote modern prep styles. They have also served as endorsement models for Lotte Duty Free since 2018, creating various promotional content including a 2022 "Broken Friendship" teaser series that highlighted their charismatic appeal to attract international shoppers. These collaborations have positioned Stray Kids as key figures in bridging K-pop with luxury and lifestyle brands.On an individual level, members have pursued notable brand deals that align with their personal aesthetics. Hyunjin was named Versace's first Korean global brand ambassador in July 2023, fronting campaigns such as the 2023 holiday collection and participating in custom fittings at Palazzo Versace, which emphasized the brand's bold, joyful motifs. Bang Chan became a Fendi ambassador in early 2025, appearing at the brand's fall 2025 Milan show and collaborating on projects like the original song "Roman Empire" to celebrate Fendi's 100th anniversary.These endorsements have significantly boosted brand visibility, particularly in Asia and on a global scale, by leveraging Stray Kids' massive fanbase to drive engagement and sales for luxury houses seeking to expand among younger demographics. For instance, their partnerships have helped brands like Versace and Tommy Hilfiger penetrate deeper into the South Korean market while amplifying international awareness through social media and events like the Met Gala.
Fashion
Stray Kids' fashion aesthetic is defined by a dynamic blend of streetwear and high fashion, emphasizing oversized silhouettes, chunky sneakers, and layered looks that amplify their high-energy performances. This signature style incorporates bold colors and statement accessories, particularly evident in their music videos, where eclectic elements like gem-encrusted gloves and heart-shaped goggles create a visually striking narrative. For example, in the 2022 "Maniac" music video from their album ODDINARY, members sported vibrant hues such as cobalt blue hair paired with chartreuse Balenciaga sweaters and neon green accents on Aries knits, merging luxury brands with experimental street elements like cropped jackets and track pants.[105][103]The group's ties to the fashion industry are strengthened through collaborations that produce custom outfits for their tours and appearances. During the 2024-2025 dominATE world tour, members debuted bespoke designs from luxury houses, including Hyunjin's four custom Versace looks crafted by Donatella Versace, featuring bold prints and structured tailoring for stage presence; Felix's shearling jacket ensemble from Louis Vuitton, designed by Nicolas Ghesquière; and Bang Chan's Fall/Winter 2025 Fendi outfits worn in Paris and Rome, blending Roman heritage with modern edge. These custom pieces highlight how Stray Kids integrate designer visions with their performance needs, often drawing from their ambassadorships with brands like Gucci and Burberry for layered, preppy-street hybrids. Hyunjin has been prominently featured in Vogue Korea for campaigns, such as the 2025 Givenchy Beauty holiday pictorial, showcasing his poised, experimental style.[106][107][108]Stray Kids have significantly influenced K-pop fashion trends, particularly through their bold, barrier-breaking choices that inspire global fan adaptations. The "Maniac" era's experimental aesthetics, including oversized fits and mixed textures like leather with lace, set new standards for eclectic styling in the genre, encouraging wider adoption of baggy pants and harness accessories among idols and enthusiasts. Their trendsetting extends to red carpet events, where coordinated group looks—such as custom Tommy Hilfiger suits with floral details at the 2024 Met Gala—translate to award shows like the MAMA Awards, featuring sharp tailoring and unified color palettes that emphasize collective charisma.[109][110]
Philanthropy
Stray Kids has engaged in various philanthropic efforts, primarily focusing on child welfare, disaster relief, and social awareness campaigns. In March 2025, the group collectively donated 800 million KRW (approximately $544,000) to aid victims of wildfires in South Korea, splitting the contribution equally between the Hope Bridge National Disaster Relief Association and World Vision for recovery and support programs.[111] Individual members have also made substantial contributions to UNICEF and related child welfare initiatives; for instance, in October 2025, leader Bang Chan donated 100 million KRW to the Korean Committee for UNICEF to support children's healthy growth and another 100 million KRW to Samsung Medical Center for pediatric care.[112] Similarly, member Felix contributed 200 million KRW in total for his September 2025 birthday philanthropy, including 50 million KRW to UNICEF for global child nutrition programs and 50 million KRW to World Vision for water access initiatives, in addition to 100 million KRW to Samsung Medical Center for pediatric care.[113]The group's initiatives often involve matching or inspiring fan-led efforts through their official fandom "STAY," with members frequently directing birthday donations toward underprivileged youth. In 2025 alone, members collectively donated over 1.8 billion KRW to various charities, including hospitals and child funds, emphasizing medical treatment for vulnerable children.[114] Bang Chan has personally extended this through targeted giving, such as his 2025 support for children worldwide via UNICEF, reflecting a consistent pattern of annual birthday philanthropy.[115] These actions have encouraged STAYs to participate in similar causes, fostering a community-wide commitment to altruism.[111]In terms of awareness, Stray Kids has subtly advocated for social issues through their artistry and public statements. Their music videos and lyrics often incorporate themes of inclusivity and self-acceptance, resonating with LGBTQ+ audiences; for example, in tracks like "Levanter" and "Mixtape," ambiguous pronouns and narratives of emotional vulnerability have been interpreted as supportive of queer experiences.[116] Members have also addressed mental health openly, with Hyunjin sharing personal struggles during a 2025 concert speech, highlighting the importance of therapy and group support to destigmatize such discussions.[117]More recently in 2025, amid their world tour, Stray Kids tied contributions to youth programs by organizing charity meet-and-greets that raised additional funds for local child welfare organizations, including donations from members like Seungmin's 100 million KRW to ChildFund Korea for young caregivers.[118] Changbin similarly supported pediatric programs at Samsung Medical Center with a 100 million KRW donation in August 2025.[119] These efforts underscore the group's ongoing dedication to empowering youth through direct aid and heightened visibility.
Impact and accolades
Cultural impact
Stray Kids have been pivotal in advancing self-production within fourth-generation K-pop, with the group's core production unit 3Racha—comprising Bang Chan, Changbin, and Han—handling the majority of songwriting, composition, and arrangement for their albums. This hands-on approach, which emphasizes raw, experimental sounds blending rock, EDM, and industrial elements, has set a benchmark for artistic autonomy in the genre, diverging from traditional K-pop's more polished formulas and inspiring subsequent acts to incorporate greater creative control.[120][76]The group's fanbase, known as STAY, has cultivated vibrant global communities that amplify their reach through interactive online engagement, including viral dance challenges on platforms like TikTok. For instance, the "Maniac" choreography from their 2022 EP Oddinary sparked widespread participation, fostering a sense of communal creativity and contributing to Stray Kids' exponential international growth. These fan-driven initiatives have not only sustained the group's momentum but also reinforced K-pop's role in youth culture by promoting themes of resilience and identity.[76]Beyond music, Stray Kids' success has had tangible economic ripple effects, notably boosting JYP Entertainment's stock performance through high-profile releases and tours; for example, announcements of their world tours and album launches have led to immediate share price surges, underscoring their value as a flagship act. Their lineup, featuring Australian-born members Bang Chan and Felix, enhances K-pop's multicultural representation, bridging Korean and Western influences and appealing to diverse audiences worldwide by highlighting bilingual, bicultural narratives.[121][122][123][124]Major publications have positioned Stray Kids as harbingers of K-pop's evolution, with features in Rolling Stone and Time praising their innovative sound and global dominance as emblematic of the genre's future trajectory.[76][120]
Awards and achievements
Stray Kids has garnered significant recognition in the K-pop industry, earning multiple awards at prestigious ceremonies such as the Mnet Asian Music Awards (MAMA) and Golden Disc Awards (GDA). From 2018 to 2025, the group secured 10 wins at the MAMA, including Best New Male Artist in 2018, the Fans' Choice Top 10 – Male on November 28, 2025, Album of the Year (Daesang) for KARMA on November 29, 2025, alongside Baekhyun, SEVENTEEN, Jin, ENHYPEN, G-Dragon, j-hope, NCT DREAM, RIIZE, and ZEROBASEONE, and various performance and fan choice categories in later years, highlighting their consistent excellence in music and global appeal.[125][126][127][128]The group has also achieved historic milestones on international charts. Stray Kids became the first group to earn seven No. 1 albums on the Billboard 200 since the Beatles, with their 2025 release KARMA marking their seventh consecutive chart-topper, following ODDINARY (2022), MAXIDENT (2022), 5-STAR (2023), ROCK-STAR (2023), ATE (2024), and HOP (2024). This accomplishment underscores their dominance in the U.S. market, where KARMA debuted with 313,000 equivalent album units, including 296,000 pure sales.[6]In terms of certifications, Stray Kids has surpassed 40 million album sales globally as of November 2025, as evidenced by multiple million certifications from the Circle Chart in South Korea. For instance, KARMA received a triple million certification for over 3 million copies sold, while NOEASY (2021) earned double million status with more than 2 million units. They hold the record for the most RIAA gold album certifications among K-pop acts, with five albums—MAXIDENT, 5-STAR, ROCK-STAR, ATE, and HOP—certified gold for exceeding 500,000 units each in the U.S., alongside gold certifications for English-language tracks like "God's Menu" and "MANIAC."[129][130]Stray Kids has set several streaming records, including becoming the fastest K-pop group to reach 10 million Spotify streams for multiple tracks upon release, such as "MANIAC" in 2022. They also won the survival competition show Kingdom: Legendary War in 2021, earning first place with 38,373 points after a series of innovative performances, which led to their own spin-off program KINGDOM: LEGENDARY WAR : NO+. In 2025, the group won five awards at the Korea Grand Music Awards (KGMA), including the Grand Record and Grand Honor's Choice Daesangs, as well as Best Popularity, Best Music 10, and Best Selling Album. At the 2025 Asia Artist Awards (AAA), they won the Daesang for Artist of the Year (Singer), Daesang for Album of the Year (KARMA), Best Artist (Singer), Best K-pop Record, and Popularity Award (Group). Additionally, they swept four awards at the 2025 The Fact Music Awards, including Record of the Year and Artist of the Year.[131][39][132][133][134][135]
Works
Discography
Stray Kids' discography encompasses four studio albums, a series of extended plays (EPs), and notable singles, reflecting their evolution from debut releases to global chart-toppers. Since their official debut in 2018 under JYP Entertainment, the group has consistently achieved high sales and chart positions on platforms like the Billboard 200, Circle Chart (formerly Gaon), and Oricon, with multiple albums certified multi-platinum in South Korea and gold in the United States. Their releases often blend self-produced hip-hop, EDM, and pop elements, contributing to over 20 million album units sold worldwide by 2025.
Studio albums
The group's studio albums have marked key milestones in their career, each debuting at number one on the Circle Album Chart and earning substantial international recognition.
Title
Release date
Billboard 200 peak
Circle Album Chart peak
Sales and certifications
Go Live
June 17, 2020
#10
#1
680,000+ copies sold; 2× Million (Circle)
Noeasy
August 23, 2021
#73 (World Albums #1)
#1
1.77 million copies sold; 2× Million (Circle)
5-Star
June 2, 2023
#1
#1
3.1 million copies sold; 3× Million (Circle); Gold (RIAA)
Karma
August 22, 2025
#1
#1
313,000 first-week units (US); 3× Million (Circle)
Go Live, their debut full-length album, featured the lead single "God's Menu," which later became a breakout hit, while Noeasy addressed themes of perseverance amid the COVID-19 pandemic. 5-Star solidified their mainstream appeal with collaborations, and Karma continued their streak of consecutive Billboard 200 number-one debuts, tying records for K-pop acts.[3][138]
Extended plays
Stray Kids' EPs, often released in thematic series, have been instrumental in establishing their sound, with several topping the Billboard 200 and Oricon charts.The I Am series in 2018 introduced their raw, introspective style:
I Am Not (March 25, 2018): #1 on World Albums; 150,000+ copies sold.[3]
I Am Who (August 6, 2018): Peaked at #38 on Billboard 200; 200,000+ copies sold.
I Am You (October 22, 2018): Peaked at #1 on World Albums; 250,000+ copies sold.
The Clé series in 2019 expanded their musical palette:
Clé 1: Miroh (March 25, 2019): Peaked at #1 on World Albums; 450,000 copies sold; Platinum (Circle).
Clé 2: Yellow Wood (June 19, 2019): Peaked at #1 on World Albums; 300,000+ copies sold.
Clé: Levanter (December 9, 2019): Peaked at #1 on World Albums; 500,000+ copies sold; Platinum (Circle).[3]
Later EPs include:
In Life (September 14, 2020): Peaked at #16 on Billboard 200; 800,000+ copies sold; Million (Circle).[3]
Oddinary (March 18, 2022): #1 on Billboard 200; #1 on Circle Album Chart; 1.7 million copies sold; 2× Million (Circle).[3]
Maxident (October 7, 2022): #1 on Billboard 200; #1 on Circle Album Chart; 3 million+ copies sold; 3× Million (Circle).[3]
Rock-Star (November 10, 2023): #1 on Billboard 200; #1 on Circle Album Chart; 2.1 million copies sold; 2× Million (Circle).[3]
Ate (July 19, 2024): #1 on Billboard 200; #1 on Oricon; 2 million+ copies sold; 2× Million (Circle).[136]
Giant (2024): #1 on Billboard 200; #1 on Circle Album Chart; Million (Circle).[3]
Hop (2024): #1 on Billboard 200; #1 on Circle Album Chart; Million (Circle).[3]
Hollow (June 18, 2025, Japanese EP): #1 on Oricon Weekly Album Chart; certified Gold in Japan.[139]
These EPs, particularly Oddinary and Ate, highlighted the group's genre-blending innovation and propelled them to multiple music show wins in Korea.
Singles
Stray Kids' singles have driven their album successes, frequently topping digital and sales charts globally.
"District 9" (January 8, 2018, from Mixtape EP): Peaked at #1 on World Digital Song Sales; introduced their survival-themed debut narrative.[3]
"God's Menu" (June 17, 2020, from Go Live): #6 on Billboard Global 200; over 100 million Spotify streams in first month; certified Platinum in South Korea.[3]
"Chk Chk Boom" (July 19, 2024, from Ate): #1 on Billboard Global 200; #1 on Circle Digital Chart; featured in global ad campaigns.[140]
"In The Dark" (2025, collaboration): Peaked at #5 on Billboard Global 200; marked their expansion into international features.[141]
Representative examples like "God's Menu" and "Chk Chk Boom" exemplify their high-energy tracks that have amassed billions of combined streams across platforms, underscoring their digital dominance.
Filmography
Stray Kids' filmography encompasses a range of television series, reality shows, short films, and documentaries that document their formation, creative process, and promotional narratives, often tying into their album concepts of self-discovery and performance intensity.
Television series
The group originated from the 2017 survival show Stray Kids, a JYP Entertainment and Mnet production broadcast from October to December, featuring missions to evaluate trainees' teamwork and artistry, culminating in the lineup's official debut.[142] In 2021, they appeared on Mnet's Kingdom: Legendary War, a competitive program with six boy groups reinterpreting songs and concepts, where Stray Kids secured first place with their finale performance of "God's Menu" and "Back Door."[143]
Reality shows
SKZ-TALKER, launched in 2018 and continuing through multiple seasons, offers candid behind-the-scenes glimpses into the group's daily life, promotional schedules, and interactions during album eras, with episodes released regularly on their official YouTube channel.[144]Finding SKZ, a 2023 reality series parodying classic Korean variety formats like game shows and talk segments, highlights the members' humor and adaptability in scripted challenges.[145]
Short films
The I Am trilogy comprises three interconnected short films released in 2018 alongside their debut EPs—I Am Not, I Am Who, and I Am You—depicting a dystopian narrative of rebellion and identity formation among the members as outcasts navigating a controlled society.[146]Clé: Miroh (2019), a promotional short film tied to their mini-album of the same name, portrays the group breaking free from maze-like constraints symbolizing creative breakthroughs, serving as a visual prelude to their title track.[147] The Hollow promotional film (2025), released with their Japanese mini-album, explores themes of emptiness and resilience through surreal puppetry and urban decay visuals.[148]
Documentaries
In Life (2020), a behind-the-scenes documentary accompanying their repackaged album In Life, captures the production of tracks like "Back Door" and the challenges of their first full-length release amid global uncertainties.[149] Tour films such as Dominate (2024) provide exclusive footage from their world tour, including rehearsal insights and stage preparations that emphasize their high-energy performances.[150]
Concert tours and exhibitions
Stray Kids embarked on their first headlining world tour, titled Unlock World Tour, in 2019, marking a significant milestone as their inaugural large-scale international performances following their debut. The tour commenced on November 23, 2019, at Olympic Hall in Seoul, South Korea, and featured shows across Asia and North America, concluding in February 2020 with a total of 24 concerts that showcased their high-energy choreography and self-produced tracks. This outing highlighted the group's rising global appeal, drawing diverse audiences and setting the stage for future expansive tours.[151]A dedicated leg of the tour, known as District 9 Unlock in Japan, took place in December 2019, with performances at Marine Messe Fukuoka and Aichi Sky Expo Hall in Nagoya, emphasizing their growing popularity in the Japanese market through fan-focused setlists blending Korean and Japanese releases. These shows, produced in collaboration with Sony Music Japan, attracted thousands of attendees and included special elements like localized merchandise, reinforcing Stray Kids' connection with international fans early in their career.[151]In 2024–2025, Stray Kids launched their third world tour, World Tour, supporting their album of the same name, which began with a four-show residency at KSPO Dome in Seoul from August 24 to September 1, 2024, accommodating over 45,000 fans across the dates and featuring elaborate stage production with pyrotechnics and interactive visuals. The tour expanded to stadiums and arenas worldwide, including a North American leg in May 2025 with headline performances at T-Mobile Park in Seattle on May 24 and Oracle Park in San Francisco on May 28, where they performed to packed crowds exceeding 40,000 per show. An encore extension, <dominATE: celebrATE>, added two stadium concerts at Incheon Asiad Main Stadium on October 18–19, 2025, celebrating their fourth studio album Karma with extended setlists incorporating new material and fan-favorite anthems.[69][70]Throughout their tours, Stray Kids' setlists have evolved to reflect artistic growth, starting with debut-era tracks like "District 9" and "Hellevator" in the Unlock era, progressing to include hits from subsequent albums such as "Maniac" and "S-Class" in later shows, and culminating in with a mix of high-octane group performances and subunit showcases that adapt to venue scale. The tour achieved record-breaking attendance, grossing over $260 million and drawing more than 2.15 million fans across 54 shows, establishing it as the highest-grossing and most-attended K-pop concert tour in history, with individual stadium events like those in Latin America and Europe surpassing 100,000 cumulative attendees per leg.[152]Beyond tours, Stray Kids hosted their first exhibition, "We STAY, together," in Japan starting December 1, 2025, at Daimaru Umeda Store in Osaka, as a tribute to the fifth anniversary of their Japanese debut. The interactive display features immersive installations, photo zones, and memorabilia tracing their journey, with subsequent stops in Fukuoka, Tokyo, Shizuoka, and Aichi through May 2026, allowing fans to engage with thematic elements like light shows and message walls.[73]